SKU: HL.14041762
9.0x12.0x0.071 inches.
'Romance for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.' - Helen GrimeBorn in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the.
SKU: HL.49017927
ISBN 9790001158312. UPC: 884088566708. 9.0x12.0x0.161 inches.
Naji Hakim, born in Beirut in 1955, studied with Jean Langlais and Rolande Falcinelli and is one of the leading organ composers of today. His cycle of variations on the chorale 'Wie schon leucht uns der Morgenstern' was commissioned by 'Freunde der Musik am Liebfrauenmunster, Ingolstadt' and premiered by him on 14 September 2008 together with the oboist Georgi Kobulashwili. As is always the case in Naji Hakim's works, formal brilliance and elegant melody are combined with a sense of the individual tonal possibilities of the respective instrument. Concert piece of 8 minutes' duration.
SKU: MN.20-877
UPC: 688670208775.
This is the fifth volume of Robert Powell's flute and organ arrangements that we've published, and for good reason: people like them and ask for more. This is a sweet and introspective set, including favorites such as In the Garden and O Jesus, I Have Promised. These are not difficult for either player, but the fine craftsmanship makes them very appealing.
SKU: FZ.50163
ISBN 9790049501637. 21.00 x 29.70 cm inches.
This facsimile of an original by Andre Cheron is part of our Facsimusic collection. Trio sonatas for two flutes with continuo bass - Opus I. Ces sonates peuvent se jouer aussi avec des violons et des hautbois - Premier Oeuvre. Edition : Paris, Boivin, 1727. These trio sonatas are among the finest of all those published during the first half of the XVIIIth century. These trio sonatas may be played using 2 flutes, or 2 oboes, or 2 violins and continuo bass. Performance with oboe, violin and organ continuo sounds particularly well. Publication in separate parts: premier dessus - second dessus - continuo bass. At the end of the continuo part the avertissement pour le chiffre gives the meaning of the figures used. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: CA.5507549
ISBN 9790007171315. Text language: German/English.
For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and part available separately - see item CA.5507500.
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