lyric. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Lyrique

Vol. 2: Lyric-Dramatic. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century - reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores - meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint) - a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton

Opera's greatest moments are brought to life in this fantastic collection of Piano solos, featuring the most memorable, hum-able tunes from the world of opera! Includes the William Tell Overture, The Anvil Chorus, Largo al Factotum, The Ride of the Valkyries , and much more! All songs are arranged for the intermediate pianist. / Piano

Professional Books Series. 100 Arie d'Opera per strumenti in Do (Linea melodica con accordi). Professional Books series. / Opéra-opérette / Recueil / Instruments en Do

Référence unique par son ISBN 73999258608 cette partition musique n'est autre que Operatic Anthology Arias From Operas Vol.4 Baritone qui a été composée pour Voix Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50325860. / Voix Et Piano / 288 pages / Partition

Pour Mezzo Soprano Ou Contralto. Par DIVERS AUTEURS / SEMELLAZ. Born in Laval, Françoise Semellaz studied in Le Mans and Paris before embarking on a successful teaching career. Currently a professor at the Lille Conservatoire, she devotes herself to classical singing. As a vocalist herself, this compilation of Decouvrir L'Opera Français is well-informed. Containing airs for Mezzo-Sopranos and Contraltos, the accompaniment is helpfully recorded on the CD included. Airs include those by Boië ldieu, Delibes, Gounod, Massenet, Offenbach, Saint-Saë ns and Thomas. With a detailed preface and wide selection of Airs, Semellaz 's Decouvrir L'OperaFrançais is essential to all aspiring, advanced Mezzo-Sopranos and Contraltos. / Opéra-opérette / Recueil / Mezzo-Soprano ou Contralto et Piano

Opérette-Bouffe En Un Acte. Par OFFENBACH JACQUES. An opera buffa in one act by Offenbach, in Germany mainly known under the title of 'Salon Pritzelsberger', which has enjoyed continuous popularity since its world premiere in 1860 until the present day. Since original performance materials were lost after the death of the composer, several numbers like the overture and the legendary Trio italien could not be reconstructed in their original instrumentation. Therefore, the access to the autograph of the score granted to the editor Jean-Christophe Keck by the descendants of Offenbach was of inestimable value in order to publish this gem of opera literature in an authentic source-critical edition for the first time. In their variant of the 'Bourgeois Gentleman', Offenbach and his co-author, the Duc de Morny, President of the Ministry of Internal Affairs under Napoleon III, make fun not only of the airs and graces of the nouveaux riches but also of the musical star cult of the 19th century which apparently was hardly any different from that of today…/ Répertoire / Chant et Piano

Par OFFENBACH JACQUES. This is the last of nearly 100 operettas created by French composer Jacques Offenbach, a native of Germany whose works were most prominent in the latter half of the nineteenth century. His three-act drama Les Contes d'Hoffmann (The Tales of Hoffmann), which includes a prologue and epilogue, recounts dramatic stories of passion, murder, and revenge. Left incomplete at the composer's death, the operetta debuted in 1881 and remains popular to this day for its many memorable melodies. A masterpiece of French Romanticism, Les Contes d'Hoffmann embodies Offenbach's wish to transcend the limitations of his popular operettas and achieve success among the lofty heights of grand opera. This imaginative score presents an artful blend of fantasy, emotion, and the supernatural as well as elements of satire and the grotesque. Hoffmann, the narrator and protagonist, relates three stories to his drinking companions. The tales concern Olympia, who is revealed as a mechanical doll- Antonia, a gifted vocalist in danger of singing herself to death- and Giulietta, a Venetian courtesan who uses a magic mirror to purloin others' reflections. Reproduced from an authoritative score, this edition offers musicians and music lovers a modestly priced edition of Offenbach's enduring work./ Répertoire / Orchestre

A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano

Par NATTIEZ JEAN-JACQUES. Le monde de l'opéra - ses fidêles et ses critiques - est secoué depuis des décennies par un débat intense autour des enjeux de la mise en scêne lyrique : est-il légitime de qualifier certaines productions d'«infidêles» par rapport aux intentions du créateur? Qu'est-ce qui, au contraire, permet de parler de «fidélité»? L'objectif de ce livre est de tenter de déterminer par rapport à  quels aspects spécifiques de l'univers du créateur et de l'oeuvre, ces jugements ont été construits. L'auteur fonde son argumentation sur quelque deux cents trente productions européennes, américaines et canadiennes, et tout particuliêrement celles d'opéras de Berg, Bizet, Debussy, Haendel, Janà¡Äek, Mozart, Offenbach, Richard Strauss et Wagner. Chez ce dernier, la multiplicité des enjeux politiques, sociaux et idéologiques en fait la pierre de touche de toute mise en scêne lyrique. L'oeuvre de Patrice Chéreau est également au coeur de cette investigation, mais l'auteur en confronte constamment les enjeux avec les productions du Metropolitan Opera de New York, du Glimmerglass Opera Festival de Cooperstown (USA) et des Festivals d'Aix-en-Provence et de Bayreuth. / Broché / Livre / Livres

This easy arrangement of the famous gondola boat song from Offenbach's 1881 opera The Tales of Hoffman is the perfect way to strengthen your young orchestra's legato playing skills. Slurs, crescendos, diminuendos, and a 3/4 time signature all add to the learning opportunities in this selection, making it a great 'change of pace' piece for contest, festival, or any concert. (2:10) Correlates to String Explorer Book 1, Unit 12. / Orchestre A Cordes