SKU: KN.52325
This accessible ballad, penned during Thad's later years in Denmark, is a rubato study in full-band expression. It opens with fortissimo brass, transitions to a quiet midsection showcasing saxes/woodwinds, then recaps the strong opening before going out very quietly with soprano (or alto) sax and trombones only in the final bars. No improvised solos are required. Duration 4:00.
SKU: CL.CTS-7747-00
This classic continues to be one of the Master composer’s most performed works. The dazzling opening theme full of harmonic devices and rhythmic zeal is classic Smith. A lush and delicate Andante section follows before returning to the sparkling main theme. This remarkable work is not to be missed!
SKU: CF.O5368
ISBN 9780825836190. UPC: 798408036195. 9 X 14 inches.
Fábulas (Fables), the first work of Carlos Rodriguez to be published by Pembroke Music (a division of Carl Fischer), was commissioned by the Los Angeles Philharmonic Association. It was premiered by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen on April 10, 1996. The piece, an extended one-movement structure involving a large orchestra with a very full percussion section, is concerned with narrative forms in purely symphonic terms, ie. - without an actual program. The musical sequence of the piece, in three continuously evolving sections lasting about 15 minutes overall, is derived from the very opening 12-note string chord arrayed in a pattern of perfect 5ths and minor seconds extending over four octaves. The central core of the piece, subtitled Six Anagrams, involves a highly unusual and original application of the 12-note concept. Each pitch in the row is assigned a letter so that the row spells out the phrase voice leading. The six anagrams are re-orderings of this sequence into six new rows, which are then subjected to canonic development. The resulting sophisticated game provides Fábulas, with a rare degree of musical coherence. A fascinating work that rewards detailed analysis, Fábulas, is so brilliantly scored that it dazzles on its own terms, as sound, even without detailed examination of its elaborate underpinnings.
SKU: HL.300638
UPC: 888680962968. 5.0x5.0x0.2 inches.
Since opening on Broadway in 2016, Dear Evan Hansen and its award-winning score by composers Benj Pasek and Justin Paul have become a force for good in the discussion of mental well-being. This remarkable Act I closer incorporates a text young people need to hear: “you are not alone.â€.
SKU: BP.BP2332
UPC: 748769023327. 6.875 x 10.5 inches.
Amid many settings of Christ's prayer, this new setting stands out for its artfulness without unnecessary difficulty. Careful voiceleading and accompaniment will guide your choir in this through-composed setting from its gentle opening to its dramatic climactic moments and its closing Amens.
SKU: HL.1423731
UPC: 196288200215.
Immerse your choir in the timeless beauty of â??Be Thou My Vision,â? elegantly arranged by Paul John Robinson. This rendition of the revered 8th-century Irish hymn is a masterful interpretation, gradually building from a gentle opening to an awe-inspiring finale. With skillful key changes and a captivating progression through stanzas, Robinson's arrangement is a testament to exquisite simplicity and profound musicality.
SKU: CA.1002503
ISBN 9790007145828. Text language: German.
Johann Heinrich Rolle was born in 1716 in Quedlinburg. In 1752 he was appointed music director of the city of Magedburg. The cantata Siehe Finsternis bedeckt das Erdreich und Dunkel der Volker was written for the feast of Christmas. We do not know the year of its first performance. The libretto is by Johann Samuel Patzke. The cantata comprises six movements, framed by an extended and festively-orchestrated opening chorus and a simple four-part chorale movement. The first movement, with its unusual harmonies and contrasting tempi, is very distinctive. Score available separately - see item CA.1002500.
SKU: AP.49524
ISBN 9781470649364. UPC: 038081570143. English.
Otter Point Holiday, by Robert Sheldon, begins with a playful, fast tempo with interesting harmonies and meters, students will be immediately enamored by this piece. There is a contrasting, beautiful, and expressive lyrical section that follows before the opening feel returns---bringing the piece to an exciting conclusion. This delightful work is very tuneful and filled with joy! (4:09).
SKU: CA.9710312
ISBN 9790007239084. Language: all languages.
Gatti, a contemporary companion of Leopold and W. A. Mozart, composed this Concertone, that is published here for the first time, in 1769 for the opening of the Teatro Bibiena in Mantua, where the young Mozart, only five weeks later, gave his second, well-received concert in Italy. Not only the charming solos (apart from the two violins there is also a cello and an oboe) remind us of Mozart's composition of the same name that was composed four years later (KV190). Score and part available separately - see item CA.9710300.
SKU: BP.HB777
UPC: 748769307779. 8.5 x 11 inches.
Fanfare and Intrada is a bold and original 3-5 octave handbell composition by Jason W. Krug. The piece opens with a grand fanfare, with the bells ringing out in triumphant bursts of sound that build in intensity. A more reflective middle section offers a respite before the return of the driving rhythm of the opening. This exciting original is not to be missed!
SKU: LO.10-5592L
ISBN 9780787774233.
This delicate and elegant setting of the traditional Polish carol beautifully captures the quiet nature of the carol in regal and sophisticated fashion. Opening with with a breathtaking verse led by the sopranos and altos with creatively interwoven harmonies and melodies the second verse opens with tenors and basses before joined by the women with lush harmonies textures that open up and develop through the duration of the piece. The optional string orchestra and percussion accompaniment makes this piece shine as a standout moment for your Christmas service or concert.
SKU: CA.1002513
ISBN 9790007189235. Text language: German.
Johann Heinrich Rolle was born in 1716 in Quedlinburg. In 1752 he was appointed music director of the city of Magedburg. The cantata Siehe Finsternis bedeckt das Erdreich und Dunkel der Volker was written for the feast of Christmas. We do not know the year of its first performance. The libretto is by Johann Samuel Patzke. The cantata comprises six movements, framed by an extended and festively-orchestrated opening chorus and a simple four-part chorale movement. The first movement, with its unusual harmonies and contrasting tempi, is very distinctive. Score and part available separately - see item CA.1002500.
SKU: WD.080689586392
UPC: 080689586392.
Ginger Breadhouse, Carolyn Bells, Holly Branch, Candy Cane, Mary, and...Ned, Ted and Jed! These are a few of the names to be found among the cast of the new Simply WordKidz Christmas musical, The Christmas Cross! Created by Jeff Slaughter, with tracks produced and arranged by the team of Preston and Spencer Dalton, The Christmas Cross is a super-easy-to-learn, 27-minute musical designed to help you celebrate the season with the perfect setting for your kids choir!
SKU: CF.W2695
ISBN 9781491159958. UPC: 680160918546.
This celebratory and dramatic rendition of The Star-Spangled Banner arranged for brass and percussion by Sean O'Loughlin has become a favorite of both the Oregon Symphony and Baltimore Symphony brass players, being played at sporting events including Portland Trailblazers NBA basketball games, Baltimore Orioles baseball games, and Baltimore Ravens football games.With fanfare flourishes and colorful touches, this grand arrangement gives each section an opportunity to play the melody, making for a truly dynamic experience.In the winter of 2009 my good friend David Bamonte, who is the assistant principal trumpet in the Oregon Symphony, asked if I had written an arrangement of The Star-Spangled Banner for brass. The result is this version of The Star-Spangled Banner that was premiered at a Portland Trailblazers NBA basketball game at the Rose Garden in Portland, Oregon. It has enjoyed several performances at those games over the years, and the team has been led to victory after each performance. Coincidence? Over the past decade, this same arrangement has gone on to performances by the Baltimore Symphony brass and percussion at the Baltimore Orioles baseball games and the Baltimore Ravens football games.The arrangement itself was written to showcase the extraordinary talent and sound of the Oregon Symphony Brass players. Percussion parts were added later for an expanded performance. A brief opening and closing fanfare was added to set the stage for the tone and grandeur of the music. Throughout the arrangement, each section gets the opportunity to play the melody while adding some interesting colors to support the iconic anthem. It is instantly majestic and celebratory in nature and a fitting tribute to our great nation.
SKU: PL.9320
An exuberant exclamation opens this Gloria, giving the musical and spiritual character as well as the thematic material for both opening and closing sections of the work. Frequent meter changes and lively syncopations are combined to create a rhythmic electricity. The organ accompaniment is full of vigor and is complementary to the choral parts, using to the fullest the tonal palate of the organ and the abilities of the organist.
SKU: CA.3105221
Language: German/English. Text: Birkmann, Christoph.
It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.
SKU: TM.03483SET
Sung by Amneris and Radamer. Act IV Scene 1 complete (sc pg 344-382). See #03814 L'abborita rivale a me sfuggia for opening solo only.
SKU: KN.KCS2304
12 x 9 inches.
Filled with life and vitality this piece is contemporary and fresh. The bold, colorful harmony is blended perfectly with interweaving melodic lines. This would be a wonderful selection for an opening or closing concert piece.
SKU: GO.523
SKU: PR.114423130
ISBN 9781491137574. UPC: 680160691029.
Hailstork’s beautifully lilting SICILIANA for solo English horn is actually structured as a recitative and aria: a dramatic prelude serves as a soliloquy with question-like pauses, teasing our ears forward. This opening unfolds into a gorgeous rendering of the traditional 12/8 dance form, full of soaring melodies and elegant arabesques. SICILIANA’s technical demands are within the reach of students looking for unaccompanied contest repertoire, while the expressive potential is enticing for advanced players in any setting. This 6-minute work has been recorded for Navona Records by Elizabeth Starr Masoudnia of the Philadelphia Orchestra.
SKU: ST.Y290
ISBN 9790220223228.
Winner of the 2011 Stainer & Bell Award for Brass Composition held at the Royal Welsh College of Music and Drama, Timothy Wilson's Avidity is a dynamic endorsement of the competition's aim to provide exciting new brass music for schools, conservatoires and professional ensembles. Generated by the composer's skilful invention and purposeful structure, its fast-moving six-minute sonata form for brass quintet delivers the musical counterpart of the eagerness and expectancy implied by its title. In the outer sections of Avidity strongly accented rhythms command the attention, with arresting unisono phrases balanced by effervescent staccato passages. The level of energy is sustained through unexpected rhythmic twists and turns distorting the pulse of the music, with striking crescendi and strong dynamic contrasts that are a particular strength of the brass idiom. There is respite however, with two episodes of solemn, chorale-like material whose arched lines sound no less well on the five instruments. But the last word is with the opening theme, returning with unstoppable momentum and concluding Avidity with a decisive cadence of abrupt repeated chords.
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