Piano reduction of the Concerto for Cello and Orchestra. Includes Score and Part.

The full score of Ruders' first Symphony subtitled Himmelhoch jauchzend - zum Tode betrübt. Written for large orchestra.

Score-This 1975 work was commissioned by the National Endowment for the Arts as part of the American bicentennial celebrations. It was premiered by the Detroit Symphony Orchestra conducted by Aldo Ceccato on April 1 1976. Mostly themusic is based on original themes by Gould although there are a few references to actual traditional spirituals highly transformed by the composer. His intention was to reflect a sound of America's musical heritage in thisbicentennial work. 2 Piccolo 2 Cor Anglais 2 Eb Clarinet Bass Clarinet 2 Contrabassoon Timpani 3 Percussion Harp Piano Strings.

No. 4 - Mambo-Perlen-This volume in the Peer-Potpourris series contains the song Mambo-Perlen arranged by Eric Hein for Salon Orchestra with parts for the following instruments:Piano; C instrument (with chord symbols); Guitar; Drums; Bass; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1. Trumpet; 1st Trombone.

Albert W. Ketèlbey's With Honour Crowned for Orchestra. Piano Conductor Score/Parts.

Set of Parts-Charles Ives' The Alcotts arranged for String Orchestra (5-5-3-3-3) by John Boyd.

Bøhmisk-Dansk Folketone-Bohemian-Danish Folk Songs / Bøhmisk-Dansk Folketone - Paraphrase for String Orchestra by Carl Nielsen (1928).

Concerto Instrumentation : violin and orchestra Version : study score Date de parution : 09/05/1989 Nombre de pages : 126

Evening Land for Orchestra (2015-17). Commissioned by The New York Philharmonic Society and Alan Gilbert Musical Director with the generous support from the Marie-Josée Kravis Prize for New Music. Premiered by The New York Philharmonic and Cristoph von Dohnany (cond.) on November 30 2017 Parts are available on hire@ewh.dk

Full Score for Orchestra of George Benjamin's stunning Ringed By The Flat Horizon. 'This work contains some of the most startlingly precise storm music ever written - it seems less evocation than the sound of the thing itself. But there is more to it than that: Eliot's lines suggested form for the music and the piece is music and not just illustration. It moves through an original and convincing musical logic which is realized through a masterly control of varied sonorities'.Richard Dyer. Boston Globe September 1987