By Craig Duncan. For Viola. Ensemble (mixed). Fiddle Tunes. Level: Beginning. Book. Size 8.75x11.75. 80 pages. Published by Mel Bay Publications, Inc.

Composed by Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. Published by Cherry Lane Music

Composed by Ludwig Goransson. Arranged by Larry Moore. Pop Specials for Strings. Movies. Softcover. Published by Hal Leonard

Piano Solo. By Augusta Read Thomas. Piano. Softcover. Size 9x12 inches. 24 pages. Published by G. Schirmer, Inc.

(Melody, Lyrics and Simplified Chords for 100 Songs in the Key of C). By Various. Fake Book. Softcover. 290 pages

(Hal Leonard Student Piano Library Composer Showcase Late Intermediate Level). By Jennifer Linn. Educational Piano Library. Softcover. 24 pages. Published by Hal Leonard

By Hank Williams. Guitar Chord Songbook. Softcover. 144 pages. Published by Hal Leonard

For solo marimba. Composed by Dustin Schulze. Solos: Marimba and Xylophone. Printed Folio. Tapspace Publications #TSPCS19-011. Published by Tapspace Publications

Orchestra (4(2picc).3(cor ang).heck.Eb-clar.2.Bb-clar(clar).4(dble bsn) - 8(4T-tuba).2alphn.4.4.2 - org.cel - 2hp.2timp.perc(6).wind m.thunder m - str - off stage: 12hn.2trp.2tbne)

SKU: BR.PB-5710

Tone Poem - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Symphonic poem; Late-romantic; Early modern. Sheet Music. 204 pages. Duration 50'. Breitkopf and Haertel #PB 5710. Published by Breitkopf and Haertel (BR.PB-5710).

ISBN 9790004216477. 10.5 x 14 inches.

Richard Strauss's last completed tone poem is regarded as the pinnacle of his art of orchestration: Now I've finally learned to orchestrate, he himself is once supposed to have said about it after the dress rehearsal. The single-movement Alpine symphony that we know today ultimately evolved - over almost 15 years - from the original drafts of an artist's tragedy, titled Der Antichrist. Eine Alpensinfonie [The Antichrist. An Alpine Symphony] up to the stage of the last sketches. With unprecedented plasticity, the work showcases a (metaphysical?) mountain hike with stops in the forest, at the waterfall, on the alpine pasture and, of course, at the summit. Apropos alpine pastures: up to the score's fair copy stage, Strauss envisaged a high and a low alphorn for the section Auf der Alm [On the Alpine Pasture] and the well-known Dulioh theme, though for various reasons first detailed in our new Urtext edition, these exotic instruments did not find their way into the printed version. In the new edition, the editor, Nick Pfefferkorn, reproduces the alphorn passages in small print, also adding two alphorn parts to the performance material, besides evaluating the corrections made by Walter Seifert at Strauss's request.

First Urtext edition since the first editionEvaluation of all available sources, including sketches and the score corrected by Walter Seifert Extensive preface on the work's compositional history and receptionDetailed Critical ReportFacsimile pages.