Widely considered the most important of the Russian nationalist composers Moussorgsky finished relatively few works in the course of his tragically short life. His unorthodox techniques made a considerable impression on later composers. A Night On Bald Mountain is a brilliant example of Moussorgsky's unique sense of theatrical effect and was completed and orchestrated by Rimsky-Korsakov after the composer's death. This work is a staple part of the orchestral repertoire.

for Pianoforte and Orchestra op. 73-Many wholly new corrections in the solo and orchestral parts.Piano reduction with a separate solo part as was customary in Beethoven’s day.With Beethoven’s continuo figures for the first time in a modern edition.Beethoven’s fifth and final Piano Concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work’s performance.The editor Jonathan Del Mar has closely scrutinised the autograph solo piano part and reproduced Beethoven’ssophisticated performance instructions for the first time in a modern edition. Among other things this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4 the Piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the Piano.

Piano Adventures?-The Piano Adventures?: Gold Star Performance Level 2B is an adventurous collection for the late-elementary pianist featuring changing moods keys and hand positions. The series offers performance pieces ???with a challenge.??? This collection may also be used as a graduation book to improve artistic technical and rhythmic skills before advancing to the next level.As the title Gold Star suggests these pieces are especially appropriate for recitals and other musical events. A broad range of styles are presented to enhance the young musician???s awareness of classical jazz folk and impressionistic sounds. Pieces need not necessarily be taught in theorder presented.The Gold Star Performance CD is a discovery in sound for both listening and play-along. Repeated listening with and without the score will familiarize students with diverse musical textures and sonorities an ancient Chinese folk song a gypsy dance by firelight a humorous ???blues??? or a sonatina accompanied with orchestra.The educational recordings provide more than student demonstration they provide settings in harmony style and rhythm which explore the expressive and dramatic qualities of the piano. Solo piano performances superlatively performed by Randall and Nancy Faber are included at the end of the CD.Gold Star characteristics of each piece are listed in the table of contents and a Gold Star music dictionary and certificate conclude the book.G-O-L-D Star Performance: a Guide Offering Lyricism and Drama at the Keyboard!

Par REUTTER HERMANN. Détails de la formation instrumentale: 2 · 2 (2. auch Engl. Hr.) · 2 · 2 - 4 · 3 · 3 · 0 - P. S. (Trgl. · Beck. · Tamb. · Rührtr. · kl. Tr. · Holztr. · gr. Tr. m. Beck. · Kast. · Glspl. · Xyl.) (2 Spieler) - Str. (mind. 12 · 10 · 8 · 6 · 4) - Durée: 25' -/ Répertoire / Piano et Orchestre

Par STRAVINSKY IGOR. Détails de la formation instrumentale: 3(III=picc).2.corA.3(II=Eb Clarinette,III=bcl).2-4.2.3.1-timp-string quartet-strings - Durée: 17' -/ Répertoire / Piano et Orchestre

Concerto pour du Tippett Piano - écrit entre 1953 et 1955 - peut être considéré comme un commentaire du milieu du XXe siècle et une réaction contre, de types de l'ancien concerto héroïque et percussion. Son inspiration initiale est venue lorsque Tippett entendu Gieseking répéter le premier mouvement du quatrième Concerto pour Piano de Beethoven pour un concert en 1950. Tippett écrivit plus tard de la genèse de son propre concerto: ' Sous l'influence d'une performance exceptionnellement poétique pourtant classique du mouvement de Beethoven, je me suis retrouvé persuadé qu'un concerto contemporain pourrait être écrit, dans lequel le piano est utilisé une fois de plus pour ses capacités poétiques. ' Hormis les influences de jeu self-acknowledged, la principale influence sur le langage musical du concerto, comme le reconnaît Tippett lui-même, a son propre opéra The Midsummer Marriage, où il venait de terminer. Comme le compositeur lui-même des commentaires sur son concerto, ' la musique est riche, linéaire et lyrique, comme dans cet opéra '. / Piano Et Orchestre

Concerto pour Piano de Schumann est connu dans le monde entier, mais malgré sa popularité, il reste dans un certain sens un travail inconnu. L'objectif de cette édition n'est pas seulement de fournir un score de critique de le oeuvre, mais en même temps pour indiquer quelles questions de détail devrait faire l'objet de recherches futures. L'analyse critique offert ici donc discussion d'offres de la relation entre la version de Fantasia un mouvement et la version de Concerto pour trois mouvements, le problème de la transition de la deuxième à la troisième mouvement et une série de questions relatives à la version terminée en 1853. Un livret de fac-similés complète le volume. / Piano Et Orchestre