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Piano and Orchestra
INSTRUMENTS
INSTRUMENTS
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BOOKS
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CHORAL - VOCAL - CHOIR
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Concerto Op. 33
Piano and Orchestra
Schott
/ Piano Et Orchestre
43.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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Franz Joseph Haydn: Concerto for Piano: Piano: Part
Piano Quintet: piano, 2 violins, viola, cello
[Sheet music]
G. Henle
Concerto for Piano (Harpsichord) and Orchestra
5.75 GBP - Sold by Musicroom UK
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Boom Of The Tingling Strings
Piano and Orchestra
Schott
Inspiriert vom gleichnamigen Gedicht des Schriftstellers D. H. Lawrence schrieb ...
(+)
Inspiriert vom gleichnamigen Gedicht des Schriftstellers D. H. Lawrence schrieb Ex-Deep-Purple-Mitglied Jon Lord dieses viersätzige Werk für Klavier und Orchester. Eine melancholisch-nostalgische Reise in die Kindheit mit einem furiosen Finalsatz. / Piano Et Orchestre
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Franz Joseph Haydn: Trumpet Concerto In B Flat: Trumpet: Instrumental Work
Trumpet, Piano
[Reduction]
Boosey and Hawkes
The present Concerto for B Flat Trumpet and Orchestra was written in 1796 and de...
(+)
The present Concerto for B Flat Trumpet and Orchestra was written in 1796 and dedicated to A. Weidinger a trumpet player of the Court Opera Orchestra in Vienna. Weidinger improved the Trumpet by applying the keys to it covering side holes and thus making possible the playing of chromatic notes between the natural notes. Haydn employs chromatic passages extensively in his Concerto.Arranged here with Piano accompaniment by Harold Perry and edited by Ernest Hall.
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Béla Bartók: Viola Concerto Op. Posthumous: Viola: Instrumental Work
Viola and orchestra
Boosey and Hawkes
This is a fantastic work in the concert repertoire for Solo Viola with its lyri...
(+)
This is a fantastic work in the concert repertoire for Solo Viola with its lyrical integrity and virtuosic passages this truly is an exciting Concerto for Viola and Orchestra. This version is for Viola with Piano reduction.The solo viola part is also included on a separate insert and has been edited by William Primrose.
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Reflections On Shenandoah (ISRAELS CHUCK)
Piano and Orchestra
Advance Music
Par ISRAELS CHUCK. Langue: English(US)/Italiano/ Recueil / Jazz Solistes, Piano ...
(+)
Par ISRAELS CHUCK. Langue: English(US)/Italiano/ Recueil / Jazz Solistes, Piano et Orchestre
155.40 EUR - Sold by LMI-partitions
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Wolfgang Amadeus Mozart: Piano Concerto No.25 In C K.503: Piano: Part
Piano and Orchestra
[Part]
Barenreiter
Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) ...
(+)
Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians takeall available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Johann Sebastian Bach: Italian Concerto BWV 971 With Fingering: Piano:
Piano solo
[Sheet music]
Barenreiter
With fingerings by Renate Kretschmar-Fischer. The popular work known today as th...
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With fingerings by Renate Kretschmar-Fischer. The popular work known today as the Italian Concerto was published as Part 2 of Johann Sebastian Bach’s Clavier-Ãœbung in 1735 together with the Overture in B minor (BWV 831). Publications of music were a rarity in those days and it stands to reason that Bach would select only pieces he found superior and representative. Originally written for a two-manual Harpsichord this music with its terrace dynamics alternating between Piano and Forte also reveals its full beauty when played on a modern piano with the soloist vying with an imaginary orchestral tutti. Thisedition presents the Urtext of the »New Bach Edition« at the cutting edge of Bach scholarship. The fingerings have been added by Renate Kretschmar-Fischer an internationally renowned pianist and teacher offering valuable suggestions for study and lessons. Rounding off this volume is an informative introduction discussing the work’s genesis source tradition as well as fingering on the modern Piano. Urtext edition without fingering available as BA5194.
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Concerto F# Minor Op. 20 (SCRIABINE ALEXANDER)
Piano and Orchestra
Eulenburg
Par SCRIABINE ALEXANDER. Durée: 30', Format: ETP small/ Répertoire / Piano et ...
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Par SCRIABINE ALEXANDER. Durée: 30', Format: ETP small/ Répertoire / Piano et Orchestre
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Grande Fantaisie Symphonique (LISZT FRANZ)
Piano and Orchestra
[Sheet music]
Breitkopf & Härtel
Par LISZT FRANZ. Editeur(s) d'origine: ZIMMERMANN, R -THIELE, M/ Répertoire / P...
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Par LISZT FRANZ. Editeur(s) d'origine: ZIMMERMANN, R -THIELE, M/ Répertoire / Piano et Orchestre
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Czerny, Carl : Easy Studies Vol. 1 for Piano and Orchestra
Piano and Orchestra
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Easy
De Haske Publications
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Concerto pour piano et orchestre n° 2 en fa mineur Opus 21 / Concerto for Piano and Orchestra No. 2 in F minor Opus 21 (Chopin, Frédéric)
Deutsch
2 Pianos, 4 hands
[Sheet music]
G. Henle
[Konzert für Klavier und Orchester Nr. 2 f-moll Opus 21] / Classique / Editeur ...
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[Konzert für Klavier und Orchester Nr. 2 f-moll Opus 21] / Classique / Editeur : Ewald Zimmermann / Réduction piano : Ewa / Partition / Broché /
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Poul Ruders: Paganini Variations - Piano Concerto No.3: Piano: Score
Piano solo
Wilhelm Hansen
Paganini Variations - Piano Concerto No.3 by Poul Ruders. The original guitar-pa...
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Paganini Variations - Piano Concerto No.3 by Poul Ruders. The original guitar-part (for Guitar Concerto No. 2) arranged for Piano and pianist Anne-Marie McDermott by the composer 2014.Piano solo part: WH32201CParts are available for hire: hire@ewh.dk Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on NicoloPaganini´s famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it being hauled through 'the wringer' by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I´ll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune it´ll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn´t end there and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years latersuggested 'why not transcribe the solo part for piano?'. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it 'the
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Concerto #5 D Major With Rondo D Major Kv 175 / Kv 382
Piano and Orchestra
Eulenburg
/ Piano Et Orchestre
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Bryars G. - Piano Concerto (the Solway Canal) - Chorale
Choral TTBB
TTBB, Piano
Schott
for solo piano, male choir (TTBB, 18 voices) and orchestra / piano, male choir (...
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for solo piano, male choir (TTBB, 18 voices) and orchestra / piano, male choir (TTBB, 18 voices) and orchestra
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Legend
Piano and Orchestra
Schott
/ Piano Et Orchestre
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Leonard Bernstein: Age Of Anxiety [Symphony 2]: Piano: Score
Boosey & Hawkes
Symphonie Nr. 2-Full score to Bernstein's second symphony for solo piano and orc...
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Symphonie Nr. 2-Full score to Bernstein's second symphony for solo piano and orchestra.
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George Dyson: Concerto Leggiero (Piano Solo Part): Piano: Instrumental Work
Piano solo
[Sheet music]
Novello & Co Ltd.
This work was composed in 1951 for Piano and Strings. This edition is the Piano ...
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This work was composed in 1951 for Piano and Strings. This edition is the Piano Solo part which also includes Piano II which is the reduction for Orchestra.
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Maurice Ravel: Tzigane For Violin And Piano: Violin: Score
Violin and Piano
G. Henle
Tzigane for Violin and Piano-Maurice Ravel's Tzigane for Violin and Piano. Urtex...
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Tzigane for Violin and Piano-Maurice Ravel's Tzigane for Violin and Piano. Urtext edition full score.Composed in 1924 there are three versions of this work: with Piano with Orchestra and with Luthéal a device forKeyboard instruments to extend the timbre.?Virtuoso piece in the style of a Hungarian rhapsody? thus reads Ravel?s entry on Tzigane in the so-called 'Autobiographical Sketch'.Tzigane was inspired by the Hungarian-English violinist Jelly d?Aranyi to whom Ravel had already promised a virtuoso piece in 1922 following Franz Liszt?s ?Hungarian Rhapsodies?. Work progressed slowlyand d?Aranyi only received the music four days before the première but she still gave a brilliant performance.
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Concerto #2 A Major
Piano and Orchestra
[Study Score / Miniature]
Eulenburg
/ Piano Et Orchestre
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Elegy For French Horn And Orchestra. Arranged By M. Buyanovsky And V. Buyanovsky. Piano Score And Part
French Horn and Piano
[Sheet music]
Kompozitor
/ Cor Et Piano / 40 pages / Partition
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Colin Cowles: Sonata For Soprano Saxophone And Piano: Soprano Saxophone:
Soprano Saxophone and Piano
[Sheet music]
Spartan Press
Jack Brymer premièred this work originally called 'Sopsonare' in 1973 at th...
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Jack Brymer premièred this work originally called 'Sopsonare' in 1973 at the American School at St. John's Wood playing on Michael Krein's Selmer soprano saxophone. This Sonata the first composition for saxophone by Colin Cowles was inspired by the acquisition of a soprano saxophone whilst teaching in Hemel Hempstead in the early 1970s. Although having played on a simple system soprano as a boy (an instrument borrowed from and taught him by his father) this re-introduction to the instrument was to kindle a life-long love of the complete saxophone family and the composition of an almost endless 'library' of works for it at all levels. It was also at a time whenthe composers had made recent acquaintance with the eminent saxophonist Peter Ripper and had been introduced to the saxophone quartet by the recently formed London Saxophone Quartet whose leader Paul Harvey was to play this Sonata and the Elegy for Soprano Saxophone and String Orchestra. He in fact premiered the latter work which Jack Brymer then played in public on a number of occasions. It was recorded by Peter Ripper with the composer at the piano at the BBC Maida Vale Studios. It is a totally non-esoteric work but like so much of the composer's music it is fun and approachable bearing repetition without becoming tedious. The composer has always favoured the Bb saxophones (soprano and tenor) which is reflected by his output. Of particular note are: • Concerto for Tenor Saxophone and Orchestra• In Memoriam for Tenor Saxophone and String Orchestra• Sonata for Tenor Saxophone and Piano • Three Bala Sketches for Tenor Saxophone and Piano. This Sonata for Soprano Saxophone and Piano and the Elegy for Soprano Saxophone and Strings are particular favourites of the composer.
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Wolfgang Amadeus Mozart: Piano Concerto No.17 In G K.453: Piano: Parts
Piano and Orchestra
Barenreiter
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) ...
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Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Immobilité Sérieuse I Pour Piano Et Orchestre A Cordes (Materiel)
Français
Piano and Orchestra
Delatour France
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de piÃ...
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Immobilité sérieuse I ', écrite en 2013, est la première d'une série de pièces pour instrument solo et orchestre à cordes de Sophie Lacaze, Hommage à Erik Satie, ' Immobilité sérieuse I ' est basée sur un motif tiré des ' Vexations ' que Satie avaient composées pour le piano, et qui avaient été créées à New York par John Cage et plusieurs de ses amis pianistes le jour de la naissance de la compositrice,' Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses ', Erik Satie, / Piano Et Orchestre
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Piano Concerto No 6 Op. 99 (TCHEREPNINE ALEXANDER)
Piano and Orchestra
Belaieff
Par TCHEREPNINE ALEXANDER. Détails de la formation instrumentale: Picc.2.2.2 - ...
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Par TCHEREPNINE ALEXANDER. Détails de la formation instrumentale: Picc.2.2.2 - 4.2.3.1 - P. S. (Kast. · Woodbl. · Trgl. · Crot. · kl. Tr. · Tamb. · Mil. Tr. · Beck. · gr. Tr. · Glsp. · Xyl. · Gl.) - Hfe. - Str. - Durée: 24' -/ Répertoire / Piano et Orchestre
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Immobilité Sérieuse I Pour Piano Et Orchestre A Cordes (Conducteur)
Français
Piano and Orchestra
Delatour France
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de piÃ...
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Immobilité sérieuse I ', écrite en 2013, est la première d'une série de pièces pour instrument solo et orchestre à cordes de Sophie Lacaze, Hommage à Erik Satie, ' Immobilité sérieuse I ' est basée sur un motif tiré des ' Vexations ' que Satie avaient composées pour le piano, et qui avaient été créées à New York par John Cage et plusieurs de ses amis pianistes le jour de la naissance de la compositrice,' Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses ', Erik Satie, / Piano Et Orchestre
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Concerto In E Flat Major For Saxophone And Orchestra. Arranged For Viola And Piano. Konsert In Es-Dur Für Saxophon Und Orchester. Vertonung Für Bratsche Und Klavier.
Viola, Piano
[Sheet music]
Sojuz hudozhnikov (SPb.)
/ Alto Et Piano / 27 pages / Partition
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Concerto A Minor Op. 16
Piano and Orchestra
Eulenburg
/ Piano Et Orchestre
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Gioachino Rossini: Introduction Theme and Variations - Piano Score: Clarinet:
Clarinet and Piano
[Sheet music]
-
Intermediate/advanced
Sikorski
A superb Piano reduction of Rossini's work for Clarinet and Orchestra. This Pian...
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A superb Piano reduction of Rossini's work for Clarinet and Orchestra. This Piano Score by Jost Michaels.
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PUCCINI G. - LE WILLIS - CHANT ET PIANO
Voix solo - piano
RICORDI
Here, appearing for the first time, is the piano vocal score of Le Willis, Giaco...
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Here, appearing for the first time, is the piano vocal score of Le Willis, Giacomo Puccini’s first stage work, whose full score remained unpublished until 2020, when it was issued by Casa Ricordi (NR 139546).The critical edition by Martin Deasy is based, as far as the first six Numbers are concerned, on the autograph score that Puccini reutilized for composing Le Villi. The autograph pages incorporating the final Number – pages that were later removed, in order to make space for the new material produced for Le Villi– are also proposed as the principal text.Pursuing an innovative philological approach, the editor has, furthermore, taken into due consideration the contemporaneous printed editions of the piano vocal score, on the assumption that they constitute the principal collateral sources, if one considers the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor proves that the vocal material produced for the first performance of Willis was not copied from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI
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