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Piano and Strings
VIOLONCELLO - CELLO
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Gerard Schurmann: Quartet For Piano And Strings: Chamber Ensemble: Score
Piano Quintet: piano, 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Quartet For Piano And Strings
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Johannes Brahms: Piano Quintet in F minor op. 34: Chamber Ensemble: Instrumental
Piano Quintet: piano, 2 violins, viola, cello
Barenreiter
Op. 34-Bärenreiter?s scholarly-critical edition of Brahms? popular Quintet in F...
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Op. 34-Bärenreiter?s scholarly-critical edition of Brahms? popular Quintet in F minor for piano and strings contains everything a cutting edge Urtext edition is meant to offer. It presents a solid and well researched musical text based on Brahms? autograph as well as the first edition and draws on the autograph of the two-piano version (composed six years later) for purposes of comparison. The edition also contains a discussion of the work?s historical context and performance practice as well as a comprehensive Critical Commentary with an evaluation of the sources and alternative readings.The editor Daniel Boomhower deals with the conflicting readings between the stringparts in the autograph engraver?s copy and those found in small print in the first published score as well as in the separate parts for that edition. Relevant readings from the two-piano version appear in the appendix of the Critical Commentary.New Bärenreiter Urtext editionExhaustive study of conflicting readingsNotes on performance practice (Eng/Ger)Informative Foreword (Eng/Ger) and Critical Commentary (Eng)
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Ludwig van Beethoven: Sextet Based On The Piano Concerto: Piano & Strings: Score
Piano Quintet: piano, 2 violins, viola, cello
Barenreiter
arranged for Pianoforte and String Quintet-Concerto for Pianoforte and Orchestra...
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arranged for Pianoforte and String Quintet-Concerto for Pianoforte and Orchestra No.4 Op.58: arranged for Pianoforte and String Quintet.Piano Violin (2) Viola (2) Violoncello.This anonymous sextet arrangement of Beethoven’s Fourth Piano Concerto was highly popular in Vienna during the composer’s lifetime. We know this from at least two sets of handwritten parts which were then in circulation.No Piano part has been handed down; indeed the original sets of parts probably omitted the Piano.The soloist presumably studied his part from the first edition of the solo part published with the original performance material in 1808. (The full score did not appear until 1861).The sextetversion deftly integrates the original wind parts into the string texture. The arrangement stands in the tradition of Piano reductions with chamber music accompaniment of the sort which were also made for Mozart’s Piano concertos K.413 to 415 and later for the Chopin concertos.This Urtext edition edited by the renowned Beethoven scholar Jonathan Del Mar presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.First ever publication of this arrangement.Includes a separate solo part as was customary in Beethoven’s day.Provides new possibilities for soloists to perform this work.
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Frédéric Chopin: Complete Works XVI: Chamber Music: Chamber Ensemble: Score and
Chamber Orchestra
PWM (Polskie Wydawnictwo Muzyczne)
for Cello and Piano Violin Cello and Piano Flute and Piano-Chopin's works for...
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for Cello and Piano Violin Cello and Piano Flute and Piano-Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.
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Judith Weir: Piano Quartet: Chamber Ensemble: Instrumental Work
String Trio: violin, viola, cello
[Sheet music]
Chester
Judith Weir: My Piano Quartet (2000) is part of an extended series of works for ...
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Judith Weir: My Piano Quartet (2000) is part of an extended series of works for piano and strings which I have written over the last twenty years - although I didn¹t know it was going to be a series when I wrote the first of these works Music for 247 Strings in 1980. During this period it has been far more usual for composers to write for mixed wind and string ensembles. But I continued (and still continue) to be fascinated by the potential of strings and piano; particularly the chance to write for the instruments as soloists or as a group and often to use both these options simultaneously.String Parts.Premiered July 2000 at the Cheltenham Festival by the SchubertEnsemble.Piano Score available: CH61794
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Christopher Bunting: Elegy For Cello And Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
S J Music
Christopher Bunting the cellist and composer has given concerts broadcasts an...
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Christopher Bunting the cellist and composer has given concerts broadcasts and master classes throughout Europe Australasia and the United States. He gave the first BBC Broadcast of the Elegy with the Pianist Ernest Lush and also was the soloist in a broadcast performance of his Concerto for Cello and Strings. His Essay on the Craft of 'Cello Playing is highly valued internationally by teachers and students alike for its detailed discussion of a large range of technical questions.
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Brahms J. - Quintet And Quartets For Piano And Strings
Piano Quintet: piano, 2 violins, viola, cello
Dover Publications
This superb selection includes full scores of four great standards of the repert...
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This superb selection includes full scores of four great standards of the repertoire: Quintet in F Minor, Op. 34; Quartet in G Minor, Op. 25; Quartet in A Major, Op. 26; Quartet in C Minor, Op. 60. Includes translation of Editor's Commentary.
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John Tavener: The Protecting Veil (Cello/Piano): Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
Written for Stephen Isserlis Tavener's 1989 masterpiece The Protecting Veil fo...
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Written for Stephen Isserlis Tavener's 1989 masterpiece The Protecting Veil for cello and strings is now available for solo with rehearsal piano reduction.
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Johannes Brahms: Quintet And Quartets For Piano And Strings: Piano Quintet:
Piano Quintet: piano, 2 violins, viola, cello
[Score]
Dover Publications
Quintet In F Minor (Op. 34) plus the G Minor A Major and C Minor Quartets (Opp...
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Quintet In F Minor (Op. 34) plus the G Minor A Major and C Minor Quartets (Opp. 25 26 60). Breitkopf
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Gerard Schurmann: Quartet No.2 For Piano and Strings: Piano Quartet: Score and
Piano Quartet: piano, violin, viola, cello
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
This work was commissioned by the Arizona Friends of Chamber Music for their 50t...
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This work was commissioned by the Arizona Friends of Chamber Music for their 50th Music season and 5th Tucson Winter Chamber Music Festival. The first performance was given by the Los Angeles Piano Quartet in Tucson Arizona in March 1998.
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William Busch: Quartet for Piano and Strings: Violin & Viola: Parts
Piano Quartet: piano, violin, viola, cello
Chester
Parts for Violin Viola Cello and Piano. Score doubles up as Piano part.
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Edward Gregson: A Song For Chris: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Advanced
Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...
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In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Cello, Piano
-
Easy
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Intermediate
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
(+)
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Triple Set (JALBERT PIERRE)
[Score and Parts]
Schott
For Flute, Clarinet In Bb, and Piano. Par JALBERT PIERRE. Triple Set was commiss...
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For Flute, Clarinet In Bb, and Piano. Par JALBERT PIERRE. Triple Set was commissioned by the Flute/Clarinet Duos Consortium, an organization of 17 groups which will give the premiere performances of the work. I’ve always been fascinated by the flute and clarinet, and when I was approached by my colleagues at Rice (Leone Buyse and Michael Webster) to write a piece for flute, clarinet and piano (I’m a pianist myself), for the Flute/Clarinet Duos Consortium, I was happy to oblige. Both of my sons also play the clarinet, so many of these sounds are around me all the time. The piece is in three contrasting movements. The first movement, Driving, marked “With great energy”, is rhythmically propelled forward by the piano’s muted strings and the flute and clarinet playing at first in rhythmic unison, then each taking a turn at solos while the other participates in the accompanimental syncopations. The second movement, Still, is marked “Timeless” and slowly unfolds its melodic and harmonic ideas. The third movement, Relentless, is a kind of 6/8 scherzo, which vigorously and relentlessly propels itself forward to the end, with just two minor interruptions of quasi-cadenza like passages for flute and clarinet duo. - Pierre Jalbert/ Répertoire / Flûte Traversière, Clarinette et Piano
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Christmas Strings (MILLER DONALD)
Violoncelle, Basse et Accompagnement Piano
-
Beginner
Mel Bay
Par MILLER DONALD. These books are arranged to be performed with various combina...
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Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment should not be used. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violoncelle, Basse et Accompagnement Piano
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Phantasy In F Sharp Minor. Violin, Viola, Cello And Piano (BRIDGE FRANK)
Piano Quartet: piano, violin, viola, cello
[Sheet music]
Stainer and Bell
Par BRIDGE FRANK. Strings/ Répertoire / Violon, Alto, Violoncelle et Piano
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Piano Quintet (MUSTONEN OLLI)
Piano Quintet: piano, 2 violins, viola, cello
[Score and Parts]
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Intermediate/advanced
Schott
Par MUSTONEN OLLI. The first movement of my Piano Quintet is filled with drama a...
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Par MUSTONEN OLLI. The first movement of my Piano Quintet is filled with drama and passion. Its atmosphere can be related to my Second Symphony Johannes Angelos. The second movement is a set of polyphonic variations in a form reminiscent of a passacaglia. The music seems to be hypnotized by a theme consisting of a chromatic cluster of ten notes. In the beginning of the last movement, materials from the previous movements start to reappear, but this time in a mysterious, incoherent way. The strings find new music resembling a fragmented hymn. Fast-moving triplets start to appear and the music reaches a joyful and ecstatic conclusion. Olli Mustonen / Niveau : 5 / Répertoire / 2 Violons, Alto, Violoncelle et Piano
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Sonata for Cello and Piano (DYSON GEORGE)
Cello, Piano
[Sheet music]
Stainer and Bell
Par DYSON GEORGE. The Cello Sonata by Sir George Dyson (1883?1964) is the most s...
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Par DYSON GEORGE. The Cello Sonata by Sir George Dyson (1883?1964) is the most substantial of the composer?s earliest surviving works and is a welcome addition to the repertoire of romantic British cello music. Within Dyson?s small yet distinguished output, it merits recognition both as a significant instrumental score in its own right, and as a precursor of a corpus of scores expertly written for solo or ensemble strings. Evident throughout this work is Dyson?s appealing and characteristic strain of melody and harmony, both recognisably English and distinctly personal. / Date parution : 2021-11-03/ Répertoire / Violoncelle et Piano
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Star Wars : Episodes I II And III Instrumental Solos For Strings
Cello, Piano
Alfred Publishing
This book is part of a String series arranged for Violin, Viola, and Cello. The ...
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This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano
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Aaron Copland: Quartet for Piano & Strings: Piano Quartet
Piano Quartet: piano, violin, viola, cello
Boosey and Hawkes
(Parts). Copland A
43.99 GBP - Sold by Musicroom UK
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Piano Trio For Violin, Cello And Piano (STEPTOE ROGER)
Piano Trio: piano, violin, cello
[Sheet music]
Stainer and Bell
Par STEPTOE ROGER. Strings/ Répertoire / Violon, Violoncelle et Piano
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Trio For Violin, Bass Clarinet And Piano (HAYES MORGAN)
Violon, Clarinette Basse et Piano
[Sheet music]
Stainer and Bell
Par HAYES MORGAN. Strings/ Répertoire / Violon, Clarinette Basse et Piano
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Sonata Movement Arranged For Cello And Piano By Watson Forbes From The String Trio In B Flat (D.471)
Cello, Piano
[Sheet music]
Stainer and Bell
Arrangeur: Watson Forbes. Par SCHUBERT FRANZ. Strings/ Répertoire / Violoncelle...
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Arrangeur: Watson Forbes. Par SCHUBERT FRANZ. Strings/ Répertoire / Violoncelle et Piano
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Fiddle Fancies For Cello And Piano. Cello Part (CARSE ADAM)
Cello, Piano
[Sheet music]
Stainer and Bell
Arrangement: Max. Par CARSE ADAM. Strings/ Répertoire / Violoncelle et Piano
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Fiddler's Nursery For Cello And Piano. Cello Part (CARSE ADAM)
Cello, Piano
[Sheet music]
Stainer and Bell
Arrangement: Max. Par CARSE ADAM. Strings/ Répertoire / Violoncelle et Piano
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Sheila Mary Nelson: The Essential String Method Vol. 3 and 4: Cello:
Cello, Piano
Boosey and Hawkes
Piano Accompaniment (Lower Strings). Nelson S
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Time Out Of Time. Little Suite For Cello And Piano (SAMUEL RHIAN)
Cello, Piano
[Sheet music]
Stainer and Bell
Par SAMUEL RHIAN. Strings/ Recueil / Violoncelle et Piano
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Intermezzo And Other Favourites For Cello
Cello, Piano
Kevin Mayhew
/ Violoncelle Et Piano
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3 Buoys For Violin, Viola And Piano (HAYES MORGAN)
Violon, Alto et Piano
[Sheet music]
Stainer and Bell
Par HAYES MORGAN. Strings/ Répertoire / Violon, Alto et Piano
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