|
| Esslinger Orgelbuch, Bd. I: Intonationen
Organ
Carus Verlag
By Various. Edited by Volkl, Helmut. This edition: paperbound. Organ Music (hymn...(+)
By Various. Edited by Volkl, Helmut. This edition: paperbound. Organ Music (hymns); Occasions: Eucharist, Peace and Justice, Wedding, Confirmation, Praise and thanks, Morning, Midday, Evening, Psalms, Baptism, Mourning, Death, Our Father, Advent, End of the church year, Epiphany, Lent and Passion, Ascension, New Year. Collection. 96 pages
$38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Prophesies [Score and Parts]
Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score and Parts. Composed by Mohammed Fairouz. Sws. Score and parts. With Standard notation. 68 pages. Duration 25 minutes. Theodore Presser Company #114-41903. Published by Theodore Presser Company (PR.114419030). ISBN 9781491114124. UPC: 680160669851. 9 x 12 inches. A fascination with polycultural synergy between diverse literary textsdrives the inspiration for much of Mohammed Fairouz’s prodigiouscreative output, including instrumental music as well as vocal. Inhis profound and extensive essay preceding the score, Fairouz shedslight on how Edgar Allen Poe’s “Israfel” relates to the prophetsand prophesies of the Quran, Old Testament, and New Testament.The eight-movement quartet may be heard as a dramatic galleryof portraits and of story-telling, flourishing in a post-traditionallanguage that is at once vernacular and spiritual, Middle Easternand Western. The complete set of score and parts is included in thispublication.
(See pages 2-3 of score for clear distinction of paragraphs, etc.)Prophesies, by Mohammed FairouzEdgar Allen Poe’s rendition of Israfel was the point of departure for the final movement of my previous stringquartet which is titled The Named Angels. At the opening of his poem, Poe evokes the Quran:“And the angel Israfel, whose heartstrings are a lute, and who has the sweetest voice of all God’s creatures.”This informs the first lines of the poem that, in turn, gave me the title for the final movement of The Named Angels,“Israfel’s Spell”:In Heaven a spirit doth dwell“Whose heartstrings are a lute”None sing so wildly wellAs the angel Israfel,And the giddy stars (so legends tell),Ceasing their hymns, attend the spellOf his voice, all mute.It is the end of that poem, however, that is the starting point for the current quartet, Prophesies, which concernsitself with mortal prophets rather than eternal Angelic spirits.If I could dwellWhere IsrafelHath dwelt, and he where I,He might not sing so wildly wellA mortal melody,While a bolder note than this might swellFrom my lyre within the sky.Islamic thought has asked us to look at the example of the prophets. That’s significant because of the fact thatJoseph and all the prophets were human beings with the flaws of human beings. No prophet was perfect, andIslamic tradition has never asked its followers to aspire to the example of the Angels, the perfected ones. Instead weare given the gift of our prophets. While The Named Angels drew on the motion and energy of everlasting spirits,Prophesies is a depiction of the movements within our own mortal coil.This quartet is a continuation of a long tradition of Muslim artists telling their stories and singing their songs.Many of these renditions are, in fact, figurative and (contrary to popular belief) the Quran contains no “Islamicedict” prohibiting figurative renditions of the figures described in the Old Testament, New Testament, or Quran.The majority of artists, however, have preferred eternal and abstract forms such as words and their calligraphicrepresentations, poems (Yusuf and Zuleikha or the Conference of Birds come immediately to mind), architecture,and many other non-figurative art forms to the representation of man. These cold, ancient, and everlasting shapesof unending time flourished, and the divine infinity of representing geometric forms gained favor over the placementof the explicit representation of mankind and our own likeness at the center of the universes.Adding the string quartet to these forms which express the recursive spheres of heavens and earth abstractly shouldexplain why I have chosen to render higher things through the use of music without the addition of words or anyother art-form. It is the abstract art of pure form, in which all is form and all is content, which compels me. Thisquartet should be seen as no more programmatic than the arches of the Great Mosque at Cordoba.The first movement, Yāqub (Jacob), is slow, quiet and prayerful. It evokes the patient sorrow of a slow choraledeveloping over time as it coaxes our pulse out of the ticking of a clock-like meter that defines our day-to-day livesand into a divine eternity.The second, Saleh, imagines the spirit of that desert-prophet through the use of a Liwa; the dance-sequence that hasbeen such a prevalent form of expression in the Arabian Peninsula for much of our recorded history.The third movement is titled Dawoōd, and it is emblematic of the beloved Prophet, King, and Psalmist, David.Though it has no lyrics, the movement functions as a dabkeh (an ancient dance native to the Levant) and also “sets”the opening of Psalm 100 (Make a joyful noise unto the Lord, all ye lands). This line is never set to music or sung inthe quartet but is evoked through the rhythmic shape of the violin part which imitates the phonology and rhythmof my speaking the opening line in the Hebrew and develops the contours of that line incessantly throughout themovement.3The fourth movement is an ode to Yousef (Joseph) and relates to the first movement in tempo and tone just as Josephrelates to Jacob, his father. Together, the first and fourth movements provide a sort of Lamentation and relief.Joseph had the appearance of a noble angel, but he was very much a human being. And the story of this particularprophet had tragic beginnings many years before he found himself in a position of power in Egypt. Back in his youth,still among the Israelites, Joseph experienced a series of revelations through his dreams that spoke of his impendingcareer in prophecy. He confided his dreams to his father, the Prophet Jacob, who told his son of the greatness thatawaited him in his future only to have his brothers throw him into a well and leave him for dead. Joseph eventuallyfound his way from Israel to Egypt and rose out of slavery into a position of power. Meanwhile, famine engulfs Israel.Forty years pass, and back in the land of Jacob and Rachel, of Joseph’s brothers and Abraham’s tribe, Israel wasnot spared the effects of the famine. They sorely lacked Joseph’s prophecy and his vision. The Qur’an then tells usthat Jacob, sensing Joseph, sends the other brothers to Egypt instructing them to come back with food and grain.Arriving in Egypt, they unwittingly appear before Joseph. They don’t recognize their little brother who has risen toa position of might, dressed in his Egyptian regalia. They ask for the food and the grain.After some conversation, Joseph is no longer able to contain his emotion. Overcome, he reveals himself to his nowterrified brothers. He embraces them. He asks them eagerly, “How is our father?” Joseph gives them the gift of thefood and the grain that they came in search of. He relieves them from hunger and alleviates their fear. He sendsthem back with proof that he is alive, and it is this joyful proof from the miraculous hands of a prophet that bringsback the ancient Jacob’s vision after 40 years of blindness.In this story, I am struck by the fact that Joseph may not have made the decision to forgive his brothers on thespot, but that something inside the prophet’s soul found forgiveness and peace for the brothers who had so gravelywronged him at some point along his journey. I would suspect this point to have been present at Joseph’s inception,even before he had ever been wronged.This is proof, if we needed it, that Joseph’s angel-like beauty was not only physical and external, but also internalas well: Joseph possessed a profound loveliness of spirit that bound his appearance and his soul. In Joseph, formand soul are one.Time is to musicians what light is to a painter. In this way, the story of Joseph also shows us that time can affectour perception of even the most tragic wounds. In fact, the most common Arabic word for “human being” is insaan,which shares its roots with the word insaa, “to forget.” While our ability to remember is essential to how we learnabout ourselves, our capacity to “forgive and forget” may also be one of our great gifts as human beings.The fifth movement follows my ode to Joseph with a structural memory of Mūsa (Moses). The movement consistsentirely of descending motifs which I constructed as an indication of Moses’ descending movement as he emergedto his people from the heights of Mt. Sinai. The music is constructed in five phrases which function as a formalreference to the five books of Moses, the Pentateuch. The movement is placed as the fifth of the quartet for the samereason.While Joseph is always evoked as supremely beautiful in the Books of Judaism, Christianity, and Islam, Suleiman(Solomon) is described as surpassing in his quicksilver intelligence. This movement is composed of a seven-partriddle which passes by in an instant but can be caught by the attentive listener. From Solomon, we work our wayback to Yishak (Isaac) in a seventh movement that evokes Isaac’s literal meaning in Arabic and Hebrew: laughter.The eighth and final movement of this quartet is named for the Patriarch of the entire Book: Ibrahim (Abraham). Itrelates to Isaac just as Joseph relates to Jacob; they are father and son. The lines are prayerful and contemplative;the form of the music evolves from a fugue joining together many different forms of prayer into a single tapestry ofcounterpoint, to the cyclical form of this entire quartet which is rendered through the motion of pilgrims circling theKaaba (cube) in Mecca — a structure which was built by Abraham for Hagaar and their son Ismail.These are just some of the figures that are cherished by all three of the Middle Eastern monotheisms (Judaism,Christianity, and Islam) that the Qur’an refers to collectively as Ahl Al-Kitab. This Arabic phrase is most commonlytranslated as “The People of the Book,” but here the most common translation is a flawed one: the Arabic word“ahl” means “family” and not just “people.” A better translation would be “Family of the Book.” Each of the eightmovements of Prophesies grows from a single musical cell.This quartet is a family album.—Mohammed Fairouz (2018. $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Requiem
Orchestra [Study Score / Miniature]
Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score) SKU: HL.49018099 Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099). ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German. On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009. $93.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Sing Praise: Sacred Vocal Solos
Piano, Voice - Easy
MorningStar Music Publishers
Composed by Karen Marrolli, Kevin Uppercue, Zebulon M. Highben, Robert A. Hobb...(+)
Composed by Karen Marrolli,
Kevin Uppercue, Zebulon M.
Highben, Robert A. Hobby
(1962-), Michael Burkhardt,
and Alfred V. Fedak. Advent,
Good Shepherd Sunday, Lent,
Pentecost, Triduum/Three
Days, Trinity, Children's
Sabbath/Emphasis,
Confirmation, Funeral, World
Communion Sunday.
MorningStar Music Publishers
#40-550. Published by
MorningStar Music Publishers
$25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Sacred Solos by Austin C. Lovelace - 3
|organ|piano|vocal|
Darcey Press
27 Solos from Hymns, Poems, and Scriptures. For voice with keyboard. Includes sa...(+)
27 Solos from Hymns, Poems, and Scriptures. For voice with keyboard. Includes saddle-stitched book for the singer, and a foldout page book for the accompanist. 2 books. Published by Darcey Press.
$38.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| 30 Sacred Masterworks
Choral
Faber Music Limited
Edited by Judith Blezzard. Choir Sacred. Women's Choir. Book; Choral (Sacred); C...(+)
Edited by Judith Blezzard. Choir Sacred. Women's Choir. Book; Choral (Sacred); Choral Worship Collection; Worship Resources. Faber Edition. Masterwork; Sacred. Published by Faber Music
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Now Sing We Joyfully Unto God SSAA
Choral SSAA
SSAA
Shawnee Press
By G. Young. For SSAA Choir. Festival Music, Contest/Festival Music, General Rep...(+)
By G. Young. For SSAA Choir. Festival Music, Contest/Festival Music, General Repertory, Sacred. Sheet Music. Published by Shawnee Press.
$2.65 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Quam dilecta tabernacula [Score and Parts]
Carus Verlag
SST(A)TBarB vocal soli, AT(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, ce...(+)
SST(A)TBarB vocal soli, AT(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, bassoon, basso continuo SKU: CA.2100619 Psalm 83. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Quam Dilecta Tabernacula (Psalm 83). Sacred vocal music, Psalms, Latin, Psalms. Set of Orchestra Parts. Duration 20 minutes. Carus Verlag #CV 21.006/19. Published by Carus Verlag (CA.2100619). ISBN 9790007197810. Language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and parts available separately - see item CA.2100600. $164.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Quam dilecta tabernacula [Score and Parts]
Carus Verlag
SST(A)TBarB vocal soli, AT(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, ce...(+)
SST(A)TBarB vocal soli, AT(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, bassoon, basso continuo SKU: CA.2100609 Psalm 83. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. 2x 21.006/21 2 flutes, 2x 21.006/22 2 oboes. French Sacred Music. Quam Dilecta Tabernacula (Psalm 83). Sacred vocal music, Psalms, Latin, Psalms. Set of Orchestra Parts. Duration 20 minutes. Carus Verlag #CV 21.006/09. Published by Carus Verlag (CA.2100609). ISBN 9790007197803. Language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and parts available separately - see item CA.2100600. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Deus noster refugium [Score and Parts]
Carus Verlag
SST(A)TTB vocal soli, ST(A)TB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/c...(+)
SST(A)TTB vocal soli, ST(A)TB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, basso continuo SKU: CA.2100719 Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Set of Orchestra Parts. Duration 26 minutes. Carus Verlag #CV 21.007/19. Published by Carus Verlag (CA.2100719). ISBN 9790007197872. Language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and parts available separately - see item CA.2100700. $197.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Deus noster refugium
Carus Verlag
SST(A)TTB vocal soli, ST(A)TB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/c...(+)
SST(A)TTB vocal soli, ST(A)TB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, basso continuo SKU: CA.2100714 Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Single Part, basso continuo. 16 pages. Duration 26 minutes. Carus Verlag #CV 21.007/14. Published by Carus Verlag (CA.2100714). ISBN 9790007197865. Language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and part available separately - see item CA.2100700. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Deus noster refugium
Carus Verlag
SST(A)TTB vocal soli, ST(A)TB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/c...(+)
SST(A)TTB vocal soli, ST(A)TB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, basso continuo SKU: CA.2100713 Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Single Part, Viola 2. 8 pages. Duration 26 minutes. Carus Verlag #CV 21.007/13. Published by Carus Verlag (CA.2100713). ISBN 9790007197858. Language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and part available separately - see item CA.2100700. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Quam dilecta tabernacula
Carus Verlag
SST[a]TBarB vocal soli, st(a)tBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas...(+)
SST[a]TBarB vocal soli, st(a)tBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cello/contrabass, bassoon, basso continuo SKU: CA.2100649 Psalm 83. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Quam Dilecta Tabernacula (Psalm 83). Sacred vocal music, Psalms, Latin, Psalms. Single Part, Organ. 20 pages. Duration 20 minutes. Carus Verlag #CV 21.006/49. Published by Carus Verlag (CA.2100649). ISBN 9790007197827. Text language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and part available separately - see item CA.2100600. $28.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Deus noster refugium
Carus Verlag
SST(A)TTB vocal soli, ST(A)TB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/c...(+)
SST(A)TTB vocal soli, ST(A)TB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, basso continuo SKU: CA.2100711 Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Single Part, Violin/Oboe. 16 pages. Duration 26 minutes. Carus Verlag #CV 21.007/11. Published by Carus Verlag (CA.2100711). ISBN 9790007197834. Language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and part available separately - see item CA.2100700. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Deus noster refugium
Carus Verlag
SST[a]TTB vocal soli, st(a)TB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cel...(+)
SST[a]TTB vocal soli, st(a)TB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cello/contrabass, basso continuo SKU: CA.2100749 Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Single Part, Organ. 24 pages. Duration 26 minutes. Carus Verlag #CV 21.007/49. Published by Carus Verlag (CA.2100749). ISBN 9790007197889. Text language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and part available separately - see item CA.2100700. $32.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Quam dilecta tabernacula
Carus Verlag
SST(A)TBarB vocal soli, AT(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, ce...(+)
SST(A)TBarB vocal soli, AT(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, bassoon, basso continuo SKU: CA.2100605 Psalm 83. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Quam Dilecta Tabernacula (Psalm 83). Sacred vocal music, Psalms, Latin, Psalms. Choral Score. 16 pages. Duration 20 minutes. Carus Verlag #CV 21.006/05. Published by Carus Verlag (CA.2100605). ISBN 9790007161415. Language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100600. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Deus noster refugium
Carus Verlag
SST(A)TTB vocal soli, ST(A)TB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/c...(+)
SST(A)TTB vocal soli, ST(A)TB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, basso continuo SKU: CA.2100712 Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Single Part, Viola 1. 16 pages. Duration 26 minutes. Carus Verlag #CV 21.007/12. Published by Carus Verlag (CA.2100712). ISBN 9790007197841. Language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and part available separately - see item CA.2100700. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Forever I Will Sing songbook
GIA Publications
SKU: GI.G-017006 Composed by Michael Mangan. Sacred. Book. GIA Publicatio...(+)
SKU: GI.G-017006 Composed by Michael Mangan. Sacred. Book. GIA Publications #017006. Published by GIA Publications (GI.G-017006). These eighteen common psalms are brought to life through Mangan's use of guitar accompaniment combined with spirited vocals. This collection of psalms is for use throughout the liturgical year and includes well-known tracks like, Be Still, Psalm 46 and Send Out Your Spirit, Psalm 104. $15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Deus noster refugium
Carus Verlag
SST[a]TTB vocal soli, st(a)TB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cel...(+)
SST[a]TTB vocal soli, st(a)TB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cello/contrabass, basso continuo SKU: CA.2100703 Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: paperback. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Vocal score. 52 pages. Duration 26 minutes. Carus Verlag #CV 21.007/03. Published by Carus Verlag (CA.2100703). ISBN 9790007142971. Text language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100700. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Quam dilecta tabernacula
Carus Verlag
SST[a]TBarB vocal soli, st(a)tBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas...(+)
SST[a]TBarB vocal soli, st(a)tBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cello/contrabass, bassoon, basso continuo SKU: CA.2100603 Psalm 83. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: paperback. French Sacred Music. Quam Dilecta Tabernacula (Psalm 83). Sacred vocal music, Psalms, Latin, Psalms. Vocal score. 44 pages. Duration 20 minutes. Carus Verlag #CV 21.006/03. Published by Carus Verlag (CA.2100603). ISBN 9790007142964. Text language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100600. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Deus noster refugium
Carus Verlag
SST[a]TTB vocal soli, st(a)TB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cel...(+)
SST[a]TTB vocal soli, st(a)TB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cello/contrabass, basso continuo SKU: CA.2100705 Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Choral Score. 16 pages. Duration 26 minutes. Carus Verlag #CV 21.007/05. Published by Carus Verlag (CA.2100705). ISBN 9790007161422. Text language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100700. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Quam dilecta tabernacula [Score]
Carus Verlag
SST[a]TBarB vocal soli, st(a)tBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas...(+)
SST[a]TBarB vocal soli, st(a)tBarB choir, 2 flutes, 2 oboes, 2 violins, 2 violas, cello/contrabass, bassoon, basso continuo SKU: CA.2100600 Psalm 83. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: paperback. French Sacred Music. Quam Dilecta Tabernacula (Psalm 83). Sacred vocal music, Psalms, Latin, Psalms. Full score. 56 pages. Duration 20 minutes. Carus Verlag #CV 21.006/00. Published by Carus Verlag (CA.2100600). ISBN 9790007142162. Text language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. $50.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Deus noster refugium
Cello, Piano [Score]
Carus Verlag
SST(A)TTB vocal soli or choir, ST(A)TB voices, 2 flutes, 2 oboes, 2 violins, 2 v...(+)
SST(A)TTB vocal soli or choir, ST(A)TB voices, 2 flutes, 2 oboes, 2 violins, 2 violas, cello, piano SKU: CA.2100700 Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: Paperbound. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Full score. 68 pages. Duration 26 minutes. Carus Verlag #CV 21.007/00. Published by Carus Verlag (CA.2100700). ISBN 9790007142179. Language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. $48.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Forever I Will Sing CD
GIA Publications
SKU: GI.G-017005 Composed by Michael Mangan. Sacred. GIA Publications #01...(+)
SKU: GI.G-017005 Composed by Michael Mangan. Sacred. GIA Publications #017005. Published by GIA Publications (GI.G-017005). These eighteen common psalms are brought to life through Mangan's use of guitar accompaniment combined with spirited vocals. This collection of psalms is for use throughout the liturgical year and includes well-known tracks like, Be Still, Psalm 46 and Send Out Your Spirit, Psalm 104. $17.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Peace and Comfort - Six Medium Vocal Solos
Jackman Music Corporation
Six Medium Vocal Solos - Medium-difficult SKU: JK.01907 Composed by Vario...(+)
Six Medium Vocal Solos - Medium-difficult SKU: JK.01907 Composed by Various. Arranged by Darwin Wolford. Difficulty Medium, Difficulty Medium Hard, Comfort, Enduring to the End, Funeral, Peace, Resurrection, Trials, Vocal Solo. Christian, Inspirational. Jackman Music Corporation #01907. Published by Jackman Music Corporation (JK.01907). UPC: 093285019072. Psalm 23, John 14:27. This wonderful book of medium vocal solos contains six songs of peace and comfort, appropriate for funerals and other sacred meetings. These beautiful arrangements are by the highly acclaimed composer, Darwin Wolford.
Songs Included:
Though Deepening Trials
O Father, As the Steadfast Sea
Softly into the Night (to the tune of Nearer, My God, to Thee)
Be Still, My Soul (Finlandia)
Sweet Will be the Flower
In Heavenly Love Abiding
Composers: Various
Arranger: Darwin Wolford
Difficulty: Medium-difficult
Psalm 23, John 14:27
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| In convertendo [Score and Parts]
Carus Verlag
ST(A)BarB vocal soli, SST(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cel...(+)
ST(A)BarB vocal soli, SST(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, bassoon, basso continuo SKU: CA.2100809 Psalm 125. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. 2x 21.008/21 2 flutes, 1x 21.008/22 oboe 1, 2x 21.008/23 oboe 2. French Sacred Music. In Convertendo (Psalm 125). Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Duration 26 minutes. Carus Verlag #CV 21.008/09. Published by Carus Verlag (CA.2100809). ISBN 9790007197896. Language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Being performed in a concert spirituel in 1751, In Convertendo was poorly received; this failure long continued to pursue Rameau. Yet these masterworks are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and parts available separately - see item CA.2100800. $41.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| In convertendo
Carus Verlag
ST(A)BarB vocal soli, SST(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cel...(+)
ST(A)BarB vocal soli, SST(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, bassoon, basso continuo SKU: CA.2100805 Psalm 125. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. In Convertendo (Psalm 125). Sacred vocal music, Psalms, Latin. Choral Score. 16 pages. Duration 26 minutes. Carus Verlag #CV 21.008/05. Published by Carus Verlag (CA.2100805). ISBN 9790007161439. Language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Being performed in a concert spirituel in 1751, In Convertendo was poorly received; this failure long continued to pursue Rameau. Yet these masterworks are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100800. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| In convertendo
Carus Verlag
ST(A)BarB vocal soli, SST(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cel...(+)
ST(A)BarB vocal soli, SST(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, bassoon, basso continuo SKU: CA.2100849 Psalm 125. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: Paperbound. French Sacred Music. In Convertendo (Psalm 125). Sacred vocal music, Psalms, Latin. Single Part, Organ. 16 pages. Duration 26 minutes. Carus Verlag #CV 21.008/49. Published by Carus Verlag (CA.2100849). ISBN 9790007197902. Language: Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Being performed in a concert spirituel in 1751, In Convertendo was poorly received; this failure long continued to pursue Rameau. Yet these masterworks are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and part available separately - see item CA.2100800. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Ha Shamayim (The Heavens)
Orchestra [Score]
Subito Music
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mills. Orchestra. Full Score. Subito Music Corporation #32040140. Published by Subito Music Corporation (SU.32040140). 2222; 4331; timp, 2 perc, pno; stgs Duration: 13'30 Composed: 2016 Published by: Amy Mills Music, LLC Like a modern Pictures at an Exhibition…. Ha Shamayim is an original piece for orchestra that was inspired by photographs taken by the Hubble space telescope. Each section is inspired by one photo; the title of each section is the title that NASA gave to the photograph. The words Ha Shamayim are Hebrew for The Heavens. They are written in Genesis 1:1, In the beginning God created the heavens and the earth. The words are also seen in Psalm 19. Section I: Warped Edge-On Galaxy ESO 510-G13 The piece begins in outer space with its glistening stars. Glissandi are used to depict the strange but beautiful warp seen in the photograph. Section II: Galaxy Fires at Neighboring Galaxy Suddenly the piece erupts as one galaxy fires blue gas at its neighbor. They engage in a cosmic battle. Section III: Youthful-looking Galaxy May Be an Adult The adolescent galaxy is personified by a humorous, gawky melody reminiscent of teenage boys who walk on feet that are still too big. Occasionally there is an argument with an authority figure, but the joy of exploring the universe quickly returns. Section IV: Star Birth in Galaxy M83 The dramatic photograph looks like a womb with veins. The music begins on one note, then it begins to explore the initial swelling and stretching. It morphs into an energetic fast theme, still growing. Ultimately it becomes glorious and expansive, like the new star. Section V: String of ‘Cosmic Pearls’ Surrounds an Exploding Star The first theme is a happy circle dance inspired by the circle of white dots in the photograph. The second theme is noble and joyful. It is reminiscent of the melody in the famous chorus in Haydn’s The Creation with the words from Psalm 19, The heavens are telling the glory of God. The music then has flashbacks to the earlier sections, and ends in triumph. The five sections in Ha Shamayim are continuous with no breaks. Difficulty Level: 5 (Advanced/Professional) See composer website for audio sample. Performance materials available on rental only:. $85.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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