Lullay, my liking is scored for accompanied two-part choir, allowing for various upper-/lower-voice combinations: two-part trebles or sopranos, upper voices only (S/A), or men only (T/B). If performed by a four-part choir, sopranos and tenors should read the upper line, and altos and basses read the lower. The keyboard part can be played on piano or organ, or harp. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Graham Ross (b. 1985) is Director of Music and Fellow of Clare College, Cambridge, and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire, he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works, including pieces by Ralph Vaughan Williams (Albion Records) - James MacMillan, Judith Bingham and Giles Swayne (Naxos) - and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad, with recent engagements in Palestine, Australia, Nigeria, Denmark, Aldeburgh and Glyndebourne. As a composer, recent performances have been given by, among others, Aurora Orchestra, Australian Chamber Orchestra, comedian Barry Humphries, BBC Concert Orchestra, Choir of London, City of London Sinfonia, National Youth Choir of Great Britain, O Duo and the Solstice Quartet. / Choeur A 2 Parties Et Orgue

Par PART ARVO. Estonian minimalist composer Arvo Pärt has adapted his celebrated work, Summa, for recorder quartet. Originally written for four solo a cappella voices, it is also available in arrangements for string quartet, string orchestra, and choir with organ. Summa bears the distinctive qualities of Pärt's music, masking its great collective complexity with simplicity in each part. This arrangement can be played by soprano/alto 1/alto 2/tenor instruments or tenor/bass 1/bass 2/great bass. Phrasing marks are consistent with those of the vocal arrangement. Universal Edition makes a significant addition to the recorder library with this edition. For intermediate players./ Répertoire / 4 Flûtes à Bec

This collection of nine 'classic' Rock tunes spans five decades of rock history. The arrangements in Rock Philharmonic contain complete versions and lead sheets of original hit songs by top groups and artists: Jerry Lee Lewis, Bobby Day, Sonny and Cher, The Rolling Stones, The Eagles, Journey, and Green Day. Each piece includes a flexible arrangement that allows the melody, harmony, and bass parts to be played by all sections in the string orchestra, like or mixed instrument groups, quartets, or trios---allowing players to learn the component parts of rock and roll, play the classic arrangement, create their own arrangements, or perform the tunes solo. In addition to string orchestra, the arrangements are also set for electric strings with optional guitar/electric guitar, piano, and drumset. The student book contains a full-length, two-page play thru version of the melody, which follows closely the original recording and includes clearly labeled Intro, Verse, Chorus, Bridge, and Outro sections. The bass and harmony component parts are then presented in a lead sheet format, along with a flow chart that matches the order of the Melody Line Play Thru. The teacher's book contains a full score and reproducible piano and percussion parts. Guitar chords appear in all parts. For easy practice, the accompanying CD has two tracks for each piece---a complete track and a backing track---and TNT 2 software to mix the level of each instrument, change pitch, change tempo, and create loops. The CD can also serve as an aid to learning by ear. / Violon