Music Minus One Bassoon-This luscious quintet is scored for piano oboe clarinet horn and bassoon. Mozart's magnificent orchestration of the winds with piano creates a warm and glowing texture of sound and each instrument emerges at times for a prominent position. Cast in three movements: Largo/Allegro moderato Larghetto and Rondo/Allegretto. Truly one of the great works in this format and wonderful fun to practice and perform. Includes the complete solo part for the Bassoon printed on high-quality ivory paper and a compact disc containing a complete performance of the quintet with soloist then performed again minus the soloist. Accompaniment: Harriet Wingreen piano New Art Wind Quintet:Mel Kaplan oboe Tina DiDario bassoon Murray Panitz flute Aldo Simonelli clarinet

Rhapsody In Blue is a major addition to the woodwind quintet repertoire.This version of Rhapsody In Blue includes a score and five parts and has been arranged for Flute Oboe Clarinet in B-flat Horn in F and Bassoon at an intermediate playing level.Many people know the famous Clarinet glissando opening to Gershwin’s Rhapsody in Blue but very few know that the original version was scored for two Pianos and that the glissando was initially just an ascending scale.Joachim Linckelmann’s superb arrangement of this modern classic is based on this original version and with the exception oftwo solo Piano passages that cannot be realised by a woodwind quintet the entire work is presented.

Chamber Music 2: Sonata No. 1 for Violin and Piano Op.9; Sonata No. 2 for Violin and Piano Op.35; Fantasy Pieces for Oboe and Piano Op.2; Canto Serioso; Serenata in vano; Quintet for Flute Oboe Clarinet French Horn and Bassoon Op.43; Three Pieces for Langeleik; Allegretto for two Recorders.With Carl Nielsen Danish musical life moved into the 20th century. Composing works in almost every genre - opera and music for the stage orchestral music concertos choral works chamber music organ and piano music and songs - he created a prominent position for himself in international musical life. Carl Nielsen stands out as one of the most significant symphonists of thiscentury. His concertos and chamber music also have an important place in the international repertoire and his two operas have won considerable recognition not only in Denmark but throughout the world.Since his death there has been a grooving demand for modern practical editions of his music. Therefore for the first time a complete edition of his works suitable for both the performer and the scholar will now be published organised according to critical scholarly principles.The Collected Works of Carl Nielsen comprises both publisher and as yet unpublished compositions.

for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV 608 were both composed to fulfill a commission for a memorial exhibit in Vienna to be played in a “mechanical clock organ.” The term “fantasy” or“fantasia” came to be affixed to these works later and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue “Ein Stüke für ein Orgelwerk in ein Uhr.” They are also variouslytitled “Adagio und Allegro in f für ein Orgelwerk” and “Allegro und Andante (Fantasie in f) für eine Orgelwaltze.”The first of these composed between the monumental String Quintet in D and the Piano Concertoin Bb KV 595 is an A-B-A form comprised of an f minor Adagio opening and closing with a contrapuntal Allegro at its heart. KV 608 is more complicated opening with an f minor section reminiscent of a French Overture followed by a fugue in fminor then an Andante aria followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices KV 594and 608 are remarkable works which stand at an intersection incorporating what he learned about counterpoint studying at the foot of Bach while looking ahead to the emotional and harmonic poignancy of Schubert.

John McCabe's Concerto For Piano And Wind Quintet. Commissioned by the Birmingham Chamber Music Society for first performance by the Venturi Ensemble (Sebastian Bell Philip Jones Roy Jowitt Alan Hammond James Diack and John McCabe) on 21 February 1970.

Traditional-Neil Harmon's arrangement of this traditional carol is scored for mixed chorus with piano or harp and oboe or for a quintet of flute oboe clarinet horn in F bassoon and a harp. Try this piece alone in worship or concert or as a set in combination with HMC2260 and HMC2262.