Le Petit Guitarama tablatures est la version tablatures du Petit Guitarama. Ce répertoire de morceaux tous styles, connus, pour guitaristes débutants, permet de jouer aussi bien du classique (Vivaldi, Bach...), des légendes de la pop (Beat It, Love Me Tender...), des musiques de films (Le parrain, La panthère rose...), du répertoire francophone (Brassens, Cabrel...), ou des airs traditionnels de différents horizons (Orient, Irlande, Italie...), dans une progression logique et motivante. Cet ouvrage est écrit en tablatures enrichies : une système qui intègre les signes d'interprétation et les valeurs rythmiques, pour une lecture facilitée, mais précise. Chaque morceau est le fruit d'un travail d'arrangement, précis, adapté à l'instrument et au niveau de l'élève (du tout débutant à deux ans de pratique) En plus des nombreuses pièces en solo, l'ouvrage propose des duos, trios, et quatuors. La mise en page assure une grande lisibilité, en couleur. Richement illustré, ce recueil s'adresse à tous. > Le CD, outil de travail précieux, permet la découverte et l'écoute des pièces, facilitant le déchiffrage et la mise en place des morceaux. > Fabrication de qualité : papier sans reflet (meilleure lisibilité), relié spirale. Et, toujours dans l'esprit de la collection ...RAMA : originalité, qualité des arrangements, progressivité, variété des styles./ Méthode / Guitare

A rich and vibrant piece for mature tastes this version of Georgia On My Mind is based on the original 1930 standard by Hoagy Carmichael and Stuart Gorrell.Arranged by Barrie Carson Turner for SAB choir with piano accompaniment choruses can indulge themselves in the barbershop tinged harmonies of this timeless all-American classic.

This sheet music features an arrangement for piano and voice with guitar chord frames with the melody presented in the right hand of the piano part as well as in the vocal line.

Work for Solo Soprano and large ensemble commissioned for the 1968 Promenade Season. Text: Charles Peguy and children's prayers.

Pour Quator á Cordes-Born in 1947 Laurent Duvillier-Wable trained under pianist Suzanne Joly and studied composition with Michel Puig. The latter a student of Ren? Leibowitz introduced him to the mysteries of Sch?nberg and Webern's twelve-note composition. To create a coherent œuvre Duvillier-Wable drew on the array of possibilities offered by chamber music in his series of six Sonatas composed between 1992 and 2007. Sonata IV For String Quartet was written in 1994 the year his father – painter Ren? Duvillier a friend of Charles Estienne and Andr? Breton – fell gravely ill. Divided into four movements thecomposition contains two beautifully expressive musical references: the Lamento religioso refers to Bach's Passion according to Saint Matthew by quoting the choral 'Was ist die Ursache aller solcher Plagen' (No.19: What is the cause of all this suffering?) when Jesus distressed by his imminent agony asks his disciples to watch over him. The Agitato final borrows the inexorable 'Must it be? It must!' theme from Beethoven's Quartet No.16 in F that crowns this poignant work.

Bob Chilcott's The Miracle Of The Spring for SATB and Percussion (two players).This powerfully evocative and uplifting work celebrates the pursuit and eventual discovery of water. Brimming with freshness and vitality The Miracle Of The Spring encompasses an array of moods and styles that perfectly convey the essence of Charles Bennett's text from the relentless rhythmic motifs depicting the parched landscape to the flowing aleatoric fragments suggesting the gushing of the spring. The simple percussion parts for glockenspiel mark tree and log drums add texture and drive to the a cappella voices and may be performedby two choir members or separate percussionists. Imbued with rich harmonies infectious rhythms and unforgettable melodies this piece will leave both choir and audience feeling inspired.

Howard Goodall's Love Divine for accompanied SATB choir was commissioned by the Choir Schools' Association to celebrate the new millenium. This best-selling piece is set to a beautiful poetic text by Charles Welsey and has been a choral favourite all over the world for the past 15 years. The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of variedstyles. 

From the best-selling cantata Testament of Praise this anthem of thanksgiving is a beautiful reminder for us to have a grateful heart. This lesser-known Charles Wesley text was originally a table blessing and his gentlepoetic imagery combined with flowing melodic music help create a choral prayer of exquisite beauty. This selection is perfect for following the pastoral prayer on Thanksgiving or anytime.