Cantata for the Sundays after Trinity-72 Solo Cantatas for Voice Melodic Instrument and Basso continuo.Cantatas For The Sundays After Trinity - Medium Voice.When Telemann issued his first annual cycle of printed cantatas Der Harmonische Gottesdienst (Hamburg 1725-6) he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring the 72 solo cantatas have remained very popular to the present day.These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice.Each series spreads the works over three volumes accompanied byseparate parts for solo instrument and continuo. The cantatas follow the order of the liturgical year beginning with the Christmas season and continuing with Easter and Trinity.Being practically minded Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’.Similarly the solo instruments are suitable for Violin Oboe Recorder or Flute.- Interesting solo cantatas for use in church services.- Urtext from the Telemann Edition.- Separate parts for instrument and continuo.

Advent and Christmas Cantatas-72 Solo Cantatas for Voice Melodic Instrument and Basso continuo.Advent & Christmas - Medium Voice.When Telemann issued his first annual cycle of printed cantatas Der Harmonische Gottesdienst (Hamburg 1725-6) he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring the 72 solo cantatas have remained very popular to the present day.These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice.Each series spreads the works over three volumes accompanied by separate parts forsolo instrument and continuo. The cantatas follow the order of the liturgical year beginning with the Christmas season and continuing with Easter and Trinity.Being practically minded Telemann arranged the ambitus of the Vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’.Similarly the solo instruments are suitable for Violin Oboe Recorder or Flute.- Interesting solo cantatas for use in church services.- Urtext from the Telemann Edition.- Separate parts for instrument and continuo.

Antonio Vivaldi's Concerto In D Major RV 95 for Treble Recorder Oboe Violin Bassoon and Continuo. Edited by Gottfried Bach and Nikolaus Delius. Score and parts.

J.S. Bach's 4 Sonatas For Violin & Harpsichord BWV 1014 1016 1017 1019 for Treble Recorder and Piano.

For Treble Recorder (Flûte, Violin) And Basso Continuo. Par VERACINI FRANCESCO MARIA. / Répertoire / Flûte à Bec Alto ou Flûte Traversière ou Violon et

per flauto archi e cembalo RV 441 (F.VI. No. 11 P.V. 440)-The source of the present edition of the Recorder Concerto in C minor by Antonio Vivaldi is the Collected Works of Vivaldi edited by Malipiero published by Ricordi 1953. The title of the original score is 'Concerto in Do minore per flauto archi e cembalo'; the original setting: Flauto Violini I-II Viole Violoncelli Contrabassi and Cembalo. The arrangement for recorder and piano is kept in accurate conformity with the musical text of the score; the continuo part however has been more freely adapted (of course within the possibilities of baroque style). In contrast to previous arrangements the piano part contains the entire orchestral material in the Tuttis thus the soloist is not obliged to play all the Tutti parts. However in Movement I and III the first and last Tutti may never be omitted by the performer.

For Treble Recorder (Flûte, Violin) And Basso Continuo. Par VERACINI FRANCESCO MARIA. / Répertoire / Flûte à Bec Alto ou Flûte Traversière ou Violon et

für Altblockflöte (Querflöte Violine) und Basso Continuo-Volume 1 of Benedetto Marcello's Sonatas For Treble Recorder And Basso Continuo Op.2.Contains Sonatas No. 1 in F major and No. 2 in D minor.

Kantate Zum 12. Sonntag Nach Trinitatis. Par TELEMANN GEORG PHILIPP. This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument [+ a continuo melody instrument ad lib. ]. If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work byadding a four-part chorus from the more fully scored original version, which Telemann did not publish./ Répertoire / Solo S (T), Flûte à Bec F1 (Violon), Hautbois (Vio