| Julia DeLaney's Reel - Intermediate Carl Fischer
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - Grade 3.5 SKU: CF.CAS83F Composed by Carl Strommen. Concert String Orchestra. Full score. With Standard notation. 16 pages. Carl Fischer Music #CAS83F. Published by Carl Fischer Music (CF.CAS83F). ISBN 9780825899447. UPC: 798408099442. 9x12 inches. An extremely popular Irish Reel that has been heard in movies and television can be heard in this fantastic setting for string orchestra. With fun parts for every section, students will love to play this rip-roaring tune. Composer Carl Strommen infuses a nice lyrical middle section to give the piece some much-needed repose before firing up again into a rousing ending. This will be the highlight of your next concert, and students will want to play this challenging piece again and again. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Every Light That Shines At Christmas (Orchestration) Choral SATB Lillenas Publishing Co.
SATB choir - Moderate SKU: LP.765762174603 Composed by Wayne Haun & Ernie...(+)
SATB choir - Moderate SKU: LP.765762174603 Composed by Wayne Haun & Ernie Haase Joel Lindsey. Arranged by Wayne Haun. Anthems. Southern Gospel and Sacred. CD-ROM orchestration. Published by Lillenas Publishing Company (LP.765762174603). UPC: 765762174603. Hold on to your seats everyone! With tight harmonies a great bass line and an accompaniment that cooks everyone will be up on their feet shouting Hallelujah! Christ is born! This brand new rip-roarin' Southern gospel treat emerges from the creative genius of Dove Award-winner Wayne Haun popular gospel songwriter Joel Lindsey and Ernie Haase of Signature Sound and is guaranteed to set your hands a-clappin' and your toes a-tappin'. Pure fun! Instrumentation: Flute Oboe Clarinet Trumpet 1 & 2 Trumpet 3 & 4 Trombone 1 &2 Trombone 3 & 4 Rhythm Violin 1 & 2 Viola Cello String Bass Subustitue Instrumentation: Keyboard String Reduction; Soprano Sax (sub for Oboe); Tenor Sax/Baritone T.C. (sub for Trombone 1 & 2); Baritone Sax (sub for Trombone 3 & 4); Clarinet (sub for Viola); Bassoon/Bass Clarinet (sub for Cello). $74.99 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Monodrama, Kopi Wilhelm Hansen
Chamber Ensemble SKU: HL.14021749 For Percussion and Orchestra. Co...(+)
Chamber Ensemble SKU: HL.14021749 For Percussion and Orchestra. Composed by Poul Ruders. Music Sales America. Classical. Score. Edition Wilhelm Hansen #KP00076. Published by Edition Wilhelm Hansen (HL.14021749). ISBN 9788759889817. Danish. Poul Ruders' MONODRAMA, dedicated to percussion virtuoso Gert Sorensen and commissioned by The Danish Radio, was written in New York in the early winter 1988 and makes the centre as well as the middle of the tri-part opus called The Drama Trilogy. All three works employ the word Drama in their title, Drama in the original meaning of the word: event. No specified event, but a premonition or omen rather, that something is afoot, a free Drama-offer from which anyone may populate the stage of his private, inner theatre.The first piece of the series DRAMAPHONIA for piano and chamber ensemble was premiered in London in the spring of 1988 by Lontano and Poul Rosenbaum. This piece is emotionally and rhythmically unstable as opposed to MONODRAMA (single-event) which is modelled from the archetypal idea of obtaining accomplishment from nothingness. The 31 instruments of the orchestra (no flutes and no violins or violas) are more or less wrapped around the solo-part to become one with that and thus emerge as one, gigantic percussion instrument. The rhythmical patterns of the orchestral part more or less follow those of the percussionpart, a single-event also on the rhythmical level.After 20 minutes climbing toward the peak of rage, the composition casts its slough and is reborn into a chorale-like march and the struggle between totally depopulated sound-scapes and ferociously roaring sub-oceanic storms begin and the piece paces toward the abyss; rage becomes despondency, New Rage as opposed to New Age, the spineless worshipper of beauty without pain.The third instalment of the DRAMA TRILOGY, the cello concerto POLYDRAMA will be premiered in Stockholm May 1990.MONODRAMA lasts aprox. 32 minutes.Poul Ruders. $125.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| What is it troubles thee, my heart (Warum betrubst du dich, mein Herz) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113819 Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Separate instruments. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1723. BWV 138. Duration 20 minutes. Carus Verlag #CV 31.138/19. Published by Carus Verlag (CA.3113819). ISBN 9790007208219. Language: German/English. Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score and parts available separately - see item CA.3113800. $106.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| What is it troubles thee, my heart (Warum betrubst du dich, mein Herz) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113800 Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Full score. Composed 1723. BWV 138. 44 pages. Duration 20 minutes. Carus Verlag #CV 31.138/00. Published by Carus Verlag (CA.3113800). ISBN 9790007183332. Language: German/English. Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| What is it troubles thee, my heart (Warum betrubst du dich, mein Herz) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113809 Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. 1x 31.138/21 oboe d'amore 1, 1x 31.138/22 oboe d'amore 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1723. BWV 138. Duration 20 minutes. Carus Verlag #CV 31.138/09. Published by Carus Verlag (CA.3113809). ISBN 9790007208165. Language: German/English. Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score and parts available separately - see item CA.3113800. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| What is it troubles thee, my heart (Warum betrubst du dich, mein Herz) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113812 Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. Composed 1723. BWV 138. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.138/12. Published by Carus Verlag (CA.3113812). ISBN 9790007208189. Language: German/English. Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score and part available separately - see item CA.3113800. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| What is it troubles thee, my heart (Warum betrubst du dich, mein Herz) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso c...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113807 Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1723. BWV 138. 44 pages. Duration 20 minutes. Carus Verlag #CV 31.138/07. Published by Carus Verlag (CA.3113807). ISBN 9790007242282. Language: German/English. Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score available separately - see item CA.3113800. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| What is it troubles thee, my heart (Warum betrubst du dich, mein Herz) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113805 Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Choral Score. Composed 1723. BWV 138. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.138/05. Published by Carus Verlag (CA.3113805). ISBN 9790007183356. Language: German/English. Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score available separately - see item CA.3113800. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| What is it troubles thee, my heart (Warum betrubst du dich, mein Herz) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113811 Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1723. BWV 138. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.138/11. Published by Carus Verlag (CA.3113811). ISBN 9790007208172. Language: German/English. Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score and part available separately - see item CA.3113800. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| What is it troubles thee, my heart (Warum betrubst du dich, mein Herz) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113849 Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Trinity. Single Part, Organ. Composed 1723. BWV 138. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.138/49. Published by Carus Verlag (CA.3113849). ISBN 9790007208226. Language: German/English. Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score and part available separately - see item CA.3113800. $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| What is it troubles thee, my heart (Warum betrubst du dich, mein Herz) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113803 Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Vocal score. Composed 1723. BWV 138. 36 pages. Duration 20 minutes. Carus Verlag #CV 31.138/03. Published by Carus Verlag (CA.3113803). ISBN 9790007183349. Language: German/English. Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score available separately - see item CA.3113800. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| What is it troubles thee, my heart (Warum betrubst du dich, mein Herz) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113814 Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1723. BWV 138. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.138/14. Published by Carus Verlag (CA.3113814). ISBN 9790007208202. Language: German/English. Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score and part available separately - see item CA.3113800. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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