Par BIBS EKKEL. Présenté ici est une collection rare de certaines des meilleures chansons folk Gypsy populaire parmi les Roms de Russie et l'Europe de l'est. Tous offerts dans l'original dialecte tribal du romani, comme il convient à chaque chanson, avec le guide de prononciation facile à suivre spécialement formulé pour la langue maternelle anglaise et la traduction littérale en anglais (mot à mot). L'aperçu historique et linguistique court annexe offre un rare aperçu de l'histoire, traditions, langue ainsi que la musique et les chansons de ce peuple unique et mystérieux. Excellent ajout à la collection du tout pianiste ! / Niveau : Débutant à Intermédiaire / Gypsy - Songbooks / Recueil / Chant

One of the least known of the great Russian pianists of the late 19th and early 20th Centuries, Alexander Siloti (1863-1945) was one of the most influential and progressive. As a concert promoter, he introduced the music of dozens of composers to the Russian public in the famous Siloti Concerts of 1903-1917, including Albeniz, Debussy, de Falla, Delius, Elgar, Enesco, Mahler and Schoenberg. A student of Liszt (and one of the teachers of Rachmaninoff), Siloti is a central figure in the development of the great age of the piano virtuoso. As with many of his colleagues, transcribing and arranging existing music for the piano was a major part of Siloti's activity, and since he madeno recordings, his published transcriptions are one of the few existing keys we have to his musical taste and philosophy. In an extended biographical essay, Dr. Charles Barber explores this issue and writes cogently about the style and influence of this remarkable man. The Alexander Siloti Collection is dominated by Siloti's remarkable transcriptions and arrangements of the music of J.S. Bach, notable particularly for their pianistic character and faithfulness to the unique genetic code of Bach's design. Some of the Bach works included are: Prelude in B Minor, BWV855a, Gigue from Suite in Bb Major, Chaconne in D Minor, the Organ Preludes in E Minor and G Minor and the celebrated Toccata and Fugue in D Minor, BWV 565. Music by Gluck, Mozart and Chopin is also contained in this generous compilation of pianistic wizardry. This addition to The Master's Collection is likely to be one of the most talked about piano folios of the year. (288 pages, smythe sewn binding).Prelude in B MinorAdagioAirChaconne in D MinorGigueAndanteFantasia in C MinorOrgan Prelude in E MinorParaphraseOrgan Prelude in G MinorPreludePrelude from Cantata No. 29Prelude from Cantata No. 35SicilianoToccata and Fugue in D MinorMelodyVariationsVariations in F MajorEtude No. 25 in F MinorScherzo in B-flat MinorAu bord d'une sourceAu lac de WallenstadtConsolation No. 3 in D-flat MajorConcert Etude in D-flat MajorSposalizioIl PenserosoSursum CordaLe cygneHumoresqueTheme original et variationsA Song of IndiaFour Russian Folk SongsFour Russian Folk SongsFour Russian Folk SongsTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesNo. 3. On the Beautiful Blue DanubeTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesEtude in C-sharp MinorPoemeRomanzePrelude in G-sharp Minor / Piano / Carl Fischer

A Triptych Of Russian Folk Songs. Par HAAN JAN DE. Voix 1 Fl Htb Cl. Si/Mi Sax. S. Trp Voix 2 Fl Cor Angl. Cl. Si Cl. Alto Sax. A. Trp Cor Voix 3 Cl. B. Cl. Alto Sax. T. Basson Cor Trb Euph. Voix 4 Cl. B. Sax. B. Basson Trb Trb B. Euph. Tuba C.Cordes Opt. Percussion et Glockenspiel ad. Libitum / Niveau : Facile / Répertoire / 4 Part Variable Ensemble à Vent et Percussion

The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Un des instruments préférés du Tcherepnin était le violoncelle, pour lequel il a écrit environ dix oeuvres (par exemple, la Rhapsodie géorgien, autres oeuvres pour violoncelle et orchestre et plusieurs ensemble et pièces solos). Il a travaillé avec les violoncellistes tels que Paul Grümmer, Paul Tortelier, Pierre Fournier et Gregor Piatigorsky et pour cette raison, que ses oeuvres violoncelles semblent être particulièrement bien adaptés à l'instrument. Bien que Tcherepnine soulignaient la similitude entre le violoncelle et une voix de baryton, il a toujours fait justice à toute la gamme de l'instrument, même dans les positions de pouce plus élevées. Géorgienne, folk Tatar, russe et Kazakh a fourni l'inspiration de chants et danses opus 84. / Violoncelle Et Piano

29 pièces transcrites en notation standard et tablature de guitare. CD inclus. / Guitare Tablatures

Par JOHNSON TIMOTHY. Troika Rushing is one of many popular traditional folk songs that exist in Russia. Though not all Russian folk songs are in the minor key, man of them are, including this one. All of the wind instruments take their turn in playing the melody making it enjoyable for all to play. / Niveau : 1.5 / Musique légère originale / Répertoire / Concert Band ou Harmonie

Par TCHAIKOVSKI PIOTR ILITCH. Throughout the years, composers have found inspiration for their works in simple folk melodies. Tchaikovsky loved Russian folk music all his life. Whilst composing his 2nd symphony, he was inspired by farmers’ songs that fascinated him during a stay in Kamenka (near Kiev). He composed this symphony in 1872/73 and used the melody from the song The Stork as the main theme for the Finale. James Curnow’s transcription of this 19th century masterpiece allows you to bring your contest or concert performance to a fitting Finale. / Niveau : 5 / Répertoire / Concert Band ou Harmonie

7 European Salon Pieces. Par POPP WILHELM. In the 19th Century nationalist themes came into fashion. Composers drew on songs and dances from their native lands, working them into paraphrased adaptations, pot pourri arrangements and sets of variations or incorporating folk elements from various cultures in their compositions. Flautist Wilhelm Popp (1828-1902), who wrote music for his instrument at every level of difficulty, also took up this popular trend. In this collection seven of his ‘easily playable’ compositions have been chosen with musical links to different European countries. Here again Popp shows his ability to distil the essence from musical styles and fashions of his time, setting lyrical and virtuoso passages so well for the instrument that their effectiveness far outweighs any difficulties. The popularity of his pieces for tuition purposes, school concerts or youth music competitions remains undiminished to this day. This edition is essentially based on the first printed versions of these pieces – with just a small number of printing errors and inconsistencies corrected without comment./ Répertoire / Flûte Traversière et Piano

The 100 pieces (including individual sonatina movements) in this anthology provide a valuable resource for pianists and piano teachers as well as piano pedagogy faculty and students. The literature ranges from late elementary to intermediate levels of difficulty. Repertoire was chosen from all style periods and each piece includes suggestions for fingering and pedaling. All selections are in their original form (no arrangements, simplifications, or other adaptations). 172 pages. Comb-bound. / Piano

C Instruments. The Real Book is an alternative to the plethora of poorly designed, illegible, inaccurate and badly edited volumes which abound on the market today. Clear and accurate, the Real Book series aims to provide a selection of music that is both easy to read and enjoyable to perform. Arranged for C instruments, this volume contains 400 songs, including Moon River, Georgia On My Mind, Fly Me To The Moon, Oye Como Va and many more well-known tunes./ Recueil / Instruments en Do