Par PUSCOIU COSTEL. Une collection de répertoire adapté et composé pour le musicien plus avancé. Tous les morceaux sont arrangés pour enregistreur descant/soprano avec accompagnement au piano. Sélections comprennent des oeuvres de Brahms, Schubert, Ravel, Grieg, Massenet et plus encore. / Niveau : Intermédiaire à Avancé / Classic - Solos / Recueil / Flûte à Bec Soprano

The 17 large works in this volume present a varied cross section of the sonata literature from the baroque to the present. Haydn, Mozart, Schubert, Handel, and Beethoven are well represented, as are many others. Each piece is in its original form, based on authentic texts. Difficulty varies from easy to advanced. / Piano

Par DE KEYSER PAUL. Violin Duet Time presents easy/intermediate duets for young violinists. Following on from Violin Playtime Duets, this anthology provides a selection of carefully graded duets for more advanced players, or for a pupil to play with a teacher. The material covered by this volume ranges from Mozart, Mendelssohn, Schubert and Rossini to folk tunes from Bulgaria and the Canary Islands. / Instrumental Music / Recueil / Violon

Par YEO HELEN. This book is a compilation of timeless classics, simplified and aimed to build the skills, agility and tonal control of late intermediate pianists, in order to assist the transition into advanced level. Theory exercises are included after each song, for the pianist to make a practical/theory connection.  / Methods

The author and arranger Hans-Günter Heumann adds to his bestselling series Piano Gefällt Mir! with a Classical edition. All of the greatest masters of musical history is represented by their most famous works, whether it's Bach, Strauss, Liszt, Mozart, these pieces are playable by beginners to advanced pianists, with tempo markings, fingerings and chord symbols.Among the 50 classic pieces in this edition are many famous works which have been used in some of the greatest Hollywood films. Heumann's ever-popular arrangements are perfect for different abilities and fans of the finest classical compositions. / Piano

Creative Transcriptions for Today's Guitarist. Par . This second volume of The Classical Guitarist?s Gig Book contains 63 intermediate to advanced solo arrangements of pieces in various styles. From ?The Water Is Wide? and Christmas and patriotic favorites to opera arias ?Julia Florida? by Agustín Barrios and Cello Suite No. 1 by J. S. Bach all of the music in this book is written in standard notation only. Award-winning composer university professor 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner Mark Cruz has added a few of his own engaging compositions to this exceptional collection?ideal for the performing classic guitarist. / Date parution : 2023-01-24/ Recueil / Guitare

The piano collection contains a wealth of wonderful pieces: 50 of the finest classical piano pieces written by 22 composers from the Baroque, Classical, Romantic and Modern eras. These perennial favourites, which are all of medium difficulty, are ideally suited for advanced pupils, students, adults returning to the instrument, and all lovers of great piano music. This is a 'treasure trove' for piano tuition and recreational music-making.

This album represents astonishing value for money! / Partition /

Plus de 60 exemples de musique couvrant un large éventail de styles et de périodes. Pour : Edexcel filiale avancé la CME dans la musique, Edexcel Advanced CME dans la musique. Le livre et le coffret de 4 CD couvrant neuf domaines d'étude : musique pour grand Ensemble - du XXe siècle Art - musique pour petit Ensemble - clavier musique - de musique vocale sacrée - la musique vocale laïque - musique pour le cinéma et la télévision - musique populaire et Jazz - World Music / Divers

Series: Alfred's Classic Editions Category: Piano Duo (2 Pianos, 4 Hands) Format: Book Instrument: Piano Level: Intermediate / Early Advanced Version: 2 copies required Pianist and composer Sylvia Rabinof has written beautiful accompaniments to 15 masterpieces from the world's most celebrated composers. Intermediate to Early Advanced; for two pianos, four hands. Titles: Musette from Notebook for Anna Magdalena (Bach) * Minuet in G Major from Notebook for Anna Magdalena (Bach) * Minuet in G Minor from Notebook for Anna Magdalena (Bach) * Für Elise (Beethoven) * Chaconne on Air Dido’s Lament from Dido and Aeneas (Purcell) * Ländler in D Major (Beethoven) * Ländler in A Minor (Schubert) * The Happy Farmer (Schumann) * Pour le Lute (Little Prelude No. 3 in C Minor) (Bach) * Invention No. 8 in F Major (Bach) * Solfeggietto (C. P. E. Bach) * Rondo Alla Turca from Sonata in A Major, K. 331 (Mozart) * Invention No. 13 in A Minor (Bach) Clair de Lune from Suite bergamasque (Debussy) * Sonata in C Major, K. 545 (First Movement) (Mozart). 88 pages.

Par DOBRZYNSKI IGNACY FELIKS. Ignacy Feliks Dobrzynski wrote eight nocturnes for piano. Five of them were published in 1833–1834 in two books as Opp. 21 and 24, while the remainder appeared in various occasional collections issued much later. The Nocturne in A major was written in 1846 and belongs to the group of works composed by Dobrzynski during his tour of German cities. That tour was designed to increase the composer’s popularity and boost his finances. Besides concerts and meetings promoting Dobrzynski’s music, the ‘marketing campaign’ also included the publication of his new salon miniatures in particular cities. This Nocturne appeared in print in Berlin as Op. 52, together with a short mazurka constituting a transcription of the earlier song ‘Gdzie lubi’ (‘A fickle maid’). The form of this piece is based on an A-B-A1 scheme typical of the genre, with a quite elaborate epilogue. In section A, the composer based the melody on a one-bar motif in mazurka rhythm, which he combined with a bass led in widely spread chords, often used in nocturnes. He thus obtained a specifically idyllic mood. The sonorities, the type of melody and texture and, above all, the ornaments that appear as the work progresses bring to mind the early work of Fryderyk Chopin. The chordal section B, of lively expression, in the key of F sharp minor and a uniform triple rhythm, triggers associations with the middle section of Chopin’s Nocturne in A flat major, Op. 32 No. 2. After a short bridge, the reprise comprises a reiteration of the opening part of section A, which then passes into the epilogue, in which the composer splices motifs from both contrasting sections. It is difficult to date the second Nocturne published here and to establish the circumstances surrounding its composition. It was published posthumously (in 1868, in Warsaw), in the Album Pamiatkowe IG.F. Dobrzynskiego (‘Souvenir album of I. F. Dobrzynski’), which also contained two mazurkas, two songs and an excerpt from his incidental music for the play Konrad Wallenrod arranged for four hands. These compositions were not previously published and probably come from private collections. The Nocturne carries a dedication to Miss Wanda Miecznikowska. Determining the principal key of this work is rather problematic, since it falls into two tonally and expressively contrasting sections, divided by a lengthy caesura. An agitated, emotional episode in F minor (in A-B-A1 form, section B in A flat major), ending with a distinct conclusion, is followed, rather unexpectedly, by completely new material in the key of F major; adhering to a slower tempo and of very restrained expression, it serves as a sort of post scriptum, a lengthy and calming musical commentary to the foregoing segment. One may even gain the impression that this Nocturne is essentially a diptych consisting of two separate ‘songs without words’. Judging by its style, which is close to the lyric writing of Franz Schubert, Felix Mendelssohn-Bartholdy or John Field, with elements of the style brillant, this work could have been written earlier than the Nocturne in A major. One may also discern here a certain melodic-rhythmic similarity to the above-mentioned Nocturne in A flat major by Chopin. Both these Dobrzynski mazurkas could make interesting additions to the repertoire of both professional pianists and more advanced amateurs interested in nineteenth-century salon music. They may also enrich the programmes of concerts and broadcasts, particularly those devoted to Polish music, and also be included on the curricula of secondary schools of music. The present edition was based on the first editions. The proposed fingering in both works and the pedalling in the Nocturne in A major are entirely the work of the editors; other editorial performance markings are given in brackets. / Répertoire / Piano

20 Intermediate to Early Advanced Pieces with Practice and Performance Tips. The music in this collection has been selected to illustrate specific topics that would be addressed in a piano lesson. Dr. Immanuela Gruenberg provides clear techniques and ideas about performance that explore the characteristics and demands of each piece. CONTENTS: CPE BACH: Solfeggietto · BARTOK: Minuet from The First Term at the Piano · CIMAROSA: Sonata in B-flat Major, C. 27 · FAURE: Romance Without Words, Op. 17, No. 3 · FRANCK: Adagio from Three Early Pieces · FRANCK: Poco maestoso from L'organiste, Volume 1 · GREIG: Bell Ringing from Lyric Pieces, Op. 54, No. 6 · HAYDN: Allegretto from Sonata in C Major, Hob. XVI:3 · LISZT: Etude in D Minor, Op. 1, No. 4 · MACDOWELL: The Witch from Marionettes, Op. 38, No. 6 · MENDELSSOHN: Prelude in B-flat Major, Op. 35, No. 6 · MENDELSSOHN: A Song Without Words in F Major · L MOZART: Allegro moderato in F Major from Nannerl's Notebook · WA MOZART: German Dance, K. 509, No. 3 · SATIE: Crooked Dance No. 2 from Cold Pieces · D. SCARLATTI: Sonata in C Major, K. 95/L. 358 · D. SCARLATTI: Sonata in D Minor, K. 141/L. 422 · SCHUBERT: Ecossaise, D. 735, No. 3 · Landler, D. 145, No. 7 · SCHUMAN: Wild Rider from Album for the Young, Op. 68, No. 8 / Niveau : Intermédiaire à Avancé / Etudes et exercices / Date parution : 2020-04-11/ Recueil / Piano

Par SARAJANE WILLIAMS. Dreamtime is a collection of eighteen lullabies from around the world. Sarajane Williams's hauntingly beautiful arrangements will soothe and lull the body and soul. An intermediate/advanced lever or pedal harpist will enjoy these lush harmonizations and interpretations of traditional songs, all of which require very few lever changes. Some of the lullabies could also provide a pleasant addition to one's Christmas repertoire. The collection includes: Rock-a -Bye-Baby, Sleep Baby Sleep, Night Song, Shepherd's Cradle Song, Hao-Wari, Slumber Song of Izumo, Suo-Gan, Go To Sleep My Child, Brazilian Lullaby, Irish Lullaby, The Gates of Dreamland, Christ Child's Lullaby, Russian Cradle Song, Four Lullabies Medley (Brahms' Lullaby, All the Pretty Little Horses, All through the Night, Schubert's Lullaby), and her original composition, Song of the Mourning Dove. / Niveau : Intermédiaire / Children's - Solos / Recueil / Harpe Folk ou Celtique

Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK audio tools. This new collection of 13 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Adoration (Borowski) - American Patrol (Meacham) - Andante and Allegro from Sonata in G (Marcello) - Ave Maria (Schubert) - Concertino, Op. 26 (Weber) - Menuetto (Mozart) - Non tanto adagio (Platti) - Pavane pour une Infante Defunte (Ravel) - Presto from Concerto in E Minor, Op. 102 (Gurewich) - Presto from Suite for Alto Saxophone (Ostransky) - Recitative and Rondino (Koepke) - Sarabande and Gigue (Corelli) - Slavonic Fantasy (Heumann). / Saxophone Alto