Victor Monge 'Serranito' est une légende dans l'histoire de la musique espagnole. Il est l'un des compositeurs de guitare flamenca, qui soigne le plus le fond et la forme, atteignant ainsi une étonnante perfection de sa musique. Concert de Victor Monge 'Serranito' (guitare), Miguel Rivera (guitare), Juliàn Vaquero (guitare et basse), Victor Monge Barrios (Percusion). Livret de partitions inclus. En français, espagnol, anglais et japonais. / Guitare / Dvd

Granada Serenata' from the 'Suite Espanola', transcribed for guitar by F. Tarrega. / Guitare

Par SCHELDT KATHRYN. Instructeur, arrangeur, interprète et compositeur Kathryn Scheldt vous donne deux versions de chaque chanson inclus: 1.) Solos de guitare classique intermédiaire aux plus avancées - y compris 'Torna un Surriento' (Come la Back à Sorrento). Accompagnements de corde 2.) pour les paroles napolitaine originales de guitare - melody pour instruments voix et/ou treble - avec les traductions en anglais. / Niveau : Intermédiaire / Classic - Solos / Recueil / Guitare Classique

La partition SERENATA PARTITION de Casanova André a été composée pour Flûte Traversière et plus particulièrement pour Flûte Et Orchestre Ou Ensemble. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Flûte Et Orchestre Ou Ensemble / Partition

Par ANDERSON LEROY. Serenata est la première des nombreuses rencontres que Leroy Anderson faite avec de la musique latino-américaine. La musique commence dans une tonalité mineure, puis les déplacements brusquement dans la major offrant une mélodie de grande richesse./ Répertoire / Brass Band

Busoni was just sixteen years old when he wrote the extraordinary Serenata, and the quality of the music is exceptional. The work draws inspiration from the serenade as love song, and the interplay between the warm, lyrical cello line countered by its bright and lively piano partner is highly effective. In preparing this new addition, cellist Lowrii Blake has consulted the original manuscript of this undeservedly neglected work.

Par TOSTI FRANCESCO PAOLO. This unique and exciting series gives you the chance to learn some of the greatest songs of Francesco Tosti with full orchestral backing tracks. 10 operatic showstoppers have been selected including Aprile, La Serenata and L'Ultima Canzone, presented in full notation with concert accompaniments for Piano. Furthermore, a professionally recorded CD is included that features the full-scale orchestral arrangement of each aria so you can experience the power and magic of a grand-scale performance. There's even a version of each featuring an established singer so you can hear the piece in full. An excellent rehearsal tool, or the ideal way to introduceyour voice to the wonders and rigors of the Opera./ Recueil / Chant et Piano

Braga était un violoncelliste et compositeur italien et il parcourt l'Europe et les USA en tant qu'interprète. Il a écrit de nombreuses pièces de salon, y compris La Serenata, qui est resté populaire jusqu'à nos jours. Il a été initialement écrit pour la voix avec violoncelle obligato mais elle s'adapte idéalement pour le piano. / Piano / niveau : Elementaire / Partition

La référence AL29576 de l'éditeur Leduc dont l'auteur célèbre est Sarmanto-Aaltonen, qui a pour titre Sweet Embraces, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

Braga était un violoncelliste et compositeur italien et il parcourt l'Europe et les USA en tant qu'interprète. Il a écrit de nombreuses pièces de salon, y compris La Serenata, qui est resté populaire jusqu'à nos jours. Il a été initialement écrit pour la voix avec violoncelle obligato mais elle s'adapte idéalement à la flûte. / Flûte Traversière Et Piano / 4 pages / niveau : Elémentaire - Moyen / Partition

Ed. Critica A. Borin - Riduzione Per Canto E Pianoforte A Cura Di A. Frige. Par VIVALDI ANTONIO. The Serenata a3 RV 690 is the least familiar and in certain respects the most enigmatic of the Vivaldi serenatas that have come down to us. The sole surviving source is the autograph manuscript of the score, preserved at the Biblioteca NazionaleUniversitaria of Turin. On the basis of this meagre information Michael Talbot managed to indentify the subject of the work and to suggest a key to the interpretation of its unusual plot, which transports to an allegorical plane the story of theFrench Jansenist Jean de Tourreil, who was arrested in Italy on the orders of the Holy Office and imprisoned in the Castel Sant Angelo. / Opéra-opérette / Répertoire / Voix et Piano Réduction

Ed. Critica Di Alessandro Borin - Ril. Brochure. Par VIVALDI ANTONIO. La Gloria e Imeneo, RV 687, belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of importantrecurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place in the ambassador’s garden on the evening of 12 September 1725. This critical edition is based on the autographscore held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata, the state of the sources and its musical content. The critical edition includes anapparatus that records all the variants between the autograph score and the secondary collate sources, and a diplomatic- interpretative edition of the poetic text, inferred – since no libretto has come down to us – by the words underlaid to the notesin the manuscript of the serenata. La Gloria E Imeneo, RV 687, belongs to a group of so-called ‘ French serenatas' by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid-1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place inthe ambassador's garden on the evening of 12 September 1725. This critical edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata, the state of the sources and its musical content. The critical edition includes an apparatus that records all the variants between the autograph score and the secondary collate sources, and a diplomatic- interpretative edition of the poetic text, inferred & since no libretto has come down to us & by the words underlaid to the notes in the manuscript of the serenata. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-08/ Répertoire / SATB, Violon, Alto et Basse Continue