The 'Eulenburg Audio+Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - 50 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - 50 CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio+Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Tout Instrument

Deux volumes trésor de charme, pièces effervescents composés par Mozart dans les années 1770 et 1780. Inclus sont les favoris tels que Eine kleine Nachtmusik, K.525, 'Une Plaisanterie musicale,' K.522, la 'Haffner' Serenade, K.250/248b, Serenata Notturna, K.329, et le 'Posthorn' Serenade, K 0.320.Réimpression de sélection à partir de Wolfgang Amadeus Mozart Werke, Breitkopf and Härtel, 1880-1881. / Orchestre

Composer: Schnittke Alfred Title: Serenade Scored for: for clarinet, violin, double bass, percussion and piano Edition type: score ISBN: 978-3-7024-4665-9 ISMN: 979-0-008-01904-3 Order number: UE15120

Par MILLER GLENN. A Glenn Miller Suite ia a classic arrangement by Mark Freeh, offering a four- movement suite of classic Glenn Miller numbers including In the Mood, Moonlight Serenade, Pennsylvania 6-5000 and American Patrol. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 9 minutes/ Répertoire / Brass Band

Music for wind ensemble also know as Harmoniemusik played an important part in Mozart’s Austria. Wind ensembles were not only cheaper to employ but they also were suitable for outdoor performance and so appealed to the lesser nobility of the time.Mozart composed the three great wind serenades during his first two years in Vienna with the first of them the Serenade No.10 in B flat K.361 seeing a huge expansion in terms of instrumentation and length. Instead of six (or eight) instruments this serenade is scored for thirteen instruments which include a string double bass. The use of the string bass suggests this work waswritten to be performed indoors unlike those which had preceded it.Available here is a highly authoritative Eulenburg miniature score of Mozart’s Serenade No.10 in B flat K.361 as edited by Harry Newstone which is the definitive reference source for study perusal and performance preparation.

Serenade no. 1 H 217. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate, of which the Serenade No. 1 was composed in 1932. The serenades were published by the Prague publishing house of Melantrich in 1949. Although the study score of the Serenade No. 1 was published while the composer was still alive, he was in fact not involved in preparing this edition: indeed, the performance material also appeared in print without his participation in 1954. It was therefore decided to use the autograph score as the principal source for this edition.

Serenade in D Major for strings and winds, K.203/I89bI: Andante maestoso-Allegro assaiII: (Andante)III: MenuettoIV: (Allegro)V: MenuettoVI: (Andante)VII: MenuettoVIII: PrestissimoNotturno in D Major for four orchestras (strings and horns), K. 286/269aI: AndanteII: Allegretto graziosoIII: MenuettoSerenade in D Major for strings, winds, and timpani (Posthorn), K. 320I: Adagio maestoso-Allegro con spiritoII: MenuettoIII: ConcertanteIV: RondoV: AndantinoVI: MenuettoVII: FinaleSerenade in B-flat Major for 13 winds, K. 361/37oaI: Largo-Allegro moltoII: MenuettoIII: AdagioIV: MenuettoV: RomanzeVI: Thema mit VariationenVII: RondoSerenade in E-flat Major for 8 winds, K.375I: Allegro maestosoII: MenuettoIII: AdagioIV: MenuettoV: AllegroEine klein Nachtmusik [A Little Notturno] for strings, K. 525I: AllegroII: RomanzeIII: MenuettoIV: Rondo

Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor?s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879.This Urtext edition is based on the composer?s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece?s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autograph scoreFull score & parts (BA10423) available for sale

Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor?s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879.This Urtext edition is based on the composer?s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece?s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autograph scoreFull score & parts (BA10423) available for sale

Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor?s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879.This Urtext edition is based on the composer?s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece?s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autograph scoreFull score & parts (BA10423) available for sale

Johannes Brahms' Serenade In D Op. 11 from 1857 expertly arranged for Ensemble (Wind Quintet and String Quintet) by Karl Aage Rasmussen in 1988. Parts are available on hire: hire@ewh.dk Brahms' første orkesterserenade stammer fra perioden i Detmold da han arbejdede på sin første klaverkoncert. Værket gennemgik flere omarbejdelser og udvidelser den første mindre version var for strygeroktet og Brahms skitserede desuden flere af satserne for et blandet nonet-emsemble. Værkets kammermusikalske karakter er stadig åbenbar i de to menuetter.  Etforsøg på at afdække den oprindelige udformning i den endelige version for orkester (2 fl. 2 ob 2 cl 2 fg. 4 horn 2 trp timp. og strygere) forekommer derfor meningsfuldt. Mens blæsersatsen hos Brahms naturligvis er stærkt omarbejdet er originalens strygersats i det væsentlige uændret.  Denne version blev oprindelig til på opfordring af Esbjerg Ensemble.  - K.Aa.R. august 2009 

for two Oboes 2 Clarinets 2 Horns and 2 Bassoons-The Serenade in E-flat K.375 exists in two versions one for two clarinets two horns and two bassoons and another for the same forces plus two oboes forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre thereby enabling him for example to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.- scored for Oboe (2) Clarinet (in B-flat) (2) Horn (2) Bassoon (2)- Urtext of the New Mozart Edition- Parts (BA5333) and study score both versions format 22.5 x 16.5cm (TP315) available for sale

Serenade for Flute Violin and Viola in D major op. 25-What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed music? Whatever thereason behind it Opus 25 is one of Beethoven’s few chamber music works that did not have a Bass instrument. Despite the unusual combination of instruments Beethoven had no difficulty in finding apublisher for his serenade; shortly afterwards he even turned to the work again and revised an arrangement for Flute and Piano (Op. 41) which had been made by a third party. Our revised edition follows the musical text which willsoon be published in volume VI/1 of our new Beethoven Complete Edition.