| Maggie's Big Book of Celtic Tunes Dulcimer [Sheet music] - Easy Mel Bay
By Maggie Sansone. For Dulcimer (Hammered). Solos. Celtic/Irish. Level: Beginni...(+)
By Maggie Sansone. For Dulcimer (Hammered). Solos. Celtic/Irish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 160 pages. Published by Mel Bay Publications, Inc.
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Irish Session Tune Book [Sheet music] Mel Bay
By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginnin...(+)
By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 128 pages. Published by Mel Bay Publications, Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pat Kirtley Irish Guitar Guitar notes and tablatures [Sheet music] - Intermediate/advanced Mel Bay
Celtic Guitar Solos. Transcribed by John Roberts and Mark Pritcher. For Guitar (...(+)
Celtic Guitar Solos. Transcribed by John Roberts and Mark Pritcher. For Guitar (Fingerpicking). Solos. Celtic/Irish. Level: Intermediate-Advanced. Book. Size 8.75x11.75. 72 pages. Published by Mel Bay Publications, Inc.
(1)$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Blarney Pilgrim - Celtic Fingerstyle Guitar - DVD Guitar notes and tablatures [DVD] - Intermediate Grossman's Guitar Workshop
For Guitar (Fingerpicking). Solos Performance Video. Vestapol. Celtic/Irish. Lev...(+)
For Guitar (Fingerpicking). Solos Performance Video. Vestapol. Celtic/Irish. Level: Intermediate. DVD. Size 5.25x7.5. Duration 59 minutes. Published by Grossman's Guitar Workshop. (13063DVD) DVD format: Region 1 for use in the USA and Canada.
$24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Granger's Fiddle Tunes for Guitarß Guitar notes and tablatures [Sheet music + Audio access] - Beginner Mel Bay
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire b...(+)
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire bound. World. Book and online audio. 236 pages. Mel Bay Publications, Inc #31103M. Published by Mel Bay Publications, Inc (MB.31103M). ISBN 9781513468792. 8.75x11.75 inches. Adam Granger self-published the first edition of Grangerâ??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book. This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles. There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book. In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read. The tunes in Grangerâ??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes. The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other. Also included in Grangerâ??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection. Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Granger Collection Guitar [Sheet music + Audio access] - Intermediate Mel Bay
Old Time, Wire bound. Vocal. Book and online audio. 248 pages. Mel Bay Publica...(+)
Old Time, Wire bound. Vocal.
Book and online audio. 248
pages. Mel Bay Publications,
Inc #31104M. Published by Mel
Bay Publications, Inc
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| a due Trumpet Deutscher Verlag für Musik
Trumpet(s) solo SKU: BR.DV-32027 Trumpet Music of the 17th and 18th Ce...(+)
Trumpet(s) solo SKU: BR.DV-32027 Trumpet Music of the 17th and 18th Centuries. Composed by Kurt (Hrsg.) Janetzky. Edited by Kurt Janetzky. Solo instruments; Softcover. Deutscher Verlag. Z.T. mit Pauken und B.c. Baroque period. Score. 24 pages. Deutscher Verlag fur Musik #DV 32027. Published by Deutscher Verlag fur Musik (BR.DV-32027). ISBN 9790200425192. 9 x 12 inches. Bicinia - unaccompanied duos - have been known to us from the fifteenth century onwards. So quite early on it was customary tu practise this type of musical exercise, which later, especially during the Romantic period, achieved great popularity as the duo or duett. Equal numbers of this sort of instrumental duo were composed for nearly all wind and string instruments. On the other hand, only a small amount of compositions for two trumpets have come down to us. In order to play any music which progresses beyond pure fanfare on a natural (valueless) trumpet, it is necessary to make use of the clarion register (the top third of the natural harmonic). And if such a melody is to be accompanied by a second part, only the few natural notes lying below it are left, or else this high register itself, which calls for great virtuosity on the part of the trumpeter. As well as this, we must remember the fact that trumpet-playing was only allowed for the trumpeters of a royal court, army, staff, or for the field-trumpeter of a prince, plus a few council, city, and church musicians, who were bound by strict guild and corporation rules. Thus in spite of the preference for its festive sound, the spread and handing down of trumpet music was almost reduced to nothing under these circumstances. As well as this, pride of place and profession rivalry and envy amongst musicians contributed in large part. In England the situation was somewhat freer. Here pretty little trumpet duos originated, including, amongst others, those written by Handel for his master-trumpeter Valentin Snow and the Royal Sergeant-trumpeters of the Shore family. An especially happy exception was the diocese of Olmiitz. Here there was a capable group of musicians of the chapel royal with the brilliantly talented group of trumpeters and the field-trumpeter Pavel Vajvanovsky, who also composed himself. These trumpeters in the service of his prince-bishop played many sacred and secular pieces, all for several instruments. It was for them also that Heinrich Ignaz Franz Biber wrote the 12 double trumpet sonatas we present here. On the other hand, the representatives of the authorities in Germany ensured strict observation of all edicts and regulations. Even the celebrated Bach-trumpeter and towm-piper Gottfried Reiche was never allowed to be portrayed with a proper trumpet due to the priveleges of court and field trumpeters. In order to represent him as one of the greatest masters of his time and art, however, the painter placed an instrument similar to a corno-di-caccia in his hand, together with a sheet with a small piece for virtuoso clarion. When we try in spite of these difficulties and adverse circumstances to gather a collection of musically valuable and characteristic examples of popular pieces for two trumpets from the seventeenth and eighteenth centuries, it is in the first, place in order to acquaint modern trumpeters with something of the wealth of music, which can also be well played on a modern trumpet with valves. The originally used trumpets correspond to modern ones in the keys of C and D, but this does not mean that many of the pieces cannot be transposed to a more comfortable register. On top of this, we have tried to give a picture of the baroque court and field trumpeter, as well as of the mysterious clarion trumpeter, with the help of musically popular material. The origin of most of the pieces used is no longer clearly discernable. In most cases we possess second- or third-hand copies which have been handed down, and show signs of frequent use. A few cases where modernization of the second part obviously did not take place until the invention of stops, have been re-shaped into their supposed original form. A series of further dynamic details were left, and marked as optional suggestions in brackets. Kurt Janetzky
z.T. mit Pauken und B.c. $16.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Bags of Folk for cello Cello - Easy Faber Music Limited
Bags of Folk for cello by Mary Cohen. For cello. Book; Method/Instruction; Strin...(+)
Bags of Folk for cello by Mary Cohen. For cello. Book; Method/Instruction; String - Cello Studies or Collection. Faber Edition: Bags Of. Folk. Elementary. 16 pages. Published by Faber Music
$8.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bags of Folk for violin Violin Faber Music Limited | | |
| Echoes of the 1860s Concert band - Intermediate/advanced Alfred Publishing
Arranged by Donald Hunsberger. Arr. Donald Hunsberger. For Concert Band. Concert...(+)
Arranged by Donald Hunsberger. Arr. Donald Hunsberger. For Concert Band. Concert Band. Donald Hunsberger Wind Library. Level: 4 (Medium) (grade 4). Conductor Score and Parts. Published by Alfred Publishing.
$200.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Voices I Hear GIA Publications
SKU: GI.G-10678 A Philosophical and Practical Approach to the Choral A...(+)
SKU: GI.G-10678 A Philosophical and Practical Approach to the Choral Art. Composed by Will Kesling. Music Education. 472 pages. GIA Publications #10678. Published by GIA Publications (GI.G-10678). ISBN 9781622776436. Drawing from his five decades of success as a conductor and educator in the choral field, Will Kesling has compiled a comprehensive choral methods resource that addresses every necessary fundamental for achieving artistry in the choral art. Written in clear and conversational language, this resource covers: Building a healthy and beautiful choral sound Dealing with vocal issues Selecting repertoire and programming concerts Developing score study skills and interpretive insights Understanding the characteristics of musical periods and composers Planning, preparing for, and running rehearsals The Voices I Hear also explores important but often overlooked topics, including a discussion of performing sacred music in secular education settings, techniques for performing choral-orchestral works, choral versus orchestral conducting, and how to become a true “maestro.†Individual chapters also function as standalone topics of study. A valuable read for emerging and seasoned conductors alike, The Voices I Hear is an expert study of the aesthetic, intellectual, and practical aspects of the choral art. Dr. Will Kesling is Professor of Choral and Orchestral Conducting at the University of Florida, where he has taught for two decades. He has conducted hundreds of choral ensembles and nearly fifty of the world’s finest symphony orchestras. His ensembles have received international attention for their excellence and musical expression.  Thank you, Dr. Kesling, for the decade you gave of yourself to write the most complete and comprehensive writing on the topics of choral techniques, methods, and conducting I have seen. It is in-depth yet practical, to the point of being a valuable resource for both the young conductors entering the choral field to the well-established professionals. You have given us a solid foundation in all significant areas of the choral art, including, among many others, the production of beautiful vocal tone, detailed physical vocal production, textual and physical components of English diction, repertoire programming, appropriate style, interpretation and phrasing, and a pathway to successful conducting of combined choral and orchestral forces. Your enormous and highly successful career, with worldwide performances and numerous awards and honors, has enabled you to bring validity and integrity to the entire writing. —Donald Neuen   Distinguished Professor Emeritus, UCLA   Former member of the Robert Shaw Chorale   Mr. Shaw’s Assistant Conductor with the Atlanta Symphony Orchestra and Choruses For more than 50 years, Dr. Will Kesling has been and continues to be a prominent figure and voice in the International and American choral profession. His new book, The Voices I Hear, is the distillation of his long and distinguished career as a conductor and choral music educator. The driving and consuming passion throughout Kesling’s life is the preparation and performance of the world’s rich and diverse choral and orchestral repertoire and the education, development, and growth of those who perform and conduct it. This book is a summation of a lifetime immersed in the choral art and all its many aspects. It overflows with insights into the choral art that will not only instruct the beginning conductor but also will enlighten and entertain the seasoned professional conductor and educator. It is filled with wit, wisdom, and practical advice to all practitioners of the choral arts. I enthusiastically recommend Kesling’s enlightening new book as an important addition to the choral pedagogy bibliography and for use as an invaluable new text for choral practicum classes for both graduate and undergraduate students. Dr. Kesling has brought to the choral profession significant new insights to all lovers of the choral art. —Craig Jessop   Professor of Music, University of Utah   Former Music Director of the Tabernacle Choir and Orchestra at Temple Square   and the United States Air Force Singing Sergeants Will Kesling’s book, The Voices I Hear, is practical and philosophical, useful and inspirational, focused and comprehensive. The observations and advice are based on his vast personal experiences on the podium with choirs and orchestras, and the book is a monumental resource for both the young conductor and the veteran. Containing a broad spectrum of musical styles, composers, and topics, Kesling’s direct and practical writing connects immediately with today’s choral musician. Keep The Voices I Hear nearby as there will be many times down the road where the information and opinions in Dr. Kesling’s book will answer the questions you have, as well as the ones you didn’t even know to ask! —Jerry Blackstone   Professor Emeritus of Music (conducting) and Director of Choirs (retired)   School of Music, Theatre & Dance, University of Michigan This is the textbook I wish had been available when I was beginning my studies. It is comprehensive in scope, practical and helpful in its suggestions, and, perhaps most surprising in a book from an academic, superbly written in clear and powerful English. Kesling speaks with conviction, clarity, and polish, and he finds colorful and memorable ways of making his points and presents the material from the perspective of one who has done all these things for decades at a highly professional level. I give this volume the highest possible recommendation. —Daniel Gawthrop   Composer & Conductor. $39.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Isn't She Lovely Brass Quintet: 2 trumpets, horn, trombone, tuba - Easy De Haske Publications
Brass Quintet - early intermediate SKU: BT.DHP-1196165-070 As performe...(+)
Brass Quintet - early intermediate SKU: BT.DHP-1196165-070 As performed by Stevie Wonder. Arranged by Bert van Haagen. De Haske Brass Series. Pop & Rock. Set (Score & Parts). Composed 2019. De Haske Publications #DHP 1196165-070. Published by De Haske Publications (BT.DHP-1196165-070). ISBN 9789043158060. International. ‘Isn't She Lovely’ is a song by Stevie Wonder from his 1976 album, Songs in the Key of Life. The lyrics celebrate the birth of his daughter, Aisha Morris. Bert van Haagen arranged this beautiful song in an easy-to-play version for brass quintet.
De song ‘Isn't She Lovely’ van Stevie Wonder is afkomstig van diens album Songs in the Key of Life uit 1976. De tekst gaat over de geboorte van zijn dochter, Aisha Morris. Arrangeur Bert van Haagen heeft van dit schitterende nummer een eenvoudig speelbare versie voor koperblaaskwintet gemaakt.
Isn't She Lovely†ist ein Lied von Stevie Wonder aus seinem 1976 erschienenen Album Songs in the Key of Life. Er schrieb das Lied anlässlich der Geburt seiner Tochter Aisha Morris. Bert van Haagen arrangierte dieses wunderschöne Lied als einfach zu spielende Blechbläserquintett-Version.
« Isn't She Lovely » est une chanson de Stevie Wonder tirée d’un album sorti en 1976, Songs in the Key of Life. Les paroles célèbrent la naissance de sa fille, Aisha Morris. Bert van Haagen a élaboré un arrangement facile pour quintette de cuivres de cette très belle chanson. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Blues, Promenade & Happy Tune Brass Quintet: other combinaisons - Easy De Haske Publications
Brass Quintet with Variable Instrumentation - early intermediate SKU: BT.DHP-...(+)
Brass Quintet with Variable Instrumentation - early intermediate SKU: BT.DHP-0970819-070 Composed by Kees Schoonenbeek. Music Box. Concert Piece. Set (Score & Parts). Composed 1997. De Haske Publications #DHP 0970819-070. Published by De Haske Publications (BT.DHP-0970819-070). ISBN 9789043153461. International. Three contrasting movements which can be used individually orcombined to make a great concert item.
Eine Suite von drei lustigen Stücken für ein variables Bläserquintett. Stimmen sind in den gängigsten Transpositionen im Set enthalten.
Une suite en trois mouvements courts et joyeux. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Introduction & Postludium Brass Quintet: 2 trumpets, horn, trombone, tuba - Easy De Haske Publications
Brass Quintet - early intermediate SKU: BT.DHP-0900181-070 Quintett f...(+)
Brass Quintet - early intermediate SKU: BT.DHP-0900181-070 Quintett für Blechbläser. Composed by Anton Bruckner. Arranged by Robert van Beringen. Music Box. Educational Tool. Set (Score & Parts). Composed 1990. 12 pages. De Haske Publications #DHP 0900181-070. Published by De Haske Publications (BT.DHP-0900181-070). ISBN 9789043151979. German. Der tiefreligiöse Komponist Anton Bruckner schuf einige kirchenmusikalische Werke von großer Bedeutung. Aus einem seiner Orgelwerke wählte Robert van Beringen die Introduktion und das Postludium und bearbeitete sie für Blechbläserquintett. $24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Cartoon Parade Brass Quintet: 2 trumpets, horn, trombone, tuba - Easy De Haske Publications
Brass Quintet - early intermediate SKU: BT.DHP-1185993-070 The Muppet ...(+)
Brass Quintet - early intermediate SKU: BT.DHP-1185993-070 The Muppet Show Theme - I'm Popeye the Sailor Man - Mickey Mouse March. Arranged by Eric J. Hovi. De Haske Brass Series. TV-Film-Musical-Show. Set (Score & Parts). Composed 2018. De Haske Publications #DHP 1185993-070. Published by De Haske Publications (BT.DHP-1185993-070). ISBN 9789043156578. International. In this five-part medley for brass quintet, we meet some of the greatest cartoon characters ever created: The Muppets, Popeye and of course Mickey Mouse. This is a great arrangement to feature in your concerts for kids (and adults!).
In deze medley voor koperkwintet komen we een aantal van de leukste poppen en stripfiguren tegen die ooit het wereldpodium hebben betreden: The Muppets, Popeye en natuurlijk Mickey Mouse. Een weergaloos stuk waar zowel kinderen als volwassenen van genieten!
In diesem Medley für Blechbläserquintett treffen wir einige der großartigsten Zeichentrickfiguren, die jemals erfunden wurden: Die Muppets, Popeye und natürlich Micky Mouse. Ein wunderbarer Konzertbeitrag für Kinder und Erwachsene!
Dans ce medley pour quintette de cuivres, nous rencontrons quelques-uns des plus grands personnages animés jamais inventés : Les Muppets, Popeye et bien s r Mickey Mouse. Les enfants l'apprécieront autant que les adultes !
Nel medley 'Cartoon Parade' per quintetto di ottoni, incontriamo alcuni dei più grandi personaggi dei cartoni animati mai inventati: i Muppets, Braccio di ferro e, naturalmente, Topolino. Un grande momento per bambini e adulti nei vostri concerti! $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Wind Quintet, Op. 26 LudwigMasters Publications
Woodwind Quintet: Flute (d. Piccolo), Oboe, Clarinet, Bassoon, Horn SKU: AP.3...(+)
Woodwind Quintet: Flute (d. Piccolo), Oboe, Clarinet, Bassoon, Horn SKU: AP.36-60404001 Composed by Arnold Schoenberg. Woodwind Duo & Ensemble, Quintet, Conductor Score & Parts. Master Woodwind Series. Score and Part(s). LudwigMasters Publications #36-60404001. Published by LudwigMasters Publications (AP.36-60404001). ISBN 9798888521977. UPC: 676737926076. English. The QUINTET FOR WIND INSTRUMENTS (BLÄSERQUINTETT) was completed in August 1924, and played for the first time on September 16, 1924. It is the first large work in which Schönberg has substantiated the laws of composition with twelve tones. All themes and sound combinations are derived from the basic series (E-flat, G, A, B, C-sharp, C, B-flat, D, E, F-sharp, A-flat, F) and a number of subsidiary series (inversion, crab or retrograde motion, etc.). The homogeneity and uniformity thus achieved constitutes an equivalent to the form-building functions of a fixed tonality. - Program Note from the score. This early example of Schönberg's twelve-tone technique premiered on September 13, 1924, the composer's birthday. Reprint edition. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $54.99 - See more - Buy online | | |
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