SKU: BT.DHP-1125244-400
ISBN 9789043141734. 9x12 inches. English-German-French-Dutch.
The band strikes up the circus march for the entrance of the artistes—the audience waits expectantly…Between the Opening March and the Grand Finale the packed audience is presented with a colourful programme: courageous acrobats, comical clowns, oriental belly dancers, knife-throwers and snake charmers appear one after the other.Circus Time is also available for flute, clarinet and violin (in the same sounding key). This opens up all sorts of choices: musicians can take turns to perform or build a real circus band, or even—with the help of scenery and props—put on a proper circus performance. There is no end of possibilities!The accompanyingCD contains demo and play-along version of all the pieces. Alternatively the chord symbols (written in concert pitch) above the music staff can be used for a live accompaniment by guitar and/or keyboard. An optional piano accompaniment is available separately (order number: DHP 1125344-401).On with the show! Het orkest begint de circusmars te spelen voordat de artiesten opkomen - het publiek wacht vol spanning af…Van de openingsmars tot de grand finale krijgen de toeschouwers een kleurrijk programma voorgeschoteld: moedige acrobaten,grappige clowns, oostersebuikdanseressen, messenwerpers en slangenbezweerders volgen elkaar op in de piste.Circus Time is ook beschikbaar voor dwarsfluit, klarinet en viool (in dezelfde klinkende toonsoort). Er zijn dus allerleimogelijkheden: de muzikanten kunnen elkaar afwisselen met solo-optredens of een echt circusorkest vormen, of zelfs - in een geschikte omgeving en met behulp van decorstukken - een heus circusoptreden verzorgen. Laat je fantasiede vrije loop.De bijgevoegde cd bevat zowel demotracks als begeleidingen voor alle stukken. Voor live begeleiding door keyboard en/of gitaar staan de akkoordsymbolen (klinkend genoteerd) boven de muziek. Optionele pianobegeleidingenzijn apart verkrijgbaar (bestelnummer: DHP 1125344-401).Laat de show maar beginnen!Die Kapelle spielt schon den Zirkusmarsch zum Einzug der Artisten - das Publikum wartet gespannt...Zwischen dem Eröffnungsmarsch und dem Großen Finale wird dem geneigten Publikum ein buntes Programm präsentiert: Mutige Akrobaten, lustige Clowns, orientalische Bauchtänzerinnen, Messerwerfer und Schlangenbeschwörer treten nacheinander auf.Circus Time gibt es auch für Klarinette, Querflöte und Violine (in den gleichen klingenden Tonarten). So eröffnen sich viele Möglichkeiten für die Aufführung: Die Musiker können abwechselnd auftreten oder ein ganzes Zirkusorchester“ bilden und sogar - ergänzt durch eine szenische Umsetzung - eine richtigeZirkusvorstellung geben. Der Fantasie sind keine Grenzen gesetzt!Die beiliegende CD enthält Demo- und Mitspielversionen aller Stücke. Alternativ zu den Mitspiel-Tracks können die Akkordsymbole (in klingenden Tonarten) über den Noten für eine Live-Begleitung durch Keyboard und/oder Gitarre genutzt werden. Optional sind Klavierbegleitungen separat erhältlich (Bestellnummer: DHP 1125344-401).Manege frei! L’orchestre du cirque attaque la marche qui annonce l’apparition des artistes - le public attend impatiemment…Entre la marche d’ouverture et le finale, grands et petits savourent un programme haut en couleurs : acrobates audacieux, clowns comiques, danseuses orientales, jongleurs et charmeurs de serpents présentent tour tour leur numéro.Circus Time existe également pour fl te, clarinette et violon (dans la même tonalité). Ce choix offre de nombreuses options : les musiciens peuvent jouer tour tour ou former un véritable orchestre de cirque, ou même - avec des décors et des accessoires - monter une vraie représentation de cirque. Les possibilités sont illimitées!Le compact-disc ci-joint contient les versions intégrales des morceaux ainsi que les versions d’accompagnement. Les symboles d’accords (sons réels) figurant au-dessus de la portée facilitent l’accompagnement la guitare et/ou au piano. Les parties d’accompagnement de piano optionel sont rassemblées dans un recueil vendu séparément (référence :DHP_x001F_1125344-401).Que le spectacle commence ! Un viaggio nel mondo circense che consente ai musicisti di suonare da soli, ma anche di formare una vera band. Il CD contiene una versione demo e una play-long di ogni brano. In alternativa, grazie ai simboli degli accordi sopra il pentagramma, ci si può esibire live accompagnati dalla chitarra e/o tastiera (DHP 1125344-401).
SKU: BT.EMBZ20039
English-Hungarian.
Bartók composed his first pedagogical collection For Children between 1908 and 1911. The first edition was issued between 1909 and 1911 in four volumes, comprising two of Hungarian and two of Slovak folk song arrangements. After moving to America, Bartók considered it important to produce new editions of his earlier works. Thus in autumn 1943, together with his new publisher Boosey & Hawkes, he planned a new edition of For Children, and to this end completely revised the collection. Although Bartók had already completed his revision by the end of 1943, the revised edition was only issued in 1946. The pieces were published without titles in the first edition, but the folksong lyrics were included. These lyrics, deemed unnecessary for the non-Hungarian audiences, were not taken over to the American revised edition however, a significant number of pieces were provided with a title conveying their mood and their background in folk music and folk life. The American edition omitted the folk songs lyrics that seemed unnecessary to the audience there, but the titles of the first edition were replaced with English titles (some with the same meaning and some with modified interpretations) conveying each song's mood and background in folk music and folk life.The present edition - which contains the same scores as those in Volume 37 of the Béla Bartók Complete Critical Edition (Z. 15037) - is based on the revised version that the composer made in 1943 for the new edition, to which he also referred to as ''corrected''. We have added Hungarian translations to the English titles but we have also restored the original collection of folk song texts with parallel English translations. The pieces discarded from the revised version, as well as early versions that are significantly different from the revised version, are included in the Appendix. This publication contains a preface and editorial comments in both Hungarian and English.
SKU: BA.BA10946
ISBN 9790006569748. 31 x 24.3 cm inches. Key: G minor. Preface: Schwemer, Bettina.
Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.The Concerto RV 531 is the only double concerto in Vivaldi’s uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students.The edition is based on the careful evaluation of Vivaldi’s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.ALHE25323
French.
Don Quixote is a comedy in five acts by Henri Cain, after _x001A_Le Lorrain_x001A_, with a music by J. Massenet. This special edition features pictures of the Monte Carlo theatre in 1910, texts in French and music for Piano and Voice withFrench lyrics. The comedy lasts approximately 1 hour 10 minutes in total. The five acts depict the heroic story of Don Quixote de la Mancha: Act 1: A public square (Une place publique) Act 2: The windmills (Les moulins) Act 3:In the Sierra (Dans la Sierra) Act 4: The patio of the beautiful lady (Le patio de la belle Dulcinée) Act 5: Don Quixote_x001A_s Death (La mort de Don Quichotte) This comedy was well-acclaimed when first played in Monte Carlo. Itwas then taken to Paris to be played at the Theatre of the Gaîeté Lyrique. J. Massenet wrote thirty famous operas which include 'Werther' and 'Thais', also edited as special collection by Alphonse Leduc.
SKU: PE.EP14506
ISBN 9790014136567. German.
rw? 3 by Mark Andre is a contemporary work for Ensemble which is part of a four-part cycle. The word rw? (pronounced rúach) comes from Aramaic and covers a whole field of words: wind, breath, soul, spirit. In the Bible it stands for 'Holy Spirit'. In his cycle, the French composer and sound researcher Mark Andre makes this 'holy' breath concretely and existentially tangible. rw? 3 was commissioned by Ensemble Modern for their 40th anniversary. The complete cycle was first performed on 15 May 2022 at the KunstFestSpiele Herrenhausen, Hannover by more than 200 singers and Ensemble Modern, conducted by Ingo Metzmacher.
The full score is available for sale as part of the Peters Contemporary Library series. The performance material is available for rent. This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
About Peters Contemporary Library
Mark AndreMilton BabbittDaniel BjarnasonEarle BrownJohn CageHenry CowellJames DillonJonathan DoveBrian FerneyhoughRoxanna PanufnikRebecca SaundersErkki-Sven TuurCharles Wuorinen These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike. Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.
SKU: HL.4003043
UPC: 884088562199. 10.5x14 inches.
Translated from Gaelic as “Eternal September,” this marvelous setting for band is designed to take each listener back to their own vivid fall memories on a college campus. Commissioned by the University of Notre Dame and premiered at their Carnegie Hall performance in 2010, this work is also dedicated to the composer's father, Dr. Samuel J. Hazo, a 1949 graduate of Notre Dame. Additionally, Dr. Hazo's poem “Home Are the Sailors” is incorporated in the middle of the piece. Rich in musical references and varied textures, this is a dramatic and rewarding work for mature ensembles. Duration: c. 5:30.
SKU: BT.RSK200124
ISBN 9781789361100. English.
The Rockschool Ukulele Method takes readers from the initial approaches to playing ukulele through to performing their first pieces. By the end of the book 2 readers should be proficient enough to enter for their Debut exam.
The new method books include:
SKU: BR.OB-4497-30
ISBN 9790004312247. 10 x 12.5 inches.
Now they began to play. To my greatest surprise, it was a strong, full orchestra, outstandingly rehearsed, the tempi nearly all perfect, everything neat and well executed. My God, how I was moved to hear basically for the first time something of mine being played without me, and without anyone really paying much attention to me. And now this very piece, the Tannhauser Overture! I sat there plagued by an indescribable inner agitation - : unfortunately, I was being sharply observed by the public, which had taken note of this; yet I noticed nothing of all this, and burst into a river of beneficial tears. (...) At the close, the wild applause of the public that had no idea about what they had just witnessed The conductor and the entire orchestra turned towards me and cheered and applauded so much that I had to stand and thank them...(Richard Wagner from Strasbourg to his wife Minna on 15 January 1858).
SKU: CF.CM9638
ISBN 9781491157107. UPC: 680160915668. 6.875 x 10.5 inches. Key: A minor. English, English. Original.
Robinson's TBB arrangement of this beloved Bennett madrigal, originally published for four voices in 1599, has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices. A wonderful concert or festival staple piece!.Weep, O Mine Eyes is a classic madrigal from the Renaissance period (circa 1400-1650). Although John Bennet's exact birth and death dates are unknown, we know that he was English and composed madrigals (non-sacred a cappella pieces) in the late 16th - early 17th centuries. Although, Bennet was not as prolific as other madrigal writers of the time, such as Thomas Morley, Weep, O Mine Eyes has certainly stood the test of time. Originally published in a book of 17 madrigals for four voices in 1599, this arrangement for TBB voices has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices. The original flavor of Bennet's four-part setting has been preserved, including the counterpoint (independent voices) where each voice is of equal importance. In Renaissance style no parts should over sing; the beauty of the melodic lines and text should come through and over singing will take away from the beauty. The EE vowel is sometimes problematic in the word weep. I suggest that you produce the EE vowel with OO on the lips and EE inside the mouth for better blend and to avoid a horizontal spreading of the vowel. Enjoy this wonderful madrigal!.Weep, O Mine Eyes is a classic madrigal from the Renaissance period (circa 1400-1650). Although John Bennet's exact birth and death dates are unknown, we know that he was English and composed madrigals (non-sacred a cappella pieces) in the late 16th - early 17th centuries. Although, Bennet was not as prolific as other madrigal writers of the time, such as Thomas Morley, Weep, O Mine Eyes has certainly stood the test of time.Originally published in a book of 17 madrigals for four voices in 1599, this arrangement for TBB voices has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices.The original flavor of Bennet's four-part setting has been preserved, including the counterpoint (independent voices) where each voice is of equal importance. In Renaissance style no parts should over sing; the beauty of the melodic lines and text should come through and over singing will take away from the beauty.The EE vowel is sometimes problematic in the word weep. I suggest that you produce the EE vowel with OO on the lips and EE inside the mouth for better blend and to avoid a horizontal spreading of the vowel.Enjoy this wonderful madrigal!
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