Faber Music Soundtracks Piano Anthology est une compilation essentielle des meilleures musiques de films et de séries, spécialement arrangées pour piano solo de niveau intermédiaire. La sélection comprend la musique de séries telles que Sherlock, Downton Abbey, Killing Eve et Planet Earth, et de films tels que Le Seigneur des Anneaux, Le Labyrinthe de Pan, La Leçon de Piano, La Favorite et Manchester by the Sea.

Praise the Lord All Nations!. For a festival gathering of singers, this would be an amazing choice. After a neoclassic introduction, the main theme sounds with sacred vigor. Pure energy carries the sequential tune through a series of praiseworthy acclamations, O praise the Lord, all nations. Praise the Lord, all people. A contrasting middle section featuring Tallis' Canon is a delightful surprise, bringing texture and a noble quality to crown this fine work. Joyful!

Uses: General Pentecost Scripture: Joshua 1:9 - Ephesians 4:14 Walls of sound announce with confidence and power the glorious character of the Almighty as this festive anthem unfolds. An original tune rich with vitality and punctuated with exciting mixed meter moments forms the main theme. The anthem is crowned with a moment incorporating congregation as all join in singing the traditional hymn with a soaring descant. Awesome! Score and Parts (tpt 1-2 tbn 1-2 timp) available as a digital download. Part for Handbells (3 oct.) also available as a digital download.

Pour Deux Pianos-At the time Reynaldo Hahn (1874-1947) tackled music for two pianos Belle Époque salons were already vying for this gifted 17-year-old who had made himself known by publishing a song whose success was going to be crowned by a place in posterity: Si mes vers avaient des ailes. Dated 1891 the Scherzo lent surprises with its very title a veritable oxymoron since the scherzo is normally distinguished by its rapidity. From it the composer kept only the three-beat rhythmic pattern and the tripartite structure (ABA) with B serving as a trio. Previously unpublished this expressive dance with its moderate tempo had its world premiere recordingby Leslie Howard (with Mattia Ometto) who prefaced the present publication. Built on an improvised theme while dusk was wrestling with night the Caprice mélancolique of 1897 takes the form of a waltz-fantasy in quadruple time its originality being heightened by the contrasting central part. The moving triptych Pour bercer un convalescent dedicated in 1915 by Private Reynaldo to 'Henri Bardac sergeant in the 306 th infantry seriously wounded at the battle of the Aisne' combines modesty and melancholy with infinite delicacy: its healing powers are of all times.