SKU: ML.013759100
In this suite for symphonic band the arranger did not use the existing orchestral suites, but composed another suite of his own with those parts of the ballet music that suited well for a transcription. Romeo & Juliet - Part II. Introduction – The Duke’s CommandII. The Street AwakensIII. Morning DanceIV. Romeo at Friar Laurence’sV. Departure of the Guests (Gavotte)VI. Montagues & Capulets – Dance of the Nights Romeo & Juliet - Part III. Arrival of the GuestsII. The QuarrelIII. The FightIV. InterludeV. Tybalt recognizes RomeoVI. Mercutio Romeo & Juliet - Part IIII. Public MerrymakingII. Further public festivitiesIII. Meeting of Tybalt and MercutioIV. The DuelV. The Death of MercutioVI. Romeo decides to avenge MercutioVII. Finale: Cortège with Tybalt’s BodyEuropean parts free downloadIn deze suite voor harmonieorkest is Johan de Meij niet uitgegaan van de bestaande orkestsuites maar heeft hij een eigen suite samengesteld uit delen van het ballet die zich goed lenen voor een bewerking.Romeo & Juliet - Part II. Introduction – The Duke’s CommandII. The Street AwakensIII. Morning DanceIV. Romeo at Friar Laurence’sV. Departure of the Guests (Gavotte)VI. Montagues & Capulets – Dance of the Nights Romeo & Juliet - Part III. Arrival of the GuestsII. The QuarrelIII. The FightIV. InterludeV. Tybalt recognizes RomeoVI. Mercutio Romeo & Juliet - Part IIII. Public MerrymakingII. Further public festivitiesIII. Meeting of Tybalt and MercutioIV. The DuelV. The Death of MercutioVI. Romeo decides to avenge MercutioVII. Finale: Cortège with Tybalt’s BodyEuropean parts free downloadPour cette suite pour orchestre d'harmonie, l'arrangeur Johan de Meij ne s'est pas basé sur les suites d'orchestres existantes, mais il a composé une nouvelle suite en choisissant ces morceaux du ballet qui se prêtent bien à la transcription.Romeo & Juliet - Part II. Introduction – The Duke’s CommandII. The Street AwakensIII. Morning DanceIV. Romeo at Friar Laurence’sV. Departure of the Guests (Gavotte)VI. Montagues & Capulets – Dance of the Nights Romeo & Juliet - Part III. Arrival of the GuestsII. The QuarrelIII. The FightIV. InterludeV. Tybalt recognizes RomeoVI. Mercutio Romeo & Juliet - Part IIII. Public MerrymakingII. Further public festivitiesIII. Meeting of Tybalt and MercutioIV. The DuelV. The Death of MercutioVI. Romeo decides to avenge MercutioVII. Finale: Cortège with Tybalt’s BodyEuropean parts free downloadIn dieser Suite für Blasorchester ist Johan de Meij nicht von den bestehenden Orchestersuiten ausgegangen, sondern hat er mit welchen Teilen des Balletts, die für ein Arrangement gut geeignet sind, eine eigene Suite zusammengestellt.Romeo & Juliet - Part II. Introduction – The Duke’s CommandII. The Street AwakensIII. Morning DanceIV. Romeo at Friar Laurence’sV. Departure of the Guests (Gavotte)VI. Montagues & Capulets – Dance of the Nights Romeo & Juliet - Part III. Arrival of the GuestsII. The QuarrelIII. The FightIV. InterludeV. Tybalt recognizes RomeoVI. Mercutio Romeo & Juliet - Part IIII. Public MerrymakingII. Further public festivitiesIII. Meeting of Tybalt and MercutioIV. The DuelV. The Death of MercutioVI. Romeo decides to avenge MercutioVII. Finale: Cortège with Tybalt’s BodyEuropean parts free download
SKU: HL.4008696
UPC: 196288190523.
“May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds.†– Edward Abbey Notes from the Road was commissioned to Franco Cesarini by the music Federation of the Canton of Thurgau, Switzerland, as compulsorypiece for the second category of the Canton Festival in 2023. The piece is written in the typical form of an Italian overture, with the sequence of veloce-lento-veloce tempi. Reflections on life and the street as its metaphor were the driving elements in composing this piece. The way represents a symbol characteristic to many cultures, so much so that the verb “to walk†or the word “path†indicate a way of being in life and of fulfilling oneself. “Making one's way†means affirming oneself; “Having a way†indicates one's own and personal approach. The road is the most beautiful metaphor of life: there is a departure, a destination, and in the middle lies a path that is sometimes winding, with challenges to overcome and directions to take. An introspective piece, an invitation to each of us to reflect on our own “pathâ€.
SKU: HL.14023422
ISBN 9788759807705. 8.25x11.75x0.061 inches. English.
Clubs Among Jokers is the third of four suites for solo Guitar collectively entitled Tales From A Hand, each of which takes its point of departure from one of the four suits of playing cards.
SKU: FL.FX074205
A little wordplay for our young string instrumentalists of the 1st cycle, always very attached to their luthier... The music can evoke at the same time the walk of the cat always on the alert, but also the departure of a heavy fishing boat... - Pascal PROUST ; Instruments: 1 Violin 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 20 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: FL.FX074208
A little wordplay for our young string instrumentalists of the 1st cycle, always very attached to their luthier... The music can evoke at the same time the walk of the cat always on the alert, but also the departure of a heavy fishing boat... - Pascal PROUST ; Instruments: 1 Double Bass 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 20 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: FL.FX074207
A little wordplay for our young string instrumentalists of the 1st cycle, always very attached to their luthier... The music can evoke at the same time the walk of the cat always on the alert, but also the departure of a heavy fishing boat... - Pascal PROUST ; Instruments: 1 Cello 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 20 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: FL.FX074206
A little wordplay for our young string instrumentalists of the 1st cycle, always very attached to their luthier... The music can evoke at the same time the walk of the cat always on the alert, but also the departure of a heavy fishing boat... - Pascal PROUST ; Instruments: 1 Viola 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 20 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: AP.6-814483
ISBN 9780486814483. English.
The Classical Revolution contains essays by a prominent contemporary composer that offer a thought-provoking exploration of a current trend in classical music. Author John Borstlap advocates a departure from the atonal characteristics typical of modern music and a return to more traditional forms. His treatise introduces new composers, reveals instances of institutional biases, and examines issues of cultural identity, musical meaning, and the aesthetics of beauty.
SKU: CF.CM9654
ISBN 9781491157268. UPC: 680160915828. 6.875 x 10.5 inches. Key: Ab major. English, English. Julian of Norwich (1342-1416).
Burrows's setting of words of assurance from the English mystic Julian of Norwich (1342-1416) is as relevant today as ever. For the advanced mixed ensemble, the powerful lyrics coupled with gorgeous harmonies make this an optimistic song of hope appropriate throughout the year.All shall be well, And all shall be well, And all manner of thing shall be well. These words of assurance from the English mystic Julian of Norwich (1342-1416) are as relevant today as ever. During her life, Julian saw her community devastated by the Great Plague as well as deep civil unrest. Yet through all the turmoil came a vision of hope that has given the world this profound text. One of the most striking features is how this short text incorporates so much repetition. It's as if the writer knew she must be gently persistent in order for her optimistic message to truly sink in. The opening section tries to capture musically some of that persistent optimism. Then there is a departure from this optimistic tone (measure 26) The feel becomes more desperate, building to an anguished cry (measure 38), acknowledging the reality that, while all shall be well, things are very much NOT well right now. Eventually the anguish subsides (measure 52) as the music turns back hopeward with the calm assurance, again and again, that all shall be well.All shall be well,And all shall be well,And all manner of thing shall be well.These words of assurance from the English mystic Julian of Norwich (1342-1416) are as relevant today as ever. During her life, Julian saw her community devastated by the Great Plague as well as deep civil unrest. Yet through all the turmoil came a vision of hope that has given the world this profound text.One of the most striking features is how this short text incorporates so much repetition. It’s as if the writer knew she must be gently persistent in order for her optimistic message to truly sink in.The opening section tries to capture musically some of that persistent optimism.Then there is a departure from this optimistic tone (measure 26) The feel becomes more desperate, building to an anguished cry (measure 38), acknowledging the reality that, while all shall be well, things are very much NOT well right now.Eventually the anguish subsides (measure 52) as the music turns back hopeward with the calm assurance, again and again, that all shall be well.
SKU: FJ.ST6277S
English.
Add some contrast to your winter program with this haunting French folk tune, which also happens to be one of Canada's oldest Christmas songs. Drawing inspiration from the Hurons, an American tribe of the Iroquoian family, the work includes an optional percussion part that adds authenticity to the Gregorian-style melody. A wonderful departure that is an ideal addition to a winter or multicultural program.
About FJH Beginning Strings
Appropriate for first year string students. All instruments stay in first position, and optional third violin (viola) parts and piano are included to aid in rehearsal and performance situations. Grade 1 - 1.5
SKU: HL.50602314
UPC: 840126906585.
The Planets, op. 80 for mezzo-soprano, flute, viola and guitar, was composed in spring 1978 and given its first performance on 30 July the same year at the Lerchenborg Music Days. The occasion which led to the composition of the work was the 50th anniversary of the finding of a block book from the second half of the 15th century with texts on the planets. The inspiration came from Louise Lerche-Lerchenborg, who organised the Lerchenborg Music Days, and the work is dedicated to her. In connection with the concert at Lerchenborg, Poul Rovsing Olsen wrote the following about his opus: The Planets derives from the block book found in Lerchenborg's library in 1928. Seven fine, coloured drawings tell of the seven celestial bodies which in many European languages have given the weekdays their names. Each drawing is accompanied by a Latin text, under which there is a two-line dictum that briefly - though very concisely - gives an account of the characteristics of the children who belong to that particular celestial body. And these concentrated portrayals form the basis for the music. In the music I have attempted to give indications of my own experience of the particular power and nature characterizing each one of the heavenly bodies, just as I have allowed this cycle of planet songs to pass like a journey through the ethereal realms with motifs that appear, are repeated, are varied and disappear (but only so as to be replaced by new ones), until we finally return to the point of departure. The introduction - Aether - is purely instrumental. Two of the planets - Venus and Luna - are female; in the music written for them small (Indian) cymbals are used that are also present in Aether..
SKU: BT.WH31915
ISBN 9788759829004.
The Planets, op. 80 for mezzo-soprano, flute, viola and guitar, was composed in spring 1978 and given its first performance on 30 July the same year at the Lerchenborg Music Days. The occasion which led to the composition of the work was the 50th anniversary of the finding of a block book from the second half of the 15th century with texts on the planets. The inspiration came from Louise Lerche-Lerchenborg, who organised the Lerchenborg Music Days, and the work is dedicated to her. In connection with the concert at Lerchenborg, Poul Rovsing Olsen wrote the following about his opus: “The Planets derives from the block book found in Lerchenborg’s library in 1928. Seven fine,coloured drawings tell of the seven celestial bodies which in many European languages have given the weekdays their names. Each drawing is accompanied by a Latin text, under which there is a two-line dictum that briefly though very concisely gives an account of the characteristics of the children who belong to that particular celestial body. And these concentrated portrayals form the basis for the music. In the music I have attempted to give indications of my own experience of the particular power and nature characterizing each one of the heavenly bodies, just as I have allowed this cycle of planet songs to pass like a journey through the ethereal realms with motifs that appear, are repeated, are varied and disappear (but only so as to be replaced by new ones), until we finally return to the point of departure. The introduction Aether is purely instrumental. Two of the planets Venus and Luna are female; in the music written for them small (Indian) cymbals are used that are also present in Aether.â€.
SKU: HH.HH143-FSP
ISBN 9790708041948.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the ever popular subject of the separation of lovers. It records the departure of Irene from 'Adria' the conventional Arcadian code word for Venice and doubtless was written to commemorate a genuine parting of, say, members of a court. Throughout, Albinoni maintains the simple, lightly elegiac mood that is the hallmark of his style.
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