| Scottish Dances Concert band - Easy Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000956-140 Composed by Pete...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000956-140 Composed by Peter Martin. Arranged by Menno Haantjes. Score Only. Gobelin Music Publications #GOB 000956-140. Published by Gobelin Music Publications (BT.GOB-000956-140). Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding.
I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is Cock O' the North a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text.
Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers.
II. The Bonnie Bank's O'Loch Lomond is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go.
You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond
III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others).
Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding
Scottish Dances is gebaseerd op drie Schotse traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond en Marie's Wedding.
I. De naam Cock of the North wordt voor meerdere dingen of evenementen gebruikt. Van een beroemdelocomotief tot een, naar het schijnt, een heerlijke likeur, en van rally's tot snowboard wedstrijden. Bovendien was 'Cock O' the North' een bijnaam van een bekende hertog. (the 4th Duke of Gordon) Het in deze compositiegebruikte Cock of the North (een Jig) is een traditioneel Schotse bagpipe tune (doedelzak liedje) wat regelmatig gespeeld wordt op taptoes door Pipebands. Niet zelden zingen de slagwerkers de tekst mee.
Auntie Mary, had acanary, Up the leg of her trousers While she was sleeping I was peeping Up the leg of her trousers.
II. 'The Bonnie Bank's O'Loch Lomond', gaat over een triest verhaal dat zich afspeelde tijdens een opstand tegende Engelsen. In 1745 moest Bonnie Prince Charlie zich terugtrekken. Twee van zijn mannen werden gevangen genomen. Eén van hen werd veroordeeld en geexecuteerd, terwijl de ander vrijgelaten werd. De geest van de geexecuteerde soldaatzou via de 'low road' (onderwereld) eerder in Schotland aankomen dan zijn kameraad, die nog een lange ruige weg te gaan had.
You'll take the high road And I'll take the low road And I'll be in Scotland aforeye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond
III. Bij een Schotse bruiloft wordt na de officiele plechtigheden vaak gedanst. Dit noemt men een ceilidh. Hiervoor gebruiktmen traditionele Schotse muziek zoals bijv. 'Marie's Wedding'. Halverwege de dans gaan we nog even terug naar de kerk, waar een lieflijk lied ter ere van het bruidspaar klinkt. Marie's Wedding is o.a. door Van Morrison opgenomen. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Glitter, Doom, Shards, Memory Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441...(+)
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441690S String Quartet No. 3. Composed by Shulamit Ran. Sws. Contemporary. Full score. With Standard notation. Composed March 9 2013. 32 pages. Duration 23 minutes. Theodore Presser Company #114-41690S. Published by Theodore Presser Company (PR.11441690S). UPC: 680160626021. 9 x 12 inches. Ran's third string quartet was written for the Pacifica Quartet, who are featuring it in numerous performances from May 2014 through February 2016, across the country and abroad. Their blog page dedicated to the work also features the composer's notes, for more indepth insight. ...impassioned solos emerge from ominous quiet, and high arpeggios in the violins quiver alongside the earthy cello. Ms. Ran skillfully deploys these extremes of color, volume and pitch, yet the overall somewhat chilly impression is one of poise. -- Zachary Woolfe, The New York Times. My third string quartet was composed at the invitation of the Pacifica Quartet, whose music-making I have come to know closely and admire hugely as resident artists at the University of Chicago. Already in our early conversations Pacifica proposed that this quartet might, in some manner, refer to the visual arts as a point of germination. Probing further, I found out that the quartet members had special interest in art created during the earlier part of the 20th century, perhaps between the two world wars. It was my good fortune to have met, a short while later, while in residence at the American Academy in Rome in the fall of 2011, art conservationist Albert Albano who steered me to the work of Felix Nussbaum (1904-1944), a German-Jewish painter who, like so many others, perished in the Holocaust at a young age, and who left some powerful, deeply moving art that spoke to the life that was unraveling around him. The title of my string quartet takes its inspiration from a major exhibit devoted to art by German artists of the period of the Weimar Republic (1919-1933) titled “Glitter and Doom: German Portraits from the 1920sâ€, first shown at New York’s Metropolitan Museum of Art in 2006-07. Nussbaum would have been a bit too young to be included in this exhibit. His most noteworthy art was created in the last very few years of his short life. The exhibit’s evocative title, however, suggested to me the idea of “Glitter, Doom, Shards, Memory†as a way of framing a possible musical composition that would be an homage to his life and art, and to that of so many others like him during that era.  Knowing that their days were numbered, yet intent on leaving a mark, a legacy, a memory, their art is triumph of the human spirit over annihilation. Parallel to my wish to compose a string quartet that, typically for this genre, would exist as “pure musicâ€, independent of a narrative, was my desire to effect an awareness in my listener of matters which are, to me, of great human concern.  To my mind there is no contradiction between the two goals.  As in several other works composed since 1969, this is my way of saying ‘do not forget’, something that, I believe, can be done through music with special power and poignancy.   The individual titles of the quartet’s four movements give an indication of some of the emotional strands this work explores. 1) “That which happened†(das was geschah) – is how the poet Paul Celan referred to the Shoah – the Holocaust.  These simple words served for me, in the first movement, as a metaphor for the way in which an “ordinary†life, with its daily flow and its sense of sweet normalcy, was shockingly, inhumanely, inexplicably shattered. 2) “Menace†is a shorter movement, mimicking a Scherzo.  It is also machine-like, incessant, with an occasional, recurring, waltz-like little tune – perhaps the chilling grimace we recognize from the executioner’s guillotine mask.  Like the death machine it alludes to, it gathers momentum as it goes, and is unstoppable. 3) â€If I must perish - do not let my paintings dieâ€; these words are by Felix Nussbaum who, knowing what was ahead, nonetheless continued painting till his death in Auschwitz in 1944.  If the heart of the first movement is the shuddering interruption of life as we know it, the third movement tries to capture something of what I can only imagine to be the conflicting states of mind that would have made it possible, and essential, to continue to live and practice one’s art – bearing witness to the events.  Creating must have been, for Nussbaum and for so many others, a way of maintaining sanity, both a struggle and a catharsis – an act of defiance and salvation all at the same time. 4) “Shards, Memory†is a direct reference to my quartet’s title.  Only shards are left.  And memory.  The memory is of things large and small, of unspeakable tragedy, but also of the song and the dance, the smile, the hopes. All things human.  As we remember, in the face of death’s silence, we restore dignity to those who are gone.—Shulamit Ran . $29.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Dreams - Intermediate Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5 SKU: CF.CAS91 Composed by Julie Lieberman. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. With Standard notation. 16+16+10+4+10+10+12 pages. Duration 4 minutes, 31 seconds. Carl Fischer Music #CAS91. Published by Carl Fischer Music (CF.CAS91). ISBN 9781491142066. UPC: 680160630127. Key: G minor. This lighthearted quodlibet was commissioned by ASTA and premiered at the 2015 conference. It provides a fabulous tool to introduce your students to key musical themes across time. The score plays off of the musician's nocturnal mind to combine twelve historic themes by condensing and expanding them the way our subconscious mind often toys with daytime experiences. In total, this composition celebrates the string player's full potential: Where loyalty to the written note serves the imagination's creative playground. What is composition, if not a grand improvisation captured in a snapshot?. I am a firm advocate for creative conducting, so I encourage you to experiment with changes in tempi to segue between themes, and/or to take musical liberty with the actual transitions between the themes, as long as there is still a feeling of forward momentum.If you want to fulfill the theatricality of the score, it would be fabulous to look at the audience (with a raised eyebrow, or a smile on your face, or whatever facial expression you think suits these moments in the score) at m. 14 and again at m. 21.In addition, it will help to conduct with wider gestures when themes change or the volume suddenly drops or swells. This will help the audience understand that these sudden changes between themes or dynamics are intended and will also help the students highlight those spots (particularly across the complex thematic shifts between mm. 62 and 94).The grandiosity from m. 110 through the end can be pushed to its zenith, particularly if you control prior forte settings such that the end gets the grand push.CAS91FThemes in String Dreams include:1. Twinkle, Twinkle Little Star2. Second Kreutzer Etude3. Concerto in A Minor, Vivaldi 4. Cello Suite No. 1, Bach5. St. Louis Blues, W.C. Handy 6. Minuet in G, Bach—Julie Lyonn Lieberman,Artistic Director, Strings Without Boundaries www.julielyonn.com | www.stringswithoutboundaries.com. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Begin the Band #1 - Easy Music Sales
Combo - early intermediate SKU: BT.1237-06-070-MS Music for starting P...(+)
Combo - early intermediate SKU: BT.1237-06-070-MS Music for starting Pop Bands. Begin the Band. Set (Score & Parts). Composed 2005. 36 pages. Music Sales #1237-06-070 MS. Published by Music Sales (BT.1237-06-070-MS). ISBN 9789043123259. 9x12 inches. English-German-French-Dutch. Starting a band is always an adventure. Once like-minded, music-loving people have gathered to form a group, it can start. But, wait - there’s still something missing: the music!New music groups whose members do not have much experience on their instruments have special demands. They need not-too-difficult pieces which focus on playing together, and lead quickly to that most motivating of achievements: the band’s first performance.Begin the Band is perfectly designed with these demands in mind. Each book in the series contains four entertaining, great-sounding arrangements and original compositions in pop and jazz styles, with added scope to improvise. Each piece consists ofa vocal part, three accompaniment parts and an easy part for wind players, all in four different keys: C, B flat, E flat and C bass. In addition, there are parts for piano/keyboard/bass and guitar (with chords) as well as drum kit and percussion. All the parts can be combined in any way you like, to form a pop band, jazz combo and so on. The minimal ensemble consists of a vocal part (sung or played by a wind instrument) and one accompanying instrument. Let the adventure begin!Includes songs by: Joss Stone, Christina Aguilera and many more
Een ideale uitgave voor gelijkgezinde muziekliefhebbers die pas een band hebben opgericht - of van plan zijn een band te beginnen. Nieuwe muziekgroepen waarvan de leden nog niet veel ervaring met hun instrument hebben, stellen specialeeisen. Ze hebben eenvoudige stukken nodig die zijn gericht op samenspel en leiden tot de zo motiverende beleving van het eerste optreden. Begin the Band is toegesneden op deze eisen. Elk boek van deze serie bevat vieronderhoudende, goed klinkende arrangementen en originele composities in de muziekstijlen pop en jazz, met de mogelijkheid tot improvisatie. Elk stuk bestaat uit een zangpartij, drie begeleidingspartijen en een ‘easy part’, steedsin C, Bes, Es en C-bassleutel. Er zijn aanvullende partijen voor piano/keyboard/basgitaar en gitaar (met akkoorden), evenals voor slagwerk en percussie. Alle partijen zijn te combineren voor elke denkbare bezetting, van popgroeptot jazzcombo, enz. De minimale bezetting omvat de zangpartij (gezongen of gespeeld door een blaasinstrument) en een begeleidingsinstrument. Laat het avontuur maar beginnen!
Die Gründung einer Band ist immer ein Abenteuer. Haben sich erst genügend musizierfreudige Gleichgesinnte zusammen gefunden, kann es losgehen. Aber halt - etwas fehlt noch: die Musik! Neue Bands, deren Mitglieder nicht allzu viel Erfahrung auf ihren Instrumenten mitbringen, haben besondere Bedürfnisse. Leichte Stücke sind gefragt, die den Schwerpunkt auf das Zusammenspiel legen und schnell zum motivierenden Erfolgserlebnis der Gruppe führen: dem ersten gemeinsamen Auftritt! Begin the Band ist genau auf diese Bedürfnisse zugeschnitten. Jedes Buch dieser Reihe enthält vier unterhaltsame, gut klingende Bearbeitungen und Originalkompositionen in den Stilen Pop undJazz, die auch Gelegenheit zur Improvisation bieten. Zu jedem Stück gibt es eine Gesangsstimme, drei Begleitstimmen und einen Easy Part, das Ganze jeweils im C-, B-, Es- und im C-Bassschlüssel. Dazu kommen Stimmen für Gitarre und Bassgitarre (mit Akkorden), sowie für Schlagzeug und Percussion. Alle Stimmen sind beliebig für zahlreiche verschiedene Besetzungen ergänzbar - von einer Minimalbesetzung aus Gesangsstimme (auch von einem Blasinstrument spielbar) mit einer Begleitung, über eine Popband bis hin zur Jazzcombo und vielem mehr. Mit Liedern und Stücken von Christina Aguilera, Joss Stone, Gary Barone und Hans Kerkhoff kann das Abenteuer beginnen!
Monter un groupe est toujours un défi captivant relever. Il suffit de trouver et réunir quelques musiciens passionnés ayant les mêmes go ts et l’aventure peut commencer. D’accord, mais qu’allez-vous jouer ? Les groupes fraîchement constitués dont les membres ont une expérience instrumentale limitée ont besoin d’un répertoire adapté ; des pièces simples axées sur le jeu en ensemble et qui permettent d’atteindre rapidement le but suprême: monter sur scène. Begin the Band a été conçu spécialement pour satisfaire ces exigences. Chaque recueil de cette collection contient quatre superbes arrangements et compositions originales dans les styles pop et jazz qui offrentun espace de liberté propice l’improvisation. Chaque pièce comporte une partie vocale, trois parties d’accompagnement et une version instrumentale de la ligne mélodique (version simplifiée de la partie vocale), le tout dans les tonalités Ut, Si b, Mib et Ut BC. Sont également jointes les parties pour keyboard/guitare basse, guitare (avec accords), batterie et percussion. En combinant les différentes parties selon votre choix, vous obtiendrez un groupe de rock, un combo de jazz ou tout autre formation. L’instrumentation minimale se constitue de la partie vocale (ou version instrumentale de la ligne mélodique) et d’une partie d’accompagnement. Que l’aventure commence !
Formare un gruppo è sempre una sfida accattivante. E’ sufficiente trovare e riunire alcuni musicisti appassionati e con gli stessi gusti e l’avventura può iniziare. D’accordo, ma cosa si suona? I gruppi formati da musicisti con una limitataesperienza strumentale, hanno bisogno di un repertorio adatto: brani semplici concentrati sull’esecuzione in gruppo e che permettano di raggiungere rapidamente l’obiettivo: esibirsi in pubblico. Begin the Band è stato concepito per soddisfare questeesigenze. Ogni raccolta di questa collezione contiene quattro superbi arrangiamenti e composizioni originali adatti all’improvvisazione. Ogni brano comporta una parte vocale, tre parti di accompagnamento e una versione strumentale della lineamelodica (versione semplificata della parte vocale), il tutto nelle tonalit Do, Sib, Mib e Do �. Sono incluse anche le parti per tastiera/chitarra basso, chitarra (con accordi), batteria e percussioni. Combinando le varie parti a scelta,otterrete un gruppo rock, un combo jazz o altre formazioni. La strumentazione minima è costituita dalla parte vocale (o versione strumentale della linea melodica) e di una parte d’accompagnamento. L’avventura può iniziare! VFormare un gruppo è sempreuna sfida accattivante. E’ sufficiente trovare e riunire alcuni musicisti appassionati e con gli stessi gusti e l’avventura può iniziare. D’accordo, ma cosa si suona? I gruppi formati da musicisti con una limitata esperienza strumentale, hannobisogno di un repertorio adatto: brani semplici concentrati sull’esecuzione in gruppo e che permettano di raggiungere rapidamente l’obiettivo: esibirsi in pubblico. Begin the Band è stato concepito per soddisfare queste esigenze. Ogni raccolta diquesta collezione contiene quattro superbi arrangiamenti e composizioni originali adatti all’improvvisazione. Ogni brano comporta una parte vocale, tre parti di accompagnamento e una versione strumentale della linea melodica (versione semplificatadella parte vocale), il tutto nelle tonalit Do, Sib, Mib e Do �. Sono incluse anche le parti per tastiera/chitarra basso, chitarra (con accordi), batteria e percussioni. Combinando le varie parti a scelta, otterrete un gruppo rock, un combojazz o altre formazioni. La strumentazione minima è costituita dalla parte vocale (o versione strumentale della linea melodica) e di una parte d’accompagnamento. L’avventura può iniziare! Formare un gruppo è sempre una sfida accattivante. E’sufficiente trovare e riunire alcuni musicisti appassionati e con gli stessi gusti e l’avventura può iniziare. D’accordo, ma cosa si suona? I gruppi formati da musicisti con una limitata esperienza strumentale, hanno bisogno di un repertorio adatto:brani semplici concentrati sull’esecuzione in gruppo e che permettano di raggiungere rapidamente l’obiettivo: esibirsi in pubblico. Begin the Band è stato concepito per soddisfare queste esigenze. Ogni raccolta di questa collezione contiene quattrosuperbi arrangiamenti e composizioni originali adatti all’improvvisazione. Ogni brano comporta una parte vocale, tre parti di accompagnamento e una versione strumentale della linea melodica (versione semplificata della parte vocale), il tutto nelletonalit Do, Sib, Mib e Do �. Sono incluse anche le parti per tastiera/chitarra basso, chitarra (con accordi), batteria e percussioni. Combinando le varie parti a scelta, otterrete un gruppo rock, un combo jazz o altre formazioni. Lastrumentazione minima è costituita dalla parte vocale (o versione strumentale della linea melodica) e di una parte d’accompagnamento. L’avventura può iniziare! VFormare un gruppo è sempre una sfida accattivante. E’ sufficiente trovare e riunirealcuni musicisti appassionati e con gli stessi gusti e l’avventura può iniziare. D’accordo, ma cosa si suona? I gruppi formati da musicisti con una limitata esperienza strumentale, hanno bisogno di un repertorio adatto: brani semplici concentratisull’esecuzione in gruppo e che permettano di raggiungere rapidamente l’obiettivo: esibirsi in pubblico. Begin the Band è stato concepito per soddisfare queste esigenze. Ogni raccolta di questa collezione contiene quattro superbi arrangiamenti ecomposizioni originali adatti all’improvvisazione. Ogni brano comporta una parte vocale, tre parti di accompagnamento e una versione strumentale della linea melodica (versione semplificata della parte vocale), il tutto nelle tonalit Do, Sib, Mib eDo �. Sono incluse anche le parti per tastiera/chitarra basso, chitarra (con accordi), batteria e percussioni. Combinando le varie parti a scelta, otterrete un gruppo rock, un combo jazz o altre formazioni. La strumentazione minima ècostituita dalla parte vocale (o versione strumentale della linea melodica) e di una parte d’accompagnamento. L’avventura può iniziare! $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rondo in the Nick of Time String Orchestra - Intermediate Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS22 Composed by...(+)
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS22 Composed by Larry Clark. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS22. Published by Carl Fischer Music (CF.CAS22). ISBN 9780825858208. UPC: 798408058203. 8.5 X 11 inches. Key: G major. The fast paced rondo has a Dorian flavored melody with hints of quartel (based on an interval of a fourth) harmony to give it a contemporary sound The players are presented with solo opportunities as well as harmonic turns and twists that will keep them. Rondo in the Nick of Time was originally the third movement for a woodwind quintet piece that I wrote in 1990. I have always been fond of this little piece and felt that it would adapt well to larger ensembles. I have also scored this piece for band as part of a suite called Upon a New Horizon.The main theme is based on the Dorian Mode. The use of quartal harmony makes up most of the harmonic material. Each statement of the theme is followed by an episode that increases in length each time. There is a sudden change of style and tempo in the middle of the piece, where fragments of the theme are developed. The title is a play-on-words, since the work contains hemiola effects that alter the feel of the time.As with all of my pieces for strings, the bowings are given only as a reference. Feel free to alter them to fit the needs of your students. I have indicated a rather fast tempo for the piece. I really like the piece to fly, but it will work and sound fine at a slower tempo as well. Just endeavor to keep their energy moving forward.It has been my pleasure to have the opportunity to write this piece. I hope that you and your students enjoy it and find it useful in your program.-Larry ClarkLakeland, FL. 2005. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Violin in D minor, Op. 8 Orchestra LudwigMasters Publications
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP.36-A213001 Composed by Richard Strauss. Full Orchestra. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A213001. Published by LudwigMasters Publications (AP.36-A213001). ISBN 9798892705264. UPC: 659359870385. English. Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still very much a product of the Romantic era tradition, the work is not considered as distinctive as the works he would produce only a few years later, and Strauss himself later ridiculed the work. Still, with inventive and bold writing in the solo and hints of his mature harmonic style to come, there is much to enjoy in the work, including its warmth, youthful sincerity, and lyrical expression, so that it should not be dismissed as mere juvenilia, either by contemporary audiences or Strauss himself. The chamber version of the concerto was first performed in Vienna on December 5, 1882, with the dedicatee Benno Walter on the violin while Strauss played his own piano reduction. The premiere for the orchestral version would take place seven years later in Cologne on March 4, 1890, with Walter again performing the solo with an orchestra conducted by Franz Wüllner. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $55.00 - See more - Buy online | | |
| Concerto for Violin in D minor, Op. 8 Orchestra LudwigMasters Publications
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP.36-A213002 Composed by Richard Strauss. Full Orchestra. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A213002. Published by LudwigMasters Publications (AP.36-A213002). UPC: 659359873225. English. Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still very much a product of the Romantic era tradition, the work is not considered as distinctive as the works he would produce only a few years later, and Strauss himself later ridiculed the work. Still, with inventive and bold writing in the solo and hints of his mature harmonic style to come, there is much to enjoy in the work, including its warmth, youthful sincerity, and lyrical expression, so that it should not be dismissed as mere juvenilia, either by contemporary audiences or Strauss himself. The chamber version of the concerto was first performed in Vienna on December 5, 1882, with the dedicatee Benno Walter on the violin while Strauss played his own piano reduction. The premiere for the orchestral version would take place seven years later in Cologne on March 4, 1890, with Walter again performing the solo with an orchestra conducted by Franz Wüllner. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $150.00 - See more - Buy online | | |
| Ha Shamayim (The Heavens) Orchestra Subito Music
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mills. Orchestra. Full Score. Subito Music Corporation #32040140. Published by Subito Music Corporation (SU.32040140). 2222; 4331; timp, 2 perc, pno; stgs Duration: 13'30 Composed: 2016 Published by: Amy Mills Music, LLC Like a modern Pictures at an Exhibition…. Ha Shamayim is an original piece for orchestra that was inspired by photographs taken by the Hubble space telescope. Each section is inspired by one photo; the title of each section is the title that NASA gave to the photograph. The words Ha Shamayim are Hebrew for The Heavens. They are written in Genesis 1:1, In the beginning God created the heavens and the earth. The words are also seen in Psalm 19. Section I: Warped Edge-On Galaxy ESO 510-G13 The piece begins in outer space with its glistening stars. Glissandi are used to depict the strange but beautiful warp seen in the photograph. Section II: Galaxy Fires at Neighboring Galaxy Suddenly the piece erupts as one galaxy fires blue gas at its neighbor. They engage in a cosmic battle. Section III: Youthful-looking Galaxy May Be an Adult The adolescent galaxy is personified by a humorous, gawky melody reminiscent of teenage boys who walk on feet that are still too big. Occasionally there is an argument with an authority figure, but the joy of exploring the universe quickly returns. Section IV: Star Birth in Galaxy M83 The dramatic photograph looks like a womb with veins. The music begins on one note, then it begins to explore the initial swelling and stretching. It morphs into an energetic fast theme, still growing. Ultimately it becomes glorious and expansive, like the new star. Section V: String of ‘Cosmic Pearls’ Surrounds an Exploding Star The first theme is a happy circle dance inspired by the circle of white dots in the photograph. The second theme is noble and joyful. It is reminiscent of the melody in the famous chorus in Haydn’s The Creation with the words from Psalm 19, The heavens are telling the glory of God. The music then has flashbacks to the earlier sections, and ends in triumph. The five sections in Ha Shamayim are continuous with no breaks. Difficulty Level: 5 (Advanced/Professional) See composer website for audio sample. Performance materials available on rental only:. $85.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Goethes Leipziger Liederbuch Piano, Voice Breitkopf & Härtel
Voice and piano SKU: BR.EB-8601 Kommentar von W. Schubert. Compose...(+)
Voice and piano SKU: BR.EB-8601 Kommentar von W. Schubert. Composed by Bernhard Theodor Breitkopf. Edited by Gunter Raphael. Voice; Softcover. Edition Breitkopf. Goethe, who studied in Leipzig between 1765 and 1768 (a period he wrote about in Dichtung und Wahrheit), was friends there with a young man of his age, Bernhard Theodor Breitkopf, the grandson of the publishing house's founder. Song; Classical. Score. 36 pages. Breitkopf and Haertel #EB 8601. Published by Breitkopf and Haertel (BR.EB-8601). ISBN 9790004178829. 9 x 12 inches. Goethe, who studied in Leipzig between 1765 and 1768 (a period he wrote about in Dichtung und Wahrheit), was friends there with a young man of his age, Bernhard Theodor Breitkopf, the grandson of the publishing house's founder. Breitkopf set his friend's first poems to music in the style of the day. The Neue Lieder und Melodien came out for the 1770 Leipzig spring fair, though without any mention of the poet, still completely unknown at that time. The title Goethes Leipziger Liederbuch dates only from 1932, when Gunter Raphael prepared a new edition for the Goethe commemorative year. Since several poems from the Neue Lieder are found in highly altered forms in later work collections, this publication of Goethe's first poems is also of great value to literary scholars.
Goethe, who studied in Leipzig between 1765 and 1768 (a period he wrote about in Dichtung und Wahrheit), was friends there with a young man of his age, Bernhard Theodor Breitkopf, the grandson of the publishing house's founder. $27.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Artza Alinu Carl Fischer
Choral TBB choir, piano SKU: CF.CM9639 Israeli Dance Song. Compose...(+)
Choral TBB choir, piano SKU: CF.CM9639 Israeli Dance Song. Composed by Israeli Dance Song. Arranged by Earlene Rentz. Fold. Performance Score. 12 pages. Duration 2 minutes, 57 seconds. Carl Fischer Music #CM9639. Published by Carl Fischer Music (CF.CM9639). ISBN 9781491157114. UPC: 680160915675. 6.875 x 10.5 inches. Key: D minor. Israeli Dance Song. Your choir will have a hard time trying to keep from dancing as they sing this joyful traditional Israeli dance song arranged by Earlene Rentz. Quoting the round Toembei, this arrangement will definitely be one the audience will find themselves humming for days to come! Also available for Two-part Treble Voices (CM9192), Three-part Mixed Voices (CM9210), SSA Voices (CM9477), TBB Voices (CM9639) and SATB Voices (CM9652).  . ARTZA ALINU This song was a favorite of the Israeli pioneers who returned to live in the land of Israel. As they planted crops and brought the land back to cultivation, they sang and danced in the hope that the land of Israel would be rebuilt. Pronunciation Guide and general translation: Artza alinu We have gone up to our land, AHR-tzah ah-LEE-noo K'var *charashnu v'gam zaranu There we have plowed and sown, Kih-VAHR *hah-RAHSH-noo vih-GAHM zah-RAH-noo Aval **od **lo katzarnu but we still have not reaped. Ah-VAHL ohd loh kaht-ZAHR-noo *The ch is pronounced using a guttural sound (not a hard k), and uses air to begin the sound. Actually, the sound is somewhere in between an h and a k. **These words use the long o sound (i. e., like the English ode and low). TOEMBAI Toembai - There is no translation for toembai. This is a dance tune, sung in a round at celebrations. Pronounced: TOOM-bah ee (bai is actually the long I sound). ARTZA ALINUThis song was a favorite of the Israeli pioneers who returned to live in the land of Israel. As they planted crops and brought the land back to cultivation, they sang and danced in the hope that the land of Israel would be rebuilt.Pronunciation Guide and general translation:Artza alinu We have gone up to our land,AHR-tzah ah-LEE-nooK’var *charashnu v’gam zaranu There we have plowed and sown,Kih-VAHR *hah-RAHSH-noo vih-GAHM zah-RAH-nooAval **od **lo katzarnu but we still have not reaped. Ah-VAHL ohd loh kaht-ZAHR-noo*The “ch†is pronounced using a guttural sound (not a hard “kâ€),and uses air to begin the sound. Actually, the sound is somewhere in between an “h†and a “k.â€**These words use the long “o†sound (i. e., like the English “ode†and “lowâ€).TOEMBAIToembai – There is no translation for “toembai.†This is a dance tune, sung in a round at celebrations. Pronounced: TOOM-bah ee (“bai†is actually the long “I†sound). $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| To Hold the Light (GIA ChoralWorks|Spiritum) GIA Publications
SKU: GI.G-1095 Composed by James Jordan & The Same Stream. GIA ChoralWork...(+)
SKU: GI.G-1095 Composed by James Jordan & The Same Stream. GIA ChoralWorks. Music Education. Choral score. GIA Publications #1095. Published by GIA Publications (GI.G-1095). The Universe works in strange ways. Recorded almost three years ago, none of us could have known that when this recording was released the world would have lived through a life-altering pandemic or a tumultuous upheaval in the cultural awareness that now surrounds us. The work that opens this recording—with the words of Quaker George Fox that end with, “So be faithful, and live in that which doth not think the time longâ€â€”provides a haunting premonition regarding the time in which we live, Quaker George Fox is strangely prophetic about these days and perhaps provides a future caution for us all. The music chosen for this recording is strangely and poignantly relevant, I believe, for each of us. “The Fruit of Silence†by PÄ“teris Vasks reminds us to visit those beliefs that are most sacred in the work by Cortlandt Matthews. A deeply personal Requiem by Peter Relph, in reflection, remembers the hundreds of thousands of lives lost in the pandemic. And then there is Thomas LaVoy’s “O Great Beyond.†All great texts are timeless and speak to the universality of the human condition. Particularly, the George Fox text set by Jackson Hill and the Tagore text set by LaVoy give us messages to reinforce the humanness of each of us for hope. Two other works on this recording poignantly remind us of the passing of life, with the Relph Requiem and especially the final movement of “O Great Beyond.†May these words give comfort to all those who endured the deepest of Life’s losses during our shared pandemic journey. For so many loved ones, goodbyes were said in silence, and alone. It is our hope that all the music on this CD will show us a way for living as we move forward and also give loving comfort to those who have lost loved ones. Peace, my heart, let the time for the parting be sweet. Let it not be a death but completeness. Let love melt into memory and pain into songs. Let the flight through the sky end in the folding of the wings over the nest. Let the last touch of your hands be gentle like the flower of the night. Stand still, O Beautiful End, for a moment, and say your last words in silence. I bow to you and hold up my lamp to light you on your way. —Rabindranath Tagore in The Gardener (1913). $16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shadowy fish Breitkopf & Härtel
Piano Quintet SKU: BR.EB-9399 Hommage a Schubert. Composed by Chri...(+)
Piano Quintet SKU: BR.EB-9399 Hommage a Schubert. Composed by Christian Mason. Chamber music; stapled. Edition Breitkopf. Music post-1945; New music (post-2000). Score and parts. Composed 2020. 72 pages. Duration 15'. Breitkopf and Haertel #EB 9399. Published by Breitkopf and Haertel (BR.EB-9399). ISBN 9790004188736. 9 x 12 inches. One of my favourite pieces of music as a child - and I still love it - was Schubert's Trout Quintet. It was partly the wonderful music, of course, so light-hearted and joyful on the surface, yet with twists and turns and murky depths of feeling too. But I also liked the picture of a trout on the album sleeve - such beautiful creatures! Last year, while resident at the Villa Concordia in Bamberg, as I took daily walks along the Regnitz river, I observed the trout as they calmly hovered and swayed in the shallows... But if they felt my shadow they were gone in a split second! If you ever get a chance to look closely at brown trout you see that they are covered in myriad brown/red spots of varied sizes; camouflage I suppose. Now those patterns seem to be mixing in my mind with the shifting colours of the spectral arpeggios that flow through this little piece. It's a watery piece, with rippling waves, shimmering surfaces and textural veils around the melodies which flow through it. But it also takes inspiration (and it's title) from a Pablo Neruda poem: the third stanza of Every Day You Play includes the line The sky is a net crammed with shadowy fish. There's no singer, but I imagine an invisible or imaginary voice somewhere behind (or beyond) the music, and so the score includes a melodic setting of the text. Even though this is not performed by a voice, the melody is always played by the ensemble - especially high register cello - making the piece something like the inverse of a song without words. (Christian Mason)
World premiere: Aix-en-Provence, October 16, 2020 Commissioned by the Grand Theatre de Provence - Aix-en-Provence. $73.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Epiphany Concert band - Easy FJH
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1343 Composed by Erik Mora...(+)
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1343 Composed by Erik Morales. Concert Band. FJH Young Band. Form: Chorale. Score and Part(s). Duration 4:30. The FJH Music Company Inc #98-B1343. Published by The FJH Music Company Inc (FJ.B1343). UPC: 674398222476. English. This sensitive contemporary work was written in memory of a former teacher at a middle school that is now thought to be haunted. Crystal glasses help set the ethereal mood as the theme is developed and ultimately juxtaposed with two other themes presented later in the work. Extremely musical and emotional, yet approachable by younger bands. This is serious literature. About FJH Young Band Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5 $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Orientale - Intermediate Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 4 SKU: CF....(+)
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 4 SKU: CF.CAS63 From Novelettes, Op. 15. Composed by Alexander Glazunov. Arranged by Deborah Baker Monday. SWS FS. Concert String Orchestra. Set of Score and Parts. With Standard notation. 24+24+6+15+15+10+16 pages. Carl Fischer Music #CAS63. Published by Carl Fischer Music (CF.CAS63). ISBN 9780825889387. UPC: 798408089382. 8.5 x 11 inches. Key: D major. Originally written for string quartet, this fantastic characteristic piece from Glazunov is a welcome addition to the string orchestra repertoire, as arranged by Deborah Baker Monday. Well-suited for the more advanced ensemble, it contains excellent musical opportunities and the chance to play the music of a prominent Russian composer. Deborah's setting stays very true to the original, but enhances it for use by the full ensemble. Alert your contest/festival music committee to this worthy new piece for high school string orchestras. Alexander Glazunov (1865–1936) lived during a very transitional period of Russian music history, active as a composer, conductor, and teacher. He was a part of the Romantic school of Russian music following in the tradition of Tchaikovsky, like his fellow composers Borodin and Rimsky-Korsakov.During his years at the conservatory he instructed many students who chose to pursue the modern trends set forth by Debussy. Stravinsky, Shostakovich, and even Prokofiev took instruction from Glazunov. Although they considered him old-fashioned, he was remembered as a stabilizing influence during transitional times.Glazunov’s music stayed within the category of Russian Romanticsm: nationalistic with classical formality. His list of works includes numerous symphonies, concertos, piano and vocal works, and chamber works including seven string quartets.Op. 15 was first given the title “Suite†(a collection of dances), and after a friend’s recommendation he changed the name to “Novelettesâ€. The five movements are of contrasting style, but beautifully reminiscent of their particular themes:I. Alla SpagnuolaII. OrientaleIII. Interludium in modo anticoIV. ValseV. All’ UnghereseThis movement is very well adaptable for string orchestra. The original string quartet moodis light, using harmonics and pizzicato, but there are forceful sections which allow for strong sectional playing (especially with the cello and bass orchestral sound). There is very much interesting melodic material offered for all instruments which lends itself to a fantastic string orchestra arrangement. Conductors will find material in all sections which provide greatopportunities for rehearsal.The form is a large ABA with a D.C. al fine, but the sections are not square by any means.There is lots of energy and momentum in the material of both sections, as well as a modalcharacter which gives the music an exotic sound. Bowing patterns abound in all sections formore great teaching opportunities. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| La Belle Hélène Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125039-140 Arranged by Wil v...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125039-140 Arranged by Wil van der Beek. Great Classics. Score Only. Composed 2012. 44 pages. De Haske Publications #DHP 1125039-140. Published by De Haske Publications (BT.DHP-1125039-140). 9x12 inches. English-German-French-Dutch. Offenbach (1819 - 1880), who was born in Germany, moved to Paris when he was a teenage boy and remained there for much of his life. He became especially famous as a composer of numerous operettas. and of one famous opera: Les Contes d’Hoffmann (The Tales of Hoffmann). His operettas (or ‘musiquettes’) were often based on comical, or satirical librettos. He makes fun of Parisian daily life, dignitaries, the military, the pretentiousness of the Grand Opéra, and so on. In that respect, Offenbach’s operettas are not really comparable with those of his German-speaking contemporaries, for example, Franz Lehár and Johann Strauss the Younger. Musically speaking, we could callOffenbach’s operettas lively, funny, melodious and catchy.For La Belle Hélène, Offenbach drew from Greek mythology. The story is based on that of Helen of Troy, but is set in France, halfway through the 19th century; it has been turned into a satire on the élite of that time.The overture to La Belle Hélène was (and still is) very successful. Offenbach combined a number of arias and choruses from the operetta to give a taste of what is to follow. Many overtures which follow this form lack unity and structure. However, in this case the composition has been well thought-out.
Offenbach (1819-1880), Duitser van geboorte, verhuisde als jongeman naar Parijs, waar hij een groot deel van zijn leven verbleef. Hij werd vooral beroemd als componist van talrijke operettes en een beroemde opera: Les Contes d’Hoffmann. Zijn operettes (of ‘musiquettes’) zijn qua libretto vaak komisch en hilarisch, ja zelfs satirisch. Hij steekt hierin de draak met het Parijse mondaine leven, met hoogwaardigheidsbekleders, met militairen, met de bombast van de Grand Opéra, enzovoort. In dat opzicht zijn Offenbachs operettes nauwelijks te vergelijken met die in Duitsland van bijvoorbeeld Franz Lehár en Johann Strauss jr. Muzikaal gezien kunnen we zijn operettes levendig,geestig, melodieus en goed in het gehoor liggend noemen.Voor La Belle Hélène putte Offenbach uit de Griekse mythologie. Het verhaal draait om Helena van Troje, maar is verplaatst naar Frankrijk, halverwege de negentiende eeuw; het is uitgewerkt tot een satire op de heersende elite.De ouverture van La Belle Hélène was (en is nog altijd) zeer succesvol. Offenbach heeft hierin een aantal aria’s en koren uit de operette samengevoegd - een voorproefje dus op wat komen gaat. Veel ouvertures die zo zijn gemaakt, missen eenheid en structuur. In dit geval is er echter sprake van een goed doordachte opbouw.
Der gebürtige Deutsche Jacques Offenbach (1819-1880) zog im Jugendalter nach Paris, wo er den größten Teil seines Lebens verbrachte. Bekannt wurde er vor allem als Komponist zahlreicher Operetten und einer berühmten Oper: Les Contes d’Hoffmann (Hoffmanns Erzählungen). Seine Operetten (oder Musiquettes“) basierte er häufig auf komischen oder gar satirischen Libretti. Darin wird das mondäne Pariser Leben karikiert mit seinen Würdenträgern, Militärs, dem Pomp der Grand Opéra und dergleichen mehr. In dieser Hinsicht sind Offenbachs Operetten vergleichbar mit den deutschen Werken eines Franz Lehár oder Johann Strauss (Sohn). Musikalisch betrachtet können Offenbachs Operetten alslebendig, amüsant, melodiös und eingängig beschrieben werden. Für La Belle Hélène bediente sich Offenbach der griechischen Mythologie. Die Handlung beruht auf Helena von Troja, wurde aber ins Frankreich der Mitte des 19. Jahrhunderts versetzt und in eine Satire auf die damals herrschende Elite verwandelt.Die Ouvertüre von La Belle Hélène war und ist sehr erfolgreich. Offenbach kombinierte darin eine Reihe von Arien und Chorstellen aus der Operette und lieferte so quasi einen Vorgeschmack auf das Folgende. Vielen auf diese Weise entstandene Ouvertüren mangelt es an Einheitlichkeit und Struktur. Diese Ouvertüre zeugt jedoch von einem gut durchdachten Aufbau.
Jacques Offenbach est né en Allemagne en 1819. Sa famille s’installe Paris alors qu’il est encore adolescent et c’est l qu’il passe la plus grande partie de sa vie. Il devient particulièrement célèbre pour la composition de nombreuses opérettes et d’un opéra légendaire, Les Contes d’Hoffmann. Ses opéras-bouffes (ou « musiquettes ») s’inspirent souvent de livrets comiques ou satiriques. Il parodie la vie quotidienne Paris, se moque des dignitaires, de l’armée, de la prétention du grand opéra, et ainsi de suite. cet égard, les œuvres d’Offenbach ne sont pas vraiment comparables aux opérettes de ses contemporains germanophones tels que Franz Lehár ou encoreJohann Strauss le jeune. Musicalement parlant, on peut dire que les opéras-bouffes d’Offenbach sont entraînants, spirituels, mélodieux et mémorables.Jacques Offenbach s’est inspiré de la mythologie pour composer La Belle Hélène, dont le livret brosse l’histoire d’Hélène de Troie. Mais parodiant l’une des légendes grecques des plus illustres, cette opérette se veut être une satire sur l’élite de l’époque.L’ouverture de La Belle Hélène a toujours été très populaire. Offenbach y glisse plusieurs arias et chœurs repris ensuite dans l’un ou l’autre acte de l’opérette, afin d’en offrir un avant-go t l’auditoire. De nombreux compositeurs écrivirent par la suite des ouvertures de canevas identique. Bien qu’un grand nombre d’entre elles manquent d’unité et de structure, l’ouverture de La Belle Hélène en est une exception notoire. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jerusalem Brass ensemble - Intermediate Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-106-130 Composed by Charles Hubert Hasti...(+)
Brass Band - Grade 3 SKU: BT.AMP-106-130 Composed by Charles Hubert Hastings Parry. Arranged by Philip Sparke. Anglo Music Midway Series. Festive and Solemn Music. Score Only. Composed 2004. Anglo Music Press #AMP 106-130. Published by Anglo Music Press (BT.AMP-106-130). Everyone will instantly recognise this great patriotic hymn that is often thought of as the second English national anthem. This brass band arrangement by Philip Sparke is sure to be used over and over again at your band’s performances. Your audience will not be able to help themselves from joining in with this rousing song everytime you use it as the final item in any concert.
Bachs Anstellung im Jahr 1723 als Kantor der Thomaskirche in Leipzig brachte die Verpflichtung mit sich, für jeden Sonntagsgottesdienst eine neue Kantate zu schreiben. Der Choral Jesus bleibet meine Freude umfasst beide Teile der Kantate und ist ungewöhnlich kunstvoll ausgearbeitet, mehr wie eine der Arien denn eine Kantate. Philip Sparkes Transkription dieses beliebten Kantatensatzes ist eine wahre Bereicherung Ihres Repertoires.
Sir Hubert Parry (1848-1918) set William Blake’s Preface to Milton to music for a rally of the ‘Fight for the Right’ movement in the Queen’s Hall, London, in 1916. It became more generally known as ‘Jerusalem’ when Parry conducted it in 1918 at a concert to mark the final stage in the Votes for Women Campaign, after which it was adopted by the National Federation of Women’s Institutes (and is still sung at meetings of WI Groups all over Britain). Sir Edward Elgar added his orchestral accompaniment in time for the Leeds Festival of 1922, since then it has become a popular national hymn. The theme is uniquely English and there is an undertone of 19th century politics. Thisarrangement by Philip Sparke is sure to be used over and over again at your band’s performances. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jerusalem Brass ensemble - Intermediate Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-106-030 Composed by Charles Hubert Hasti...(+)
Brass Band - Grade 3 SKU: BT.AMP-106-030 Composed by Charles Hubert Hastings Parry. Arranged by Philip Sparke. Anglo Music Midway Series. Festive and Solemn Music. Set (Score & Parts). Composed 2004. Anglo Music Press #AMP 106-030. Published by Anglo Music Press (BT.AMP-106-030). Everyone will instantly recognise this great patriotic hymn that is often thought of as the second English national anthem. This brass band arrangement by Philip Sparke is sure to be used over and over again at your band’s performances. Your audience will not be able to help themselves from joining in with this rousing song everytime you use it as the final item in any concert.
Bachs Anstellung im Jahr 1723 als Kantor der Thomaskirche in Leipzig brachte die Verpflichtung mit sich, für jeden Sonntagsgottesdienst eine neue Kantate zu schreiben. Der Choral Jesus bleibet meine Freude umfasst beide Teile der Kantate und ist ungewöhnlich kunstvoll ausgearbeitet, mehr wie eine der Arien denn eine Kantate. Philip Sparkes Transkription dieses beliebten Kantatensatzes ist eine wahre Bereicherung Ihres Repertoires.
Sir Hubert Parry (1848-1918) set William Blake’s Preface to Milton to music for a rally of the ‘Fight for the Right’ movement in the Queen’s Hall, London, in 1916. It became more generally known as ‘Jerusalem’ when Parry conducted it in 1918 at a concert to mark the final stage in the Votes for Women Campaign, after which it was adopted by the National Federation of Women’s Institutes (and is still sung at meetings of WI Groups all over Britain). Sir Edward Elgar added his orchestral accompaniment in time for the Leeds Festival of 1922, since then it has become a popular national hymn. The theme is uniquely English and there is an undertone of 19th century politics. Thisarrangement by Philip Sparke is sure to be used over and over again at your band’s performances. $75.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Reveille, Kopi Wilhelm Hansen
Wind Ensemble SKU: HL.14027165 Composed by Niels Marthinsen. Music Sales ...(+)
Wind Ensemble SKU: HL.14027165 Composed by Niels Marthinsen. Music Sales America. Set (Score & Parts). Edition Wilhelm Hansen #KP00606. Published by Edition Wilhelm Hansen (HL.14027165). Danish. REVEILLE RETRAITE for solo trumpetA joint commission between Hakan Hardenberger and Danmarks RadioDedicated to Hakan HardenbergerProgramme note:Everybody knows or has at least heard of the time honoured military bugle calls: Reveille Retraite, the awakening at sunrise the turning in at sunset. In a way it's the UR concept of the nature of the trumpet, an instrument capable of glorious panache as well as sublime, inward looking finesse. My piece is, as indicated in the title, a two fold composition in the form of two contrasting tone poems, each mirroring a fragment of original text, what one could call spiritual appetizers. At the end of chapter 8 of his high spirited Memoirs Hector Berlioz laments the murder of a man he admired, Prince Lichnowsky, who was stabbed to death in Frankfurt in September 1848 by German peasants: Oh, I must get out, walk, run, shout under the open sky! Now, there's a juicy bit of high strung romantic Sturm und Drang for you and the perfect motto for any awakening... Then night fall, Retraite, in which I've drawn upon the early, melancholy poem ALONE by Edgar Allan Poe and taken out one single line as 'subtitle' for this very hushed and withdrawn movement: And all I lov'd, I lov'd alone. I guess it won't hurt to quote the poem in its entirety:From childhood's hour I have not beenAs others were I have not seenAs others saw I could not bringMy passions from a common spring.From the same source I have not takenMy sorrow; I could not awakenMy heart to joy at the same tone;And all1 lov'd, I lov'd alone.THEN in my childhood in the dawnOf a most stormy life was drawnFrom ev'ry depth of good and illThe mystery which binds me still:From the torrent, or the fountain,From the red cliff of the mountain,From the sun that 'round me roll`dIn its autumn tint of gold From the lightning in the skyAs it pass'd me flying by From the thunder and the storm,And the cloud that took the form(When the rest of Beaven was blue)Of a demon in my view.Edgar Allan PoeProgramme note by Poul Ruders, January 2004. $41.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cliffhanger String Orchestra - Intermediate Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS34 Full Sco...(+)
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS34 Full Score and Parts. Composed by Sean O'Loughlin. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 12+16+16+4+10+10+10+4 pages. Carl Fischer Music #CAS34. Published by Carl Fischer Music (CF.CAS34). ISBN 9780825861055. UPC: 798408061050. 8.5 X 11 inches. Key: E minor. Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching. Nicely done!. Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday-afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching.The opening of the piece sets the scene with danger and desperation. By m. 6, our hero is making his way on horseback to rescue the fair maiden. This main melody is developed and passed around the ensemble until m. 36, at which point despair sets in. The music is rich with romantic harmonies and inner lines. Be sure to bring out these inner lines to add to the passion and drama of the moment. It continues to build until a thunderous arrival at m. 49. From there we return to our hero, who is now getting close to the train tracks to save the fair maiden. The tension becomes the highest at m. 61, when we are still not sure if our hero will make it in time. But alas, at m. 68 he swoops in to save the day and rescue the fair maiden. Of course, they live happily ever after.My hope is that your ensemble will have some fun with this style of music. It was adapted from an arrangement I wrote for the new pipe organ at the Walk Disney Concert Hall in Los Angeles. They wanted some scary train music to show children how the organ was used back before movies had sound. Strings provide a heightened sense of drama with this genre of music. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Eternal Pursuit Concert band - Easy FJH
Concert Band Concert Band - Grade 2 SKU: FJ.B1193 Composed by Jason K. Ni...(+)
Concert Band Concert Band - Grade 2 SKU: FJ.B1193 Composed by Jason K. Nitsch. Arranged by Jason K. Nitsch. Concert Band. FJH Young Band. Score and Part(s). Duration 2:16. The FJH Music Company Inc #98-B1193. Published by The FJH Music Company Inc (FJ.B1193). UPC: 674398212811. English. This new contemporary work was premiered at the 2002 Midwest Clinic and is an excellent way to make use of all your percussionists. After an eerie introduction, a haunting melody is presented that continues throughout. This is definitely a unique and refreshing style which is very welcome at this grade level. Strongly consider this work from Texas composer and middle school band director, Jason Nitsch. About FJH Young Band Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5 $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| L'Arlesienne Suite No. 1 Orchestra Breitkopf & Härtel
Orchestra (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) ...(+)
Orchestra (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) SKU: BR.EOS-20828 Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; Softcover. Eulenburg Orchestral Series. The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer. Suite; Romantic. Full score. 60 pages. Duration 17'. Breitkopf and Haertel #EOS 20828. Published by Breitkopf and Haertel (BR.EOS-20828). ISBN 9790004784693. 10 x 12.5 inches. The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes. $55.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Mozart - Piano Sonata G Major K 283 Piano solo G. Henle
Piano SKU: HU.HN601 Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttr...(+)
Piano
SKU: HU.HN601
Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Piano Solo, Piano and Keyboard, Repertoire, Solos. Piano Sonata G major K. 283 (189h). Classical. Softcover Book. 19 pages. G. Henle #HN601. Published by G. Henle (HU.HN601).
$12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Cliffhanger String Orchestra - Intermediate Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS34F Composed b...(+)
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS34F Composed by Sean O'Loughlin. SWS. Carl Fischer Concert String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #CAS34F. Published by Carl Fischer Music (CF.CAS34F). ISBN 9780825861062. UPC: 798408061067. 8.5 X 11 inches. Key: E minor. Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching. Nicely done!. Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday- afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching.The opening of the piece sets the scene with danger and desperation. By m. 6, our hero is making his way on horseback to rescue the fair maiden. This main melody is developed and passed around the ensemble until m. 36, at which point despair sets in. The music is rich with romantic harmonies and inner lines. Be sure to bring out these inner lines to add to the passion and drama of the moment. It continues to build until a thunderous arrival at m. 49. From there we return to our hero, who is now getting close to the train tracks to save the fair maiden. The tension becomes the highest at m. 61, when we are still not sure if our hero will make it in time. But alas, at m. 68 he swoops in to save the day and rescue the fair maiden. Of course, they live happily ever after.My hope is that your ensemble will have some fun with this style of music. It was adapted from an arrangement I wrote for the new pipe organ at the Walt Disney Concert Hall in Los Angeles. They wanted some scary train music to show children how the organ was used back before movies had sound. Strings provide a heightened sense of drama with this genre of music. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| L'Arlesienne Suite No. 1 Breitkopf & Härtel
Violin 2 (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) S...(+)
Violin 2 (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) SKU: BR.EOS-20828-16 Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer. Suite; Romantic. Part. 8 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-16. Published by Breitkopf and Haertel (BR.EOS-20828-16). ISBN 9790004785454. 10 x 12.5 inches. The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| L'Arlesienne Suite No. 1 Breitkopf & Härtel
Violoncello (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) <...(+)
Violoncello (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) SKU: BR.EOS-20828-23 Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer. Suite; Romantic. Part. 8 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-23. Published by Breitkopf and Haertel (BR.EOS-20828-23). ISBN 9790004785478. 10 x 12.5 inches. The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| L'Arlesienne Suite No. 1 Breitkopf & Härtel
Violin 1 (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) S...(+)
Violin 1 (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) SKU: BR.EOS-20828-15 Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer. Suite; Romantic. Part. 8 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-15. Published by Breitkopf and Haertel (BR.EOS-20828-15). ISBN 9790004785447. 10 x 12.5 inches. The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| L'Arlesienne Suite No. 1 Breitkopf & Härtel
Viola (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) SKU:...(+)
Viola (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) SKU: BR.EOS-20828-19 Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer. Suite; Romantic. Part. 12 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-19. Published by Breitkopf and Haertel (BR.EOS-20828-19). ISBN 9790004785461. 10 x 12.5 inches. The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| L'Arlesienne Suite No. 1 Breitkopf & Härtel
Woodwinds (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) ...(+)
Woodwinds (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) SKU: BR.EOS-20828-30 Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; Folder. Eulenburg Orchestral Series. The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer. Suite; Romantic. Set of parts. 98 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-30. Published by Breitkopf and Haertel (BR.EOS-20828-30). ISBN 9790004785492. 10 x 12.5 inches. The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes. $102.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| L'Arlesienne Suite No. 1 Breitkopf & Härtel
Double bass (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) <...(+)
Double bass (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str) SKU: BR.EOS-20828-27 Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer. Suite; Romantic. Part. 4 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-27. Published by Breitkopf and Haertel (BR.EOS-20828-27). ISBN 9790004785485. 10 x 12.5 inches. The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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