45 Classic Hymns for Churches, Schools & Choirs. A wonderful collection of the most popular traditional hymns in a handy 10 x 7 inch format. Ideal for Churches, Schools and Choirs making an ideal resource. / Songbooks / Recueil / Voix et Piano

Revised and enlarged-New Hymns And Worship Songs has a specific purpose: to update existing Anglican Hymn books so your parish can sing the best and most loved compositions of recent years alongside the traditional Hymns found in all books.In this way parishes which have only recently purchased their Hymn books or are not in a position to replace them at present can benefit with the minimum financial outlay. There are 440 Hymns And worship songshere and the majority will not be found in existing Hymn books. By introducing New Hymns and Worship Songs you will ensure that your parishioners will be able to enjoy such standards as the Taiz andRizza chants the beautiful music of Iona Graham Kendrick's ever more popular songs; an enormous outpouring of worship songs and those Hymns which although widely used for many years are not to be found inother collections. Fabulous pieces such as How Great Thou Art Our God Reigns and Be Still My Soul set to the majestic tune of Finlandia . This is the revised and enlarged print editionwith an exhaustive index for common worship.

Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano

Ed. Maitland-Squire Rev. Dover Edition-'The most remarkable and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs variations fantasies toccatas pavanes galliards allemandes and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean Music: Morley Gibbons Farnaby Warrock Ferdinando Richardson Peter Phillips Tomkins and practically every other composer of the virginalistic school. John Bull and William Byrd two of England's greatest composers are represented by over 100 works. The pieces herein while composed for the virginal can be played without difficulty on thepiano or any other keyboard instrument. Maitland and Squire set the music into modern notation preserving faithfully the intent of the composers.

and other classic Irish melodies-If you are looking for straightforward and rewarding repertoire for your beginner choir then you need look no further than Choral Basics the perfect series for singers of all ages.The Simple 3-part choral arrangements for soprano alto and a combined part for men’s voices make the series perfect for choirs with a dearth of males or whose male singers have unstable or changing voices. The rich array of repertoire is bound to be a hit with younger singers and the technical abilities of choirs at this level have been taken into consideration.Straightforward and idiomatic piano accompaniments have been included and are designed to support thevocal lines without putting pressure on staff with less developed keyboard skills. This enchanting collection of traditional Irish melodies showcases three of the finest songs to originate from the 'Emerald Isle' from the classic title song Danny Boy to the poignant The Last Rose Of Summer and The Lark In Clear Air. Choral Basics are great value for money providing a contrasted set of arrangements for the end of term concert.

Par CLARKE GENE. Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes cello parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola. Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes cello parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola. / Niveau : Facile / Musique religieuse / Date parution : 2019-05-27/ Recueil / Violoncelle

Celtic Music For Flute And Guitar by Allan Alexander and Jessica Walsh contains 20 pieces transcribed for flute and guitar most of them originating from Ireland and Scotland. Five of them are charming original pieces written in the Celtic style by Allan and Jessica. The music is presented in both music notation and guitar tablature for people who do not read music.Take a musical journey with dances that were written more than 400 years ago and experience Celtic traditional music that is the mainstay of modern players. If you are learning and looking for great music this is one book that you will not be able to put down. If you are a performer looking for highquality material these great pieces expertly arranged will become part of your permanent repertoire.The accompanying CD gives the musician the advantage of being able to hear how these pieces should be played by experts in this genre of music and will make the learning process easier. Some of the pieces were written for the Lute; however Allan Alexander has found that they work very well on the guitar. Being an accomplished player of both lute and guitar he has the knowledge to make accurate musical transcriptions. Other pieces in this book are traditional tunes that have been arranged specifically for guitar. Many of the selections have variations on the original melodies. This adds another dimension to the music and enhances the performance.

This book sets out to teach the reader how to play the fiddle by using inspiring music from some of the great musical traditions of the world especially arranged by the author for the instrument. Includes 2 CDs!Ideal for the complete beginner there is no need for any previous musical knowledge.Invaluable for the existing player/improver looking for fresh ideas and exciting new tunes.By working though this unique book the reader will gain a sound knowledge of the fiddle plus a large and varied repertoire of traditional music from all over the world.By drawing on the less commonly heard music of countries such as Venezuala Rwanda Holland Trinidad Japan and Australia as well as the more popular traditions of Ireland and North America this book will produce a well-rounded fiddle player - a musician who will be inspired to look further into the exciting musical traditions of the world.Rather than being an exhaustive guide to all traditional styles of the world this book is a fiddle method which uses tunes from around the world to demonstrate the various techniques required to produce a competant traditional musician. It is the sincere hope of the author that the student will be inspired by study of the music contained in this book and recording to look more deeply into the styles of particular interest. Contents 7/8 Time Signature A L'ouchaq Fnit Ana (Morocco) Al Mout Ba-ddra' (Morocco) Alborada de Pontecaldelas (Spain) Bahcevanci with Double-stops (Turkey) Beale Street Blues (U.S.A) Bert Jamison's (Australia) Bisdot Bet-lechem (Israel) Castillian (Trinidad) Castillian with Double-stops (Trinidad) Cornin's Hornpipe (Ireland) Daichovo Chara (Bulgaria) Dance (Egypt) Dance from Rajasthan (India) Double Stops Dwans y Pistyll (Wales) Extract from Shin-Kinuta (Japan) Flop-Eared Mule (U.S.A) Fraggossiriani (Greece) Frayleleh (Israel) Friend Since You Want to Marry

Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment suitable for church teaching or recreational settings. The material includes cello parts and bowing indications in first position with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola.

An original and exciting collection of anthems and other choral pieces written for the Orthodox Church and inspired by the Church in Russia, selected by Ralph Allwood. Partly because of the re-emergence of the Church in the former Soviet Union, interest in Christian musical sources alternative to the great body of the Anglican and other Western Christian traditions has grown sharply in recent years. Though the works presented here may be unfamiliar, they are all masterly. Designed to appeal to choirs of various levels, the collection includes a Kontakion and Ikos for the funeral service, anthems by Great Russian Romantics: Tchaikovsky, Rachmaninov, Grechaninov - and composers from our age: Stravinsky, Schnittke, or Arvo Part speaking for a tradition outside the Orthodox Church, as well as settings of the Lord's Prayer in both Russian and English by John Tavener. / Chant Et Piano

9 pieces in Latin Style-9 Latin style pieces for both study and performance plus notes on the scores & fingering glossary of chord symbols and notes on rasgueados. The A-B-A-C-A Choros form is used as a basic structure for all of the pieces and the styles and moods of the music vary from traditional and classical to Bossa Nova and jazz samba. In Brasil the Choros (diminutive Chorinho) owes its development to musicians performing either solo or in groups who often being obliged to play long hours during functions and festivals would improvise and create variations on popular and traditional themes. The compositions here are all based on this idea of stating a theme andthen creating variations & contrasts. Although the melodic harmonic and rhythmic content of the Choros/Chorinho has evolved greatly over time its underlying beat feel is traditionally 2 per measure and written with a 2/4 time signature. This generally makes comfortable reading for the guitar player because the beamed note groupings define clearly the rhythm patterns to be played. However much music that originally appeared in 2/4 time is now published in 4/4 with a cut time feel and which seems to be favoured by many musicians including guitarists who work in folk and popular idioms. For this edition the time signature which allows a clearer page presentation is chosen for each piece and no musical difference between the 2/4 and the Cut-time signatures is intended.