From Disney's The Jungle Book and more recently recorded by artists such as Big Bad Voodoo Daddy Los Lobos and Smash Mouth this lively song remains popular with all age groups. Here is an easy chart written in a light Latin style. The melody is passed around to various sections of the band and there are short solos for trumpet and alto sax.

Violin Edition. Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Violon

With Online Audio-Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow.This book will focus on thefirst period of Coltrane's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane's bebop style of improvising the authors discuss the use of guide tones bebop scales three to flat nine targeting and other techniques. Then the text presents numerous one- two- and three-measure jazz lines in Coltrane's style in notation and tablature grouped by the harmony over which they canbe used.The accompanying play-along online audio provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in all keys. Bycombining various lines musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazz lines into yourvocabulary and you will be able to create your own lines in the style of John Coltrane. Includes access to online audio.

Master Solos book/CD packs are a fresh source of solo literature in a comprehensive package for developing instrumentalists. The collections for the various instruments were personally selected and performed by world-famous performing artists and educators (see below) and each features a specially prepared lesson. Every Master Solos pack includes 8 selections by renowned composers - different for each instrument - and a piano accompaniment book. The accompanying CDs are uniquely designed to serve in practice and performance situations and offer immeasurable benefits for the intermediate soloist and for the instrumental instructor. The first track features the soloperformance with piano accompaniment providing tempo and musical style and the second track is the piano accompaniment only designed for rehearsal. The recorded accompaniment can also be used in performances. Flute by Gary Sigurdson Oboe by Don Jaeger Bassoon by Leonard Sharrow Bb Clarinet by Ramon Kireilis Eb Alto Saxophone by Larry Teal Bb Trumpet/Cornet by Robert Getchell Horn by Louis Stout Trombone by Buddy Baker Baritone Horn by Larry Campbell Tuba by Daniel Perantoni Percussion by Peter Magadini. All books edited by Linda Rutherford.

Master Solos book/CD packs are a fresh source of solo literature in a comprehensive package for developing instrumentalists. The collections for the various instruments were personally selected and performed by world-famousperforming artists and educators (see below) and each features a specially prepared lesson. Every Master Solos pack includes 8 selections by renowned composers ? different for each instrument ? and a pianoaccompaniment book. The accompanying CDs are uniquely designed to serve in practice and performance situations and offer immeasurable benefits for the intermediate soloist and for the instrumental instructor. The first trackfeatures the solo performance with piano accompaniment providing tempo and musical style and the second track is the piano accompaniment only designed for rehearsal. The recorded accompaniment can also be used inperformances. Flute by Gary Sigurdson Oboe by Don Jaeger Bassoon by Leonard Sharrow Bb Clarinet by Ramon Kireilis Eb Alto Saxophone by Larry Teal Bb Trumpet/Cornet by Robert Getchell Horn by Louis Stout Trombone byBuddy Baker Baritone Horn by Larry Campbell Tuba by Daniel Perantoni Percussion by Peter Magadini. All books edited by Linda Rutherford.

Instructional DVD for 6-String Bass-Oteil Burbridge has played bass with the legendary Allman Brothers Band since 1997. Bandmate Derek Trucks calls him 'the Michael Jordan of the bass.' In this comprehensive and entertaining DVD Oteil discusses the fine points of bass playing and musicianship including: Rhythm concepts African Latin jazz funk poly rhythms and basic drumming concepts; Harmony chord structure and shapes for the six-string bass; Listening to artists from various styles of music; Emotional and spiritual aspects of music how to let our emotions out in music so we can make a spiritual connection with others; Relative pitch singing along with what you play; Thinking melodically breaking musical ideas into bite-sized parts; and much more. 59 minutes.

Violin Edition-Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow. This book will focus on the firstperiod of Coltrane's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane's bebop style of improvising the authors discuss the use of guide tones bebopscales three to flat nine targeting and other techniques. Then the text presents numerous one- two- and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanyingplay-along CD provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in all keys. By combining various lines musicians will beable to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to createyour own lines in the style of John Coltrane

Staying Alive starring John Travolta was a hit film in 1983. The music for this great film was written by different composers and the soundtrack was recorded by various well-known artists such as the Bee Gees. Frank Stallone (the brother of actor and director Sylvester Stallone) was also involved. He wrote the title song Far from Over. This song with its solid beat became a great success and was a number one hit practically all over the world. This arrangement for brass band is guaranteed to be a hit.

Commissioned by the BBC for Ashley Wass one of Radio 3's New Generation Artists and first performed at a Proms Chamber Music Concert on 31st August 2009.'The series of concert pieces (ranging from 5 to 16 minutes) that I have called Studies started with the intention of exploring either pianistic or compositional topics but has since No 7 a homage to Dukas also reflected my love of the music of various composers. Tippett?s piano music some of which I have played many times has always fascinated me for its examination of an enormous range of keyboard sonorities and technique and for its lyrical poetry and the energy and dynamism so typical of its composer. Inthis study I have combined my tribute to him (during which I refer to two of his works) with an exploration of sonata form for many years I resisted the idea of writing a Piano Sonata (note the capital letters) thinking sonata form itself was not for me but I suddenly felt I could write a single-movement work thinking of the examples of Hoddinott Scriabin and Tippett himself which would impinge closely on sonata form. Thus the opening vigorous section recurs as a kind of recapitulation to close the work and between those two parts are a slow ?movement? and then a lightly scored scherzo. The actual ending itself vanishes into the distance in a little phrase which gets quicker and quieter until it is hardly heard.'????????????????John McCabe

Suite Montmartre. Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted, entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Relâche and Les Aventures de Mercure. However, his piano pieces, such as Trois Gymnopédies or Gnossiennes will remain his most popular compositions. Satie cooperated with almost all the great artists of his time: Pablo Picasso, Jean Cocteau, Sergei Diaghilev, Georges Braque and composers Darius Milhaud (Le Groupe des Six) and Claude Debussy. Johan de Meij made an orchestration of three short pieces by Erik Satie: I. Petit Prélude ?La Mort de Mr. Mouche? - II. 1ère Gymnopédie - III. Rag-Time Parade

Description Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane

Classique / a cura di Claudio e David Contini / Partition CD inclus / We are presenting an anthology of operatic arias for tenor by Giuseppe Verdi including a CD with a recording of each aria. These performances were recorded during the 1930s and 1940s by some of the prominent artists of the time: Enrico Caruso, Tito Schipa, Giacomo Lauri Volpi, Beniamino Gigli, Aureliano Pertile, Hipolito Lazaro, Francesco Merli, Jussi Björling, Renato Zanelli. By listening of the CD, a younger singer can gain precious information concerning various technical aspects such as vocalproduction, breathing, musical phrasing, word interpretation, and can mature his own musical choices. The performances included on the CD were originally recorded on 78's.

Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. Also available in Japanese from ATN, Inc. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Saxophone Alto