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Voice, violin, cello, piano
VIOLONCELLO - CELLO
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Butt-Chen: Cellowise: Cello: Instrumental Album
Cello, Piano
[Score and Parts + CD]
Spartan Press
CELLOWISE is an exciting new collection of arrangements from the popular classic...
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CELLOWISE is an exciting new collection of arrangements from the popular classics. The standard is from Grade 3 upwards and included are Bach Badinerie Handel Sarabande Haydn Gipsy Rondo Gossec Gavotte and Tambourin Brahms Hungarian Dance and other favourites with attached CD of top quality performances making a pleasant and varied recital programme both to listen to and of course to play. Cellowise is featured on the 2014 Bauhinia Cup String Competition in Hong Kong and is on the current syllabuses of Trinity College London the Musik-PrüfungsKommission in Vienna and the Royal Irish Academy of Music in Dublin 2015-2018.FOOTNOTE TO CONTENTSOriginally a folk-dance from Medieval Spain the Sarabande became the spiritual centre-point of the 18th. Century dance suite and well-known to cellists through the Bach Suites.The Badinerie is a musical haiku stunning in its precision and economy of means and like a poem condenses much meaning and expression into few words.Sir Yehudi Menuhin once called the 'Erbarme Dich' solo the most beautiful piece of music ever written for the violin. This poignant duet for voice and obligato is about remorse betrayal and the universal theme of suffering. It is one of the centre-pieces of the St. Matthew Passion and is sung after Peter has denied Christ betraying him to the authorities and to his Crucifixion.Gavotte and Tambourin. These two Dances reflect the political opposites of the French Revolution - one a popular dance for partying and celebration the other more courtly and considered a favourite of Marie Antoinette.Rondo all'Ongarese and Hungarian Dance.Hungarian Folk music is fiery and impassioned with virtuoso techniques of embellishment and improvisation. Haydn and Brahms incorporated these elements into Classical forms.Like other Romantic and early-Romantic composers (Mendelssohn and Schubert) Brahms was attracted to Scotland as a wild and beautiful country of myth and
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Ludwig van Beethoven: Concerto for Pianofort Violin Violoncello & Orch:
Piano Trio: piano, violin, cello
Barenreiter
C major-In Beethoven?s Triple Concerto a piano trio provides the soloists a f...
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C major-In Beethoven?s Triple Concerto a piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the orchestra (particularly the cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web the orchestral piano violin and cello voices interplaying and entwining and he produces a true masterpiece.Bärenreiter?s new Urtext edition of Beethoven?sTriple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo piano part.Piano reduction with separate parts for all three soloistsDraws on three new sourcesCorrection of many errors found in previous editions
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Ludwig van Beethoven: Concerto For Piano Violin And Violoncello In C: Chamber
Piano Trio: piano, violin, cello
Barenreiter
In Beethoven?s Triple Concerto a piano trio provides the soloists a first in ...
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In Beethoven?s Triple Concerto a piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the orchestra (particularly the cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web the orchestral piano violin and cello voices interplaying and entwining and he produces a true masterpiece. Bärenreiter?s new Urtext edition ofBeethoven?s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo piano part. Piano reduction with separate parts for all three soloistsDraws on three new sourcesCorrection of many errors found in previous editions
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Johannes Brahms: 2 Songs Op.91 For Alto Voice Viola & Piano: Voice: Vocal Work
Piano Quartet: piano, violin, viola, cello
[Sheet music]
Peters
Brahms Two Songs for Alto voice with Viola (or Cello) & Piano Op91. In German & ...
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Brahms Two Songs for Alto voice with Viola (or Cello) & Piano Op91. In German & English. Separate parts for voice viola & cello.
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Cyril Scott: Lullaby Op.57 No.2 for Cello and Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Novello & Co Ltd.
Lullaby (Op. 57 No. 2) was first composed in 1908 for Voice and Piano with lyr...
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Lullaby (Op. 57 No. 2) was first composed in 1908 for Voice and Piano with lyrics by Christina Rosssetti. It was transcribed for Cello or Violin and Piano by the famous cellist Charles Warwick Evans (1885-1974) in 1918.Cyril Scott (1879-1970) was a British composer pianist and poet. His most popular works which he is largely remembered by today were written in the years preceding the Second World War however he continued to compose prolifically in the face of indifference from the outside world right up until his death at the age of 91. His music is predominantly in the Romantic style and now serves as an enchantingreminder of a bygone age.
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Max Bruch: Kol Nidrei Opus 47 for Violoncello and Orchestra: Cello: Instrumental
Cello, Piano
G. Henle
Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bru...
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Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bruch?s most famous compositions. The melancholy ?Adagio after Hebrew melodies? was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor and thus to this day ?Kol Nidrei? offers every cellist a wonderful opportunity to make the instrument ?sing?. In this text based on the first edition of 1881 ?Kol Nidrei? appears for the first time in an Urtextedition substantiated by scholarly research for which not just the musical sources but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part.
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Niels Rosing-Schow: Voix Interieures: Chamber Ensemble: Score
Clarinet, Violin, Cello, Piano
[Sheet music]
Wilhelm Hansen
Work for Clarinet Violin Cello and Piano. The composer writes: VOIX INTERIEURE...
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Work for Clarinet Violin Cello and Piano. The composer writes: VOIX INTERIEURES (1990-92). The title has a double reference: to the ’inner voices’ of the mind expressing our (hardly conscious) impulses feelings dreams and to the ’inner voices’ of the music in the sense of internal parts and relations. Thus the title points to the obscure reflections of the ones in the others. During the piece there is a gradual transformation of the internal parts such as interval patterns sonorities and dynamics - running alongside the easily perceptible expansion of register. The music is so to say ’turned inside out’.
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Poul Ruders: Tattoo For Four: Chamber Ensemble: Parts
Clarinet, Violin, Cello, Piano
[Sheet music]
Wilhelm Hansen
Tattoo For Four - A drill for Clarinet in Bb Violin Violoncello & Piano (2017)...
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Tattoo For Four - A drill for Clarinet in Bb Violin Violoncello & Piano (2017). Dedicated to Ensemble Nordlys. Parts are available: WH32974A Programme note TATTOO FOR FOUR is in reality the same piece as TATTOO FORTHREE from 1984 but with a fourth voice - for violin - added. Forperformances of the older piece just omit the violin part. The'hidden' 1984 piece has been slightly revised so the originalperforming material is now obsolete. The first piece in the TATTOO series was TATTOO FOR ONE for solo clarinet also written in 1984. Reaching back to its 1984 origins TATTOOFOR FOUR follows standard accidental procedure.(Poul Ruders)
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Vientu'ais effelis (VASKS PETERIS)
Piano Trio: piano, violin, cello
Schott
(Lonely Angel). Par VASKS PETERIS. For my Meditation for violin and string orche...
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(Lonely Angel). Par VASKS PETERIS. For my Meditation for violin and string orchestra Lonely Angel, I was guided by the following vision: An angel hovers over the world, contemplating the state of the battered Earth with tears in his eyes. But an almost imperceptible, loving touch with his wings brings comfort and healing. This piece is a response to the pain. The solo part of the violin lends a sonorous voice to the lonely angel who tirelessly watches over the Earth. The version for piano trio was composed at the suggestion of the Trio Palladio. (Peteris Vasks) / Date parution : 2022-05-31/ Répertoire / Violon, Violoncelle et Piano
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3 Quartets op. 41 (SCHUMANN ROBERT)
String Quartet: 2 violins, viola, cello
Schott
for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is ...
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for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is 3 violin quartets' wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: 'The thought of the quartets gives me pleasure. The piano is getting too narrow for me. In composing now I often hear a lot of things that I can barely suggest. For instance, it is remarkable how I invent almost everything canonically and never discover the imitating voices until afterward, very often in inversions, inverted rhythms.' The new urtext edition is based on the text of the Schumann Complete Edition./ Répertoire / Quatuor à Cordes
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Kevin Volans: String Quartet No. 1 White Man Sleeps: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
Born in South Africa but now an Irish citizen Kevin Volans? musical idiom has ...
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Born in South Africa but now an Irish citizen Kevin Volans? musical idiom has been shaped by an unusually diverse range of experiences including studies with Stockhausen in Cologne field trips to South Africa tostudy traditional music his own involvement with the New Simplicity movement his collection of contemporary art and African textiles friendships with composers like Morton Feldman and Gerald Barry as well as a love of virtuosopiano music which he performs broadcasts and records. While having an easily recognised unique voice Volans? music resists compartmentalisation. He is as comfortable working in conventional genres as embarking oninnovative collaborations with artists of other disciplines. String Quartet No.1 (White Man Sleeps) was written for the Kronos Quartet and was first performed by them in July 1986 London.The title?White Man Sleeps? comes from a moment in nyanga Panpipe music where the performers leave off playing their loud pipes for a few cycles and dance only to the sound of their ankle rattles to let the whitelandowner sleep for a minute or two.'In composing this piece I drew from the following sources: the first movement owes something to the style of Basotho concertina music; the second and fourth movements are drawnfrom traditional Nyungwe music played by Makina Chirenje and his Nyanga panpipe group at Nsava Tete Mozambique recorded and transcribed by Andrew Tracey (to be found in an article entitled ?The nyanga Panpipe dance? in AfricanMusic Vol.5 No.1 (1971); the third movement derives from the San bow music (recorded by Tony Traill of the University of Witwatersrand) and from Basotho lesiba music transcribed by myself; in the fifth movement I added my owninvented folklore. My approach to the original music was anything but purist it is played in Western tuning filtered slowed down by a few ?time-octaves? cast into non-African metres (like the 13-beat pattern of the first
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String Quartet No. 4 (VASKS PETERIS)
String Quartet: 2 violins, viola, cello
[Score and Parts]
Schott
Par VASKS PETERIS. The Latvian composer Peteris Vasks, who is known for his atmo...
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Par VASKS PETERIS. The Latvian composer Peteris Vasks, who is known for his atmospheric pieces for string orchestra, “Cantabile”, “Musica dolorosa” and “Voices”, is concentrating increasingly on chamber music: his latest works are the “Partita” for cello and piano, the “Fifth String Quartet” and a piano quartet. Vasks has brought elements of ancient and folk traditions in Latvian music into his compositions. While most of his works have programmatic titles relating to natural processes, Vasks is not concerned with a poetic homage to Nature, nor with depiction of landscape as an aesthetic ideal. The main themes which Vasks explores in his most recent musical work are the reciprocal relationship between man and Nature, the beauty of life and the impending ecological and moral destruction of these values./ Répertoire / Quatuor à Cordes
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Ian Venables: The Song Of The Severn - String Quartet Parts: String Quartet:
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Ian Venables' The Song Of The Severn is a cycle of songs in celebration of Worce...
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Ian Venables' The Song Of The Severn is a cycle of songs in celebration of Worcestershire scored for Baritone Voice String Quartet and Piano. “The Song of the Severn…clothes poems by Masefield Housman John Drinkwater and Philip Worner in sharply memorable music of bewitching lyricism idiomatic grace and rapt instinct…No lover of the early-20th-century English art song or pastoral tradition should fail to investigate this notable issue.” - Andrew Achenbach Gramophone “These five songs for voice with piano and string quartet accompaniment take the Severn Riverand its historical and natural associations as a common theme. They are absolutely stunning in their poignant beauty their profoundly noble and moving sense of tragedy and desolation that never turns sentimental or lachrymose and their perfect union of text and music to a level that rivals Schubert and Mahler.” - James A. Altena Fanfare Magazine
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String quartet no. 1 (2015) (FREEMAN ALEX)
String Quartet: 2 violins, viola, cello
Fennica Gehrman
Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet ...
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Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement. Duration: c. 13' This product includes the score and the parts (A4 sized). American-Finnish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality. His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music. / Date parution : 2022-05-31/ Répertoire / Quatuor à Cordes
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Franz Schubert: Ave Maria - String Quartet: String Quartet: Score and Parts
String Quartet: 2 violins, viola, cello
Fentone Music
Ave Maria was composed in about 1825 by Franz Schubert (1797-1828) when he was t...
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Ave Maria was composed in about 1825 by Franz Schubert (1797-1828) when he was twenty-eight years old and filled with devotion to the Blessed Virgin Mary. It was written for voice and piano and first Published in 1826 as Op 52 no 6. The words most commonly used with Schubert's music are not the words that the composer originally set to music. Franz Schubert actually wrote the music for an excerpt from the poem 'The Lady of the Lake' by Sir Walter Scott (1771-1832) which was translated into German by Adam Storck. Schubert called his piece Ellens dritter Gesang (Ellen's third song). In this particular excerpt from the poem the heroine Ellen Douglas is in hiding and prays to theVirgin Mary. This version for string quartet makes a welcome addition its repertoire.
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David Blake: Searching The Skies: String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
University Of York Music Press
For unison children's voices and strings (or with Piano).Published in 1994.Six p...
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For unison children's voices and strings (or with Piano).Published in 1994.Six poems of Jessica George (1984-94)First performance by Jessica's friends St Olave's Church York on 22nd October1994.String Quartet Parts.
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