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Voice and Orchestra
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Works For Voice And Orchestra
Concert band, Choral
Boosey and Hawkes
/ Voix Et Orchestre
41.62 EUR - Sold by LMI-partitions
(Seller in french langage)
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Perte De Memoire: Orchestra: Score
Orchestra
Wilhelm Hansen
Perte De Memoire (2008) for Bandoneon/Voice and Orchestra. Composed for Per Arne...
(+)
Perte De Memoire (2008) for Bandoneon/Voice and Orchestra. Composed for Per Arne Glorviken. Commissioned by the Oslo Philharmonic Orchestra. Premiered by Per Arne Glorvigen (Bandoneon) and the Oslo Philharmonic Orchestra conducted by Christian Eggen at the Oslo Konserthus as part of the Ultima Festival October 3rd 2008.
60.99 GBP - Sold by Musicroom UK
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Rued Langgaard: Tonebilleder / Tone Pictures: Voice: Score
Orchestra
[Partitions]
-
Intermediate/advanced
Rued Langgaard Edition
Rued Langgaard's Tonebilleder / Tone Pictures for Voice and Orchestra (1917) BV...
(+)
Rued Langgaard's Tonebilleder / Tone Pictures for Voice and Orchestra (1917) BVN 133. Texts by Jenny Blicher-Clausen Ivan Turgenjev Thor Lange and Holger Drachmann. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.
29.95 GBP - Sold by Musicroom UK
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David Rimelis: The Cool Ghoul: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
A Halloween hit for scary voices and orchestra.
19.99 GBP - Sold by Musicroom UK
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PELLEAS ET MELISANDE IN FULL SCORE (DEBUSSY CLAUDE) (DEBUSSY CLAUDE)
Voice and Orchestra
[Sheet music]
Dover Publications
Par DEBUSSY CLAUDE. The tragic tale of brothers who are in love with the same my...
(+)
Par DEBUSSY CLAUDE. The tragic tale of brothers who are in love with the same mysterious woman, Debussy's only opera is a perfect marriage of music and verse. The culmination of an eight-year effort on the part of the composer, the five-act lyricdrama premiered in 1902. This volume, reprinted from the E. Fromont 1904 edition, reproduces the full orchestral-vocal score in a clear, modern engraving. / Date parution : 2023-05-06/ Répertoire / Chant et Orchestre
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Cheryl Frances-Hoad: Amy's Last Dive: Upper Voices: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Cadenza Music
Cheryl Frances-Hoad's Amy's Last Drive for Soloists Womens Choir and Orchestra....
(+)
Cheryl Frances-Hoad's Amy's Last Drive for Soloists Womens Choir and Orchestra.Duration: 2 hours
29.99 GBP - Sold by Musicroom UK
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Joaquín Rodrigo: Concerto D'Aranjuez: Orchestra: Miniature Score
Orchestra
Eulenburg
The first of Joaquin Rodrigo's attempts at composition for the concerto genre Co...
(+)
The first of Joaquin Rodrigo's attempts at composition for the concerto genre Concierto De Aranjuez quickly became the most popular and recognizable of his works. Written for Solo Guitar and Orchestra it reveals the composer's great affinity for those two mediums as well as his reverence for the long-standing traditions of Spanish Classical music. It was composed in 1939 after Rodrigo's return to Madrid from France (where he had fled to escape the Spanish Civil War) and premiered to great success in 1940.The Concierto De Aranjuez is notable for the way in which Rodrigo managed to wed unusual instrumentation of the relatively small voice ofthe solo guitar to that of the full orchestra. With a nod to Spanish folk music and straightforward lyrical disposition it is an extremely imaginative piece with meandering melody and distinctive colour throughout.Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.
17.99 GBP - Sold by Musicroom UK
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Charles Tomlinson Griffes: The Pleasure Dome of Kubla Khan: Orchestra: Score
Orchestra
Schirmer
Score-Originally scored for Piano solo (GS48199) Griffes' 'Pleasure Dome of Kubl...
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Score-Originally scored for Piano solo (GS48199) Griffes' 'Pleasure Dome of Kubla Khan' was later expanded into a tone poem for orchestra by the American impressionistic composer. It is based on the poetry of Samuel Taylor Coleridge andis scored for Piano Voice Chamber Ensemble and orchestra. This original version is combined with Frederic Stocks' 1920 revisions.
15.99 GBP - Sold by Musicroom UK
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Witold Lutoslawski: Trois Poemes D'henri Michaux: Orchestra: Instrumental Work
Orchestra
[Sheet music]
Chester
Trois po?mes d?Henri Michaux was written for the Zagreb Biennale and first perfo...
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Trois po?mes d?Henri Michaux was written for the Zagreb Biennale and first performed there by the orchestra and choir of Radio Zagreb conducted by the composer and Slavko Zlatic on 9 May 1963. It is composed for 20-part choirand an orchestra similar to that of the Symphony of Psalms though without the lower strings of the latter.Lutoslaswski has said that the general outline of the work came to him first and only then did he choose the threepoems. These reflect his Francophile taste: Henri Michaux was born in Belgium in 1899 and later became a painter: the trenchant Le Grand Combat with its onomatopoeic invented words dates form the 1920s; the other two texts which are more philosophic than pictorial form the 1930s. Choir and orchestra need separate conductors even though throughout they alternate more often than they combine.A description of the course of the music itself will bemore useful than any discussion of its technical processes or of its notation. A quiet section of orchestral polyphony which brass sforzandi punctuate with increasing frequency frames the beginning and end of Pens?es. Afterthe choir?s first unaccompanied passage the woodwind have a staccato section over which the female voices singing downward glissandi are superimposed (?Ombre de mondes infimes??). Then the woodwind and both pianos join in alapping ostinato which illustrates the text of the next forte choir entry ?Pens?es la nage merveilleuse?? The climax of the movement comes as these characteristic woodwind figures alternate with the tintinnabulation of agamelan-like ensemble of vibraphone c?leste harp and pianos.
22.99 GBP - Sold by Musicroom UK
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Alexander L'Estrange: Zadok rules - Hallelujah!: Mixed Choir: Vocal Score
Voice and Orchestra
[Sheet music]
Faber Music Limited
Zadok rules – Hallelujah! was commissioned by The Hanover Band Foundation ...
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Zadok rules – Hallelujah! was commissioned by The Hanover Band Foundation to celebrate the 60th anniversary of the Coronation of Queen Elizabeth II June 2013. Inspired by the works of G.F. Handel the text traces all of the English monarchs from William the Conqueror to the present day as well as interweaving well-known pieces such as Zadok the Priest and the Hallelujah Chorus. A celebratory anthem for unison children’s Choir SATB Chorus & chamber Orchestra.
7.50 GBP - Sold by Musicroom UK
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Child Alice (Part II)
Soprano voice, Orchestra
[Sheet music]
Boosey and Hawkes
Movement 2: Happy Voices Fuga for Orchestra. Par TREDICI DAVID DEL. Les notes du...
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Movement 2: Happy Voices Fuga for Orchestra. Par TREDICI DAVID DEL. Les notes du compositeur: and ldquo - Child Alice a été conçu comme une continuité unique... les divers extraits peuvent être effectuées séparément. Options incluent : partie II de l'enfant Alicemay être joué sans partie I * événements pittoresques (no 1) et Happy Voices (no 2) peuvent être joué comme une unité * Quainty événements peut être joué séparément * Happy Voices peut être joué séparément * tous les après-midi de Golden peut par joué séparément. and rdquo -/ Répertoire / Soprano et Orchestre
117.70 EUR - Sold by LMI-partitions
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Johann Sebastian Bach: Eleven Great Cantatas In Full: Voice: Score
Orchestra
[Score]
Dover Publications
In Full Vocal And Instrumental Score-This volume reproduces in full vocal and in...
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In Full Vocal And Instrumental Score-This volume reproduces in full vocal and instrumental score eleven cantatas from the reliable Bach-Gesellschaft volumes. A new supplement presents the eleven German texts in libretto form and a facing literal line-by-line translation by Stanley Appelbaum.
25.40 GBP - Sold by Musicroom UK
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Luigi Cherubini: Requiem in C Minor: Orchestra: Score
Choral SATB
SATB, Orchestra
-
Intermediate
Barenreiter
Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to th...
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Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).
63.50 GBP - Sold by Musicroom UK
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Peter Lieuwen: Vivace for String Orchestra - Full Score: String Orchestra: Score
String Orchestra
Lauren Keiser Music Publishing
Full Score-Vivace (2010) for string orchestra began its musical life as the thir...
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Full Score-Vivace (2010) for string orchestra began its musical life as the third movement of my Sonata for Guitar (2009) recorded by Isaac Bustos on MSR Classics [MS 1581]. While writing the sonata I began to realize what a symphonic instrument the guitar really is and how well idiomatic guitar figurations might translate to the orchestra. As the title suggests Vivace is a short lively piece tinged with spiritual uplift. Supported by a steady rhythmic ostinato in stretto the broad melody (in slow harmonic rhythm) is presented first in the highest voice and then answered in a lower one. The dovetailing of gestures and its consequent antiphonal character permeate the movement.Often the melody is presented in harmony at the interval of the 7th or 9th. As with many of my recent compositions variation color and drama are enhanced by the juxtaposition of pandiatonic passages with those that are chromatic and dissonant. --Peter Lieuwen Vivace has been recorded by the Slovak National Symphony Orchestra on MSR Classics [MS 1582].
54.99 GBP - Sold by Musicroom UK
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Symphonic Extracts From The Conducting Score: Les Fêtes De L'Hymen Et De L'Amour
Orchestra
Barenreiter
Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate b...
(+)
Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaïs?, 'Zoroastre? and 'Les Boréades?. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from 'Aruéris?, a scoring found nowhere else in his oeuvre.For the first time, this scholarly-critical edition of 'Les Fêtes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.- Milestone of French Baroque opera in performance practice orientated vocal score- With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition / Orchestre
57.94 EUR - Sold by LMI-partitions
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Outi Tarkiainen: The Lustful Mother: String Orchestra: Score
String Orchestra
Wilhelm Hansen
Version with Piano and String Orchestra - Score)-A song cycle for baritone voice...
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Version with Piano and String Orchestra - Score)-A song cycle for baritone voice string orchestra and piano. The composer writes: 'Naarasäiti (The Lustful Mother) is about becoming a mother an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä tyttäriä (Ãrbeeadni The Time of the Lustful Mother 2013) and Kylmä kumppani (Galbma rádna My Cold Companion 1999) by two contemporary Sámi poets Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive matriarchal beat is present throughout in the music: a dark earthy solo viola accompanies the baritone while the sizzling sparkling strings erupt at times in powerfultextures' A song cycle for baritone voice string orchestra and piano. The composer writes: 'Naarasäiti (The Lustful Mother) is about becoming a mother an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä tyttäriä (Ãrbeeadni The Time of the Lustful Mother 2013) and Kylmä kumppani (Galbma rádna My Cold Companion 1999) by two contemporary Sámi poets Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive matriarchal beat is present throughout in the music: a dark earthy solo viola accompanies the baritone while the sizzling sparkling strings erupt at times in powerfultextures'
35.99 GBP - Sold by Musicroom UK
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Love in a Village (BICKERSTAFF ISAAC (Arr)
Voice and Orchestra
[Sheet music]
Barenreiter
A Comic Opera. Par BICKERSTAFF ISAAC (Arr. TOMS EDWARD). 'Love in a Village' was...
(+)
A Comic Opera. Par BICKERSTAFF ISAAC (Arr. TOMS EDWARD). 'Love in a Village' was first performed on 8 December 1762 at the Covent Garden Theatre (London). It was to become one of the most popular British musical stage works of the century, and by 1791 it had also gained international acclaim. The question of why this pastiche comic opera was able to develop this special attraction can be described in terms of fashion and tradition. By bringing stylistically sophisticated compositions by various well-known composers such as George Frideric Handel, Thomas Augustine Arne und Francesco Geminiani into the traditional 'Ballad Opera', the theatre makers succeeded in renewing traditional ways of producing and performing playhouse entertainment. The music of 'Love in a Village' stems from four sources: Vocal music from the amusement gardens, Italian opera arias from the 1750s and 1760s, theatrical or occasional music and folk melodies. Love in a Village' thus further developed the methods first used by 'Ballad Opera' to create a comic opera from a sentimental plot and pre-existent vocal compositions. The fourth volume in our OPERA series consists of a linen-bound volume and an Edirom file stored on a USB card in credit-card format. The number of simultaneous users of the edition's digital component is unlimited./ Répertoire / Chant et Orchestre
486.04 EUR - Sold by LMI-partitions
(Seller in french langage)
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Bent Sørensen: Phantasmagoria: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
-
Intermediate/advanced
Wilhelm Hansen
Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen ...
(+)
Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark.Programme note:My Piano Trio “Phantasmagoria” is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards – The fourth movement – third movement - and I finally got to the beginning of the piece. It all begins with the violin – solo – heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera “Under the Sky”. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. “Shadow play” was the first title on my mind but a shadow play can be more physical – the shadow can come alive – alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. “Phantasmagoria” was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen)
57.50 GBP - Sold by Musicroom UK
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Augenlieder (WIGGLESWORTH RYAN)
Soprano voice, Orchestra
Schott
Par WIGGLESWORTH RYAN. Poème de Berryman, 'Gardez vos yeux ouverts', a fourni l...
(+)
Par WIGGLESWORTH RYAN. Poème de Berryman, 'Gardez vos yeux ouverts', a fourni l'impulsion initiale pour Augenlieder. En découvrant le sonnet, qu'il devenue immédiatement lié dans mon esprit à une courte négligé lyrique de Browning, un poème écrit pour accompagner de Frederic Leighton peinture Orphée et Eurydice quant à son pendant l'exposition de la Royal Academy en 1864. Ici, dans les textes respectifs, ont été couples d'amoureux reliés par le drame d'un regard, un regard évitées ou un regard consommé. Beaucoup plus tard, je hasard sur un autre, tout aussi improbable, mariage de poèmes. Alors que l'excitation virtuose de l'expérience synesthésiques de Rimbaud dans Voyelles soldes peinture de mot-couleur plus silencieux du Schiele, au coeur de ces deux poèmes réside à nouveau dans la Loi de voir. L'ambiguïté délibérée de 'Ses Yeux' de Rimbaud compense Schiele, plus simple, même si en fin de compte de non moins complexe, picture : son est une expérience de la première personne définitivement - l'expérience, n'est pas surprenant d'un grand artiste visuel de la difficulté à obtenir une franchise similaire dans.../ Répertoire / Soprano et Orchestre
31.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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Benjamin Britten: Works For Voice And Chamber Orchestra: Voice: Score
[Score]
Boosey and Hawkes
A fantastic compilation that contains all of Benjamin Britten’s most famo...
(+)
A fantastic compilation that contains all of Benjamin Britten’s most famous orchestral song-cycles: Les Illuminations Serenade Nocturne and the posthumously published Now Sleeps the Crimson Petal. This is part of the Boosey Masterworks Library which represents the finest examples of published music available. The full score for Voice and Chamber Orchestra.
34.99 GBP - Sold by Musicroom UK
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Giacomo Puccini: One Fine Day: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
A wonderful aria from Madame Butterfly. For soloist and orchestra.This is the fu...
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A wonderful aria from Madame Butterfly. For soloist and orchestra.This is the full score and parts comprising strings (4-4-3-4-2) wind and brass. a separate voice part is not included and singers should use whatever edition of the opera vocal score or the aria that they have.
26.00 GBP - Sold by Musicroom UK
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Sergei Rachmaninov: Vocalise Op. 34: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
Flexible Solo with Strings-Designed to work for several different soloists (Viol...
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Flexible Solo with Strings-Designed to work for several different soloists (Violin Trumpet Oboe Flute or Clarinet) Rachmaninoff's well-known song is an ideal concert showcase for an expressive instrumentalist to be featured with string orchestra. This arrangement includes elements from both of Rachmaninoff's versions for solo voice and tutti orchestra.
44.99 GBP - Sold by Musicroom UK
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Anders Nordentoft: Beggar's Palace: Orchestra: Score
Orchestra
Wilhelm Hansen
'Beggars' Palace' is the name of a fictive railway station a metaphor that can ...
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'Beggars' Palace' is the name of a fictive railway station a metaphor that can evoke many associations for example as a place from which one journeys on where one is forced to stay for a short or long period or a place where one simply gets stuck and must watch others journey on. The fictive station has something worn-out and shabby about it but the worn and shabby can have its own poetry and beauty. At the end the music stands still for a minute or two while a voice talks about Beggars' Palace. 'Beggars' Palace' was composed in January 2000 for the Aarhus Symphony Orchestra. Anders Nordentoft
57.99 GBP - Sold by Musicroom UK
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Witold Lutoslawski: Triptyque Silesien: Orchestra: Score
Orchestra
[Sheet music]
Power Music Company
For soprano voice and symphonic orchestra. Full score with piano reduction inclu...
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For soprano voice and symphonic orchestra. Full score with piano reduction included.
47.50 GBP - Sold by Musicroom UK
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Il Teuzzone, RV 736 (ANTONIO VIVALDI)
Voice and Orchestra
[Sheet music]
Ricordi
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano ...
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Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). Par ANTONIO VIVALDI. 'With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed. '/ Répertoire / Chant et Orchestre
182.60 EUR - Sold by LMI-partitions
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Maurice Ravel: Shéhérazade: Voice
Voice and Orchestra
[Sheet music]
Durand
De T. Klingsor
23.99 GBP - Sold by Musicroom UK
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James MacMillan: Symphony No. 4: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
Unlike MacMillan’s first three symphonies Symphony no 4 (2014 15) is esse...
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Unlike MacMillan’s first three symphonies Symphony no 4 (2014 15) is essentially abstract. Here he is interested in the interplay of different types of material following upon a fascination with music as ritual that has stretched from Monteverdi in the early 17th century through to Boulez and Birtwistle in the present day. There are four distinct archetypes in this work which can be viewed as rituals of movement exhortation petition and joy. It is also a homage to Robert Carver (c1487 after 1566) the most important Scottish composer of the High Renaissance. There are allusions to Carver’s 10-voice Mass Dum sacrum mysterium embedded in the symphony and at anumber of points it emerges from across the centuries in a more discernible form: the vocal lines are muted and muffled literally in the distance as they are played delicately by the back desks of the violas cellos and double basses.
43.50 GBP - Sold by Musicroom UK
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La Mer - Bossa (TRENET CHARLES)
Voice and Big Band
[Sheet music]
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FLEX Editions
Arrangement De Gilles Arcens. Par TRENET CHARLES. La version latine du tube plan...
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Arrangement De Gilles Arcens. Par TRENET CHARLES. La version latine du tube planétaire de Charles Trénet telle qu'enregistrée par le Coll Orchestra. Elle fait partie du disque 'Trénet dans tous ses états !', disponible ici. / Niveau : Avancé / Répertoire / Voix et Big Band
67.20 EUR - Sold by LMI-partitions
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Heitor Villa-Lobos: Aria (from Bachianas Brasileiras No. 5): Orchestra: Score
Orchestra
Associated
Set of Parts-Bachianas Brasileiras or Brazilian Pieces In The Manner Of Bach is ...
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Set of Parts-Bachianas Brasileiras or Brazilian Pieces In The Manner Of Bach is a collection of nine pieces of which this is the fifth. This piece is easily the most popular piece of the set and was originally scored for Soprano Voice and eight Cellos. This arrangement retains the emotion and simplicity of the original whilst utilising the full expressive resources of the String Ensemble. Scored for 3 1st Violins 2 2nd Violins 2 Violas 2 Cellos 2 Bass and 1 optional Spanish Guitar by John Krance.
56.99 GBP - Sold by Musicroom UK
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Heitor Villa-Lobos: Aria (Bachianas Brasileiras No. 5): Orchestra: Score
Orchestra
Associated
Score-Bachianas Brasileiras or Brazilian Pieces In The Manner Of Bach is a colle...
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Score-Bachianas Brasileiras or Brazilian Pieces In The Manner Of Bach is a collection of nine pieces of which this is the fifth. This piece is easily the most popular piece of the set and was originally scored for Soprano Voice and eight Cellos. This arrangement retains the emotion and simplicity of the original whilst utilising the full expressive resources of the String Ensemble. Scored for 3 1st Violins 2 2nd Violins 2 Violas 2 Cellos 2 Bass and 1 optional Spanish Guitar by John Krance.
7.50 GBP - Sold by Musicroom UK
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