| Just the Facts - Book 9 Musical course - Solfege [Activity Books] Music Bag Press
Just the Facts. A unique workbook series, useful as preparation for the Texas St...(+)
Just the Facts. A unique workbook series, useful as preparation for the Texas State theory test. Level: 9. Instructional book. Published by Music Bag Press.
$9.49 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Noona Comprehensive Piano Playing with Sound Level 4 Piano solo Heritage Music Press
By Walter Noona. For piano. Level: Level 4. Piano method. Published by Heritage ...(+)
By Walter Noona. For piano. Level: Level 4. Piano method. Published by Heritage Music Press. (40/1037H)
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 24 Melodious Warm-Ups Flute Theodore Presser Co.
Daily tone and articulation studies from the flutistas repertoire. Arranged by...(+)
Daily tone and articulation
studies from the flutistas
repertoire. Arranged by
Daniel Dorff. Sws. Theodore
Presser Company #114-41983.
Published by Theodore
Presser Company
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Voice of the Bard Choral SATB SATB divisi, A Cappella [Vocal Score] Oxford University Press
Composed by Gabriel Jackson (1962-). For SATB choir (with divisions) unaccompani...(+)
Composed by Gabriel Jackson (1962-). For SATB choir (with divisions) unaccompanied. New Horizons. Vocal score. 20 pages. Duration 6 minutes. Published by Oxford University Press
$4.50 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Claire de Lune and Reverie with CD (Late Beginner - Early Intermediate) Piano solo [Sheet music + CD] - Easy Santorella Publications
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For easy piano. Lat...(+)
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For easy piano. Late Beginner - Early Intermediate. Book and accompaniment CD
(1)$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Claire de Lune (Clarinet and Piano) Clarinet and Piano [Set of Parts] - Intermediate Santorella Publications
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Clarient solo a...(+)
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Clarient solo and piano accompaniment. Set of parts
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Claire de Lune (Trumpet and Piano) Trumpet, Piano [Set of Parts] - Intermediate Santorella Publications
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Trumpet solo an...(+)
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Trumpet solo and piano accompaniment. Set of parts
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Claire de Lune (Alto Saxophone and piano) Alto Saxophone and Piano [Set of Parts] - Intermediate Santorella Publications
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Alto Saxophone ...(+)
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Alto Saxophone solo and piano accompaniment. Set of parts
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Claire de Lune (Flute or Violin and Piano) Flute and Piano [Set of Parts] - Intermediate Santorella Publications
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Flute solo or V...(+)
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Flute solo or Violin solo and piano accompaniment. Set of parts
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Claire de Lune (Trombone and Piano) Trombone and Piano [Set of Parts] - Intermediate Santorella Publications
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Trombone solo a...(+)
By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Trombone solo and piano accompaniment. Set of parts
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Advanced Scale Concepts and Licks for Guitar Guitar notes and tablatures [Sheet music + CD] Musicians Institute
Private Lessons. By Jean Marc Belkadi. Musicians Institute Press (Instruction ta...(+)
Private Lessons. By Jean Marc Belkadi. Musicians Institute Press (Instruction taken from the curriculum of MI). Book and CD package. With notes and tablature. Size 9x12 inches. 48 pages. Published by Musicians Institute.
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Just the Facts II - Level 8 Musical course - Solfege Music Bag Press
Just the Facts II. Useful as preparation for the California Certificate of Merit...(+)
Just the Facts II. Useful as preparation for the California Certificate of Merit Keyboard Syllabus. 8. Instructional book
$9.49 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| My Jesus, I Love Thee SATB Choral SATB Shawnee Press
By Dale Peterson. Words by William Featherstone (1846-1873). Sheet Music. Publis...(+)
By Dale Peterson. Words by William Featherstone (1846-1873). Sheet Music. Published by Shawnee Press.
(1)$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| On This Winter Night (Incorporating Adeste Fideles) Choral SATB SATB Shawnee Press | | |
| Just The Facts for Cello - Book 3 Cello Music Bag Press | | |
| Mordy Ferber - Compositions Guitar - Intermediate Mel Bay
Guitar (all) - Intermediate SKU: MB.22154 Composed by Mordy Ferber. Solos...(+)
Guitar (all) - Intermediate SKU: MB.22154 Composed by Mordy Ferber. Solos, Style, Contemporary, Perfect binding. Bill's Music Shelf. Jazz. Book. 84 pages. Mel Bay Publications, Inc #22154. Published by Mel Bay Publications, Inc (MB.22154). ISBN 9780786682560. UPC: 796279111102. 8.5 X 11 inches. This book is an attempt to capture the highlights of twenty-eight years of composing. Each of these 32 compositions is an expression, and as such -- an exposure, of a genuine part of myself which I present within the framework of jazz; my beloved art form. When I listen to this music I hear shades of my early classical and rock influences. It also brings to my mind my birth place, a small neighborhood outside of Haifa, Israel. I really hope that you will listen to these pieces come alive on my CDs All The Way To Sendai. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Finlandia Op. 26 Orchestra [Score] Breitkopf & Härtel
Tone Poem - Urtext based on the Complete Edition Jean Sibelius Works (JSW). C...(+)
Tone Poem - Urtext based on
the Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean Sibelius
(1865-1957). Edited by Timo
Virtanen. Full score.
Breitkopf and Haertel #PB-
5658. Published by Breitkopf
and Haertel
$39.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Reflections of Nature Piano solo Kjos Music Company
Piano - Intermediate,Late Intermediate SKU: KJ.WP1219 Composed by Ross Pe...(+)
Piano - Intermediate,Late Intermediate SKU: KJ.WP1219 Composed by Ross Petot. Piano/Repertoire. Center Stage Solos. Neil A. Kjos Music Company #WP1219. Published by Neil A. Kjos Music Company (KJ.WP1219). ISBN 9780849799259. This collection of intermediate to late-intermediate piano solos has eight stunning solos that are among the composer’s best works to date. They are reflective for the most part, full of expressive melodies and striking, original harmonies. Mr. Petot has effectively created a rich musical scene in each of these solos—musical gestures that reflect the unique character and mood of the title. Throughout the book, Petot’s immense love of nature is evident. Each solo is crafted with care and richly detailed. The style is contemporary Romantic, with hints of Impressionism, as well as ample use of 7th chords, whole-tone scales, and chromaticism. Each solo is fresh and original, evoking a singular musical scene quite vividly and beautifully. $7.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Exotic Scales and Licks for Electric Guitar Guitar notes and tablatures [Sheet music + CD] Musicians Institute
16 Tantalizing Scales and 80 Great Ways to Use Them. Musicians Institute Press (...(+)
16 Tantalizing Scales and 80 Great Ways to Use Them. Musicians Institute Press (Instruction taken from the curriculum of MI). Book and CD Package. With notes and tablature. Size 9x12 inches. 40 pages. Published by Musicians Institute Press.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hellhund Jazz Trumpet 2 Trumpet - Intermediate Schott
Trumpet (TRP) - intermediate SKU: HL.49033361 Jazzmelodik und Improvis...(+)
Trumpet (TRP) - intermediate SKU: HL.49033361 Jazzmelodik und Improvisation. Composed by Herbert Hellhund. This edition: Paperback/Soft Cover. Sheet music with CD. Edition Schott. Edition with CD. 112 pages. Schott Music #ED 9872. Published by Schott Music (HL.49033361). ISBN 9783795757625. German. Harmonik und Rhythmik sind fur jeden Jazzmusiker eine Selbstverstandlichkeit. Wie aber lernt man melodische Improvisation? Wie gestaltet man ein Thema und vor allem: Wie entwickelt man es weiter? Diese Lucke zu schliessen ist das Ziel von Jazztrompete kreativ. Es bietet dem angehenden und fortgeschrittenen Jazztrompeter mit ausfuhrlichen Erlauterungen und Ubungen, zahlreichen Notenbeispielen und einer Play-Along-CD pro Band eine Fulle von ubersichtlich gegliederten Ubungen, Informationen und Anregungen. Eine umfassende Anleitung zum Improvisieren, die sich nicht nur auf die Arbeit mit Skalen und Akkordpatterns beschrankt, sondern einen wirklich kreativen Zugang zur Jazzmelodik und dazu viele echte Tipps aus der Praxis bietet. Fur Unterricht und Selbststudium geeignet. $40.00 - See more - Buy online | | |
| Developing A Jazz Language Advance Music
Melody Instruments In Treble Clef SKU: AP.1-ADV14266 Volume 6. ...(+)
Melody Instruments In Treble Clef SKU: AP.1-ADV14266 Volume 6. Developing a Jazz Language (For All Instruments). Composed by Jerry Bergonzi. All Instruments Method or Collection; Improvisation; Method/Instruction. Advance Music: Inside Improvisation Series for All Instruments. Jazz. Book and Digital Download. Advance Music #01-ADV14266. Published by Advance Music (AP.1-ADV14266). ISBN 9783892211532. UPC: 805095142662. English. Developing a Jazz Language, is the sixth volume of Jerry Bergonzi's series, Inside Improvisation. Learning a language requires listening on many levels to the meanings, the sounds, the intentions, and the inflections or nuances of the language. The first chapters of this volume on learning the language of jazz focus on the prerequisites of chord scales, approach notes to chord tones and target notes, scale motives and sequences, and lines. Part two qualifies improvisational techniques into three areas; melodic, harmonic and sonic (rhythmic devices are the focus of Vol. IV, Melodic Rhythms) and it is designed as a menu of soloing devices from which you can select your personal course of study. Over 100 specific devices are discussed and conceptualized so as to give the improviser more depth of expression and a greater well from which to draw ideas. Among the numerous topics presented are: guide tones, voice leading, chord substitutions, three tonic system for composition, tritonics, hexatonics, tonal expansions, whole tone playing, augmented symmetric scales, double diminished scales, limited range and large range playing, shapes, blues melodies, accents, comping as a soloing device, common tones, articulations, laying back on the... The book includes free downloadable audio tracks of twelve standard chord progressions, each played in two different tempos. $44.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| SONG AND DANCE [Score] Theodore Presser Co.
Chamber Music Vibraphone, soprano Saxophone SKU: PR.11441378S Duo for ...(+)
Chamber Music Vibraphone, soprano Saxophone SKU: PR.11441378S Duo for Saxophones and Percussion. Composed by Shulamit Ran. Spiral. Contemporary. Full score. With Standard notation. Composed 2007. 12 pages. Theodore Presser Company #114-41378S. Published by Theodore Presser Company (PR.11441378S). UPC: 680160585939. 11 x 14 inches. Commissioned by Network for New Music, who premiered the work in April 2008, with support from Philadelphia Music Project, an Artistic Initiative of The Pew Charitable Trusts, administered by the University of the Arts. “Song and Dance†began its life as a nascent melody in the late eighties, employing a similar motivic cell as did three of my works written over a period of several years — East Wind, String Quartet No. 2 (Vistas), and Mirage. At the ore of these three works is the simplest of melodic kernels — a note encircled by its two neighboring tones (and more specifically, a half step above and whole step below). At the time, I envisioned writing a work for voice, oboe, and marimba, and had just begun it, only to drop it in favor of more pressing compositional assignments. Almost twenty years later, the vocal fragment finally evolved into the “song†of this work, played here by the soprano saxophone. But it seems that the song, all these years, had been waiting for its counterpart, a dance. Singing and dancing are two of humankind’s most basic and essential impulses, transcending time and place, reaching back to the earliest civilizations. The resulting composition, “Song and Danceâ€, moves back and forth between the two, delineating its various parts further with the use of both soprano and alto saxophones, partnered by mallet percussion instruments — mostly vibraphone and marimba, with bells added at the very end of the work. The song portions return to the same melody, varied and evolved over time, as new materials are introduced in the dance sections, affecting the presentation of the recurring song music. My thanks to the Network for New Music for commissioning this work and allowing me the freedom to choose its format and instrumentation.—Shulamit Ran. $23.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Yours, Truly! Heritage Music Press
Unison choir, Orff instruments, small percussion SKU: LO.9780934017176 (+)
Unison choir, Orff instruments, small percussion SKU: LO.9780934017176 Creative Choices in Orff Classes. Composed by Konnie Saliba. Heritage Music Press #9780934017176. Published by Heritage Music Press (LO.9780934017176). ISBN 9780934017176. YT fills a great need in Orff classrooms--opportunities for intermediate grade students to extend their individual musicianship from basic, whole class activities, to individual creativity. To reach this goal, most of the 26 units in YT begin with a short, simple core activity (song, jump rope rhyme, poem) that can be easily learned. Next, students are given choices to expand the arrangement through one or more of six avenues (speech, gesture, movement, improvisation, tone color, form). Students create their own final product with as much individuality as they choose. $26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Willows in the Rain Piano solo [Singles] - Intermediate Alfred Publishing
By Lynn Freeman Olson. For Piano. Piano Solo. Sheet. 8 pages. Published by Alfre...(+)
By Lynn Freeman Olson. For Piano. Piano Solo. Sheet. 8 pages. Published by Alfred Publishing.
$3.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Paul Jeanjean: 18 Advanced Etudes Clarinet [Sheet music + CD] - Advanced Lauren Keiser Music Publishing
(18 Etudes de perfectionnement Charles Neidich 21st Century Series for Clarinet)...(+)
(18 Etudes de perfectionnement Charles Neidich 21st Century Series for Clarinet). By Paul Jeanjean. Edited by Charles Neidich. LKM Music. Softcover with CD. Hal Leonard #S131008. Published by Lauren Keiser Music Publishing
$32.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Fountain Piano solo Alfred Publishing
By Lynn Freeman Olson. For Piano. Piano Solo. 8 pages. Published by Alfred Publi...(+)
By Lynn Freeman Olson. For Piano. Piano Solo. 8 pages. Published by Alfred Publishing.
$4.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dialogues: 9 Duets For Two Clarinets In B Flat Performance Score 2 Clarinets (duet) Schott
2 clarinets in Bb SKU: HL.49044553 9 Duets. Composed by Barbara He...(+)
2 clarinets in Bb SKU: HL.49044553 9 Duets. Composed by Barbara Heller. Edited by Irith Gabriely. This edition: Saddle stitching. Sheet music. Woodwind Ensemble. Softcover. Composed 2013. 44 pages. Schott Music #KLB92. Published by Schott Music (HL.49044553). ISBN 9790001197731. The clarinettist Irith Gabriely was inspired by her love of Barbara Heller's Dialogues (for violin and viola) to arrange these duets for two Bb clarinets. The result is a set of varied concertante dialogues that present clarinettists with a few challenges, requiring stamina, breath control, intense and contrasting dynamics, chromatic passages, whole tone passages, sensitive tone production, leaps across wide intervals, fast playing, disciplined rhythmic control and listening to one another closely. In this edition all tempo indications and dynamic markings are intended for guidance: these duets may equally well be interpreted in other ways. This edition therefore also includes a second section where all the pieces are reproduced without such markings, ready for individual interpretation. The Dialogues lend themselves very well to chamber performances; they are also short enough to serve as brief interludesat readings or exhibitions. Their expressive qualities, brevity and range of musical and technical demands make them highly suitable material for youth music competitions. A flute or oboe might well be played with the clarinet as alternative instrumentation for these duets (ED 22017). $22.99 - See more - Buy online | | |
| tellement froid que [Score] Carus Verlag
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bas...(+)
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bass flute and live electronics. Composed by Walter Feldmann. This edition: Paperbound. (r)TELLEMENT FROID QUE- (GEORGIQUES I). Full score. Composed 1995-96. 66 pages. Duration 20 minutes. Carus Verlag #CV 16.310/00. Published by Carus Verlag (CA.1631000). ISBN 9790007242800. Language: all languages. 1989. Stay in Aix-en-Provence, France, doing a language course. Reading, discussing and analyzing Les Georgiques; this pursuit is going to be the foundation of the multiple intellectual and literary levels of my composing. 2. THE WOODEN PLATFORM IS COVERED WITH FINE WHITE SAND (OR SALT), THE TWO SHELVES WITH BLACK CLOTH ... At the time I work on my first serious piece, still a far cry from the under-standing of writing music I have today. << tellement froid que >> (georgiques I) for bass flute, electronics and scene (1995-96), sections 1-7. << comme si le froid >> (georgiques II) for baritone saxophone, timpani and piano (1998), sections 18-24. << n'etait le froid >> (georgiques III) for orchestra (2000-2002), sections not yet decided. 3. THE INTERPRETER WILL BE DRESSED IN BLACK AND WHITE, MAINLY WHITE IF BLUISH LIGHT IS AT HAND ... The enormously rich vocabulary and the accuracy of expression - in temporal, spatial and material terms - is particularly impressive. To comprehend all of it, a reading on three different levels is called for: a first reading of one passage, then the acquisition of unknown vocabulary; thirdly a repeated - knowing - reading, which points out the utopia of precise expression: The text is treated in a rather problematic (cold: le froid?) manner: it's not the semantic content that is primarily dominant, but rather the outward appearance, the mise en page and the syntactic structure. 4. THE INTERPRETER ENTERS THE STAGE WITH ALL THE FLUTES (S)HE WILL PLAY DURING THE CONCERT AND DEPOSITS THEM - EXCEPT FOR THE BASS FLUTE - ON SHELF B; IF (S)HE ONLY PLAYS THIS PIECE, (S)HE SHOULD PUT THE PROGRAMME OF THE CONCERT THERE; IN ANY CASE THE INSTRUCTIONS IN BAR 195 MUST BE FOLLOWED ... In concrete terms the 10 centimetres of a line in the minuit edition correspond to 10 seconds of musical structure (which is three times as slow as the average reading speed). Only seven years later is the term / expression casse ferique changed into casse ferrique, and thus its secret is revealed, which almost becomes - due to its unreadability - the key to the planned musical cycle. The text is measured from section to section (big format: each section is marked with a continuous, ,,cold chord by the bass flute, played on tape recorder), from full stop to full stop (new entry of keynote material), from comma to comma (tripling of continuous resonances) etc. 5. DURING THE PERFORMANCE UP TO BAR 195, THE INTERPRETER WILL TRY - IN A KIND OF THEATRICAL ADAPTATION - TO EXPRESS HIS/HER OWN FEELING OF IRREPRESSIBLY GROWING FRUSTRATION; FROM BAR 195 ONWARDS (S)HE WILL DEFINITELY HAVE PUT UP WITH THE BASS FLUTE ... Brackets in the text bring about a reduction of sound (the differentiating micro tones are no longer used), the syntactical progression to subordinate clauses of the remotest degree has its immediate effect on dynamics (degree of volume). Then: the perception of a logical and yet erratic syntax, vastly progressive layers of subordinate clauses and brackets (lowering tone of voice?), a polyphony of ,,memoire, which leads to a maelstrom of attention, a tonally centric / concentrated (main material?) and progressive (subordinate and brackets-material?) reading, listening and proceeding. The different levels are constantly in touch - transferring the sensuous moment of scenes of bodily encounter (Tryptique) that are evoked again and again - in perpetual excitement of text and imagination, memory and remembering sensitivity. 6. THE BODY MOVEMENTS AND FIXATION (FIGE) , BOTH CLEARLY PERCEPTIBLE, WILL EVOKE AND SUPPORT THE SAME EMOTIONS ... The basic moods of the text will be reflected in the relationship (which is very important here) of the interpreter to the music; (s)he is somehow at the mercy of given (and not always transparent) structures on the one hand and the complexity of musical sensations on the other, which has to be defeated inspite of exhaustion. It's not only here that semantic agreement (besides the materialistic structure) of music and text can be felt: On top of that there's the existential helplessness in view of the mercilessly flowing polyphony of levels and events -- as a mirror of this there are the remembered scenes of the Flemish cold in the second chapter (Les Georgiques). The interpreters are confronted with unusual directions which correspond to the adjectives in the respective passages of the text: anachronique, engourdi, glace et acre, monotone et desert etc. The possibilities of interpretation are amplified, the ability to perceive and personal reaction is opened. The impression of this inexorability is multiplied in the extremest way by the fact that the particular layers can be found in Simon's complete works. It's a continuous work of art in which each novel turns into a chapter of a complex, cyclic whole; its title denoting only one main strand, as it were. A personal comment is made also as regards the clearly defined stage; the mise en scene points out the extra-musical elements and the correlation between text, human being and music. 7. THE INTERPRETER IS ASKED TO MOVE FREELY WITHIN A DEFINED SPOT WITHOUT LOOKING ARTIFICIAL; SOUNDS CAUSED BY THE FEET MOVING ON THE SAND ARE WELCOME DURING THE WHOLE PIECE ... And here the idea of a cycle is born, an attempt to transfer these nuances of memorized structures, this clarity and coldness, to transform the text into musical material. Walter Feldmann. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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