Baritone B.C. (Baritone Bass Clef)

SKU: HL.870078

Composed by Various. Essential Elements Band Folios. Pop. Softcover. 16 pages. Published by Hal Leonard (HL.870078).

ISBN 9781705150276. UPC: 196288017011. 9.0x12.0x0.077 inches.

30 popular melodies at an easy level in solo books for all the instruments in the Essential Elements Band Method. Perfect motivational music for students to play and practice featuring songs by Billie Eilish, Queen, Shawn Mendes, Taylor Swift, Star Wars, The Avengers, and more! Titles include: Believer • Blinding Lights • Don't Stop Believin' • Dynamite • Hallelujah • The Imperial March (Darth Vader's Theme) • Let It Go • Señorita • Seven Nation Army • Sucker • This Is Me • We Are the Champions • Wildest Dreams • You Will Be Found • and more.

Baritone Saxophone Baritone Sax

SKU: HL.870074

Composed by Various. Essential Elements Band Folios. Pop. Softcover. 16 pages. Published by Hal Leonard (HL.870074).

ISBN 9781705150238. UPC: 196288016977. 9.0x12.0x0.077 inches.

30 popular melodies at an easy level in solo books for all the instruments in the Essential Elements Band Method. Perfect motivational music for students to play and practice featuring songs by Billie Eilish, Queen, Shawn Mendes, Taylor Swift, Star Wars, The Avengers, and more! Titles include: Believer • Blinding Lights • Don't Stop Believin' • Dynamite • Hallelujah • The Imperial March (Darth Vader's Theme) • Let It Go • Señorita • Seven Nation Army • Sucker • This Is Me • We Are the Champions • Wildest Dreams • You Will Be Found • and more.

For Voice. (Baritone/Bass Voice). Vocal Collection. Broadway. Book. 188 pages. Published by Alfred Publishing.

Baritone Solo, Woodwind Quintet, Brass Quintet, & Percussion

SKU: SU.50030430

For Baritone Solo, Woodwind Quintet, Brass Quintet, & Percussion. Composed by Michael Smolanoff. Vocal/Choral, Vocal Chamber Music, Chamber Music, Mixed Ensemble. Study Score. Seesaw Music Corp #50030430. Published by Seesaw Music Corp (SU.50030430).

Text by Rabindranath Tagore.Copyright 1973. Published by: Seesaw Music.

366 More Great Songs for Better Living. Arranged by Jim Beloff, Liz Beloff. Fake Book. Country, Pop, Standards. Softcover. 416 pages. Published by Hal Leonard (HL.212971).

Baritone Sax Part. Arranged by James Curnow. Curnow Concert Band Full Set. 16 pages. Published by Curnow Music.

Composed by Alec Wilder (1907-1980). For baritone saxophone, horn, and woodwind quintet. Score and parts. Published by Trillenium Music Company

Score Only Concert Band (Score) - Level 1.5

SKU: HL.4006641

Arranged by Robert Buckley. MusicWorks Grade 1. Contest, Festival. Softcover. 12 pages. Duration 850 seconds. Published by Hal Leonard (HL.4006641).

UPC: 840126925593. 9.0x12.0x0.024 inches.

Bigfoot Stomp is a quirky, animated piece that is a unique change of pace for your band and audience. According to legend, Bigfoot is a tall, hairy, ape-like creature that lives in the wilderness of Northwest America and leaves huge footprints. This music imagines a group of them gathering together and stamping their massive feet in a wild, barbaric dance.

Concert Band

SKU: SU.91140200

For Concert Band. Composed by Edward Knight. Concert Band/Wind Ensemble. Score & Parts. Subito Music Corporation #91140200. Published by Subito Music Corporation (SU.91140200).

Telephones, typewriters, sewing machines, root beer, ketchup and the Statue of Liberty's torch make their debut at America's frst World's Fair, the 1876 Centennial Exhibition.Wildly festive; party instruments; featured percussion section. GRADE 3.5Instrumentation: Concert Band [2fl, ob, 3cl, bcl, bn, 2asx, tsx, bari; 3tp, 2hn, 3tb, euph, tba; 2perc, glock, mar, vibr, xylo]
Duration: 3'
Composed: 2018
Published by: Subito Music Publishing
AMERICAN WONDERS is a set of lyrical symphonic band works created by composer Edward Knight in collaboration with nationally known music educator Michael Raiber, and award-winning journalist M.J. Alexander, inspired by episodes from American history. These cross-curricular pieces focus on specific areas of musical growth in individual musicianship and ensemble experience. Each piece has unique features that offer musicians and teachers learning experiences beyond typical repertoire for bands at these performance levels.

Concert band - Grade 3

SKU: MH.1-59913-054-8

Composed by Bob Margolis. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.1-59913-054-8).

ISBN 9781599130545.

Royal Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half-step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion.

Alto Saxophone; Baritone Saxophone; Piano Accompaniment (Score and Solo Part) - easy

SKU: HL.49019125

E-flat Saxophone and Piano. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Op. 51/1. 6 pages. Schott Music #ED09912. Published by Schott Music (HL.49019125).

ISBN 9790001176644. UPC: 841886016828. 9.0x12.0x0.047 inches.

Composed in 1896, while MacDowell was in Boston, Woodland Sketches are among the best known of the American composers piano works. The famous first piece from opus 51, To a Wild a Rose, has been adapted here for E-flat saxophone and piano accompaniment.

Guitar

SKU: HL.14025533

Composed by Maria Linnemann. Music Sales America. Education. Book Only. 36 pages. Van Teeseling #BM12. Published by Van Teeseling (HL.14025533).

Scattered around Scotland are massive stones with intricate carvings upon them, relics of The Picts. These early Scots were a wild, barbaric nation who caused the building Hadrian's Wall, but between the 2nd and 10th centuries A.D. they also displayed a fascination for carving stones, with a skill that leaves modern generations standing in awe over 1000 year later. This spellbinding colouring book will help you discover the ancient art of shadowy painted people with the mysterious designs of their carved stones. Suitable for colourists of all ages, Joy-Elizabeth Mitchell presents a selection of Pictish Art which represents a wide range of the skills of this race through its known history.