| A Bird Named Byrd (STEIN
GOTTFRIED) Chamber Orchestra [Sheet music] Moseler Verlag
Paraphrasen über Musik von William Byrd. Par STEIN GOTTFRIED. Détails de la fo...(+)
Paraphrasen über Musik von William Byrd. Par STEIN GOTTFRIED. Détails de la formation instrumentale: 2 Querflöten, 2 Oboen, 2 Trompeten, Schlagzeug, Streicher - Durée: 15' -/ Répertoire / Orchestre de Chambre
28.86 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| A Bird Named Byrd (STEIN
GOTTFRIED) Chamber Orchestra [Set of Parts] Moseler Verlag
Paraphrasen über Musik von William Byrd. Par STEIN GOTTFRIED. Détails de la fo...(+)
Paraphrasen über Musik von William Byrd. Par STEIN GOTTFRIED. Détails de la formation instrumentale: 2 Querflöten, 2 Oboen, 2 Trompeten, Schlagzeug, Streicher - Durée: 15' -/ Répertoire / Orchestre de Chambre
32.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
|
| A Bird Named Byrd (STEIN
GOTTFRIED) Chamber Orchestra Moseler Verlag
Paraphrasen über Musik von William Byrd. Par STEIN GOTTFRIED. Détails de la fo...(+)
Paraphrasen über Musik von William Byrd. Par STEIN GOTTFRIED. Détails de la formation instrumentale: 2 Querflöten, 2 Oboen, 2 Trompeten, Schlagzeug, Streicher - Durée: 15' -/ Répertoire / Orchestre de Chambre
17.98 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Fitzwilliam Virginal
Book Vol.2 Piano solo Dover Publications
CX. Felix namque 2. Thomas Tallis. (1564) CXI. [Exercise]. Anon CXII. Daphne. Gi...(+)
CX. Felix namque 2. Thomas Tallis. (1564) CXI. [Exercise]. Anon CXII. Daphne. Giles Farnaby CXIII. Pawles Wharfe. Giles Farnaby CXIV. Quodlings Delight. Giles Farnaby CXV. Praeludium [X]. John Bull CXVI. Praeludium. Dor. [XIII*]. John Bull CXVII. Praeludium [VII]. Anon CXVIII. Ut, re, mi, fa, sol, la, a 4 voci. J. P. Sweelinck CXIX. In Nomine [IX]. John Bull CXX. Praeludium [VII]. Anon CXXI. Pavana Lachrymae. John Dowland, set by William Byrd. (See No. CLIII and CCXC) CXXII. Galiarda. James Harding, set by Byrd CXXIII. Pavana. Thomas Tomkins CXXIV. Fantasia [I]. Thomas Morley CXXV. Christe Redemptor. John Bull CXXVI. The Maydens Song. William Byrd CXXVII. Put up thy Dagger, Jemy. Giles Farnaby CXXVIII. Bony sweet Robin (see No. XV). Giles Farnaby CXXIX. Fantasia [I]. Giles Farnaby CXXX. A Grounde. Thomas Tomkins CXXXI. Barafostus' Dream (see No. XVIII). Thomas Tomkins CXXXII. The Hunting Galliard. Thomas Tomkins CXXXIII. The Quadran Paven (see No. XXXI). William Byrd CXXXIV. Galiard to the Quadran Paven (see No. XXXIII) CXXXV. The King's Hunt. John Bull CXXXVI. Pavana [I]. John Bull CXXXVII. Galiarda [I]. John Bull CXXXVIII. Dr. Bull's Juell. John Bull CXXXIX. The Spanish Paven. John Bull CXL. In Nomine. [John?] Parsons CXLI. Wooddy-Cook. Giles Farnaby CXLII. The Duke of Brunswick's Alman. John Bull CXLIII. Rosasolis. Giles Farnaby CXLIV. Psalme [140]. J. P. Sweelinck CXLV. Alman [I]. Robert Johnson CXLVI. Alman [I]. Robert Johnson CXLVII. Alman. Robert Johnson, set by Giles Farnaby CXLVIII. The New Sa-Hoo. Giles Farnaby CXLIX. Nobody's Gigge. Richard Farnaby CL. Malt's come downe. William Byrd CLI. Praeludium [IX]. Anon CLII. Alman [XIII]. Thomas Morley CLIII. Pavana [IX]. [Lachrymae.] Thomas Morley CLIV. Galiarda [IX]. Thomas Morley CLV. La Volta. William Byrd CLVI. Alman [VII]. William Byrd CLVII. Wolsey's Wilde. William Byrd CLVIII. Callino Casturame. William Byrd CLIX. La Volta. T. Morley, set by William Byrd CLX. Rowland. William Byrd CLXI. Why aske you. Anon (see No. CCLXXXVI) CLXII. The Ghost. William Byrd CLXIII. Alman [IX*]. William Byrd CLXIV. Galliard [I]. William Byrd CLXV. Pavana [IX*]. William Byrd CLXVI. Galliarda [IX*]. William Byrd CLXVII. Pavana [I**]. William Byrd CLXVIII. Galiarda [I**]. William Byrd CLXIX. Pavana [XIII*]. Thomas Morley CLXX. Galliarda [XIII*]. Thomas Morley CLXXI. [deest, owing to an error in numbe CLXXII. The Queenes Alman. William Byrd CLXXIII. A Medley. William Byrd CLXXIV. Pavana [IX]. William Byrd CLXXV. Galliarda [IX]. William Byrd CLXXVI. Miserere. 3 parts. William Byrd CLXXVII. Miserere. 4 parts. William Byrd CLXXVIII. Pakington's Pownde. Anon CLXXIX. The Irishe Dumpe. Anon CLXXX. Watkins Ale. Anon CLXXXI. A Gigg. William Byrd CLXXXII. Pipers Paven. Martin Peerson CLXXXII. Pipers Galliard. John Bull CLXXXIII. Variatio ejusdem. John Bull CLXXXIV. Praeludium. D. [XIII]. John Bull CLXXXV. Galiarda [IX*]. John Bull CLXXXVI. Galiarda [IX*]. John Bull CLXXXVII. Allemanda. Marchant CLXXXVIII. Can Shee. Anon CLXXXIX. A Gigge. Doctor Bull's my selfe. John Bull CXC. A Gigge. John Bull CXCI. Sr. Jhon Grayes Galliard. W. B. CXCII. Preludium [VII]. John Bull CXCIII. A Toy. Anon (see No. CCIV) CXCIV. Giles Farnaby's Dreame. Giles Farnaby CXCV. His Rest. Giles Farnaby CXCVI. His Humour. Giles Farnaby CXCVII. Fayne would I wedd. Richard Farnaby CXCVIII. A Maske. Giles Farnaby CXCIX. A Maske. Giles Farnaby CC. An Almain [VII]. Anon CCI. Corranto [VII]. Anon CCII. Alman [XIII]. Anon CCIII. Corranto [X]. Anon CCIV. Corranto [VII]. (See No. CXCIII.) Anon CCV. Corranto [I]. Anon CCVI. Daunce. Anon CCVII. Worster Braules. Thomas Tomkins CCVIII. Fantasia [VII]. Giles Farnaby CCIX. A Maske. Giles Farnaby CCX. Praeludium [IX]. John Bull CCXI. [Praeludium] [V]. Anon CCXII. Martin sayd to his Man. Anon CCXIII. Almand. William Tisdall CCXIV. Pavana Chromatica. William Tisdall CCXV. Ut, re, mi, fa, sol, la. John Bull CCXVI. Gipseis Round. William Byrd CCXVII. Fantasia [I*]. J. P. Sweelinck CCXVIII. Coranto [IX]. William Byrd CCXIX. Pavana. Clement Cotton. William Tisdall CCXX. Pavana [I*]. William Tisdall CCXXI. Coranto [I]. Anon CCXXII. Alman. Hooper CCXXIII. Corranto [I]. Anon CCXXIV. Corranto [I]. Anon CCXXV. Corranto [I*]. Anon CCXXVI. Corranto [VII]. Anon CCXXVII. Alman [III]. Anon CCXXVIII. Corranto. Hooper CCXXIX. Fantasia [VII]. Giles Farnaby CCXXX. Loth to depart. Giles Farnaby CCXXXI. Fantasia [I]. Giles Farnaby CCXXXII. [Fantasia] [I*]. Giles Farnaby CCXXXIII. [Transcription of Ay me, poore Heart.] Giles Farnaby CCXXXIV. [Fantasia] [I]. Giles Farnaby CCXXXV. Walter Erle's Paven. Giles Farnaby CCXXXVI. [Fantasia] [IX]. Giles Fa CCXXXVII. [Fantasia] [VII]. Giles Farnaby CCXXXVIII. Fantasia [VII]. Giles Farnaby CCXXXIX. The L. Zouches Maske. Giles Farnaby CCXL. Grounde. Giles Farnaby CCXLI. Coranto [XIII]. William Byrd CCXLII. Up T[ails] all. Giles Farnaby CCXLIII. Jhonson's Medley. Edward Johnson CCXLIV. Nowel's Galliard. Anon CCXLV. Tower Hill. Giles Farnaby CCXLVI. Praeludium [XIII]. Giles Farnaby CCXLVII. The King's Morisco. Anon CCXLVIII. A Duo. Richard Farnaby CCXLIX. Alman [VII]. Anon CCL. A Galiard Ground. William Inglot CCLI. The Leaves bee greene. William Inglot CCLII. Pavana [IX]. William Byrd CCLIII. Galiarda [X]. William Byrd CCLIV. Pavana [IX*]. William Byrd CCLV. Galiarda [IX]. William Byrd CCLVI. Pavana [XIII]. William Byrd CCLVII. Pavana Fant[asia] [VIII]. William Byrd CCLVIII. Galiarda [VII]. William Byrd CCLIX. The Earle of Oxfords Marche. William Byrd CCLX. Galiarda. Jehan Oystermayre CCLXI. Fantasia [VIII]. William Byrd CCLXII. The Duchesse of Brunwick's Toye. John Bull CCLXIII. A Toye [VIII]. Anon CCXIV. Corranto [I]. Anon CCLXV. Lady Riche. Anon CCLXVI. Corranto [VIII]. Anon CCLXVII. A Gigge. Giles Farnaby CCLXVIII. A Toy [VII]. Anon CCLXIX. Galiarda [X]. Giles Farnaby CCLXX. A Toye [X]. Giles Farnaby CCLXXI. The Primerose. Martin Peerson CCLXXII. The Fall of the Leafe. Martin Peerson CCLXXIII. Farnabye's Conceit. Giles Farnaby CCLXXIV. Allemanda [VII]. Anon CCLXXV. Pavana. Canon, 2 in 1. William Byrd CCLXXVI. Pescodd Time. William Byrd (see No. LIX) CCLXXVII. Pavana. Delight. Edward Johnson, set by William Byrd CCLXXVIII. Galiarda. Edward Johnson, set by William Byrd CCLXXIX. Miserere, 3 parts. John Bull CCLXXX. Tell mee, Daphne. Giles Farnaby CCLXXXI. Mal Sims. Giles Farnaby CCLXXXII. Munday's Joy. John Munday CCLXXXIII. Rosseter's Galiard, set by Giles Farnaby CCLXXXIV. The Flatt Pavan. Giles Farnaby CCLXXXV. Pavana [VII]. Giles Farnaby CCLXXXVI. Why aske you. (See No. CLXI.) Giles Farnaby CCLXXXVII. Farmer's Paven. Giles Farnaby CCLXXXVIII. Dalling Alman. Anon CCLXXXIX. The Old Spagnoletta. Giles Farnaby CCXC. Lachrymae Pavan. John Dowland, set by Giles Farnaby (see No. CXXI and CLIII) CCXCI. Meridian Alman. Set by Giles Farnaby CCXCII. Pavana. Orlando Gibbons CCXCIII. Muscadin. Giles Farnaby (see No. XIX) CCXCIV. Lady Montegle's Paven. William Byrd CCXCV. Galiarda. William Tisdall CCXCVI. Fantasia [I]. Giles Farnaby CCXCVII. Hanskin. Richard Fa
46.50 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock |
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| Fitzwilliam Virginal
Book Vol.1 - Piano Piano solo Dover Publications
Volume 1 of famous early 17th-century collection of keyboard music. Features 300...(+)
Volume 1 of famous early 17th-century collection of keyboard music. Features 300 works by Morley, Byrd, Bull, Gibbons, etc. Content : I. Walsingham. John Bull (see No. LXVIII) II. Fantasia [IX]. John Munday III. Fantasia, Faire Wether, etc. John Munday IV. Pavana [I]. Ferdinando Richardson V. Variatio [I]. Ferdinando Richardson VI. Galiarda [I]. Ferdinando Richardson VII. Variation [I]. Ferdinando Richardson VIII. Fantasia [VII]. William Byrd IX. Goe from my Window. Thomas Morley (see No. XLII) X. Jhon come kisse me now. William Byrd XI. Galliarda to my L[ord] Lumley's Paven (see No. XLI). John Bull XII. Nancie. Thomas Morley XIII. Pavana [VII]. John Bull XIV. Alman [IX]. Anon XV. Robin [see No. CXXVIII). John Munday XVI. Pavana [II]. M. S. XVII. Galiarda [X]. John Bull XVIII. Barafostus' Dreame. Anon (see No. CXXXI) XIX. Muscadin (see No. CCXCIII). Anon XX. Alman [VII]. Anon XXI. Galiarda [I]. Anon XXII. Praeludium [VII]. Anon XXIII. Praeludium, El. Kiderminster. Anon XXIV. Praeludium [XIII]. William Byrd XXV. Praeludium [XIII]. Anon XXVI. The Irish Ho-Hoane. Anon XXVII. Pavane [VII]. Ferdinando Richardson XXVIII. Variatio [VII]. Ferdinando Richardson XXIX. Galiarda [I*]. Ferdinando Richardson XXX. Variatio [I*]. Ferdinando Richardson XXXI. The Quadran Pavan. John Bull (see No. CXXXIII) XXXII. Variation of the Quadran Pavan. John Bull XXXIII. Galiard to the Quadran Pavan. John Bull (see No. CXXXIV) XXXIV. Pavana [IX]. Dor. John Bull (see No. XLVIII) XXXV. Galiard to the Pavan [IX]. John Bull XXXVI. Saint Thomas Wake. John Bull XXXVII. In Nomine [X*]. John Bull XXXVIII. [Fantasia. IX*]. John Bull XXXIX. Pavana [IX]. Robert Johnson, set by Giles Farnaby XL. The Woods so wilde. Orlando Gibbons (see No. LXVII) XLI. Pavana of my L[ord] Lumley (see No. XI). John Bull XLII. Goe from my Window (see No. IX). John Munday XLIII. Praeludium [I]. John Bull XLIV. Gloria tibi Trinitas. John Bull XLV. Salvator Mundi. John Bull XLVI. Galliarda [VII]. John Bull XLVII. Variatio [VII]. John Bull XLVIII. Galiarda to the Paven No. XXXIV [IX]. John Bull XLIX. Praeludium. Thomas Oldfield L. In Nomine. William Blitheman LI. Ut, Re, Mi, Fa, Sol, La. John Bull LII. Fantasia [IX]. William Byrd (see No. C) LIII. The K[ing's] Hunt. Giles Farnaby LIV. Spagnioletta. Giles Farnaby LV. For two Virginals. Giles Farnaby LVI. Passamezzo Pavana. William Byrd LVII. Galiardas Passamezzo. William Byrd LVIII. The Carman's Whistle. William Byrd LIX. The Hunt's up. William Byrd (see No. CCLXXVI) LXI. Treg[ian's] Ground. William LXI. Monsieur's Alman. William Byrd LXII. Variatio. William Byrd LXIII. Alman [XIII]. William Byrd LXIV. Sellenger's Round. William Byrd LXV. Fortune. William Byrd LXVI. O Mistris myne. William Byrd LXVII. The Woods so wilde. William Byrd (see No. XL) LXVIII. Walsingham. (See No. I.) William Byrd LXIX. The Bells. William Byrd LXX. Tirsi, di Luca Marenzio. Ia. Parte intavolata di Pietro Philippi. Peter Philips LXXI. Freno. 2a. Parte. Peter Philips LXXII. Così morirò. 3a. Parte. Peter Philips LXXIII. Fece da voi. à 6. Peter Philips LXXIV. Pavana Pagget. Peter Philips LXXV. Galiarda [I**]. Peter Philips LXXVI. Passamezzo Pavana. Peter Philips LXXVII. Galiarda Passamezzo. Peter Philips LXXVIII. Chi fara fede al Cielo, di Alessandro Striggio. Peter Philips LXXIX. Bon Jour mon Cueur, di Orlando di Lasso. Peter Philips LXXX. Pavana Dolorosa. Treg[ian set by] Peter Philips LXXXI. Galiarda Dolorosa. Peter Philips LXXXII. Amarilli, di Julio Romano (Giulio Caccini). Peter Philips LXXXIII. Margott laborez. [Lasso, set by] Peter Philips LXXXIV. Fantasia [VII]. Peter Philips LXXXV. Pavana [VII]. Peter Philips LXXXVI. Le Rossignuol. [Lasso, set by] Peter Philips LXXXVII. Galliardo [VII]. Peter Philips LXXXVIII. Fantasia [XIII*]. Peter Philips LXXXIX. Fantasia. Nicholas Strogers XC. Alman [IX]. Martin Peerson XCI. Pavana, Bray. William Byrd XCII. Galiarda. William Byrd XCIII. Pavana. Ph. Tr. William Byrd XCIV. Galiarda [XIII*]. William Byrd XCV. Toccata. Giovanni Pichi XCVI*. Praeludium Toccata. J. P. Sweelinck XCVII. Pavana. Thomas Warrock XCVIII. Galiarda. Thomas Warrock XCIX. Praeludium. Galeazzo C. Praeludium to the Fancie, No. LII. William Byrd CI. Ut, re, mi, fa, sol, la. William Byrd CII. Ut, mi, re. William Byrd CIII. Fantasia [XIII]. William Byrd CIV. All in a Garden green. William Byrd CV. Heaven and Earth. Fre CVI. Praeludium [VII]. John Bull CVII. Veni. Anon CVIII. Fantasia [IX*]. John Bull CIX. Felix namque. Thomas Tallis
42.80 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock |
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| Keyboard Music Fantasias
And Selected Works (BYRD
WILLIAM) Organ, Piano (duet) Barenreiter
Fantasias and Selected Works. Par BYRD WILLIAM. William Byrd is one of the great...(+)
Fantasias and Selected Works. Par BYRD WILLIAM. William Byrd is one of the great English composers of the late 16th and early 17th centuries. Today this creative Catholic at the Anglican court of Elisabeth I is known primarily for his masses, motets and madrigals. However, in addition to vocal music he also composed an impressive number of keyboard pieces that brook comparison in quality with those of his younger contemporaries Frescobaldi and Sweelinck. This edition contains a selection of his major works for keyboard instruments, some taken from such famous collections as the 'Fitzwilliam Virginal Book”, 'Parthenia” and 'My Ladye Nevells Booke”. In addition to five large-scale fantasias, including the monumental 'Fantasia in a”, there are smaller preludes and voluntaries and three contrapuntal hexachord settings. The Foreword offers a detailed overview and evaluation of the sources, brief descriptions of the pieces and valuable information on notation and performance practice./ Répertoire / Piano, Clavier ou Orgue
38.22 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Two Movements from
William Byrd Suite (JACOB
GORDON) Concert band [Score and Parts] Alfred Publishing
Par JACOB GORDON. Of all of Gordon Jacob's major contributions to the British wi...(+)
Par JACOB GORDON. Of all of Gordon Jacob's major contributions to the British wind band repertoire, the William Byrd Suite (written in 1923) stands as his most-often programmed work. Though originally based on six movements from William Byrd's Fitzwilliam Virginal Book, this setting for developing band incorporates two contrasting movements including 'The Earle of Oxford's Marche' and 'Wolsey's Wilde.' Like Jacob's wind band work, the music is not a mere transcription from the original keyboard collection, but rather stylized with his own inventive musical spirit for modern concert band. A wealth of material here that opens doors to teachable moments as musical textures---dynamic contrasts, articulations, scoring options---are continually changing. Bravo! (2:33) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Concert Band
81.03 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| William Byrd: The Earl of
Oxford's March: Fanfare
Band: Score & Parts Marching band [Score and Parts] Anglo Music
The Battell was written during the late 14th Century when England was in a mood ...(+)
The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers it still stirs the soul to this day. A perfect opener for your concert performances.
96.99 GBP - Sold by Musicroom UK |
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| William Byrd: The Earl of
Oxford's March: Concert
Band: Score Concert band Anglo Music
The Battell was written during the late 14th Century when England was in a mood ...(+)
The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers it still stirs the soul to this day. A perfect opener for your concert performances.
16.99 GBP - Sold by Musicroom UK |
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| William Byrd: The Earl of
Oxford's March: Fanfare
Band: Score Marching band Anglo Music
The Battell was written during the late 14th Century when England was in a mood ...(+)
The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers it still stirs the soul to this day. A perfect opener for your concert performances.
16.99 GBP - Sold by Musicroom UK |
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| William Byrd: Earl Of
Oxford's March: Brass
Band: Score & Parts Brass ensemble Anglo Music
The Battell was written during the late 14th Century when England was in a mood ...(+)
The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas. The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford's March and it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book. Written while Byrd was at the height of his powers it still stirs the soul to this day. A perfect opener for your concert performances.
49.99 GBP - Sold by Musicroom UK |
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| William Byrd: The Earl of
Oxford's March: Concert
Band: Score & Parts Concert band [Score and Parts] Anglo Music
The Battell was written during the late 14th Century when England was in a mood ...(+)
The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers it still stirs the soul to this day. A perfect opener for your concert performances.
96.99 GBP - Sold by Musicroom UK |
|
| William Byrd: The Earl of
Oxford's March: Brass
Band: Score Brass ensemble Anglo Music
The Battell was written during the late 14th Century when England was in a mood ...(+)
The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers it still stirs the soul to this day. A perfect opener for your concert performances.
16.99 GBP - Sold by Musicroom UK |
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| William Byrd: Justorum
Animae Ssatb: SATB: Vocal
Score Choral SATB [Vocal Score] Novello & Co Ltd.
Justorum Animae is an anthem for the offertory on the Feast of All Souls scored...(+)
Justorum Animae is an anthem for the offertory on the Feast of All Souls scored for five voices. Written in 1607 by William Byrd it has been edited by Barclay Squire and is presented here with a Keyboard reduction for rehearsal purposes. William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under Thomas Tallis at the Chapel Royal before becoming Organist and Master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist.
3.99 GBP - Sold by Musicroom UK |
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| The Fitzwilliam Virginal
Book Vol.2: Harpsichord
or Piano: Instrumental
Album Piano solo Dover Publications
Ed. Maitland-Squire Rev. Dover Edition-'The most remarkable and in many respec...(+)
Ed. Maitland-Squire Rev. Dover Edition-'The most remarkable and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs variations fantasies toccatas pavanes galliards allemandes and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean Music: Morley Gibbons Farnaby Warrock Ferdinando Richardson Peter Phillips Tomkins and practically every other composer of the virginalistic school. John Bull and William Byrd two of England's greatest composers are represented by over 100 works. The pieces herein while composed for the virginal can be played without difficulty on thepiano or any other keyboard instrument. Maitland and Squire set the music into modern notation preserving faithfully the intent of the composers.
38.60 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| The Fitzwilliam Virginal
Book Vol.1: Harpsichord
or Piano: Instrumental
Album Piano solo - Intermediate/advanced Dover Publications
Ed. Maitland-Squire Rev. Dover Edition-'The most remarkable and in many respec...(+)
Ed. Maitland-Squire Rev. Dover Edition-'The most remarkable and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs variations fantasies toccatas pavanes galliards allemandes and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean Music: Morley Gibbons Farnaby Warrock Ferdinando Richardson Peter Phillips Tomkins and practically every other composer of the virginalistic school. John Bull and William Byrd two of England's greatest composers are represented by over 100 works. The pieces herein while composed for the virginal can be played without difficulty on thepiano or any other keyboard instrument. Maitland and Squire set the music into modern notation preserving faithfully the intent of the composers.
35.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| William Byrd: William
Byrd: Why Do I Use My
Paper Ink And Pen:
Unison Voices: UNIS/ORGA::Unison Voice, Organ
Accompaniment [Sheet music] Novello & Co Ltd.
POD-Why Do I Use My Paper Ink And Pen? is a work by William Byrd for Unison ...(+)
POD-Why Do I Use My Paper Ink And Pen? is a work by William Byrd for Unison Voices and Organ Accompaniment that sets text attributed to Henry Walpole.
2.25 GBP - Sold by Musicroom UK |
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| William Byrd: William
Byrd Portrait: Concert
Band: Score Parts &
Audio Concert band Hal Leonard
MusicWorks – Grade 1Introduce the distinctive sounds of the Renaissance pe...(+)
MusicWorks – Grade 1Introduce the distinctive sounds of the Renaissance period to your young players with this marvelous setting of two gems by English composer William Byrd. Pavana (The Earle of Salisbury) isstately and rich in counterpoint. This miniature suite is then complemented nicely with the lively The Carman's Whistle. (2:20)
44.99 GBP - Sold by Musicroom UK |
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| GOLD ESSENTIAL EARLY
KEYBOARD COLLECTION Piano solo [Sheet music] - Intermediate/advanced Chester
A fine selection of the most famous early Keyboard masterpieces for solo Piano, ...(+)
A fine selection of the most famous early Keyboard masterpieces for solo Piano, including works from greats such as J.S. Bach, G.F. Handel, Purcell, William Byrd, and Domenico Scarlatti.
<br>An essential addition to your Piano library. Includes Variations on an Aria by Lully, Sarabande in D minor (from Harpsichord Suite), and Tambourin (from Pieces for Harpsichord in Three books). / Classique / Partition /
18.90 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| John McCabe: Sonata After
William Byrd's 'Haec
Dies': Trumpet: Score Trumpet, Piano - Intermediate/advanced Novello & Co Ltd.
For Trumpet And Piano-This Sonata by John McCabe was commissioned by Simon Deb...(+)
For Trumpet And Piano-This Sonata by John McCabe was commissioned by Simon Debruslais and derives its underlying material from William Byrd’s motet 'Haec Dies' from his 1591 collection of Cantiones Sacrae. An outline of the motet is “hidden” within the texture of the music but never stated directly. The Sonata employs that beautiful instrument the Flugelhorn (beloved of Vaughan Williams and Miles Davis) for the first two main sections switching to D Trumpet (familiar from Baroque music) for the final part which is faster than the earlier ones. The first section is moderately-paced and obsessively circles around particular intervals notably parallel ornear-parallel fifths (possibly my revenge on the academic world). The middle part of the work is slow framed by very brief scherzando trio-like sections. The piece lasts about 17 minutes.
20.99 GBP - Sold by Musicroom UK |
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| William Byrd: Sing
Joyfully: Mixed Choir:
Vocal Score [Vocal Score] Oxford University Press
William Byrd's Sing Joyfully for SSAATB and optional Organ.
2.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| William Byrd: Miserere
Mei: Mixed Choir: Vocal
Score [Vocal Score] Oxford University Press
William Byrd's Miserere Mei for SATBarB a cappella as edited by John Milsom.
2.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| William Byrd: The Leaves
Be Green: Recorder
Ensemble: Score and Parts Recorder Ensemble Schott
William Byrd's The Leaves Be Green for five Recorders (SAATB). Score and parts.
12.99 GBP - Sold by Musicroom UK |
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| William Byrd: The Earl Of
Salisbury Carol: SATB:
Vocal Score Choral SATB SATB A Cappella [Vocal Score] Banks Music Publications
The Earl Of Salisbury Carol adapted from 'The Earl of Salisbury's Pavane' by Wil...(+)
The Earl Of Salisbury Carol adapted from 'The Earl of Salisbury's Pavane' by William Byrd for unaccompanied SATB choir. Also available in a Two-Part version ECS74.
1.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| William Byrd: The Second
Service: Mixed Choir:
Vocal Score [Vocal Score] Oxford University Press
Paperback-William Byrd's Second Service arranged for SAATB and Organ acompanimen...(+)
Paperback-William Byrd's Second Service arranged for SAATB and Organ acompaniment.
3.35 GBP - Sold by Musicroom UK |
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| William Byrd: Ego Sum
Panis Vivus (Collins)
Satb (L): SATB: Vocal
Score Choral SATB SATB [Vocal Score] Chester
William Byrd (c. 1540-1623) was an English renaissance composer who wrote severa...(+)
William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under ThomasTallis at the Chapel Royal before becoming organist and master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist. Ego Sum Panis Vivus was inspired by theantiphon to the Benedictus at Lauds on the feast of Corpus Christi. It makes a perfect anthem for any Eucharist service or Mass. It is scored for SATB choir with Piano reduction for rehearsal purposes.
2.99 GBP - Sold by Musicroom UK |
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| William Byrd: Non Nobis
Domine: Mixed Choir:
Vocal Score [Vocal Score] Oxford University Press
William Byrd's Non Nobis Domine for unaccompanied SSA voices.
2.25 GBP - Sold by Musicroom UK |
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