| You Raise Me Up Saxophone Quartet: 4 saxophones - Easy Beriato Music
Composed by Rolf Lovland and Brendan Graham. Arranged by Bert Appermont. Beria...(+)
Composed by Rolf Lovland and
Brendan Graham. Arranged by
Bert Appermont. Beriato Music
Instrumental. Pop and Rock. Set
(Score and Parts). Composed
2020. Beriato Music
#BMI19010705. Published by
Beriato Music
$25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| You Raise Me Up Flute Quartet: 4 flutes - Easy Beriato Music
Composed by Rolf Lovland and Brendan Graham. Arranged by Bert Appermont. Beria...(+)
Composed by Rolf Lovland and
Brendan Graham. Arranged by
Bert Appermont. Beriato Music
Instrumental. Pop and Rock. Set
(Score and Parts). Composed
2020. Beriato Music
#BMI19010703. Published by
Beriato Music
$25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| U.Play.Plus Pops -- A Plus B, C, OR D (Solo-Duet-Trio-Quartet) with Optional Accompaniment and Optional CD accompaniment Flexible Instrumentation - Easy Alfred Publishing
(Score/Piano Acc.). Arranged by Victor López. For Score/Piano Acc.. Book; Mixed...(+)
(Score/Piano Acc.). Arranged by Victor López. For Score/Piano Acc.. Book; Mixed Instruments - Flexible Instrumentation. Pop Instrumental Ensembles. Pop/Rock. Grade 2.5; Grade 3. 48 pages. Published by Alfred Music Publishing
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Josh Groban: You Raise Me Up
String Quartet: 2 violins, viola, cello [Score and Parts] - Intermediate Hal Leonard
Performed by Josh Groban, arranged by Larry Moore. Set of performance parts and ...(+)
Performed by Josh Groban, arranged by Larry Moore. Set of performance parts and score for string quartet (violin I, violin II, viola, and cello). With bowings. Series: Hal Leonard Pops for String Quartet. Published by Hal Leonard.
(13)$12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pat Metheny: Pat Metheny Songbook Guitar [Fake Book] Hal Leonard
Performed by Pat Metheny. For guitar (no tablature). Format: fake book. With lea...(+)
Performed by Pat Metheny. For guitar (no tablature). Format: fake book. With leadsheet notation and chord names. Jazz and jazz fusion. 448 pages. 9x12 inches. Published by Hal Leonard.
(9)$59.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| U.Play.Plus Pops -- A Plus B, C, OR D (Solo-Duet-Trio-Quartet) with Optional Accompaniment and Optional CD accompaniment Trumpet [Accompaniment CD] - Easy Alfred Publishing
(Trumpet). Arranged by Victor López. For Trumpet. Book; Mixed Instruments - F...(+)
(Trumpet). Arranged by Victor López. For Trumpet. Book; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| U.Play.Plus Pops -- A Plus B, C, OR D (Solo-Duet-Trio-Quartet) with Optional Accompaniment and Optional CD accompaniment [Accompaniment CD] - Easy Alfred Publishing
(Alto Saxophone). Arranged by Victor López. For Alto Saxophone. Book; Mixed I...(+)
(Alto Saxophone). Arranged by Victor López. For Alto Saxophone. Book; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| U.Play.Plus Pops -- A Plus B, C, OR D (Solo-Duet-Trio-Quartet) with Optional Accompaniment and Optional CD accompaniment Violin [Accompaniment CD] - Easy Alfred Publishing
(Violin). Arranged by Victor López. For Violin. Book; Mixed Instruments - Fle...(+)
(Violin). Arranged by Victor López. For Violin. Book; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| U.Play.Plus Pops -- A Plus B, C, OR D (Solo-Duet-Trio-Quartet) with Optional Accompaniment and Optional CD accompaniment [Accompaniment CD] - Easy Alfred Publishing
(Cello/String Bass). Arranged by Victor López. For Cello/String Bass. Book; M...(+)
(Cello/String Bass). Arranged by Victor López. For Cello/String Bass. Book; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| U.Play.Plus Pops -- A Plus B, C, OR D (Solo-Duet-Trio-Quartet) with Optional Accompaniment and Optional CD accompaniment [Accompaniment CD] - Easy Alfred Publishing
(Percussion). Arranged by Victor López. For Percussion. Book; Mixed Instrumen...(+)
(Percussion). Arranged by Victor López. For Percussion. Book; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| U.Play.Plus Pops -- A Plus B, C, OR D (Solo-Duet-Trio-Quartet) with Optional Accompaniment and Optional CD accompaniment [Accompaniment CD] - Easy Alfred Publishing
(Trombone/Baritone/Bassoo n/Tuba). Arranged by Victor López. For Trombone/Bar...(+)
(Trombone/Baritone/Bassoon/Tuba). Arranged by Victor López. For Trombone/Baritone/Bassoon/Tuba. Book; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| U.Play.Plus Pops -- A Plus B, C, OR D (Solo-Duet-Trio-Quartet) with Optional Accompaniment and Optional CD accompaniment [Accompaniment CD] - Easy Alfred Publishing
(Flute/Oboe). Arranged by Victor López. For Flute/Oboe. Book; Mixed Instrumen...(+)
(Flute/Oboe). Arranged by Victor López. For Flute/Oboe. Book; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| U.Play.Plus Pops -- A Plus B, C, OR D (Solo-Duet-Trio-Quartet) with Optional Accompaniment and Optional CD accompaniment CD only [Accompaniment CD] - Easy Alfred Publishing
(CD Acc.). Arranged by Victor López. For CD Acc.. CD; Mixed Instruments - Fle...(+)
(CD Acc.). Arranged by Victor López. For CD Acc.. CD; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Pop/Rock. Grade 2.5; Grade 3. Published by Alfred Music Publishing
$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| U.Play.Plus Pops -- A Plus B, C, OR D (Solo-Duet-Trio-Quartet) with Optional Accompaniment and Optional CD accompaniment [Accompaniment CD] - Easy Alfred Publishing
(Tenor Saxophone). Arranged by Victor López. For Tenor Saxophone. Book; Mixed...(+)
(Tenor Saxophone). Arranged by Victor López. For Tenor Saxophone. Book; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| U.Play.Plus Pops Viola [Part] - Easy Alfred Publishing
(Viola). Arranged by Victor LÌ_pez. For Viola. A and C Partbook; Mixed Instrume...(+)
(Viola). Arranged by Victor LÌ_pez. For Viola. A and C Partbook; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Solo--A, Duet--B/C/D, Trio--C, Quartet--D. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| U.Play.Plus Pops French horn [Part] - Easy Alfred Publishing
(Horn in F). Arranged by Victor LÌ_pez. For Horn in F. A and C Partbook; Mixed ...(+)
(Horn in F). Arranged by Victor LÌ_pez. For Horn in F. A and C Partbook; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Solo--A, Duet--B/C/D, Trio--C, Quartet--D. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto For Oboe And Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full s...(+)
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full score. Duration 24 minutes. Theodore Presser Company #116-41373S. Published by Theodore Presser Company (PR.11641373S). UPC: 680160680344. The concerto has always seemed an especially attractive medium to me, not necessarily because of its expectations of virtuosity (although flaunting it when you've got it certainly has its place), and emphatically not because of the perception of a concerto as a contest, but because so much of what I write feels song-like; I'm very much at home with the age-old texture of melody and accompaniment. I hope, before I move on, to have the opportunity to write concertos for all the major instruments, and perhaps some of the rarer ones as well. The oboe is not only one of the major instruments, it is one of my favorite instruments. I've always loved its sound, but since moving to New York I have gotten to hear and, in some cases, know some extremely fine oboists who broadened my appreciation of the instrument's possibilities. I especially remember a concert, probably in the late 1960's, in which Humbert Lucarelli played a Handel concerto, filling out large melodic leaps with cascading scale passages in a way that raised the hair on the back of your neck, somewhat in the way that John Coltrane's sheets of sound did. The sweeping scales in the second movement of my concerto were definitely inspired by Bert Lucarelli's performance. The first, third and fifth movements of the Concerto for Oboe and Orchestra are song-like, whereas the second and fourth have strong scherzo and dance qualities, including a couple of sections that sound like out-and-out pirate dances to me. The hymn-like tune at the beginning of the middle movement was originally begun as a vocal piece to be sung by my wife, son and daughter at my brother's wedding, but I couldn't come up with good works for it, so it ended up as an instrumental chant. The opening and closing of the concerto make use of the oboe's uniquely soulful singing. I had not heard Pamela Woods Pecha's solo playing in person when she approached me about writing a concerto, but I had heard her fine recording of chamber music for oboe and strings by the three B's (English, that is: Bliss, Bax and Britten) with the Audubon Quartet. I actually already had some oboe concerto ideas in my sketchbooks; although I didn't end up using any of those earlier ideas, it's interesting that most of them tended to share the general feeling and tonality of the eventual opening of the concerto. The work was completed on October 13, 1994. I hate the compromises involved in making piano reductions -- perhaps I would feel differently if I were a more accomplished pianist -- so I often decide to make piano reductions for four hands rather than two. My good friend Jon Kimura Parker is a terrific sight-reader, and I roped him into coming over to my place on February 17, 1995, to help me accompany Pamela on the first read-through of the piece. The first performance of the work took place on July 21, 1995, at the American Music Festival in Duncan, Oklahoma, with Mark Parker conducting the Festival Orchestra. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto For Oboe And Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373L Composed by Peter Schickele. Large ...(+)
Orchestra Orchestra SKU: PR.11641373L Composed by Peter Schickele. Large Score. Duration 24 minutes. Theodore Presser Company #116-41373L. Published by Theodore Presser Company (PR.11641373L). UPC: 680160680337. The concerto has always seemed an especially attractive medium to me, not necessarily because of its expectations of virtuosity (although flaunting it when you've got it certainly has its place), and emphatically not because of the perception of a concerto as a contest, but because so much of what I write feels song-like; I'm very much at home with the age-old texture of melody and accompaniment. I hope, before I move on, to have the opportunity to write concertos for all the major instruments, and perhaps some of the rarer ones as well. The oboe is not only one of the major instruments, it is one of my favorite instruments. I've always loved its sound, but since moving to New York I have gotten to hear and, in some cases, know some extremely fine oboists who broadened my appreciation of the instrument's possibilities. I especially remember a concert, probably in the late 1960's, in which Humbert Lucarelli played a Handel concerto, filling out large melodic leaps with cascading scale passages in a way that raised the hair on the back of your neck, somewhat in the way that John Coltrane's sheets of sound did. The sweeping scales in the second movement of my concerto were definitely inspired by Bert Lucarelli's performance. The first, third and fifth movements of the Concerto for Oboe and Orchestra are song-like, whereas the second and fourth have strong scherzo and dance qualities, including a couple of sections that sound like out-and-out pirate dances to me. The hymn-like tune at the beginning of the middle movement was originally begun as a vocal piece to be sung by my wife, son and daughter at my brother's wedding, but I couldn't come up with good works for it, so it ended up as an instrumental chant. The opening and closing of the concerto make use of the oboe's uniquely soulful singing. I had not heard Pamela Woods Pecha's solo playing in person when she approached me about writing a concerto, but I had heard her fine recording of chamber music for oboe and strings by the three B's (English, that is: Bliss, Bax and Britten) with the Audubon Quartet. I actually already had some oboe concerto ideas in my sketchbooks; although I didn't end up using any of those earlier ideas, it's interesting that most of them tended to share the general feeling and tonality of the eventual opening of the concerto. The work was completed on October 13, 1994. I hate the compromises involved in making piano reductions -- perhaps I would feel differently if I were a more accomplished pianist -- so I often decide to make piano reductions for four hands rather than two. My good friend Jon Kimura Parker is a terrific sight-reader, and I roped him into coming over to my place on February 17, 1995, to help me accompany Pamela on the first read-through of the piece. The first performance of the work took place on July 21, 1995, at the American Music Festival in Duncan, Oklahoma, with Mark Parker conducting the Festival Orchestra. $175.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonatina String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F). ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major. IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Men of God Sing! - Choral Book Word Music
TTBB choir SKU: WD.080689648175 Composed by Dale Mathews. Book. Word Musi...(+)
TTBB choir SKU: WD.080689648175 Composed by Dale Mathews. Book. Word Music #080689648175. Published by Word Music (WD.080689648175). UPC: 080689648175. Encouraging and enabling men everywhere to join us in offering up our praises in this rich, timehonored tradition of singing together, comes this new, standout collection for TTBB men’s choir, Men of God Sing!, from Word Music & Church Resources. Men of God Sing!, featuring 10 must-have arrangements of worship, praise, commitment, and testimony songs. Arranged especially for Men’s Choir by Daniel Semsen, Cliff Duren, Marty Hamby, David Wise, Steve W. Mauldin, and Luke Gambill, this collection will be a high value resource for your music ministry needs, giving the men of your choir and congregation the opportunity to come together as one, men of God, singing praises to the King of kings. Featuring a wide selection of songs ranging from chart-topping, CCM songs such as Red Letters, Song of Deliverance, and I Got Saved, to hymns and gospel songs such as I Saw the Light, Sinner Saved by Grace, The King Is Coming, and Child of the King, Men of God Sing! is the perfect choice for your Men’s Choir, ensemble, or quartet. $12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Not Alone Theodore Presser Co.
Chamber Music Saxophone Quartet SKU: PR.114417130 & Happy Birthday to ...(+)
Chamber Music Saxophone Quartet SKU: PR.114417130 & Happy Birthday to Prism. Composed by Chen Yi. Sws each. Contemporary. Set of Score and Parts. With Standard notation. Composed 2014. 24+12+12+12+8 pages. Duration 14 minutes. Theodore Presser Company #114-41713. Published by Theodore Presser Company (PR.114417130). ISBN 9781491110409. UPC: 680160626687. 9x12 inches. A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspired by the ancient Chinese poet Li Bai's poem Drinking Alone under the Moon with the Shadow. The premiere was given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned the work to celebrate its 25th Anniversary NYC Season. From the Program Note by Matthew Levy (The PRISM Quartet), Not Alone (2014) is an interdisciplinary work...but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspective solos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alone for a 2017 release on XAS Records titled Paradigm Lost. But we're excited for a wider community of saxophonists to embrace the work, and share it with their own audiences. Not Alone is published together with Happy Birthday to PRISM, a brief miniature that Chen Yi wrote for the quartet's 20th anniversary celebration in 2004. For advanced performers._________________________Text from the scanned back cover:NOT ALONE for Saxophone QuartetHAPPY BIRTHDAY TO PRISM for Saxophone QuartetNot Alone is a 14-minute saxophone quartet and dance score inspired by the ancient Chinese poet Li Bai’s “Drinking Alone under the Moon with the Shadow.†The expansively-textured sax quartet matches the exploratory and dramatic movements and gestures in the dance. NOT ALONE was commissioned by the Nai-Ni Chen Dance Company which premiered the work in collaboration with the PRISM Quartet. Also included in this publication is Chen Yi’s fascinating take on “Happy Birthday to You,†composed in celebration of Prism’s 25th anniversary season. A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspiredby the ancient Chinese poet Li Bai’s poem “Drinking Alone under the Moon with the Shadow.†The premierewas given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned thework to celebrate its 25th Anniversary NYC Season. Program Note by composer Chen YiThe original inspiration for this work for both the choreographer and the composer came from the Tang Dynasty poem - Alone Under the Moon by Li Bai. The poem describes the poet being alone in a garden. The moon and his shadow became his companions that night. The choreographer brings this idea to modern life in an urban setting. She created a series of “mindscapes†which are the result of the exploration of the different mental and physical states of being alone.Through self-examination, the choreographer raises the question: are we ever really alone? Our physical being may be standing by itself, but what about our introspective self? When we are still, we let our thoughts pass by like flowing water. If we could engage with our shadows, what would it be like?Program Note by Matthew Levy, The PRISM QuartetThe PRISM Quartet has commissioned a great many composers since our founding days in 1984. Chen Yi is among ahandful of our very favorites, and one to whom we’ve returned time and time again. Her music is powerful, expansive,intimate, and draws connections between Eastern and Western, ancient and modern traditions in a voice all her own.Chen Yi has written or adapted four works for the PRISM Quartet. She penned a wonderful miniature called HappyBirth day to PRISM to celebrate the ensemble’s 20th anniversary back in 2004 (Dedication, Innova Recordings).We subsequently commissioned her to compose Septet (2008) for Erhu, Pipa, Percussion, and Saxophone Quartet(2008), premiered and recorded with the New York ensemble Music From China (Antiphony, Innova Recordings 2010).In 2015, the PRISM Quartet performed and recorded (XAS Records) a new version of her saxophone quartet concerto,BA YIN, with the University of Missouri-Kansas City Wind Ensemble under the baton of Steven Davis (originally writtenfor the Rascher Quartet and scored for saxophones and string orchestra.).Finally, Not Alone (2014) is an interdisciplinary work written for the Nai-Ni Chen Dance Company with the PRISMQuartet, but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspectivesolos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alonefor a 2017 release on XAS Records titled Paradigm Lost. But we’re excited for a wider community of saxophonists toembrace the work, and share it with their own audiences.In his liner notes for the recording, WNYC’s John Schaefer writes: “As with much of her music, Chen employs percussiveeffects and glissandi; in Chinese music these are not considered “extended techniques†or special effects, but animportant part of the performer’s arsenal. Here, they help create the twilit mood of the opening moments. The piecesoon becomes more dramatic, suggesting the arrival of the drinker’s companions (real or imagined) and his or herincreasingly garrulous outbursts. Passages of consonance and discord can easily be heard as companionable singingand bouts of drunken argument. The piece bustles along on a kind of restless energy, until, finally, that restlessnesssubsides, giving way to a gently humorous ending where a short falling phrase signals the drinker falling asleep.â€. $39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Praise and Honor and Wisdom and Thanks (Choral Score) Choral SATB - Easy MorningStar Music Publishers
SATB choir a cappella, organ or piano, optional brass quartet - Early Intermedia...(+)
SATB choir a cappella, organ or piano, optional brass quartet - Early Intermediate SKU: MN.50-5001 Composed by Georg Gottfried Wagner and Karle Erickson. Arranged by Karle Erickson. Advanced/Collegiate. Year A Proper 24 (29); Catholic Year A Ordinary29. 21st Century, Praise/Thanksgiving. Choral score. MorningStar Music Publishers #50-5001. Published by MorningStar Music Publishers (MN.50-5001). UPC: 688670550010. English. This new edition of the tried and true ÒBlessing, Glory, Wisdom and ThanksÓ will lift the spirits of your congregation. The text is more accurate to the original German, and the editorial suggestions make it easy for you to prepare your singers. Instrumentalists and/or piano may be used to double the large choir or the select choir for added security. A cappella performance is optional. $2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Legende for Organ and Brass Quartet, op. 55a (1914) Barenreiter
Organ, Wind quartet (Organ, Brass instruments) SKU: BA.BA11259 Composed b...(+)
Organ, Wind quartet (Organ, Brass instruments) SKU: BA.BA11259 Composed by Gerard Bunk. Edited by Christof Schmidt and Jan Boecker. This edition: urtext edition. Stapled. Also suitable for amateur ensembles. Performance score, Set of parts. Opus 55. Baerenreiter Verlag #BA11259_00. Published by Baerenreiter Verlag (BA.BA11259). ISBN 9790006569717. 30 x 23 cm inches. Preface: Boecker, Jan / Schmidt, Christof. As a 20th century composer, Gerard Bunk developed a distinctive musical style comparable perhaps to that of Max Reger or Sigfrid Karg-Elert. In addition to Bunk’s large-scale organ work “Legende†op. 29 and its symphonic version op. 29II, there is a further well-known “Legende†op. 55b written for organ and string orchestra (or string quartet) which was composed in 1945.
This edition offers the earlier version of this work, dating from 1914, in its original instrumentation for organ and brass quartet. In order to facilitate performance, the sketchily notated score is carefully supplemented by performance markings from the string version.
What Albert Schweitzer praised in the earlier “Legendeâ€, “the calm and vivid layout of the complete workâ€, is also recognisable in Bunk’s later composition: the catchy, modestly beautiful theme alongside the clear musical form of this “Legende†for organ and brass quartet.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$37.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Men Sing Praise (Bulk Cds) Lillenas Publishing Co.
TTB choir - Moderate SKU: LP.765762118621 Dynamic Praise & Worship, Hy...(+)
TTB choir - Moderate SKU: LP.765762118621 Dynamic Praise & Worship, Hymns & Gospel Arrangements for Men. Arranged by Dave Williamson. This edition: Paperback. Choral. Sacred. Bulk CDs (10 pack). Published by Lillenas Publishing Company (LP.765762118621). UPC: 765762118621. Lillenas is pleased to present this new compilation creatively arranged for men's choirs, ensembles, and quartets, by some of Christian music's finest arrangers including Dave Williamson, Chris Barron, Marty Parks, Shannon Kropf, Michael Lawrence, and Dennis Allen. This is your opportunity to include the rich warmth of male voices in your musical programming. Men Sing Praise offers 12 powerful arrangements for men's choirs, ensembles, and quartets in a variety of styles and themes. From the sing-a-long style of Everlasting God with O God, Our Help in Ages Past, to the truth and promise of What a Great Morning, to the strength and beauty of Dove Award winning Reason Enough, this collection will be enjoyed by performers and audiences alike. Each song has its own unique touch, and though there's a wide spectrum of styles represented here, the unifying element is practical, powerful material sure to enhance the worship of your congregation. Bulk pack of ten performance demo CDs, each in a paper sleeve; useful as an aid for choir members learning music. Value-priced. $74.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Carols Brookfield Press
Choral (Cd 10-Pak) SKU: HL.428608 A Cantata for Congregation and Choir...(+)
Choral (Cd 10-Pak) SKU: HL.428608 A Cantata for Congregation and Choir. Arranged by Heather Sorenson. Brookfield Christmas Choral. Christmas. CD. Duration 2400 seconds. Published by Brookfield Press (HL.428608). ISBN 9781705163115. UPC: 196288063865. 0.981 inches. A truly unique offering for the holidays, this one-of-a-kind resource puts congregational participation to front and center in the service of song. Ideal for a Lessons and Carols service or community carol sing, this compilation will be an essential part of your choral library. From tender manger cradle songs to glorious shouts of praise and adoration, this singular resource will give thoughtful worship planners the tools they need for an inclusive worship experience. Songs include: Joy to the World; Away in a Manger; O Come, All Ye Faithful; God Rest Ye Merry, Gentlemen; O Little Town of Bethlehem; The First Noel; Silent Night. Score and Parts for Orchestra (fl, ob, cl, hn, tpt, tbn, mallet perc, timp, perc, vn 1-2, va, vc) and String Quartet (vn 1-2, va, vc) available as a digital download. For the Accompaniment, Split, and Part Dominant Tracks: Audio is accessed online using the unique code generated upon purchase and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. HL00428605: Accompaniment Tracks HL00428606: Split Tracks HL00428610: Part Dominant Tracks. $79.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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