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| Requiem (LACHNER FRANZ)
Solistes SSATB, Choeur SATB, 2
Hautbois, 2 Clarine [Sheet music]
Carus Verlag
Tonalité : F-Moll - Op.: 146 -. Par LACHNER FRANZ. In 1856, the year in which M...(+)
Tonalité : F-Moll - Op.: 146 -. Par LACHNER FRANZ. In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formalstructure, to the similar treatment of individual sections, themes and motives. / Requiem / Répertoire / Solistes SSATB, Choeur SATB, 2 Hautbois, 2 Clarine
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| Stabat Mater - Op. : 168
(LACHNER FRANZ)
Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Sheet music]
Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
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| Stabat Mater - Op. : 154
(LACHNER FRANZ)
Choral SATB
SATB/SATB (Double Choir) [Sheet music]
Carus Verlag
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music...(+)
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technicaldifficulty in the voice parts./ Répertoire / Choeur SATB/SATB
(Seller in french langage)
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| Stabat Mater - Op. : 168
(LACHNER FRANZ)
Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Sheet music]
Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ)
Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Sheet music]
Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ)
Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Sheet music]
Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ)
Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Sheet music]
Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ)
Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Sheet music]
Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ)
Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Sheet music]
Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Stabat Mater - Op. : 168
(LACHNER FRANZ)
Solistes SS, 2 Altos, 2 Violoncelles,
Contrebasse [Sheet music]
Carus Verlag
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, ...(+)
Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Stabat Mater - Op. : 154
(LACHNER FRANZ)
Choral SATB
SATB/SATB (Double Choir) [Sheet music]
Carus Verlag
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music...(+)
Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technicaldifficulty in the voice parts./ Répertoire / Choeur SATB/SATB
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| 2ème Quintette
Pour Piano En La Mineur
Pour 2 Violons, Alto Et
Violoncelle (LACHNER
FRANZ)
Quintette Pour Piano [Sheet music]
Lienau
Par LACHNER FRANZ. / Répertoire / Quintette Pour Piano
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Premier Quintette Pour
Piano En Ut Mineur
(LACHNER FRANZ)
Quintette Pour Piano [Sheet music]
Lienau
Par LACHNER FRANZ. / Répertoire / Quintette Pour Piano
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Nonett In F-Dur (LACHNER
FRANZ)
Chamber Orchestra [Score and Parts]
Kossack
Par LACHNER FRANZ. / Répertoire / Ensemble de Chambre
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| Septet Eb Major (LACHNER
FRANZ)
Amadeus Verlag
Par LACHNER FRANZ. / Répertoire / Flûte Traversière, Clarinette, Cor, Violon,...(+)
Par LACHNER FRANZ. / Répertoire / Flûte Traversière, Clarinette, Cor, Violon, Alto,
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Sérénade G
Major Op. 29 (LACHNER
FRANZ)
4 Violoncelles ou 2 Altos et 2
Violoncelles [Set of Parts]
Amadeus Verlag
Par LACHNER FRANZ. / Répertoire / 4 Violoncelles ou 2 Altos et 2 Violoncelles
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Elegie (LACHNER FRANZ)
[Sheet music]
Amadeus Verlag
Par LACHNER FRANZ. / Répertoire / Flûte Traversière et Orgue
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Elegie Op. 160 (LACHNER
FRANZ)
5 Violoncelles [Set of Parts]
Amadeus Verlag
Par LACHNER FRANZ. / Répertoire / 5 Violoncelles
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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