By Claude Debussy (1862-1918). Edited by Andreas Groethuysen, Ernst-GÌ_nter Heinemann, and Ernst-G. For 2 Pianos, 4 Hands. Henle Music Folios. Softcover. 88 pages. G. Henle #HN1003. Published by G. Henle

(Arranged for Piano Four-Hands by Johannes Brahms). Composed by Johannes Brahms (1833-1897). Edited by Andreas Groethuysen and Robert Pascall. Arranged by Johannes Brahms. For 1 Piano, 4 Hands. Henle Music Folios. Softcover. 122 pages. G. Henle #HN1199. Published by G. Henle

Concert Band/Harmonie and Clarinet Solo - Grade 5

SKU: BT.DHP-1175741-140

Doloroso e Contemplativo. Composed by Jan Van der Roost. Solo Spectrum. Solo & Concerto. Score Only. Composed 2017. De Haske Publications #DHP 1175741-140. Published by De Haske Publications (BT.DHP-1175741-140).

English-German-French-Dutch.

Contemplation is the first movement from the Clarinet Concerto by Jan Van der Roost, which was commissioned by Musica Reservata VOF, Belgium, and is dedicated to the famous clarinet soloist Eddy Vanoosthuyse.
A slightly mysterious intro leads to an orchestral climax with ascending melodies and the entrance of the soloist. This occurs at first with fragmentary musical ideas, and then with longer melodic lines. The orchestra delivers the dialogue withthe soloist, and creates a fitting musical frame with a delicate and colourful instrumentation. Towards the end of the music, the atmosphere from the beginning is restored, and the soloist finishes on the same note that he started the piece on.
The concerto is also available as a piano reduction.

Contemplation is het eerste deel uit het Clarinet Concerto van Jan Van der Roost. Het werd geschreven in opdracht van Musica Reservata VOF (B) en is opgedragen aan Eddy Vanoosthuyse.
Een ietwat mysterieuze intro leidt via stijgende melodieën tot een eerste orkestrale climax, waarna de solist zijn intrede doet, eerst met vooral fragmentarische muzikale gegevens, dan met langere melodische lijnen. Het orkest voert een muzikaledialoog met de solist en creëert een gepaste omkadering door middel van een ragfijne en kleurrijke instrumentatie. Naar het slot toe wordt de beginsfeer weer opgezocht, en de solist eindigt helemaal alleen met dezelfde noot als die waarmeehij begon.
Het concert is tevens als pianoreductie beschikbaar.

Contemplation ist der 1. Satz aus Jan van der Roosts Clarinet Concerto, das von Musica Reservata VOF aus Belgien in Auftrag gegeben wurde und dem berühmten Klarinettisten Eddy Vanoosthuyse gewidmet ist.
Eine etwas geheimnisvolle Einleitung führt über aufsteigende Passagen zu einem musikalischen Höhepunkt des Orchesters; darauf folgt der Einsatz des Solisten, anfangs überwiegend mit fragmentarischen musikalischen Ideen, dann mit längerenMelodielinien. Das Orchester führt einen Dialog mit dem Solisten und schafft mit einer zarten und lebendigen Instrumentation einen passenden musikalischen Rahmen. Gegen Ende wird die Anfangsstimmung wieder aufgegriffen und das Solo endet mitderselben Note, mit der das Stück begonnen hat.
Es ist auch ein Klavierauszug des Konzertes erhältlich.

Contemplation est le premier mouvement du Clarinet Concerto de Jan Van der Roost. Commandé par Musica Reservata VOF de Belgique, il est dédié au célèbre soliste clarinettiste Eddy Vanoosthuyse.
Une introduction orchestrale mystérieuse conduit avec les mélodies ascendantes l’entrée du soliste. Les idées musicales fragmentaires du début cèdent petit petit la place des lignes mélodiques plus longues et l’orchestre entre en dialogueavec le soliste avec une instrumentation délicate et colorée. L’atmosphère mystérieuse du début revient et le soliste conclut l’œuvre par la même note avec laquelle il l’avait commencé.
Le concerto est également disponible en réduction pour piano.

Arranged for 1 Piano, 4 Hands by Maurice Ravel. Composed by Claude Debussy (1862-1918). Edited by Denis Herlin. Arranged by Maurice Ravel. Henle Music Folios. Softcover. 26 pages. G. Henle #HN1259. Published by G. Henle (HL.51481259).

Piano. Henle Music Folios. Book only. 288 pages. G. Henle Verlag #HN860. Published by G. Henle Verlag

Clarinet Choir

SKU: IS.CC7002EM

Composed by Ferenc Farkas. Woodwinds - Clarinet. Vanoosthuyse, Eddy. Metropolis Music Publishers #CC7002EM. Published by Metropolis Music Publishers (IS.CC7002EM).

ISBN 9790365070022.

Ferenc Farkas wrote about the origin of the Passacaglia: In 1931, while I was still a student by Ottorino Respighi in Rome, I began to compose a Partita in 4 movements for orchestra, whose third movement should be a Passacaglia. From this work, I only finished the Passacaglia and the Scherzo. In 1968, I took over the Passacaglia and transcribed it for organ without any modification, except the last 6 bars, I partially changed. In the shape of an arch, the work is based on a theme that is repeated thirteen times. Piano initially it evolves in crescendo to a climax in the 33rd bar, then falls gradually to a gently end. We do not know when and for whom Ferenc Farkas wrote this version for 6 clarinets of the Passacaglia.

(Score and Parts). By Frédéric Chopin. Edited by Andreas Groethuysen and Ernst Herttrich. For Piano Trio (Score and Parts). Henle Music Folios. Softcover. G. Henle #HN1068. Published by G. Henle

Clarinet Duet and String Quartet

SKU: IS.CM6457EM

Composed by Bart Watte. Ensembles - Chamber Music. Eddy Vanoosthuyse Series. Metropolis Music Publishers #CM6457EM. Published by Metropolis Music Publishers (IS.CM6457EM).

ISBN 9790365064571.

For Flute (Violin ad lib.) and Piano. By Ludwig van Beethoven. Edited by A. Raab, A. Groethuysen, R. Ginzel. Flute. Pages: Score = VII and 96 * Fl (Vl) Part = 27. Urtext edition-paper bound. Published by G. Henle.

Five Pieces of Hommage on Ginger Rogers, Op. 163. By Charles Koechlin. Schott. Size 9x12 inches. 48 pages. Published by Schott.

Clarinet Choir

SKU: IS.CC7003EM

Composed by Ferenc Farkas. Woodwinds - Clarinet. Vanoosthuyse, Eddy. Metropolis Music Publishers #CC7003EM. Published by Metropolis Music Publishers (IS.CC7003EM).

ISBN 9790365070039.

In 1941, I was invited by Viktor Vaszy to take on a choice double role, as a teacher of composition at the Cluj Conservatory as well as chorus master at the Cluj National Theatre. For me, this meant both an official state appointment and a substantial increase in my income. At the time I was over 35 years old and still without a permanent post. I took up my new duties at the end of the summer. My wife and I felt very much at home in Cluj but the most important for me was that along with my artistic obligations I found time to compose. Unfortunately we do not know why Farkas wrote in 1992 a new version of the Three Burlesques for clarinet quintet and for whom it was intended. The first movement Allegro, arc shaped, is more a succession of rhythmic patterns than melodies, with hectic ostinatos and staccato chords. In the middle of the movement, a short figure, like a second theme, brings a bit of calm and gentleness. The second movement, an expressive Moderato comodo and the final Allegro are shorter and also contrast with staccato chords.