Transcribed by Jules Herman for Flute and Piano this item contains the Flute and Piano parts for the music for the play L'Arlesienne composed by Georges Bizet. This is the first minuet one of the surviving pieces of music composed for Alphonse Daudet's play which was less than favourably received by contemporary audiences but nevertheless is still performed regularly today.

Arrgt: Eric Vireton. Par BIZET GEORGES. Formation : Musique de Chambre, Solo - Instrumentation : 1 Flûte Traversière Solo - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 40 s - Style Musical : Classique, Pédagogique - Catégorie : Arrangement, Incontournable Réédité - Compositeur : Georges BIZET - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Flûte Traversière Solo

Par BIZET GEORGES. / Date parution : 2022-11-29/ Répertoire / Concert Band et Flûte

The opera Carmen after a short story by Prosper Merimee and the incidental music to the play L'Arlesienne by Alphonse Daudet are without doubt the most important works of Bizet. It is significant for him that his imagination was aroused most by literary subjects of high standing. In spite of failure at their first performances both works became worldwide successes continuing to the present day.The three extracts selected here all of them pieces complete within the larger framework are a testimony to the fact that the brilliant orchestrator Bizet had a special predilection for the flute.This is a wonderful selection ofextracts from Bizet's two great works Carmen and the L'Alesienne Suite No.2 which have been skilfully arranged for Flute with Piano Accompaniment by Werner Richter.The solo flute part is also included on a separate insert.

The great talent of Cécile Chaminade (1857-1944) showed very early: At the age of 12, she published her first composition. Georges Bizet, a friend of the family, predicted her great future. After her successful debut as a pianist in Paris in 1877, she began busy concert activities as a solo pianist, chamber musician and conductor in many European countries as well as in the USA and Canada.Although many of her compositions became bestsellers during her lifetime, they are almost all missing in the concert programmes of today. Only the Concertino for flute and orchestra Op. 107 is still performed regularly. The demanding piece was written in 1902 as a competition piece at the Paris Conservatoire - initially still with piano accompaniment. The orchestral version was composed by Chaminade two years later.The piece begins with a wide melody and then turns into a virtuoso solo section which is followed by a cadenza. The piece ends with the initial theme as recapitulation and a coda. / Flûte Et Piano

George Bizet arranged his ? L?Arlésienne ? Suite Nr. 1 which is based on his incidental music for a play by Alphonse Daudet only a few weeks after its premiere in fall 1872 for great orchestra. The suite was

Arr. Catherine Baert. Par BIZET GEORGES. / Niveau : Cycle 2+ / Musique Instrumentale / Répertoire / Ensemble de Flûtes Traversières

For flute with piano accompaniment
Édité par Kovács Lóránt
Instrument: Flute et piano
Genre: Pedagogical performance pieces
Pages: 76 pp
Date du parution: 1985
Contenu:
1. Vivaldi, Antonio: Largo from The Four Seasons
2. Bach, Johann Sebastian: Vivaldi: Largo from the Concerto in D minor
3. Bach, Johann Sebastian: Badinerie from the Suite in B minor
4. Händel, Georg Friedrich: Largo from Xerxes
5. Mozart, Wolfgang Amadeus: Minuet from the Sonata in C major K 14
6. Paganini, Niccolo: Moto perpetuo
7. Mendelssohn-Bartholdy, Felix: Frühlingslied op. 62 no. 6
8. Bizet, Georges: Minuet from L'Arlesienne
9. Gounod, Charles: Ave Maria
10. Rimsky-Korsakov, Nicolai: The Flight of the Bumble-Bee
11. Schumann, Robert: Träumerei
12. Chopin, Frédéric: Variations on a Theme by Rossini
13. Schubert, Franz: Ave Maria
14. Saint-Saens, Camille: The Swan
15. Massenet, Jules: Tha´s Meditation

Effective encore pieces from two masters of the Romantic period. This new edition replaces the original first edition: HE3 published by Hunt Edition.

Par . Ce recueil rassemble des oeuvres datant essentiellement de la Belle Époque (1900-1920), divinement arrangées par Franco Cesarini pour Fl te Traversière et Piano. Sur le CD inclus, vous trouverez deux versions par pièce : une version intégrale et une version où ne subsiste que l?accompagnement (version papier jointe au recueil). / Date parution : 2022-11-12/ Recueil / Flûte Traversière et Piano

The world's most beautiful arias with full orchestra play along-Great opera singers have enthralled us for over three hundred years. When we see them on stage our ears are filled with some of the finest classical melodies of all time. Live at the Opera makes this precious treasure trove accessible to instrumentalists too: 15 Italian operatic arias have been individually arranged for flute recorded by the world-renowned flautist Walter Auer. The accompaniment is supplied by an authentic opera orchestra and it is also available as a play-along version without the soloist. A historical background to each piece along with performance tips is included in this unique collection.

Habanera And Canzonetta-Toreador Song Habanera & Canzonetta from Carmen.Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière