Edition : Paris, 1716Présentation de Jean Saint-Arroman et Philippe Lescat : Sujets des cantates / Musique De Chambre / 96 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

A collection of twelve well known Disney songs arranged for Oboe. The accompanying online audio contains specially recorded backing tracks for you to play along with. Includes The Bells Of Notre Dame You'll Be In MyHeart and I Just Can't Wait To Be King. Suitable for players from grade 2 standard.

For Oboe and Cello with two assistants-All That We Cannot Say (2001) for Oboe and Cello (with two assistants).

Cantilena was commissioned by the London Chamber Music Society to celebrate their move to King's Place in October 2008. First performed by Nicholas Daniel and members of the Chilingirian Quartet at King’s Place London on 5th October 2008. The work is a short lyrical piece where an outsider [the oboe] joins the group [a string trio] and adds to their dialogue. At first the newcomer is treated with a mixture of suspicion and agitation but eventually is made welcome. The oboe is invited to share the musical theme that has been established which he then proceeds to embellish and adorn. He leads the harmonic changes that result in the theme being heard in manydifferent keys. He then introduces a new theme. The excitement grows and leads to a climax. A peaceful coda re-establishes the original theme and all ends harmoniously among the integrated quartet.

Geoffrey Bush's Christmas Cantata. These are the Oboe and Piano Parts for the Oboe and Piano version.

01.Fais dodo 02.Pomme reinette 03.Un canard 04.Ah ! Vous dirai-je, maman 05.Savez-vous planter les choux ' 06.Bateau, ciseau 07.Sur le pont d'Avignon 08.A la claire fontaine 09.La bonne aventure 10.Il était un petit homme 11.Ainsi font, font, font... 12.J'ai du bon tabac 13.Compère Guilleri 14.J'aime la galette 15.Mam'zelle Angèle 16.Ah ! Mon beau château 17.Cadet Rouselle 18.C'est la mère Michel 19.L'Empereur, sa femme et le petit prince 20.Le roi Dagobert 21.Alouette, gentille alouette 22.Bon voyage monsieur Dumollet

Anne Danican-Philidor's Italian influenced Sonata in D Minor for Oboe (or Flute) and Guitar (with Viola da Gamba/Cello ad lib) as edited by Johannes Tappert. The solo Oboe (or Flute) and Viola da Gamba/Cello parts are also included on separate insert.

Par SCHWARZ OTTO M.. Le recueil play-along 'Playing with the Orchestra Vol. II' a été conçu pour la flûte, la clarinette en si bémol, le hautbois, la trompette en si bémol, le cor en fa, le violon et le violoncelle. La partie originale pour orchestre symphonique pour chaque instrument est imprimée dans son édition propre. Les enregistrements orchestraux ont été réalisés par un orchestre professionnel de 80 musiciens, l'Orchestre symphonique de Bratislava, sous la direction de David Hernando Rico. La collection comprend de nombreuses œuvres à succès du compositeur Otto M. Schwarz, telles que 'Bonaparte', 'Man in the Ice', 'Mundus Novus', 'Terra Vulcania' et 'Unity Fanfare', des compositions qui figurent également dans le Top 40 des nouveautés classiques mondiales sur Spotify. / Date parution : 2023-08-12/ Recueil / Hautbois

Scan... for Oboe solo by Niels Rosing-Schow - Variations on a theme from Poul Rovsing Olsen's  Planeterne (The Planets).

Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Additional parts are available from the publisher separately quickly and cheaply. A 'Piano Reduction' for Oboe and Piano is available separately. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda[D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was a worthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He

Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Piano reduction. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda [D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was aworthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He was born around 1700 in Bohemia and worked in the 1730s as concertmaster at the court in Mainz where he died in 1732. Besides two Oboe concertos he composed a concerti à 4 for three wind instruments and BC.

This piece provides a compositional challenge to find a balance between 2 wind instruments and piano the general structure of the piece is evolved so that different balances between the 3 instruments can be explored. The mainsection of this composition demonstrates evenly matched instruments whilst there are 3 episodes interweaving throughout that are all different. The 2nd episode sees the wind and piano play extremely contrasting material inquick alternations whilst the 3rd episode shows how the instruments can be balanced in a close environment producing a short canon. The work is relatively short and all sections are played without breaks each one heralded by asingle soft piano chord.

A wonderful work for Oboe Solo completed in 1957 by Mexican composer Carlos Chavez. He was a prolific and significant composer whose nationlistic traits and skill are often demonstrated in his works.