Standard notation and a simple alpha-numerical tablature system are used to present this unusual collection of pre-18th Century tunes for the standard 12/11-course hammered dulcimer. Creating a hybrid of folk and classical elements, Carol Koenig has expanded the repertoire of the hammered dulcimer with melodies from France, Spain, England, and Scotland. The tunes are first presented in a simple melodic statement, then in a more complex harmonized version. The author insists that it is not necessary to be an outstanding sight reader to make beautiful music on the hammered dulcimer, or with this book. Standard notation and a simplealpha-numerical tablature system areused to present this unusual collectionof pre-18th Century tunes for thestandard 12/11-course hammereddulcimer. Creating a hybridof folk andclassical elements, Carole Koenig hasexpanded the repertoire of the hammereddulcimer with melodies from France,Spain, England, and Scotland. The tunesare first presented in a simplemelodicstatement, then in a more complexharmonized version. The author insiststhat it is not necessary to be an outstanding sight reader to makebeautiful music on the hammereddulcimer, or with thisbook. / Niveau : 4 / Classique / Recueil / Dulcimer

Hammer Dulcimer Arrangements For Special Occasions - 67 tunes arranged for novice to advanced players for use at a variety of special events. Most arrangements offer an uncomplicated version for less experienced players and anembellished version for more advanced players. Includes Medieval Renaissance Old Time and Celtic music and some rarely-heard tunes as well as several Dulcimer Duo arrangements.

Standard notation and a simple alpha-numerical tablature system are used to present this unusual collection of pre-18th Century tunes for the standard 12/11-course hammered dulcimer. Creating a hybridof folk and classical elements Carole Koenig has expanded the repertoire of the hammered dulcimer with melodies from France  Spain England and Scotland. The tunes are first presented in a simplemelodic statement then in a more complex harmonized version. The author insists that it is not necessary to be an outstanding sight reader to make beautiful music on the hammered dulcimer or with thisbook.