(Organ and Piano Hymn Duos). For Organ; Piano. This edition: 2 copies required. Book; Duet or Duo; Organ Ensemble - Organ and Piano. Alfred's Classic Editions. Sacred. Advanced; Early Advanced; Late Intermediate. 96 pages. Published by Alfred Music Publishing

Composed by Mark Hayes. Arranged by Marvin Gaspard. Sacred. Lorenz Publishing Company #70/2126L. Published by Lorenz Publishing Company

Composed by Richard Elliott. Sacred. Lorenz Publishing Company #70/1874L. Published by Lorenz Publishing Company

(Organ Improvisation through 20th-century French Improvisation Techniques). By Jeffrey Brillhart. For organ. Discover Improvisation series. Advanced. Method book. Published by Wayne Leupold Editions

Composed by Larry Shackley. Sacred, Christmas. Lorenz Publishing Company #70/2105L. Published by Lorenz Publishing Company

Composed by Carson Cooman (1982-). Sacred. Lorenz Publishing Company #70/2035L. Published by Lorenz Publishing Company (LO.70-2035L).

Arranged by Gordon Young. For Organ. Level: (Advanced). Print Music Collection (Organ Book). Published by Hope Publishing Company.

An Improvisation for Organ. Composed by Marcel Dupre (1886-1971). Edited by Rollin Smith. Organ Solo. H. W. Gray Saint Cecilia Series. Form: Variations. 20th Century; Christmas; Romantic; Winter. Sheet. 16 pages. Jubilate Music Group #00-GSTC00982. Published by Jubilate Music Group

By Albert L. Travis. For organ. Organ Music. Level: Difficult. Published by MorningStar Music Publishers.

Christmas Music. Composed by Louis-Claude Daquin (1694-1772). Masterworks; Organ - Method or Collection. Kalmus Edition. Baroque; Christmas; Masterwork; Winter. Book. 60 pages. Kalmus Classic Edition #00-K03368. Published by Kalmus Classic Edition

Composed by Raymond H Haan. Sacred. Sacred Music Press #70/2016S. Published by Sacred Music Press (LO.70-2016S).

By Robert Hebble. For Organ. Organ - Method or Collection. Sacred. Level: Advanced. Book. 56 pages. Published by Alfred Publishing.

Composed by Robert Lind. For organ solo. Difficult. Playing score. Published by Paraclete Press

Arranged by E. Power Biggs. For Organ. Organ - Method or Collection. Level: Advanced. Book. 96 pages. Published by Alfred Publishing.

Arranged by Richard Turle. For Organ. Book; Masterworks; Organ - Method or Collection. Faber Edition: Early Organ Series. Masterwork Arrangement. Advanced; Early Advanced; Intermediate; Late Intermediate. Published by Faber Music

By Fanny Mendelssohn Hensel. Edited by Ronald Herrmann-Lubin. For organ. Level: advanced. Full score. Published by Furore-Verlag (German import).

Arranged by Joel Raney. For Organ, Piano. Level: (Advanced). Print Music Collection (Organ/Piano Duets). 20 pages. Published by Hope Publishing Company.

Arranged by Jerry Westenkuehler. Organ Solo. H. W. Gray Saint Cecilia Series. Form: Prelude. Hymn; Sacred. Sheet. 8 pages. Jubilate Music Group #00-GSTCM0101. Published by Jubilate Music Group

(Organ & Piano Wedding Duos). For Organ; Piano. This edition: 2 copies required. Book; Duet or Duo; Organ Ensemble - Organ and Piano. Alfred's Classic Editions. Sacred; Wedding. Advanced; Early Advanced; Late Intermediate. 96 pages. Published by Alfred Music Publishing

By Charpentier. Arranged by Keith Terrett. For trumpet in D (C part also) and organ. Baroque. Advanced. Part in D and C and organ accompaniment. Published by Cherry Classics

Composed by Johann Sebastian Bach (1685-1750). Masterworks; Organ - Method or Collection. Kalmus Edition. Baroque; Masterwork. Book. 92 pages. Kalmus Classic Edition #00-K03077. Published by Kalmus Classic Edition

Organ - advanced

SKU: M7.AST-6159

Fugue and Postludium. Composed by Harald Heilmann. This edition: Saddle-wire stitching. Sheet music. Composed 1994. Op. 175. 16 pages. Duration 6'. MDS (Music Distribution Services) #AST 6159. Published by MDS (Music Distribution Services) (M7.AST-6159).

ISBN 9790203861591.

Flute and organ - advanced

SKU: M7.AST-7072

For flute and organ. Composed by Kurt Bossler. This edition: Saddle-wire stitching. Sheet music. Composed 1967 (1974). 8 pages. Duration 3'. MDS (Music Distribution Services) #AST 7072. Published by MDS (Music Distribution Services) (M7.AST-7072).

ISBN 9790203870722.

Organ - Advanced

SKU: JK.09175

Composed by J. J. Keeler (1913-1998). Difficulty Hard, Organ Solos, Supplication. Christian, Inspirational. Duration 7:00. Jackman Music Corporation #09175. Published by Jackman Music Corporation (JK.09175).

Advanced organ solo by J. J. Keeler, who pioneered organ studies at BYU. This piece features pedaled sixteenth notes and double pedaled (both feet) eighth notes for the intrepid organist.
Composer: J. J. Keeler (1913-1998)
Difficulty : Advanced
Performance time: 7:00.

Trombone and Organ - advanced

SKU: CY.CC2730

Composed by Jeremy Kempton. Contemporary. Solo part and Organ accompaniment. Published by Cherry Classics (CY.CC2730).

Lament for Trombone and Organ by composer Jeremy Niles Kempton is a serious and lyrical work of about 6 minutes in length for advanced performers.

The original version is for trombone and string orchestra. It was composed and performed within a 2 week period at a memorial concert given for Helen Manheim, a violist in Mr. Kempton's Island Chamber Symphony on Long Island, NY. Ms Manheim died rather suddenly and her passing left the composer with a deep feeling of regret at having taken her and so many other ICS musicians for granted.

The piece consists of 3 lengthy phrases. The first epitomizes the grief at her passing. The 2nd presents her life and consists of 3 phrases, all starting the same but each striving higher. The final section is her legacy, what she leaves behind. Orchestral score and parts are available form Cherry Classics.

The live performance features Mr. Kempton on the trombone.

Organ - Advanced

SKU: MN.12-128

Composed by Harold Stover. Non Hymn-Based, Recital Music. General. Instrumental part. MorningStar Music Publishers #12-128. Published by MorningStar Music Publishers (MN.12-128).

UPC: 688670121289.

The three movements that make up Nocturnes, Book I are programmatic pieces that take as their points of departure a painting, the rhythms of a great city, and a poem. 1. The Starry Night is a written down improvisation based on Vincent van Goghs famous picture of the same name. The tonal material is a quite literal transformation of the visual elements of the painting: the melismatic cadenzas mirror van Goghs swirling starlight, and the powerful chords were suggested by the sinister trees that shoot upward to puncture the skys patterns. 2. Stovers Rag is a product of the ragtime revival of the early 1970s, when many composers tried their hand at writing concert rags. The New York night, which was not without its sinister element in those days, is expressed in an updating of the classic ragtime format. The piece looks backward as well, with the old French Baroque basse de trompette making an appearance in the trio section. 3. The Song of Shadows taps the nostalgic mood typical of the poetry of Walter de la Mare. The poem of the same name pictures a lone musician on a winter night, an dog sleeping before a sinking fire, and, at the end, the spirits that are summoned by music. The opening melody, played on an 8 flute with tremulant, suggests the blues-tinged sound of an alto saxophone, and throughout the movement the organs capacity for sustained tone is used to suggest and atmosphere of dreamy timelessness. The pieces were written in 1971 and first performed on July 2, 1972 at the National Shrine of the Immaculate Conception in Washington, DC, with the composer at the console.

Organ - Advanced

SKU: MN.12-121

Composed by Joseph Willcox Jenkins. Non Hymn-Based, Recital Music. MorningStar Music Publishers #12-121. Published by MorningStar Music Publishers (MN.12-121).

UPC: 688670121210.

Confl uence was commissioned by the Organ Artist Series of Pittsburgh in celebration of its twentieth anniversary in 1999. Christa Rakich gave the premier at the closing concert of the season at Calvary Episcopal Church by in April of 1999. It has been performed frequently since that time. The title was given to honor the joining together or confluence of the three rivers of Pittsburgh: the Allegheny, the Monongalela, and the Ohio. Confluence is a curious hybrid related to both the sonata and rondo forms. It is of the ABABA design with the final A quite extended by polyphonic games and a very noisy and triumphant epilogue. The first idea is driving, rhythmic, nervous and agitated. The second is quiet, gentle and pastoral, that slowly moves in its mysterious ways, closing with a plaintive row of a dozen different pitches. The composer delights in the challenge of making tone rows as approachable and sing-able as possible. Both ideas make slightly varied restatements. At the end, fugal exploitation of the first idea is followed by that row, entering with stentorian grandeur in full pedal, heralding the triumphant close. This row, like the month of March is referred to frequently as coming in like a Iamb, going out like a lion.