| Henry Purcell: Lord I Can
Suffer: SATB: Vocal Score Chorale SATB [Vocal Score] Novello & Co Ltd. 2.99 GBP - vendu par Musicroom GB | |
| Cantates Pour Voix Seule
Et Basse Continue. Vol.I.
Ca 1706 - Ca 1709 Orgue Anne Fuzeau Productions
Présentation de Philippe Lescat : Le séjour en Italie de Georg Friedrich Haend...(+)
Présentation de Philippe Lescat : Le séjour en Italie de Georg Friedrich Haendel - bibliographie - lecture de la partition - corrections et suggestions - Restauration - Index.Cantates pour voix seule et basse continue. Manuscrit autographe. Manuscrit R.M. 20.d.11. Le manuscrit R.M. 20.d.12 est édité dans notre référence 5799. / Dessus Et Basse Continue, Bas-dessus Et Basse Continue, Basse Ou Basse Continue / 220 pages / niveau : 1 / Fac-Similés - Format: 24 X 32
87.50 EUR - vendu par LMI-partitions Délais: En Stock | |
| Cantates Pour Voix Seule
Et Basse Continue. Vol.II Orgue Anne Fuzeau Productions
Edition en fac-similé des manuscrits autographes des cantates Italiennes de Hae...(+)
Edition en fac-similé des manuscrits autographes des cantates Italiennes de Haendel, en 6 volumes. Cette publication mettra enfin ces très belles oeuvres à la portée de tous.Présentation de Philippe Lescat : Lecture de la partition - corrections et suggestions - les révisions des cantates - restauration - index de ce recueil. Cantates pour voix seule et basse continue. Fac-similé du manuscrit autographe d'Haendel. Volume II. / Dessus Et Basse Continue, Bas-dessus Ou Basse Continue / 128 pages / niveau : 1 / Fac-Similés - Format: 24 X 32
59.60 EUR - vendu par LMI-partitions Délais: En Stock | |
| Honor and Majesty: Organ:
Instrumental Album Orgue [Partition] - Intermédiaire/avancé FJH
Medleys/Titles include: The Majesty and Power of His Name (Diadem and Coronation...(+)
Medleys/Titles include: The Majesty and Power of His Name (Diadem and Coronation-All Hail the Power of Jesus' Name); Treasures Bring Anthems Sing(We Three Kings and What Child is This?); Where Sorrow and Love Flow Mingled Down (When I Survey the Wondrous Cross and Beneath the Cross of Jesus); The Joys Awating (Jerusalem My Happy Home and When I Can Read My Title Clear); Morning Tribute (Morning Has Broken and When Morning Gilds the Skies); An Ever-Present Comfort (All Will Be Well and God Will Take Care of you); Amazing Infinite Love (The Love of God and My Savior's Love); Adoration to the King (We Worship and Adore You/O Come Let Us Adore Him/Joyful Joyful WeAdore Thee).
7.50 GBP - vendu par Musicroom GB | |
| Rudy Shackelford: Nine
Aphorisms: Organ:
Instrumental Album Orgue Hinshaw Music Inc.
I.CanzonettaII. DithyrambIII. PlanhIV. Fuga ContrariaV. Hymn To The NightVI. Toy...(+)
I.CanzonettaII. DithyrambIII. PlanhIV. Fuga ContrariaV. Hymn To The NightVI. ToyVII. RecitativeVIII. Motet & IX Canzonetta Da Capo
15.99 GBP - vendu par Musicroom GB | |
| Ausgewählte
Orgelwerke I-Vi Orgue Barenreiter
Les éditions Bärenreiter sont les détentrices des droits de la partition Ausg...(+)
Les éditions Bärenreiter sont les détentrices des droits de la partition Ausgewählte Orgelwerke I-VI de Guilmant Félix-Alexandre qui fait partie du style Classique et contentera toutes les personnes pratiquant Orgue. / Orgue
326.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Rudy Shackelford: Sonata
For Organ: Organ:
Instrumental Album Orgue Hinshaw Music Inc.
Plan of registration: I. Cantabile Con Moto E FlessibileII. Allegro Travolgente...(+)
Plan of registration: I. Cantabile Con Moto E FlessibileII. Allegro TravolgenteIII. Notturnamente Raffinato E DolceIV. Scherzo GiulivamenteV. Grazioso E Elegantemente
10.99 GBP - vendu par Musicroom GB | |
| Buxtehude, Dietrich : New
Edition of the Complete
Organ Works - Volume 1 :
Free Organ Works I Orgue [Partition] Barenreiter
[Neue Ausgabe sämtlicher Orgelwerke - Band 1 : Freie Orgelwerke I] / Classique ...(+)
[Neue Ausgabe sämtlicher Orgelwerke - Band 1 : Freie Orgelwerke I] / Classique / Editeur : Christoph Albrecht / Partition / Cartonné / Plats de carton /
32.95 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur | |
| Orgelwerke Band I/1
(BUXTEHUDE DIETERICH) Orgue [Partition]
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...(+)
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
42.74 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Orgelwerke Set Band I
(BUXTEHUDE DIETERICH) Orgue [Partition] Breitkopf & Härtel
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...(+)
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
75.49 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Christmas Oratorio Part I
(BACH JOHANN SEBASTIAN) Orgue [Partie séparée] Carus Verlag
BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transfer...(+)
BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transferred the orchestral movement of the 1st cantata from Johann Sebastian Bach's Christmas Oratorio to the organ. It not only enables a performance with a reduced line-up, but also a tonally appealing and surprisingly coherent rendition of this wonderful music. The way the voices are distributed on the manuals and pedal and the balance between virtuosity and good playability ensure both proximity to the original score and an organ-appropriate implementation. Instead of a simple piano reduction on the organ, this version offers an independent performance option that allows the organ to be used in all of its facets and possibilities.The vocal parts (solos and choir) are identical to the edition of the original version (Carus 31.248/00), so that the piano reduction and choral score can be used.The single part for the organ was optimized for page turning, i.e. the choral parts were not printed, but the dacapo was always notated out. / Date parution : 2021-12-09/ Répertoire / Orgue
28.92 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Prelude Canonique: Mixed
Choir: Score Orgue [Partition] Wilhelm Hansen
Prelude Canonique for Chamber Orchestra (version 2009) Canonic elements play an ...(+)
Prelude Canonique for Chamber Orchestra (version 2009) Canonic elements play an important role in this work. Shortly after the opening a two-part canonic passage is introduced by the violins. Later on this energetic music shows up as three-part and four-part canons in different orchestrations. But next to the canons a different kind of music is present almost from the beginning: fragments of choral-like melodic lines. Gradually choral-like music gets a more prominent role. By a process of manipulating the fragments in different ways (i.e. argumentation and superpositioning) a more extensive version of the choral isprogressively (re)constructed. At the end of the piece the choral appear in its ‘original’ form. Niels Rosing-Schow 2009
19.99 GBP - vendu par Musicroom GB | |
| Bach J.s. - Complete
Organ Works Vol.1 -
Preludes And Fugues I +
Cd-rom Orgue [Partition + CD-ROM] Breitkopf & Härtel
Bach: Complete Organ Works Vol. 1
Preludes and Fugues I - with CD-ROM - ed. by ...(+)
Bach: Complete Organ Works Vol. 1
Preludes and Fugues I - with CD-ROM - ed. by David Schulenberg
As close as possible to Bach
In his ?Preludes and Fugues,? Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the many transmitted sources: hardly any autographs, but all the more copies. The genesis of the works and the question of versions associated with it are described at length in the introduction. In his new edition, editor David Schulenberg occasionally makes a new evaluation of the transmitted sources. To do so, he based himself as faithfully as possible on the manuscripts that can be traced back to Bach or to his circle. Here the American Bach expert generally chooses one source as his principal one. Divergences from other sources are documented in the Commentary. On the whole, the new Urtext edition sometimes also emends some long-cherished readings of ornaments, voice leading and notation. Also printed in Volume 1 is, for example, the early version of the C major Prelude BWV 545 as well as the inserted Trio movement of the three-movement version of this work. As with the previously published volumes, the CD-ROM enclosed in Volumes 1 and 2 contains dubious works and secondary versions for comparison with the principal versions. This time, the CD-ROMs are completely in German and English and feature the English version of the Commentary.
31.10 EUR - vendu par Woodbrass Délais: Sur commande | |
| Shulamith Violoncelle, Orgue [Partition] Schott
Le Cantique des Cantiques, adressé à Sulamith et attribué à Salomon, est un ...(+)
Le Cantique des Cantiques, adressé à Sulamith et attribué à Salomon, est un des textes les plus mystérieux de la Bible. Si le personnage de Salomon est énigmatique, celui de la 'fiancée' l'est plus encore. Saint Augustin et de nombreux autres exégètes on / Violoncelle Et Orgue / 32 pages / niveau : Intermédiaire à Avancé / Partition
21.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Die 32 Ricercaten Und 19
Canzonen Band 3 (MUFFAT
GOTTLIEB) Orgue [Partition] Doblinger
Canzonen I-Xix. Par MUFFAT GOTTLIEB. Canzona I - XIX/ Répertoire / Orgue
38.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Orgel- und Cembalowerke
Band I: Organ:
Instrumental Album Orgue Barenreiter
Content: Toccata d-mminor - 4 Verse d-minor - Canzona d-minor - 4 Verse C-major ...(+)
Content: Toccata d-mminor - 4 Verse d-minor - Canzona d-minor - 4 Verse C-major - Canzona C-major - 4 Verse F-major-Â Canzona F-major - 4 Verse e-minor - Canzona e-minor - 4 Verse g-minor - Canzona g-minor - All'Elevazione I F-major - Al post Comunio F-major - All'Elevazione II C-major - All'Offertorio C-major - Pastorale C-major - Preamble - Critical report (dt./engl./ital).
16.50 GBP - vendu par Musicroom GB | |
| Juan Bautista Cabanilles:
Selected Organ Works.
Volume I: Tientos Ilenos:
Organ: Orgue Barenreiter
Joan Cabanilles Selected Works for OrganVolume I: BA11228Volume II: BA11229Altho...(+)
Joan Cabanilles Selected Works for OrganVolume I: BA11228Volume II: BA11229Although quite some time has passed since the multifaceted organ music from Spain's Golden Age could be called an ?insider's tip? it had yet to attain popularity with any wide audience outside the countries of the Iberian Peninsula. The three-volume Urtext edition of selected works by Joan Cabanilles the cathedral organist from Valencia now has every chance of becoming a milestone in its own right. The Iberian organ tradition of the 17th century appears to have reached its climax in his tientos diferencias and versos. In the first two volumes the editors Gerhard Doderer and MiguelBernal Ripoll present a total of 22 of his most appealing and most significant tientos.Urtext edition based on the latest research findingsPreface by the editors (in German English and Spanish)
36.50 GBP - vendu par Musicroom GB Délais: En Stock | |
| Bach J.s. - Complete
Organ Works Vol.6 -
Clavierübung Iii /
Schübler-choräle /
Canonische Veränderun Orgue Breitkopf & Härtel
Bach: Complete Organ Works Vol. 6 Clavierübung III / Schübler-Choräle / Canon...(+)
Bach: Complete Organ Works Vol. 6 Clavierübung III / Schübler-Choräle / Canonische Veränderungen über 'Vom Himmel hoch' - ed. by Werner Breig Bach Organ Works Printed During the Composer's Lifetime Volume 6 contains the chorale-related organ works that Bach personally had printed: the Dritte Theil der Clavier Übung was published (for organists) in 1739; the Sechs Choräle von verschiedener Art (Schübler-Choräle) and the Canonische Veränderungen were released in separate editions most likely in 1747/48. None of these collections had from the start the appearance which the composer considered as valid in the end. For this reason, Werner Breig focuses in particular on questions of origin in his introduction. Fundamental findings on the genesis of the Clavier Übung III were made only after the publication of the work in the Neue Bach-Ausgabe. The basically unproblematic state of the sources means that this volume contains no CD-ROM with supplementary materials. It was, however, considered editorially necessary to print the Canonische Veränderungen BWV 769 in three versions: as a facsimile of the original print, in a practical arrangement, and in the autograph version (BWV 769a). Table des matières 1 Praeludium pro Organo pleno BWV 552/1 2 Kyrie, Gott Vater in Ewigkeit BWV 669 3 Christe, aller Welt Trost BWV 670 4 Kyrie, Gott heiliger Geist BWV 671 5 Kyrie, Gott Vater in Ewigkeit BWV 672 6 Christe, aller Welt Trost BWV 673 7 Kyrie, Gott heiliger Geist BWV 674 8 Allein Gott in der Höh sei Ehr BWV 675 9 Allein Gott in der Höh sei Ehr BWV 676 10 Fughetta super Allein Gott in der Höh sei Ehr BWV 677 11 Dies sind die heilgen zehen Gebot BWV 678 12 Fughetta super Dies sind die heiligen zehen Gebot BWV 679 13 Wir gläuben all an einen Gott BWV 680 14 Fughetta super Wir gläuben all an einen Gott BWV 681 15 Vater unser im Himmelreich BWV 682 16 Vater unser im Himmelreich BWV 683 17 Christ unser Herr zum Jordan kam BWV 684 18 Christ unser Herr zum Jordan kam BWV 685 19 Aus tiefer Not schrei ich zu dir BWV 686 20 Aus tiefer Not schrei ich zu dir BWV 687 21 Jesus Christus, unser Heiland BWV 688 22 Fuga super Jesus Christus, unser Heiland BWV 689 23 Duetto I BWV 802 24 Duetto II BWV 803 25 Duetto III BWV 804 26 Duetto IV BWV 805 27 Fuga pro Organo pleno BWV 552/2 28 Wachet auf, ruft uns die Stimme BWV 645 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 1) 29 Wo soll ich fliehen hin oder Auf meinen lieben Gott BWV 646 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 2) 30 Wer nur den lieben Gott lässt walten BWV 647 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 3) 31 Meine Seele erhebt den Herren BWV 648 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 4) 32 Ach bleib bei uns, Herr Jesu Christ BWV 649 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 5) 33 Kommst du nun, Jesu, vom Himmel herunter BWV 650 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 6) 34 Einige canonische Veränderungen über 'Vom Himmel hoch, da komm ich her' BWV 769 (Faksimile des Originaldrucks / Fassung des Originaldrucks in spielpraktischer Einrichtung / Fassung des Autographs BWV 769a)
30.10 EUR - vendu par Woodbrass Délais: Sur commande | |
| Froberger, Johann Jakob :
Keyboard and Organ Works
from Copied Sources :
Toccatas Orgue [Partition] Barenreiter
Johann Jacob Froberger (1617-1667) was a composer of considerable significance d...(+)
Johann Jacob Froberger (1617-1667) was a composer of considerable significance during his lifetime, his compositional style representing a synthesis of Italian, French and English influences. Increasingly, musicians and scholars are growing aware of Froberger?s importance for keyboard music of the 17th century, an importance comparable to that of Jan Pieterszoon Sweelinck.
Each volume of the complete edition of Froberger?s organ and keyboard music is published in German and English with a critical commentary as well as a detailed foreword explaining the scope and subdivision of the edition and the editorial techniques. Also, information on performance practice, on instruments of the time and on ornamentation is included, as well as details on Froberger?s biography. / Classique / Partitions /
57.00 EUR - vendu par Note4Piano Délais: En Stock Plus que 1 ex. en stock, commandez vite ! | |
| Werke in Bearbeitung für
Orgel Bd. 1
(BEETHOVEN LUDWIG VAN) Orgue [Partition] Dohr
Kammermusik I. Par BEETHOVEN LUDWIG VAN. / Date parution : 2023-01-24/ Recueil ...(+)
Kammermusik I. Par BEETHOVEN LUDWIG VAN. / Date parution : 2023-01-24/ Recueil / Orgue
22.43 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Widor Complete Organ
Symphonies Series I - 001
- Organ Orgue [Partition] Dover Publications
Description Widely regarded as the culmination of French romanticism on the o...(+)
Description Widely regarded as the culmination of French romanticism on the organ, Widor's symphonies include some of the most frequently performed and recorded works in the modern organ repertoire. Most of these symphonies - so called to emphasise the orchestral wealth of timbres offered by the new French organs - were written specifically to exploit the capacities of the modern Cavaille-Coll organ, especially the rich-toned five-keyboard instrument at St-Sulpice in Paris. Presented here in two inexpensive (this being the first), well-made volumes they offer a splendid resource for organists and all music lovers. Songlist Adagio Allegro Allegro Cantabile Allegro Vivace Andante (Sonata G.1) [Torelli, Giuseppe] Andante Cantabile Andantino Quasi Allegretto Finale Fugue Intermezzo Op.1 No.2 [Borodin, Aljeksandr Porfirjevic] Marche Pontificale Marcia Meditation Minuetto Pastorale [Pace] Prelude Scherzo [Goldschmidt, Berthold] Symphony No. 1 In C Minor, Op. 13, No. 1: Symphony No. 2 In D Major Op. 13, No. 2: Symphony No. 3 In E Minor, Op. 13, No. 3: Symphony No. 4 In F Minor, Op. 13, No. 4: Symphony No. 5 In F Minor, Op. 42, No. 1: Toccata
24.50 EUR - vendu par Woodbrass Délais: Sur commande | |
| Frescobaldi, Girolamo :
Organ and Keyboard Works
- Complete Edition -
Volume 4 Orgue [Partition] Barenreiter
[Orgel- und Klavierwerke - Gesamtausgabe - Band 4 : Das zweite Buch der Toccaten...(+)
[Orgel- und Klavierwerke - Gesamtausgabe - Band 4 : Das zweite Buch der Toccaten, Canzonen usw von 1637] / Classique / Editeur : Pierre Pidoux / Partition / Cartonné / Plats de carton /
34.50 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur | |
| Frauen Komponieren Orgue Schott
A treasure house with organ pieces by female composers – new edition in the ser...(+)
A treasure house with organ pieces by female composers – new edition in the series 'Frauen komponieren'.
Content: Elisabeth Stirling (1819-95), Movement - Elfrida Andrée (1841-1929), Andante and Larghetto - Cécile Chaminade (1857-1944), Marche funèbre - Ethel Smith (1858-1944), Prelude and Fugue on 'O Traurigkeit, o Herzeleid' - Nadia Boulanger (1887-1979), Prélude, Petit Canon and Improvisation - Elsa Barraine (1910-1999), Prélude et Fugue - Ruth Zechlin (geb. 1926), Laudate - Emma Lou Diemer (geb. 1927), Fiesta - Sieglinde Ahrens (geb. 1936), Invocation and many more. / Répertoire d'Examen / Recueil / Orgue
37.19 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Miscellanées,
volume 2 : Henri Du Mont
(1610-1684) Orgue [Partition] Orgues Nouvelles
Pièces pour orgue (transcription : Olivier Miquel) . Par DU MONT HENRI. Les tra...(+)
Pièces pour orgue (transcription : Olivier Miquel) . Par DU MONT HENRI. Les transcriptions pour orgue proposées ici ne sont pas fortuites, Du Mont lui-même en est l’instigateur, par le simple fait qu’il mentionne sans équivoque, dans la préface de ses Meslanges imprimés en 1657 :
« (...) On trouvera outre lesdites pièces, plusieurs Preludes en façon d’Allemandes à deux parties, pour la Basse et le Dessus de Violle, lesquelles se pourront se jouer seules ou avec la Basse-continue si l’on veut (...). Ces Preludes serviront aussi pour les Dames Religieuses qui touchent l’Orgue en façon de Duo : j’ay marqué ceux qui sont propres pour l’Orgue, ils n’auront qu’à les transcrire pour les jouer avec plus de facilité. »
Mais, il était tentant de ne pas se cantonner à cette indication, et ce recueil propose l’intégralité des 20 Preludes.
En 1661, Du Mont fait paraître un livret contenant une « Troisième partie ajoutées aux Preludes des Meslanges, pour un Dessus ou une Taille de Viole ». Il précise : « pour faire plus grande harmonie ». Ces préludes, en trios, ont été transcrits ici sous cette forme.
Dans le recueil des Cantica sacra paru en 1652, on trouve cinq pièces instrumentales indépendantes, Ces pièces, notées pour trois ou quatre violes et basse continue, ouvrent cet ouvrage.
Olivier Miquel
?
Henri Du Mont : né en 1610 dans le diocèse de Liège, Henry Du Mont étudie la musique à Maastricht, où il devient organiste à l’âge de 19 ans. Les troubles politiques de cette région convainquent certainement Du Mont de tenter sa chance à Paris. Il y arrive dès 1638, sous le règne de Louis XIII, et on le retrouve, en 1643, titulaire de l’orgue de l’église Saint-Paul dans le Marais (église détruite à la Révolution), poste qu’il honorera jusqu’à sa mort en 1684./ Recueil / Orgue
18.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Freie Orgelmusik Der
Romantik, Band I Orgue [Partition] Carus Verlag
While organ music of the 19th century was not highly regarded in Germany a few y...(+)
While organ music of the 19th century was not highly regarded in Germany a few years ago [with the exception of a few outstanding works], our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions [at the time of publication], and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil./ Répertoire / Orgue
41.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Free Harmonizations...Vol
I: Organ: Instrumental
Album Orgue Hinshaw Music Inc.
Free harmonizations of hymn tunes by fifty American composers'The purpose of thi...(+)
Free harmonizations of hymn tunes by fifty American composers'The purpose of this collection is to offer fresh harmonizations (free accompaniments) to hymn tunes that are in at least two current hymnals and for which there is a dearth of alternate accompaniments'. - D. Dewitt Wasson.Also available: Free Harmonizations Of Hymn Tunes Volume II (HMO152)Contents:1. Abbey2. Abbots Leigh3. Ach Gott Und Herr4. Albany5. All Saints6. All The Way7. Amazing Grace8. Amsterdam9. Angelus10. Ar Hyd Y Nos11. Arnsberg12. Ballerma13. Bangor14. Batty15. Beatus Vir16. Bethany17. Bethlehem18. Bourbon19. Boylston20. Bradbury21. Bread Of Life22. Bremen23. Bryn Calfaria24. Caithness25. Christe Sanctorum26. Christmas27. Cloisters28. Consolation29. Converse30. Creation31. Crimond32. Crucifer33. Cwm Rhondda34. Das Neugeborne Kindelein35. Deo Gracias36. Diva Servatrix37. Donne Secours38. Dunfermline39. Durrow40. Engelberg41. Eudoxia42. Evan43. Ewing44. Far Off Lands45. Federal Street46. Festal Song47. Flemming48. Forest Green49. Foundation50. Galilee51. Geneva52. Germany53. God Be With You54. Gott Des Himmels55. Gott Sei Dank56. Graefenberg57. Grand Isle58. Gwalchmai59. Halifax60. Hankey61. He Leadeth Me62. Helmsley63. Hermas64. Hesperus65. Hyfrydol66. Irby67. Kedron68. Kings Lynn69. Kings Of Orient70. Kings Weston71. Kingsfold72. Kirken Den73. Land Of Rest74. Langham75. Let Us Break Bread76. Llangloffan77. Lux Benigna78. Lynne79. Mckee80. Marion81. Miles Lane82. Monkland83. More Love To Thee84. Morecambe85. Morning Hymn86. Morning Song87. Morning Star88. Mornington89. Need90. Nunc Dimittis91. Nyland92. O Jesu93. O Perfect Love94. O Store Gud95. Old 107th96. Olives Brow97. Omni Dei98. Pilot99. Pleading Savior100. Quam Dilecta101. Rhosymedre102. Rock Of Ages103. Royal Oak104. St. Bride105. St. Cecilia106. St. Drostane107. St. Dunstans108. St. Hilda109. St. Kevin110. St. Margaret111. Sandon112. Schumann113. Serenity114. Slane115. Song 5116. Song 13117. Welwyn118. Woodworth119. Yattendon 46120. York121. Yorkshire
39.99 GBP - vendu par Musicroom GB | |
| Jean Langlais: American
Folk-Hymn Settings for
Organ: Organ:
Instrumental Album Orgue H.T. FitzSimons Company
This collection of well-known hymntunes is a gem. While intended primarily as se...(+)
This collection of well-known hymntunes is a gem. While intended primarily as service music they are suitable for recital use. Titles include: Amazing Grace • Battle Hymn of the Republic • How Firm a Foundation • On Jordans Stormy Banks I Stand •and more.
19.99 GBP - vendu par Musicroom GB | |
| Sämtliche Orgelwerke
Band 8 (BACH JOHANN
SEBASTIAN) Orgue [Partition + CD] Breitkopf & Härtel
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Bo...(+)
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans
music text faithful to the sources and reflecting the current status of Bach research
developed for musical practice through the cooperation of scholars and performers
contains all of Bach's keyboard works that require an independent pedal manual
contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty
features comprehensive introductions, extensive source descriptions and text-critical notes
features supplementary material illustrated synoptically on CD-ROM (in printable quality)
brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns
'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review)
Subscription Conditions
A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time.
The subscription obliges the subscriber to purchase the entire collection.
The New Edition of Bach's Complete Organ Works
With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext.
Current Urtext status, historically informed, edited with performers in mind:
More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context.
The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore
The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty.
It offers incerta, early, and alternative versions on CD-ROM
In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes.
Edited by a competent team:
With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes.
Werner Breig (* 1932)
studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition).
Pieter Dirksen (* 1961)
studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003.
Reinmar Emans (* 1953)
studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue
33.85 EUR - vendu par LMI-partitions Délais: En Stock | |
| Selected Works For
Keyboard, Vol.I-IV Orgue Barenreiter
La cour d'organiste Antonio de Cabezón, qui a été nommé à la chapelle de la...(+)
La cour d'organiste Antonio de Cabezón, qui a été nommé à la chapelle de la cour de la Reine Isabelle de Toledo à l'âge de 16 ans, a été considéré à juste titre par ses contemporains comme l'organiste espagnole leader et claviériste du 16 ème siècle. Ses hymnes et des versets sont basées sur courte, harmonisations décorée des tonalités psaume. Dans le tientos, la transformation du style motet vocal à un style d'écriture approprié pour les instruments à clavier est parfaitement exécuté.Cette édition Urtext contient une sélection des meilleurs Cabezon de travaux connus et se composera de quatre volumes. Il a été préparé par deux rédacteurs en chef travaillant dans les universités portugaises et espagnoles qui sont tous deux grands spécialistes des oeuvres de Cabezón et reflète les derniers résultats de recherche.- Première édition critique universitaire, des oeuvres sélectionnées par l'organiste leader espagnol- Reflète les derniers résultats de la recherche- Chaque volume avec une préface (Ger / Eng) avec des conseils sur la technique de rédaction, le commentaire critique (Ger / Eng) et l'indice de sources / Orgue, Piano, Clavecin
159.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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