Par MC CABE LARRY. Vous devez seulement les compétences de jeu minimes et les trois accords - G, C et D7 accompagnant les belles chansons de la foi dans cet ouvrage novateur. Si vous êtes un début ou un joueur ' casual ' sur un instrument simultanée, c'est le livre pour vous. Le livre est débordant d'une grande variété de normes intemporels que pourront profiter de toute votre famille. Une collection exceptionnelle d'arrangements d'innovation fait jouable pour les gens qui jouent pour leur propre plaisir. Mélodie et les paroles sont inclus avec toutes les chansons. Guitare, ukulélé et diagrammes de banjo à cinq cordes sont inclus pour les trois accords ainsi que des conseils sur le grattent. La transposition et l'utilisation des conseils de capo sont inclus pour les chanteurs. / Niveau : Débutant / Gospel-Old Time - Songbooks / Recueil / Guitare ou Banjo ou Ukulélé

For Flute Oboe Clarinet Banjo Horn Trumpet 2 Trombone Piano 2 Violin Vla Cello Double BassFirst performance: Tokyo 1984 Ryoichi Kawai (cond) Musica Practica Ensemble.

for dixie ensemble and concert band-Tribute to Dixie (?Hommage au ?Dixie??) s?inspire du jazz dixieland des ann?es 20 et 30 de la Nouvelle- Orl?ans et de Chicago et rend hommage aux grands jazzmen de cette p?riode. L?adjonction d?une formation dixieland (compos?e d?une trompette d?une clarinette d?un saxophone alto ou t?nor d?un trombone d?un banjo (partie optionnelle) d?un tuba ou d?une contrebasse) ?voluant au sein de l?Orchestre d?Harmonie donne ? l?oeuvre toute son authenticit?.

for dixie ensemble and concert band-Tribute to Dixie (?Hommage au ?Dixie??) s?inspire du jazz dixieland des ann?es 20 et 30 de la Nouvelle- Orl?ans et de Chicago et rend hommage aux grands jazzmen de cette p?riode. L?adjonction d?une formation dixieland (compos?e d?une trompette d?une clarinette d?un saxophone alto ou t?nor d?un trombone d?un banjo (partie optionnelle) d?un tuba ou d?une contrebasse) ?voluant au sein de l?Orchestre d?Harmonie donne ? l?oeuvre toute son authenticit?.

An all-time favorite from the Monkees has endured for five decades this version from Larry Moore sends the train right out to country fiddle land. Great fun that can also feature a fiddlin' duet and an optional keyboard/synth/banjo part.

This chart contains 87 tunings (47 for guitar) for various common and hard to find instruments. The accompanying CD has all the tunings played on the actual instruments. Many tunings are offered for most instruments. Instrumentsinclude guitar mandolin banjo dulcimer bass harp guitar balalaika oud charrango bouzouki tres ukulele bajo sexto dobro/lap steel vihuela and requinto. Included are the most common tunings as well as many exotictunings especially for guitar.

Originally commissioned for the celebration of Tennessee's “Homecoming '86 ” Jug Blues & Fat Pickin' is inspired by recordings of the Memphis Jug Band the most recorded and perhaps most popular of the jug bandsto spring up on Memphis' Beale Street in the late 1920's and also bluegrass banjo pickin'. Freund's composition is a unique musical offering that melds “blues elements” with minimalist technique. (Grade 5) Dur: 8:00

In a quirky retelling of Homer's The Odyssey this recent movie from Joel and Ethan Coen is set in Mississippi in 1937. The musical style is early country/folk/bluegrass and Michael Brown's concert band setting is unique andinviting. Includes: Down to the River to Pray I Am A Man of Constant Sorrow Keep on the Sunny Side and I'll Fly Away. For added flavor use the optional guitar/banjo parts.

Mallet Percussion Duet With Concert Band-Take your two best percussionists stage them up front and let them dazzle your audience with this clever feature for two xylophone players (or 1 xylophone and 1 marimba). Using the classic Dueling Banjos Richard Saucedo haswritten a great novelty with easy band parts as accompaniment.

In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domain of cowboys indians trappers and other fortune hunters. Around 1890 the west coast of America was reached which in effect meant the end of the Wild West. Its stories however survived and have been a source of inspiration for many books films and of course music. Some characters such as Jesse James Billy the Kid and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars fiddles and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up i.e. driven together spectacular things happen.

In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domain of cowboys indians trappers and other fortune hunters. Around 1890 the west coast of America was reached which in effect meant the end of the Wild West. Its stories however survived and have been a source of inspiration for many books films and of course music. Some characters such as Jesse James Billy the Kid and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars fiddles and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up i.e. driven together spectacular things happen.

In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domain of cowboys indians trappers and other fortune hunters. Around 1890 the west coast of America was reached which in effect meant the end of the Wild West. Its stories however survived and have been a source of inspiration for many books films and of course music. Some characters such as Jesse James Billy the Kid and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars fiddles and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up i.e. driven together spectacular things happen.

In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domain of cowboys indians trappers and other fortune hunters. Around 1890 the west coast of America was reached which in effect meant the end of the Wild West. Its stories however survived and have been a source of inspiration for many books films and of course music. Some characters such as Jesse James Billy the Kid and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars fiddles and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up i.e. driven together spectacular things happen.

From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music the cantata combines traditionalsounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children GoWhere I Send Thee and Go Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements togetherin a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB CD-ROM FullOrchestration (Score and Parts for Flute 1 and 2 alto recorder Oboe/English Horn Clarinet 1 and 2 Bassoon Horn 1 and 2 Trumpet 1-3 Trombone 1 and 2 Bass Trombone/Tuba Timpani Percussion Acoustic Guitar Banjo Harp Piano Synth Solo fiddle Violin 1 and 2 Viola Cello Double Bass) Printed Full Orchestration Appalachian Consort Orchestration (Score and parts for Flute Violin Cello Mandolin Guitar Percussion and Piano) StudioTrax CD (accompanimentonly) SplitTrax CD Listening CD 10-Pack Listening CDs Preview Pack (Book/CD combo) RehearsalTrax CDs (part predominant reproducible) Digital Resource Kit (PowerPoint Choir Devotionals Poster Program Flyers Children'sProgram PDFs). Duration: approx. 40 min.