| Selections from The Phantom of the Opera Orchestre [Conducteur] - Intermédiaire/avancé Hal Leonard
Full Score Full Orchestra; Orchestra (Score) - Grade 4 SKU: HL.4501216 Co...(+)
Full Score Full
Orchestra; Orchestra
(Score) - Grade 4 SKU:
HL.4501216 Composed
by Andrew Lloyd Webber.
Arranged by Calvin
Custer. HL Full
Orchestra. Broadway,
Movies. 44 pages.
Published by Hal Leonard
(HL.4501216). UPC:
884088365509.
9.0x12.0x0.092
inches. Performance
time - ca. 11:45 The
phenomenon of this stage
production continues with
the release of the motion
picture that has
introduced Sir Andrew
Lloyd Webber's timeless
music to yet another
audience. Calvin Custer's
medley features six
musical highlights from
both the film and stage
versions: All I Ask of
You, Angel of Music,
Masquerade, The Music of
the Night, The Phantom of
the Opera, and Think of
Me. $15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Selections from Phantom of the Opera
Orchestre [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By Andrew Lloyd Webber. Arranged by Calvin Custer. Full Orchestra. Size 9x12 inc...(+)
By Andrew Lloyd Webber.
Arranged by Calvin
Custer. Full Orchestra.
Size 9x12 inches.
Published by Hal Leonard.
(3)$75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Die Donau Orchestre Barenreiter
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches. Leoš
Janácek’s symphonic
fragment Dunaj (The
Danube) dates from the
period of the composition
of “Katya Kabanova”.
The composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on the
Czech shores! Look back
downstream and you will
have an impression of
what you have left behind
in your haste. It pleases
you here. Here I will
rest with my symphony.”
Thus Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphony” entitled
Dunaj has survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš Faltus
closely follows the
original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava, in
fact doesn’t turn out
to be a musical depiction
of the Danube. On the
contrary, the fateful
link between the destiny
of women, water and death
permeates the range of
motifs found in the work.
It seems to be no
coincidence that
Janácek, whilst working
on the opera Katya
Kabanova, in which the
Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla Kriciková
into the second movement,
in which a girl remarks
that whilst bathing in a
pond, she was observed by
a man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem “Lola” by
the Czech writer Sonja
Špálová, published
under the pseudonym
Alexander Insarov. This
is about a prostitute who
asks for her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his remark
“she jumps into the
Danube” to the
inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forces”. The
third movement is said to
characterise the city of
Vienna in the form of a
woman.
It is
evident that in his
composition, Janácek was
not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language – “ten
Dunaj” – and assumes
an almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the four
timpani”, which was
amongst Janácek’s
first inspirations,
appears in the second
movement. It is not
difficult to retrace in
it the fate of the
drowning bather. The oboe
enters lamentoso towards
the end of the movement
over timpani playing
tremolo, its descending
figure is taken over by
the flute, then upper
strings and intensified
considerably. The motif
of drowning – Lola’s
despair – returns again
in the fourth movement in
the clarinet, before the
work ends abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which Janácek
used in several late
works as a sort of
“voice of
love”.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$249.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony in D minor Hob. I:80 Orchestre Barenreiter
Orchestra (Fl,2Ob,2bassoon,2Hn,2V,V a,Bassi) SKU: BA.BA10982 Composed by ...(+)
Orchestra
(Fl,2Ob,2bassoon,2Hn,2V,V
a,Bassi) SKU:
BA.BA10982 Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Urtext
from: Joseph Haydn Werke,
G. Henle Verlag Munchen.
Score. Hob. I:80.
Duration 00:21:00.
Baerenreiter Verlag
#BA10982_00. Published by
Baerenreiter Verlag
(BA.BA10982). ISBN
9790006565504. 31 x 24.3
cm inches. Key: D minor.
Preface: Armin
Raab. Along with
Symphonies Nos. 79 and
81, Haydn’s D-minor
Symphony Hob. I:80
belongs to a set of
symphonies that he
completed in late 1784.
He wrote them for his
employer Prince Nikolaus
Esterházy, his task
being to entertain the
prince with new music.
The symphonies had to be
suitable for the
twenty-five to thirty
musicians who were in the
prince’s orchestra.
Continuing the
cooperation between
Bärenreiter and the G.
Henle publishing company
regarding Haydn’s large
choral works, operas and
symphonies, this edition
is based on the G. Henle
Complete Edition of the
“Works of Joseph
Haydn”.
Bärenre
iter has already
published the complete
performance material for
several “Sturm und
Drang” symphonies and
all the London and Paris
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$53.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Empty Hands, Open Arms - Orchestral Score and Parts Orchestre Lorenz Publishing Company
Orchestra SKU: LO.30-2852L Composed by Lloyd Larson. Arranged by Michael ...(+)
Orchestra SKU:
LO.30-2852L Composed
by Lloyd Larson. Arranged
by Michael Lawrence.
Choral. Sacred Anthem,
Baptism, Discipleship,
Eastertide, General.
Orchestral score and
parts. Lorenz Publishing
Company #30/2852L.
Published by Lorenz
Publishing Company
(LO.30-2852L). UPC:
000308132168. Wheth
er on the mountain's
height or the valley's
deepest maze, I place my
trust in You. Lord, lead
me in your ways. This
expressive original Lloyd
Larson anthem is a hymn
of trust, asking for
God's guidance through
all of life's journeys.
Perfect for use
throughout the year, this
tender selection is
enhanced by a skillfully
crafted optional
orchestration.
Instrumentation: 2 Fl,
Ob, 2 Cl, Bsn (sub B Cl),
2 Hn (sub A Sax), 3 Tpt,
2 Tbn (sub T Sax), Tuba,
Harp, Pno, Perc, Timp, 2
Vln, Vla, Cello, Bass,
Digital String
Reduction. $69.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Empty Hands, Open Arms - Orchestral Score and CD with Printable Parts Orchestre Lorenz Publishing Company
Orchestra SKU: LO.30-2853L Composed by Lloyd Larson. Arranged by Michael ...(+)
Orchestra SKU:
LO.30-2853L Composed
by Lloyd Larson. Arranged
by Michael Lawrence.
Choral. Sacred Anthem,
Baptism, Discipleship,
Eastertide, General.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/2853L. Published by
Lorenz Publishing Company
(LO.30-2853L). UPC:
000308132175. Wheth
er on the mountain's
height or the valley's
deepest maze, I place my
trust in You. Lord, lead
me in your ways. This
expressive original Lloyd
Larson anthem is a hymn
of trust, asking for
God's guidance through
all of life's journeys.
Perfect for use
throughout the year, this
tender selection is
enhanced by a skillfully
crafted optional
orchestration.
Instrumentation: 2 Fl,
Ob, 2 Cl, Bsn (sub B Cl),
2 Hn (sub A Sax), 3 Tpt,
2 Tbn (sub T Sax), Tuba,
Harp, Pno, Perc, Timp, 2
Vln, Vla, Cello, Bass,
Digital String
Reduction. $69.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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