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| Thomas Tallis: Magnificat
And Nunc Dimittis No.1:
SATB: Vocal Work
Chorale SATB
SATB [Partition]
Novello & Co Ltd.
The issue of the Magnificat and Nunc Dimittis by Thomas Tallis is a vexed one fo...(+)
The issue of the Magnificat and Nunc Dimittis by Thomas Tallis is a vexed one for scholars as the only surviving manuscript is incomplete. In this manifestation the editors have set the Magnificat and Nunc Dimittis to Gregorian âtonesâ and employed verses by Thomas Tallis with faux bourdon. The notation is partially in Gregorian neumes on a four-line staff and partially in modern notation.The work alternates between chanted unison phrases and five part SSATB Choral verse.
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| Thomas Tallis: Verily
Verily I Say Unto You:
Mixed Choir: Vocal Score
Chorale SATB
SATB A Cappella [Vocal Score]
Oxford University Press
Thomas Tallis' Verily Verily I Say Unto You for SATB unaccompanied as edited ...(+)
Thomas Tallis' Verily Verily I Say Unto You for SATB unaccompanied as edited by Anthony Greening.
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| Thomas Tallis: Spem In
Alium: Mixed Choir: Vocal
Score [Vocal Score]
Oxford University Press
This wonderful composition by Thomas Tallis is for eight SATB choirs to make fo...(+)
This wonderful composition by Thomas Tallis is for eight SATB choirs to make forty parts in all! It is an ambitious impressive looking score to an even more impressive sounding and altogether magnificant sacred piece for unaccompanied mixed choruses.
Délais: En Stock |
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| Thomas Tallis: Hear The
Voice And Prayer: SATB:
Vocal Score
Chorale SATB [Vocal Score]
Novello & Co Ltd.
Hear The Voice And Prayer is an delightful anthem composed by Thomas Tallis and...(+)
Hear The Voice And Prayer is an delightful anthem composed by Thomas Tallis and edited in this version by Paul Doe. This version is for SATB choir with optional Keyboard/Piano Reduction.
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| Thomas Tallis: Salvator
Mundi: SATB: Vocal Score
Chorale SATB [Vocal Score]
Faber Music Limited
SATB divisi a cappella-From the Cantiones sacrae of 1575 this reflective Renais...(+)
SATB divisi a cappella-From the Cantiones sacrae of 1575 this reflective Renaissance motet displays the choral art of Thomas Tallis through long sustained phrases chromaticism and striking dissonances. Ideal for madrigal groups and advanced ensembles. Available: SATB.
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| Thomas Tallis: If Ye Love
Me: Mixed Choir: Vocal
Score [Vocal Score]
Oxford University Press
Thomas Tallis' beautiful If Ye Love Me arranged for AATB a cappella with a Keybo...(+)
Thomas Tallis' beautiful If Ye Love Me arranged for AATB a cappella with a Keyboard reduction for rehearsal purposes.
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| Thomas Tallis: 'Short'
Evening Service: Mixed
Choir: Vocal Score [Vocal Score]
Oxford University Press
Thomas Tallis' short version of the 'Evening Canticles' for SATB a cappella.
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| Thomas Tallis: O Lord
Give Thy Holy Spirit:
Mixed Choir: Vocal Score
Chorale SATB
SATB A Cappella [Vocal Score]
Oxford University Press
Thomas Tallis' O Lord Give Thy Holy Spirit for unaccompanied SATB choir.
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| Thomas Tallis: O Nata Lux
De Lumine: Mixed Choir:
Vocal Score [Vocal Score]
Oxford University Press
A sacred setting by Thomas Tallis for SATTB voices with accompaniment for keyboa...(+)
A sacred setting by Thomas Tallis for SATTB voices with accompaniment for keyboard instrument.
Délais: En Stock |
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| English Sacred Music.
SATB Opt.Acc (Cps)
(TALLIS THOMAS)
Chorale SATB [Partition]
Faber Music Limited
Par TALLIS THOMAS. Au XVIe siècle fut une période de bouleversements religieux...(+)
Par TALLIS THOMAS. Au XVIe siècle fut une période de bouleversements religieux en Angleterre. De la réforme protestante de Henry VIII par le biais ardent mais éphémère catholique renouveau du Queen Mary au retour de l'anglicanisme à l'époque élisabéthaine, il aurait fallu une diplomatie avisée pour un catholique romain comme Thomas Tallis, simplement rester en vie. En fait, il est devenu le compositeur le plus respecté de sa génération et est maintenant reconnu comme l'un des plus grands compositeurs du pays. 2005 est le cinq centième anniversaire de la naissance des Thomas Tallis et son génie est célébrée dans cette collection d'anglais-texted musique sacrée, sélectionnés et édité par Jeremy se fournir une source inestimable d'Introïts et les hymnes pour les chorales. Le volume contient si tu m'aimes - entendre la voix et la prière - un nouveau commandement - Ô Seigneur, ils donnent Saint-esprit - de la parole et de cri à toi, Ô Seigneur - de tout notre coeur - grandir leur, Ô Seigneur - pourquoi fumeth en vue (le thème sur lequel Ralph Vaughan Williams a fondé son Fantasia). Si yo... / Date parution : 2004-09-02/ Répertoire / SATB
Délais: 2-5 jours - En Stock Fournisseur |
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| Early English Church
Music Volume 64 (TALLIS
THOMAS)
Chorale [Partition]
Stainer and Bell
Latin Church Music. Par TALLIS THOMAS. EECM 64 focuses on Latin polyphony by Tho...(+)
Latin Church Music. Par TALLIS THOMAS. EECM 64 focuses on Latin polyphony by Thomas Tallis that is either demonstrably Henrician or can plausibly be dated to before 1547, and includes the Mass Salve intemerata and several Latin antiphons. A reconstruction of the contrafact Se lord and behold (with words by Henry VIII?s sixth wife, Catherine Parr) is published here for the first time, after the manuscript was discovered during renovations to Corpus Christi College, Oxford. / Date parution : 2022-10-25/ Répertoire / Choeur
Délais: Sur commande |
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| Winter Canon Sab
Chorale 3 parties
SAB
Alfred Publishing
Sung in unison, two, three, and eventually four-part round, this beautiful melod...(+)
Sung in unison, two, three, and eventually four-part round, this beautiful melody was penned by sixteenth century master of polyphony Thomas Tallis. An excellent teaching piece, the lyrical tune (set with an original winter text) sits so well in the voice. As a special touch, phrases from 'In the Bleak Midwinter? are artfully woven throughout. / Choeur SAB
Délais: 2-5 jours - En Stock Fournisseur |
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| Winter Canon Ssa
Chorale 3 parties
SSA
Alfred Publishing
Sung in unison, two, three, and eventually four-part round, this beautiful melod...(+)
Sung in unison, two, three, and eventually four-part round, this beautiful melody was penned by sixteenth century master of polyphony Thomas Tallis. An excellent teaching piece, the lyrical tune (set with an original winter text) sits so well in the voice. As a special touch, phrases from 'In the Bleak Midwinter? are artfully woven throughout. / Choeur SSA
Délais: 2-5 jours - En Stock Fournisseur |
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| Winter Canon 2 Pt
Chorale 2 parties
Alfred Publishing
Sung in unison, two, three, and eventually four-part round, this beautiful melod...(+)
Sung in unison, two, three, and eventually four-part round, this beautiful melody was penned by sixteenth century master of polyphony Thomas Tallis. An excellent teaching piece, the lyrical tune (set with an original winter text) sits so well in the voice. As a special touch, phrases from 'In the Bleak Midwinter? are artfully woven throughout. / 2 Parties Mixtes
Délais: 2-5 jours - En Stock Fournisseur |
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| Winter Canon
Chorale SATB
Alfred Publishing
Sung in unison, two, three, and eventually four-part round, this beautiful melod...(+)
Sung in unison, two, three, and eventually four-part round, this beautiful melody was penned by sixteenth century master of polyphony Thomas Tallis. An excellent teaching piece, the lyrical tune (set with an original winter text) sits so well in the voice. As a special touch, phrases from 'In the Bleak Midwinter? are artfully woven throughout. / Choeur Mixte (SATB)
Délais: 2-5 jours - En Stock Fournisseur |
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| Cheryl Frances-Hoad: From
The Beginning Of The
World: SATB: Vocal Score
Chorale SATB [Vocal Score]
Cadenza Music
'From the Beginning of the World was commissioned by the Cardinall’s Music...(+)
'From the Beginning of the World was commissioned by the Cardinall’s Musick and premiered at Cadogan Hall on the 20th July 2015 in the first of the 2015 BBC Proms Chamber Music Concerts. The concert launched The Tallis Edition a new project by the ensemble with an aim to throw new light on Tallis’s work and part of the commission brief was that my new piece should be a homage to this great English polyphonist. I spent several weeks in libraries attempting to find a suitable text eventually settling on excerpts from Tycho Brahe’s German Treatise on the Great Comet of 1577. Whether Tallis knew about the comet is unknown of course but this seismic event to me seemed emblematic of all the great changes that occurred during his lifetime in areas such as religion the calendar and time-keeping (finding out that Tallis lived out his last days in Greenwich was an extra bonus). The text also seems to speak to contemporary times: whilst Brahe may have thought the comet’s birth would cause the sun to ‘bring unnatural heat’ nowadays we know that its ‘venom [will be] spewed over the lands’ due to mankind’s continued pillaging of the earth’s natural resources. Yet our political ‘pseudo prophets’ prefer to distract us with an austerity delusion rather than confront a reality perpetuated by certain corporations for whom ‘seek[ing] their own honour’ is of primary value. The music itself is very influenced by Tallis and canons and imitation abound. During my time as a ‘cellist at the Yehudi Menuhin School I performed Ralph Vaughan Williams’s Fantasia on a Theme of Thomas Tallis many times and so From the Beginning of the World which also uses Tallis’s Third Mode Melody from the English Hymnal is really a homage to both composers.' - Cheryl Frances-Hoad.
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| Thomas Tallis: The Tallis
Psalter Psalms And
Anthems: SATB: Vocal
Score
Chorale SATB
SATB [Vocal Score]
Novello & Co Ltd.
Canticles Preces and Responses-The Tallis Psalter comprises a collection of Tal...(+)
Canticles Preces and Responses-The Tallis Psalter comprises a collection of Tallis's 9 tunes for Archbishop Parker's Psalter preces and responses the Magnificat and Nunc dimittis (Dorian Service) and a number of easily learnable anthems all by Tallis. David Skinner is one of the leading scholars in editing music of this period and this book will be attractive to choirs looking for easily performable and new versions of Tallis choral works.'I was delighted to see this neat little book cataining the English church music expressing the simplicity of the needs of the reformed church and the needs of current Anglican choirs.' - Clifford Bartlett Early MusicReview
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| Ars Musica Vol. 3 - Voix
Egales
Moseler Verlag
Edition de Gottfried Wolters
Feier/Musik: Wohlauf, wir heben mit Singen an ...(+)
Edition de Gottfried Wolters
Feier/Musik: Wohlauf, wir heben mit Singen an (Paul Ernst Ruppel)
Grünet die Hoffnung (Gottfried Wolters)
An die Freude: Freude, schöner Götterfunken (Ludwig van Beethoven)
Freisinn: Lasst mich nur auf meinem Sattel gelten (Gottfried Wolters)
Wer sich die Musik erkiest (Heinz Lau)
Musica est Dei donum optimi / Dass dich Gott behüte (Kanon / Orlando di Lasso)
Lob der Musik: Was mag doch diese Welt (Johann Rudolf Ahle)
Stimmt an, stimmt an den Lobgesang (Kanon / Andrea Antico)
Tageskreis: All Morgen ist ganz frisch und neu / Vom Himmel hoch, da komm ich her (Caspar Othmayer)
Steht auf, ihr lieben Kinderlein (Max Reger)
Am Morgen: Strahlend steigt am Himmelsbogen (Orlando di Lasso)
Heil dem Tag / Lobet all Gottes Güt (Kanon / Wolfgang Amadeus Mozart)
Die güldene Sonne (Arthur Sädler)
Die helle Sonn leucht? jetzt herfür (Wolfgang Stockmeier)
Fliegt der erste Morgenstrahl (Willi Träder)
Im Wald ist schon der helle Tag (Gottfried Wolters)
Morgenlied: Es tagt, der Sonne Morgenstrahl (Werner Gneist)
Jeden Morgen geht die Sonne auf (Gottfried Wolters)
Dämmerung bricht jetzt herein (Ernst Häublein)
In the twilight stillness / In der Dämmerstille (Kanon / England)
Gute Nacht: Hält einer über uns die Wacht (Kanon / England)
Lasst uns all nach Hause gehen (Kurt Müller)
Zeit zu gehn ists (Kanon / Gottfried Wolters)
Nun wollen wir singen das Abendlied (Otto Kaufmann)
Ich liege und schlafe ganz in Frieden (Kanon / Otto Kaufmann)
Nun wollen wir singen das Abendlied (Felicitas Kukuck)
All praise to thee, my God / Dank sei dir Gott (Kanon / Thomas Tallis)
Der Mond ist aufgegangen (Herbert Langhans)
Der Mond ist aufgegangen (Otto Kaufmann)
Es dunkelt schon die Heide (Felicitas Kukuck)
Dunkelt das Land nun (Jens Rohwer)
O du stille Zeit (Gottfried Wolters)
Wiegen-Reim: Ozewiezewoze (Gottfried Wolters)
Frau Holle tut das Wasser tragen (Gottfried Wolters)
Kindlein mein, schlaf doch ein / Kindla mei, schloff ock ei (Otto Kaufmann)
Sommeil, vite, vite (Gottfried Wolters)
Dobrú noc, má milá / Gute Nacht: Schlafe, Liebchen gute Nacht (Heinz Lau)
Jahreskreis: Ach bittrer Winter (Armin Knab)
Limu limu lima / Limu limu leimen (Gottfried Wolters)
Der Feber ist vergangen (Heinrich Spitta)
Im Walde blüht der Seidelbast (Heinz Lau)
Wollt im Winter ein Brieflein schreiben (Gottfried Wolters)
Ei wohl ein schöne Zeit (Volkssatz)
Trariro, der Sommer der ist do (Gottfried Wolters)
Trariro, der Sommer der ist do (Felicitas Kukuck)
Singt ein Vogel (Heinz Lau)
Der Maien bringt uns der Blümlein viel (Michael Praetorius)
Grüss Gott, du schöner Maie / Eija, der Maie (Jens Rohwer)
Grüss Gott, du schöner Maie / Durch Feld und Buchenhallen (Andreas Rauch)
Der kühle Maien (Johann Hermann Schein)
Mailied: Grüner wird die Au (Franz Schubert)
Willkommen, lieber schöner Mai (Kanon / Franz Schubert)
Der Mai beginnt: Der Schnee zerrinnt, der Mai beginnt (Kanon / Franz Schubert)
Nun will der Lenz uns grüssen (Helmut Bornefeld)
Zu Maien die Vögelein singen (Wilhelm Keller)
Die liebe Maienzeit (Melchior Franck)
Der Kuckuck bleibt nicht still: L?inverno è passato / Der Winter ist vorüber (Hermann Wunsch)
Hört ihr ihn rufen (Kanon / England)
Der Kuckuck: Hört ihr den Vogel schrein (Kanon / Felicitas Kukuck)
Dieser Kuckuck, der mich neckt (Herbert Beuerle)
The nightingale, the merry nightingale (Kanon / England)
In the merry month of may (Henry Youll)
Come let us all amaying go / Das ist der Mai (Kanon / John Hilton)
Lachend kommt der Sommer (Zoltán Kodály)
Wacht auf, der helle Tag ist längst erwacht (Felicitas Kukuck)
Schön ist die Welt (Gottfried Wolters)
Mich brennts in meinen Reiseschuhn (Gottfried Wolters)
Lied der Räuber: Ein freies Leben führen wir (Gottfried Wolters)
Festlied: Von dem Berge zu den Hügeln (Heinz Lau)
Sonne leuchte mir ins Herz hinein (Heinz Lau)
Im Wald, im hellen Sonnenschein (Ernst-Lothar von Knorr)
O Täler weit, o Höhen (Melchior Franck)
Abschied vom Walde: Wer hat dich, du schöner Wald (Walter Rein)
Ihr kleinen Vögelein (Werner Gneist)
Ihr kleinen Vögelein (Gottfried Wolters)
Geh aus, mein Herz, und suche Freud (Jakob Regnart)
Lobt Gott, den Herrn: Ihr Leut, steht auf (Kanon / Gottfried Wolters)
Lobt Gott in allen Landen (Konrad Hagius)
Von Gott kommt alles her: Was nah ist und was ferne (Wilhelm Keller)
Gott hat alles recht gemacht (Volkssatz)
Ridijo (Jodler)
Europäische Lieder und Chorsätze: No, though I shrink still (Thomas Weelkes)
Sweet Nymph (Thomas Morley)
Though Philomela lost her love (Thomas Morley)
Adieu, sweet Amaryllis (Kanon / Richard Brown)
Ik zeg adieu / Ich sag ade (Jacobus Clemens non papa)
Adieu soulas / Ich sag ade (Antoine de Févin)
La Perronnelle:Av? vous point vu / Habt ihr gesehen die Perronnellle (Jacobus Clemens non papa)
La pastorella mia (Jakob Arcadelt)
La mia dolce pastorella (Domenici Maria Melli)
Parapiglia: Madona nui sapimo bon giocare / Ihr Schönen, kommt, wir wissen lust?ge Spiele (Giovanni Domenico da Nola)
No desmayes, coraçón (Alfonso de Mondéjar)
Sola me dejastes (16. Jahrhundert)
Mit Lieb bin ich umfangen / Es ist ein Schnee gefallen (Caspar Othmayr)
Es weht ein Windlein kühl von Osten (Jacobus Clemens non papa)
Wann ich gedenk der Stund (Jacobus Clemens non papa)
Kein grösser Freud (Jakob Regnart)
Ohn dich muss ich mich aller Freuden massen (Leonhard Lechner)
Der Winter ist ein strenger Gast (Michael Praetorius)
All mein Gedanken, die ich hab (Kaspar Roeseling)
Minnelied: Ich freue mich auf die Blumen rot (Ernst-Lothar von Knorr)
Wach auf, meins Herzens Schöne (Otto Kaufmann)
Fein sein, beinander bleibn (Volkssatz)
Verstohlen geht der Mond auf (Ernst Häublein)
O du schöner Rosengarten (Gottfried Wolters)
Ich hört ein Sichelein rauschen (Heinz Lau)
Es war ein König in Thule (Carl Friedrich Zelter)
Es sass ein klein wild Vögelein (Helmut Bräutigam)
Zogen einst fünf wilde Schwäne (Heinz Lau)
Ich fahr dahin, wann es muss sein (Johannes Brahms)
Feinsliebchen, du sollst mir nicht barfuss geh?n (Johannes Brahms)
Da unten im Tale (Johannes Brahms)
Wenn ich ein Vöglein wär (Kanon / Clara Schumann)
Rossignolets du bois joli / Nachtigall, sing dein schönstes Lied (Gottfried Wolters)
Rossinyol, que vas a França / Rossinyol, flieg hin nach Frankreich (Gottfried Wolters)
Tulu, kommst du den nicht (Jens Rohwer)
Uti vår hage / Draussen da wachsen blau Beeren (Felicitas Kukuck)
Per Spelemann / Hans Spielmann (Daniel Helldén)
Per Spelemann / Hans Spielmann (Otto Kaufmann)
Mä olen paimenpoikamen / Ich bin ein junger Hirtenknab (Gottfried Wolters)
Boerinnetje van buiten (Leontinus)
Wel Anne-Marieke (Kamiel Cooremans)
Das Carillon von Ekelsbeeke: Über Ekelsbeeke klingt (Gottfried Wolters)
J?ai descendu dans mon jardin / In meinen Garten trat ich ein (Willi Träder)
Carillon d?Orléans: Orléans, Beaugency (Kanon / Frankreich)
Si le Roy m?avait donné Paris / Wenn der König mir Paris (Gottfried Wolters)
La Violette: J?ai un long voyage à faire / Eine weite Reise hätt ich (Carl Orff)
Fior di viola / O Veilchenblüte (Carl Orff)
Kuckuck ist ein braver Mann (Carl Orff)
Gesang der Wolga-Schlepper: Ej uchnjem! Jesco rasik / Ej uchnjem! Ruft noch einmal (Otto Kaufmann)
Spielt ein Flötlein auf der Gassen (Ernst Häublein)
Sag mir doch, wo ist den mein Liebster hin (Gottfried Wolters) - Spinn, nur meine Spinnerin (Gottfried Wolters)
Abschied: Blumen haben lang geblüht (Gottfried Wolters)
Flieg her, kleiner bunter Vogel: Vöglein, flieg doch her zu mir (Lajos Bárdos)
Nem láttam én molnárcsókot / Sah nie einen Müller küssen (Lajos Bárdos)
Slowakischer Dudelsackpfeifer: Eine alte Hex (Lajos Bárdos)
Pandur andanduri (Ungaresca)
Sej, filipa táncom (Zoltán Kodály)
Hej, tulipán, teljes szëgfü / Hej, tulipán, schaut euch meinen Garten an (Zoltán Kodály)
Volt nekëm ëgy kecském / Hatte eine Ziege (Zoltán Kodály)
Her über d?Alm (Volkssatz)
Auf der Alma, da gibt?s Kalma (Volkssatz)
Hore, hollarore (Jodler)
Springt der Hirsch übern Bach (Volkssatz)
Und der Gugu im Wald Volkssatz)
Böhmische Musikanten: Heit gihts nôch Sachsen `naus (Volkssatz)
Böhmische Musici (Volkssatz)
Der Steirer Dreier: Hoi rieho (Jodler)
Papagenos Glockenspiel: Das klinget so herrlich (Wolfgang Amadeus Mozart)
Gesseligkeit: Herr von Gänsewitz zu seinem Kammerdiener: Befehlt doch draussen still zu schweigen (Kanon / Joseph Hayden)
Er ist da (Kanon / Friedrich Kuhlau)
O du eselhafter Martin (Kanon / Wolfgang Amadeus Mozart)
Warnung: Mädchen, ach, meide Männerschmeichelein (Kanon / Carl Maria von Weber)
Kommt und lasst uns tanzen (Kanon / Frankreich)
Kommt, ihr Gspielen (Melchior Franck)
Die Brücke über den Main: Es führt über den Main (Felicitas Kukuck)
Mädel, lass zum Tanz dich führen (Siegfried Rath)
Jetzt wird getanzt (Kanon / Amerika)
Hör ich von fern Musik (Heinz Lau)
Tanzlied: Ich hab die Ros? an meinem Fuss (Carl Orff)
Sur le pont d?Avignon / Kommt zum Tanz herbei (Heinz Lau)
Heissa Kathreinerle (Gerd Watkinson)
Tanz-Quodlibet: Heissa, Kathreinerle / Immerzu,ja tanzen immerzu / Zum Tanze da geht
Je höher der Kirchturm (Franz Biebl)
Quodlibet: Übers Bacherl bin i gesprunge / Auf der Mauer, auf der Lauer / Drunten im Unterland (Arthur Sädler)
Horch, was kommt von draussen rein (Otto Kaufmann)
Martin, lieber Herre (Ernst Häublein)
Maciek: Trägt der Maciek (Felicitas Kukuck)
Mir san ja, die lustigen Hammaschmiedsgsölln (Fritz Büchtger)
Jagd-Quodlibet: Auf, auf, zum fröhlichen Jagen / Ein Jäger aus Kurpfalz / Der Jäger in dem grünen Wald (Hans Poser)
Begrüssung: Hört ihr den jubelnden Ton (Volkssatz)
Blaset die Hörner zum fröhlichen Jagen (Gottfried Wolters)
Das grosse Halali: Rufen die Hörner halali (Volkssatz)
Seefahrt/Shanty/Negro-Songs: What shall we do (Otto Kaufmann)
Vinden drar, skeppet far / Winde wehn, Schiffe gehn (Carl Borenlius) - Vinden drar, skeppet far / Winde wehn, Schiffe gehn (Jens Rohwer)
Vinden drar, skeppet far / Winde wehn, Schiffe gehn (Otto Kaufmann)
Farewell and adieu / Fareewell und adieu (Gottfried Wolters)
This ol? hammer (Kanon / Amerika)
Go down, Moses (Gottfried Wolters)
Blin? man stood on de way an? cried (Gottfried Wolters)
I never felt such love (Gottfried Wolters)
Crucifixion: They crucified my Lord (Gottfried Wolters)
Singin? wid sword in ma han? (Paul Ernst Ruppel)
Lit?le David (Gottfried Wolters)
Geistliche Chormusik: Conditor alme siderum / Gott, heiliger Schöpfer (Jacobus Clemens non papa)
Jesu, rex admirabilis / Jesu, dulcis memoria (Giovanni Pierluigi da Palestrina)
Ad te, perenne gaudium / Christe, der du bist Tag und Licht (Orlando di Lasso)
Vater unser im Himmelreich (Leonhard Paminger)
Vater unser im Himmelreich / Leit uns mit deiner rechten Hand (Kanon / Samuel Scheidt)
Herr, höre meine Worte (Hans Leo Hassler)
Ein Lied in Fröhlichkeit des Geistes zu singen: Ich freue mich und bin fröhlich (Caspar Othmayr)
Lasst uns den Herren loben (Heinrich Schütz)
Das Deo gratias: Danket dem Herren, denn er ist sehr freundlich (Johann Hermann Schein)
Ein feste Burg ist unser Gott (Caspar Othmayr)
Benedictus (Orlando di Lasso)
Herr Gott, dich loben wir (Johann Joseph Fux)
Tisch-Gebet: Aller Augen warten auf dich, Herre (Heinrich Schütz)
Danket dem Herren, denn er ist sehr freundlich (Heinrich Schütz)
Danket dem Herren, denn er ist sehr freundlich (Johann Staden)
Danket Gott, dem Herren (Johann Kugelmann)
Laudate Dominum (Gregor Aichinger)
Alleluia (Kanon / William Boyce)
Cantate Domino (Daniel Friderici)
Pleni sunt coeli et terra (Francesco Durante)
Es ist ein köstlich Ding (Johann Staden)
Nun danket alle Gott (Johann Sebastian Bach)
Wer nur den lieben Gott lässt walten (Johann Sebastian Bach)
Du Friedefürst, Herr Jesu Christ (Johann Sebastian Bach)
Laudate Deum (Kanon / Henry Purcell)
Singt dem Herrn ein neues Lied / Canticorum jubilo (Georg Friedrich Händel)
Heilig, heilig, heilig, heilig ist der Herr (Franz Schubert)
Soli Deo gloria: Gloria, soli Deo gloria (Kanon / Paul Kickstat)
Lobe den Herren, den mächtigen König (Gottfried Wolters)
Sancta Trinitas: Dominum patrem nostrum benedicimus (Kanon / Jens Rohwer)
Wie schön leuchtet der Morgenstern (Fritz Dietrich)
Advent/Weihnachten: O Heiland, reiss die Himmel auf (Heinz Lau)
Es kommt ein Schiff, geladen (Otto Kaufmann) -
Es war ein Jungfrau auserkorn / Die ganze Welt, Herr Jesu Christ (Jacobus Clemens non papa)
Maria durch ein Dornwald ging (Cesar Bresgen)
Es ist ein Ros entsprungen (Johannes Petzold)
Es ist ein Ros entsprungen (Michael Praetorius)
Vom Himmel hoch, da komm ich her (Otto Kaufmann)
Uns ist ein Kindlein heut geborn (Johann Sebastian Bach)
Freut euch, ihr lieben Christen (Leonhart Schröter)
O Jesulein zart (Samuel Scheidt)
Lobt Gott, ihr Christen (Max Reger)
Gloria in exelsis Deo (Gottfried Wolters)
Hört, ihr Hirten, lasst euch sagen (Gottfried Wolters)
Jodler-Andacht: Tjo tjoiri (Jodler)
Die Hirten freuten sich (Gottfried Wolters)
Es wird scho glei dumpa (Volkssatz)
Der Heiland ist geboren (Walther Hensel)
Still, still, still, wer Gott erkennen will (Gottfried Wolters)
Ein Kind ist geboren zu Bethlem im Stall (Gottfried Wolters)
Kommet, ihr Hirten (Heinz Lau)
O du fröhliche / O sanctissima (Gottfried Wolters)
Haben Engel wir vernommen (Willi Träder)
Am weyhnachtabend in der still (Carl Orff)
Melchior et Balthazar / Melchior und Balthazar (Gottfried Wolters)
Marsch der Könige: Hoch zu Ross (Gottfried Wolters)
Täglich zu singen: Ich danke Gott (Wilhelm Keller)
Délais: Sur commande |
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| The Tallis Psalter:
Psalms And Anthems
Chorale SATB
Novello & Co Ltd.
The Tallis Psalter comprises a collection of Tallis's 9 tunes for Archbishop Par...(+)
The Tallis Psalter comprises a collection of Tallis's 9 tunes for Archbishop Parker's Psalter, preces and responses, the Magnificat and Nunc dimittis (Dorian Service) and a number of easily learnable anthems, all by Tallis. David Skinner is one of the leading scholars in editing music of this period, and this book will be attractive to choirs looking for easily performable and new versions of Tallis choral works. 'I was delighted to see this neat little book cataining the English church music, expressing the simplicity of the needs of the reformed church and the needs of current Anglican choirs.' - Clifford Bartlett, Early Music Review / Choeur Mixte (SATB)
Délais: 2-5 jours - En Stock Fournisseur |
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| Roderick Williams: O
Saviour of the World:
Mixed Choir A Cappella:
Vocal Score
Chorale SSATB
SSATB A Cappella
Peters
O Saviour of the World. Composed for unaccompanied SSATB with an English text fr...(+)
O Saviour of the World. Composed for unaccompanied SSATB with an English text from the Book of Common Prayer. This five-minute anthem was written for the UK?s Thomas Tallis Society, having in mind Tallis?s famous work for 5 voices with latin text, Salvator Mundi. The music matches the sense of anguish in the text.
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| Ivo Antognini: O Nata
Lux: SATB: Vocal Score
Chorale SATB [Vocal Score]
Schirmer
Jon Washburn Choral Series-This work from the Swiss composer Ivo Antognini was i...(+)
Jon Washburn Choral Series-This work from the Swiss composer Ivo Antognini was inspired by the astonishing Thomas Tallis setting of the same text. Incorporating Tallis' original melody in the final refrain O Nata Lux isfull of shimmering chords and unexpected harmonic inventions. This work is highly recommended for accomplished choirs and ensembles.
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| Liebeslieder - Love Songs
Piano, Voix [Partition]
Carus Verlag
80 Arrangements For Weddings And Celebrations. What would love be without music ...(+)
80 Arrangements For Weddings And Celebrations. What would love be without music - or music without love! Many couples associate unforgettable beautiful hours, a first meeting, or first kiss with a particular song. And composers have always been inspired and stimulated by love, have celebrated romantic love and longing from afar, secret love, and jealousy. In her selection of 80 songs from seven centuries, Mirjam James evokes this tremendous feeling with the most beautiful songs ranging from medieval courtly songs, through Beethoven's Ich liebe dich, to the Beatles song And I love her. Many of the songs come from German and English language traditions, but what would such a book be without the fire of southern Europe or a dose of French charm, without the moving melodies of cool northern climes, or the melancholy songs of the Russian soul? A vocal score has been published which contains all of the the songs in the new Carus book of lovesongs in easily playable accompaniments. For many of these songs choral settings by famous composers such as John Dowland, Thomas Morley, Thomas Tallis or Thoinot Arbeau have been adopted, wherever possible, in their original form. In addition, well-known and familiar original settings by Beethoven, Brahms, Benjamin Britten, and other composers will be found in this collection. Songs with entirely new accompaniments have also been included, resulting in a collection of lovesongs offering a distinctive stylistic variety suitable for many different occasions./ Répertoire / Chant et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Thomas Tallis: O Sacrum
Convivium: Mixed Choir:
Vocal Score [Vocal Score]
Oxford University Press
O Sacrum Convivium was probably composed in the 1560's but like several other ...(+)
O Sacrum Convivium was probably composed in the 1560's but like several other motets composed by Tallis in his 1575 collection it was later substantially revised. This music was originally conceived as an instrumental fantasia; subsequently during the course of its extensive musical remoulding it was adapted to a variety of English texts as well as to the present Latin words. The version published in 1575 from which this edition is taken may be regarded as Tallis' final definitive statement on the work. For SAATB a cappella.
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| Thomas Tallis The Eagles:
Tallis/Giles Magnificat &
Nunc Dimittis No.6a Satb:
Chorale [ ]
Novello & Co Ltd.
Tallis/Giles Magnificat & Nunc Dimittis No.6a Satb
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| Carl P. Daw Jr.: Dare to
Call It Good: SATB: Vocal
Score
Chorale SATB [Vocal Score]
Shawnee Press
A powerful emotional text and rich harmonies express the passion of Christ's sa...(+)
A powerful emotional text and rich harmonies express the passion of Christ's sacrifice. Using “The Third Melody” by sixteenth-century composer Thomas Tallis arranger Lee Dengler expresses the inexpressible with vocalcolors and textures that give tremendous depth of feeling to the awesome significance of Good Friday. The Creator has been crucified. “With awe we glimpse its true import and dare to call it good.”
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| May Joyful Music Fill the
Air: SAB: Vocal Score
Chorale 3 parties
SAB [Vocal Score]
Hal Leonard
Based on a canon by Thomas Tallis this delightful setting for younger choirs ma...(+)
Based on a canon by Thomas Tallis this delightful setting for younger choirs maintains the beautiful melody and adds an accessible piano accompaniment and lyrics that speak of the beauty of music and singing. An excellent choicefor contest or festival! Performance Time: 2:10.Available separately: SAB and 2-Part.
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| Alan Smith: O nata lux:
Mixed Choir: Vocal Score [Vocal Score]
Oxford University Press
Alan Smith's O Nata Lux for SATB (with divisions) unaccompanied. Alan Smith's se...(+)
Alan Smith's O Nata Lux for SATB (with divisions) unaccompanied. Alan Smith's setting of the Latin hymn at Lauds for The Feast of Transfiguration is stately and solemn. Featuring imitative entries that open out into rich expansive textures at climactic moments the anthem is an appealing alternative to the well-known setting by Thomas Tallis.
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| Thea Musgrave: Rorate
Coeli: SATB: Vocal Score
Chorale SATB
SATB A Cappella [Vocal Score] - Avancé
Novello & Co Ltd.
Rorate Coeli for unaccompanied chorus was written in 1973 in response to a comm...(+)
Rorate Coeli for unaccompanied chorus was written in 1973 in response to a commission from the National Federation of Music Societies in Great Britain. It was first performed by the Thomas Tallis choir in Greenwich. It is a setting of two interleaved poems of the famous Scottish poet William Dunbar (written circa 1500). One poem is the Nativity poem of the title the other is the poem about the Resurrection: 'Done is a battle on the dragon black'. The work is framed by the rich chords of the opening line where full chorus is echoed by soloists. This setting of both poems simultaneously reminiscent of medieval polytextural techniques shows the future victory of theResurrection along with present joy of the Nativity. The chords of the opening return at the end combined with an exultant Gloria.
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| Alec Roth: Earthrise:
SATB: Vocal Score
Chorale SATB [Vocal Score]
Peters
Version for accompanied SATB Choir-A choral work inspired by the photograph of t...(+)
Version for accompanied SATB Choir-A choral work inspired by the photograph of the same name taken from lunar orbit in 1968 considering the positive and negative sides of the human race's mastery and control of the world. The work was commissioned by the UK choir Ex Cathedra for its 40th anniversary which fell in the same year (1969) as the 40th anniversary of the Moon landing. It was written for 40-part choir on the model of Thomas Tallis's famous Spem in alium.
Délais: En Stock |
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| Coronation Gloria In Bb:
SATB: Vocal Score
Chorale SATB [Vocal Score]
Stainer and Bell
The Gloria in Excelsis was written by Sir Charles Villiers Stanford for the coro...(+)
The Gloria in Excelsis was written by Sir Charles Villiers Stanford for the coronation of HM King George V on 22 June 1911. It was an occasion of some note in the annals of British music for Elgar?s Coronation March and Parry?s grand festival Te Deum were also heard for the first time that day. In addition there was music by Thomas Tallis Orlando Gibbons and Sir John Stainer as well as by the Master of the King?s Music and organist of St George?s Chapel Windsor Sir Walter Parratt. It was published the following year as part of Stanford?s Opus 128 the Festal Communion Service for voices and orchestra which was also made available withthe accompaniment arranged by the composer for organ. However such was the popularity of the Gloria a magnificent and wholly representative example of Stanford?s genius for church music that it soon became popular as a separate piece either with organ or orchestral accompaniment and it was included in the orders of service for the coronations of HM King George VI on 12 May 1937 and HM Queen Elizabeth II on 2 June 1953.
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