for Horn and Orchestra. Par SCHWARZ OTTO M.. Le cap Horn est le point le plus austral des terres rattachées à l?Amérique du Sud. Cap promontoire, il est situé sur l?île Horn dans le sud du Chili. Pendant de nombreuses années, le cap Horn a été l?un des passages les plus dangereux au monde pour les navires voulant transiter de l?océan Atlantique au Pacifique à l?ouest. Si la découverte du cap est communément attribuée à l?Anglais Sir Francis Drake, qui découvrit ce passage en 1578 au cours de sa circumnavigation, le navigateur néerlandais Willem Cornelisz Schouten fut le premier à franchir le cap Horn (Kaap Hoorn) en 1616, qu?il baptisa ainsi d?après son lieu de naissance, la ville de Hoorn aux Pays-Bas. Le cap Horn a la réputation d?être un cimetière marin. Plus de 800 navires et 10 000 hommes ont disparu dans les eaux glacées au moment de « doubler » le cap. Cape Horn (Le cap Horn) est une oeuvre pour Cor solo et Orchestre d?Harmonie. La musique reflète la beauté et les dangers de cette région. Animé par un esprit de curiosité et soucieux d?élargir le répertoire pour instrument soliste et Orchestre d?Harmonie, Otto M. Schwarz développe des passerelles entre les styles et les genres. La musique de film est l?expression musicale de prédilection du compositeur. L?esthétique, les parties expérimentales et les lignes mélodiques palpitantes sont parfaitement caractéristiques de l?écriture du compositeur. / Date parution : 2023-03-11/ Répertoire / Cor et Orchestre

Penderecki\'s Horn Concerto subtitled Winterreise [Winter Journey] is already part of the repertoire of every hornist who concerns himself with unusual sounds and playing techniques. Now the piano reduction is to be published in order that the work shall, deservedly, be even more widely distributed. / Cor Et Orchestre

Full Score-The Horn Concerto was written in 1971 and was the first of the ten concertos Gregson has composed to date. It is dedicated to the English horn player Ifor James who died in 2004 and was originally written for brass band. However in 2013 Gregson was asked by Paul Klein Principal Horn of the Ulster Orchestra and BBC Northern Ireland to undertake an orchestral version for him.  Gregson decided to score the concerto for a late Haydn sized orchestra with the addition of a percussionist to add some colour to the texture. The concerto takes as its starting point the Mozartian model namely a sonata form opening movement a song-like slow movement and a jaunty rondo finale. The opening movement opens with a strident motif built on rising fourths announced by the soloist and answered by the orchestra. This pattern of ‘question/answer’ continues until a climactic moment breaks the tension and is followed by a lyrical second subject announced by the soloist over undulating rhythmic patterns on strings. The music is developed and recapitulated from these ideas with the lyrical idea returning via solo clarinet with horn answering in canon. The movement ends with the strident fourths this time in inversion. The slow movement is in tertiary form and opens with an expansive melody from the soloist over a repetitive harmonic and melodic pattern. This is expanded and developed building all the while in intensity until it is interrupted by cadenza-like passages on the horn and muted brass. After a brief climax the music subsides into a moment of emotional serenity before the opening melody returns this time on solo oboe with the horn interweaving its own answering melodic lines. The rondo finale is more light-hearted in mood with a catchy 6/8 tune at its heart. It is twice interrupted first by an idea built on long held chromatic notes from the soloist against a highly rhythmic backdrop (wind brass and snare drum) then by a slower more thoughtful melodic idea. However