As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera transcribed for Flute and Harp by Christian Lardé and Marie-Claire Jamet contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies  Pièce En Forme De Habanera clearly exemplifies these qualities through flourishing Flute lines and evocative chordal and rhythmic Harp accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitement. All of these musical elementscombine to create a highly enjoyable piece for the Flute and Harp repertoire. In addition the clear print of separate solo and accompaniment parts in this edition ofPièce En Forme De Habanera add to an irresistible purchase for aspiring Flute players.

for Flute and Harp [or Piano]-Four Classic Melodies For Flute And Harp. The Harp accompaniment has been meticulously arranged by expert Harp player and teacher Stewart Green but the pieces work equally well for Flute and Piano.

Two dances for flute and harp from Peter Maxwell Davies' ballet Caroline Mathilde.A new instrumentation restores this linked pair of dances from Davies's second full-length ballet Caroline Mathilde based on the story ofthe eighteenth-century British princess sent in marriage to Denmark to the eighteenth-century milieu of the work's setting and musical world. The period manners - a gavotte in the first dance a gigue at the start of the second -are typically overlaid with the composer's Scottishness. In general the harp has an accompanying role but it comes forward alone in the second movement which ends with bravura from both instruments.These two dances were firstperformed in September 1993 at the Northlands Festival by David Nicholson and Eluned Pierce.Score and flute part. Duration c. 5mins.Harp part edited by Elune Pierce.

Composed for Emma Halnan winner of The Arts Club ? Sir Karl Jenkins Music Award 2016.The composer comments that ?for the first ten years of this century I lived and composed on the Gower Peninsula an area of sandy beaches and dramatic cliff scenery with coastal caves; the first area in the UK to be officially designated as one of outstanding natural beauty. Living in an old mill alongside the Bury Pill stream I wrote from a stable block enjoying a vista across Cheriton Valley and the river to Ryers Down. This work is a musical reflection of time spent there.?Originally scored for Flute and Piano this publication comprises the Harp adaptationby Heather Wrighton. It doesn't include the Flute part as a single part. Flautists should purchase the Flute and Piano edition.

Par FRANCK CESAR / MAGALIF EUGENE (Arr.). Prelude, Fugue and Variation for Flute and Harp (or Piano), by Cesar Franck, here adapted for concert performance by Eugene Magalif, including further 'improvisatory' passages following the Prelude, the addition of another melody in the Fugue, and more solo material for the flute in the Variation. / Date parution : 2022-11-29/ Répertoire / Flûte Traversière et Harpe

Original Manuscript Edition-Almost 100 years after the first publication of Debussy's Sonate Pour Flute Alto Et Harpe by Durand et Cie this seminal work in the chamber music literature has been meticulously compared contrasted and corrected against Debussy's handwritten and autographed 1915 manuscript. Using photographs provided by the National Library of France harpist Carl Swanson has documented and corrected nearly 300 discrepancies between the composer's intent and the Durand 1916 edition.The corrections made in this edition consist of musical indications being omitted misplaced or inverted; dynamic markings that are in the manuscriptbut not the printed version have been added wrong and misaligned notes have been corrected musical indications previously omitted in individual parts have been added and intended durations of dynamic and tempo changes have been corrected.Debussy was one of the first composers to make extensive use of musical indications and was extremely meticulous in his scores. To read a score of his with missing misplaced or wrong directions is a significant as reading a score with missing or incorrect notes. Now for the first time in history Debussy's Sonate Pour Flute Alto Et Harpe has been printed exactly as the composer intended.

Par SCHOCKER GARY. Angelsong is a four-movement suite for Flute and Harp, consisting of free-floating, modal tone poems, exploring the beauty of sound. The movements are titled: Cassiel (Angel of Tears), Phanuel (Angel of Hope and Repentance), Hesediel (Angel of Benevolence, Mercy, Freedom), and Netzach (Angel of Eternity)./ Répertoire / Flûte Traversière et Harpe

Flute et Harpe. Par PLAYS JEAN-BERNARD / DEL GADO. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Les oiseaux du Japon (flûte et Harpe) de Plays J.B. / Del Gado qui a été composé pour Flûte Traversière / Niveau : 2ème Cycle / Répertoire / Flûte Traversière et Harpe

Par DELISE LOUIS ANTHONY. Louis Anthony deLise's Seminare for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. The compositions included in this suite are arrangements of solo piano pieces by deLise which began as improvisations, including 'Natural Light,” 'Mosaic II,” and 'Little Lydian.” Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the each of the movements. Louis Anthony deLise's Seminare for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. The compositions included in this suite are arrangements of solo piano pieces by deLise which began as improvisations, including 'Natural Light,” 'Mosaic II,” and 'Little Lydian.” Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the each of the movements./ Répertoire / Flûte Traversière et Harpe

Par DELISE LOUIS ANTHONY. Louis Anthony deLise's Giocara for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. As the title implies, (giocara means 'to play'), this collection is all about playfulness, and consists of three works: Three Little Dancers, A Preponderance of Sevenths, and Petite Fall Fanfare. Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being primarily diatonic, can be played on lever harp with the notes included.Louis Anthony deLise's Giocara for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. As the title implies, (giocara means 'to play'), this collection is all about playfulness, and consists of three works: Three Little Dancers, A Preponderance of Sevenths, and Petite Fall Fanfare. Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being primarily diatonic, can be played on lever harp with the notes included./ Répertoire / Flûte Traversière et Harpe

Par WHIBLEY DANIEL. A traditional Irish tune (The Twisting of the Rope) arranged by Dan Whibley for flute and harp (lever or pedal)./ Répertoire / Flûte Traversière et Harpe