Banjo and Uke. Par MC CABE LARRY. Avec les trois accords Noël Songbook, vous aurez besoin des compétences jouant seulement minimes et trois accords-G, C et D7-pour accompagner chaque chanson dans ce grand livre. Le livre dureront est précieux pour tous les musiciens du début, musiciens occasionnels, enseignants, bandes familiales et interprètes. Mélodie, des paroles et des accords sont incluses pour toutes les chansons. Guitare, uke et diagrammes de banjo à cinq cordes sont inclus pour les trois accords, avec les conseils de base d'accompagnement. Conseils de transposition et comment-au-utilisation-le-capo sont inclus pour les chanteurs. Un sourcebook inestimable pour les enseignants- et une fakebook pratique et compact pour les artistes interprètes ou exécutants. Une collection unique de chansons intemporelles pour toute la famille. -Accompagner 50 chansons de Noël dynamiques avec seulement les compétences jeu minimes. -Chaque chanson comprend la mélodie, des paroles et des accords. -Peut-être plus intéressante collection de chants de Noël se trouve aujourd'hui à imprimer. -Les images historiques intéressantes sont retrouvent dans tout le texte. -Un superbe livre pour l'implication des débutants et de les garder en... / Niveau : Débutant / Christmas - Songbooks / Recueil / Guitare

You need only minimal playing skills and three chords--G C and D7--to accompany all the great songs in this innovative book. If you are just getting started or if you are a 'casual' player on a chording instrument this is theperfect book for you. The book is absolutely bursting with a great variety of music: Old-time bluegrass gospel Christmas children's tunes Stephen Foster British and Celtic cowboy blues and more. Because melody and lyricsare provided with every song singers will also enjoy this wonderful collection of the world's favorite songs. Truly a book of outstanding arrangements made playable for folks who play for their own enjoyment. (Some of thesesongs like 'Dark Hollow' and 'Way Downtown ' are hard to find in print.) Guitar uke and five-string banjo diagrams are included for the three chords along with tips on strumming and transposing tips for singers. An invaluablereference book for teachers and pros too!

Par BAY WILLIAM. Une corde-écriture grandeur de livres mettant en vedette 12 grilles de corde vierge et 5 régulières portées par page. Quarante-huit arrachement feuilles imprimées à l'encre noire sur régulière-poids, livre blanc. Comprend des graphiques à base de corde pour guitare, banjo, banjo ténor, uke, uke baryton et mandoline. Propose également un vaste graphique de corde-bâtiment et une discussion de major et minor échelles. / All Styles - Manuscript / Etude / Guitare

Par SEGURET CHRISTIAN. Méthode de guitare Country pour acoustique et électrique. Inclus un CD. SOMMAIRE - Histoire de la guitare country - Tout sur les guitares utilisées dans le style (Dreadnought, Martin et Gibson, Gretsch, Telecaster Fender) - Le style Carter Family - Le crosspicking, le flatpicking, le style de Clarence White et de Tony Rice - Le jeu au médiator et aux doigts - La telecaster dans la musique country (bends, plans de pedal-steel, jeu de banjo appliqué à la guitare) - Le style rockabily et country rock - Le style de Jerry Reed, Vince Gill et Albert Lee - Le western swing et le jazz dans la country - Plans de Charlie Christian, Jimmy Bryant et Hank Garland - Le Nashville Tuning et le B-Bender - 20 standards: rythmiques, thèmes, solos, analyses et play-backs Une pédagogie efficace - Des ralentis et des photos - Tous les conseils - Tous les accords - Des play-backs pour jouer live et improviser à volonté / Niveau : Intermédiaire - Avancé / Méthode en français / Méthode / Guitare

Partie hommage à un instrument classique, des leçons de guitare partie de l'un des meilleur pays joueurs autour de blues, c'est le guide quintessence de toutes choses Telecaster. Arlen Roth aborde les points forts et les caractéristiques de l'un de la première ligne de production, guitare électrique par Leo Fender. Roth prend le spectateur une tournée du patrimoine de l'instrument, mettant en vedette les musiciens plus populaires, les techniques, les sons et les styles. Sa couverture tutorial: * Pedal Steel Bends * derrière l'écrou bends * poulet pickine * Rockabilly rythmes * techniques de Blues * rouleaux de Banjo et bien plus encore. Images inestimable de caractéristiques de certaines grandes icônes Telecaster dont Danny Gaton, James Burton, Albert Collins, Sotty Anderson et une performance de bonus Telemaster Albert Lee. / Guitare / 90 pages / Dvd

Banjo and Uke-With the Three-Chord Christmas Songbook you will need only minimal playing skills and three chords?G C and D7?to accompany each song in this great book. The jam-packed book is invaluable for all beginningmusicians casual musicians teachers family bands and performers. Melody lyrics and chords are included for all songs. Guitar uke and five-string banjo diagrams are included for the three chords along with basicaccompaniment tips. Transposing and how-to-use-the-capo tips are included for singers. An invaluable sourcebook for teachers?and a handy compact fakebook for performers. A unique collection of timeless songs for the entirefamily. Accompany 50 vibrant Christmas songs with only minimal playing skills. Each song includes melody lyrics and chords. Perhaps the most interesting collection of Christmas songs to be found inprint today. Interesting historical images are found throughout the text. A superb book for getting beginners involved and keeping them involved. Only a few minutes of technical training equips anyperson to accompany all 50 songs in this book. Teachers can use this collection as a foundation to teach more advanced patterns and arranging techniques. Excellent 'mini fake book' resource for all musicians andperformers.

Apprenez à jouer excitant et stimulant flatpick tunes sur votre guitare et de développer une nouvelle compréhension de votre instrument. Dan Crary explique les détails et les techniques nécessaires pour jouer cinq de ses éblouissant et la showstopping des normes flatpick. Ses leçons comprennent une foule de caractéristiques flatpick techniques : Fiddle drone effets Banjo ressemblant runs Hammer-ons et compromis pull chaîne claquer Syncopated lèche les sous-titres de cueillette à la Croix ' An Exploration Of Dynamic isolation ', ce DVD sera de redéfinir la façon d'afficher votre guitare et votre style de jeu, ouvrant de nouveaux mondes de l'invention et de l'énergie dans votre solos. / Guitare / Dvd

Par HORNE GREG. Greg Horne, auteur de la méthode complète de la guitare acoustique et Stacy Phillips, un des DOBRO avant tout le monde ! artistes-interprètes et des éducateurs, ont fait équipe pour créer la ressource ultime pour les guitaristes acoustiques prête à l'étape jusqu'à un vel de musicalité. Devenir un musicien acoustique en demande par apprendre à jouer de la mandoline, ukulélé, dulcimer lap, DOBRO ! et plusieurs sortes de banjo. Cet ouvrage couvre les ajustements apportés, techniques et styles, vous devez savoir pour devenir un vrai multi-instrumentaWritten dans un style facile à comprendre et amical, le guitariste de Multi-Instrumental est votre guide pour un nouveau monde de faire de la musique./ Méthode / Guitare

Une documentation du style et la technique d'Albert Lee.Albert Lee a joué avec Eric Clapton, les Everly Brothers, Rosanne Cash, et bien d'autres. Il también un artiste dans son propre droit, acclamé par la critique avoir sorti quatre albums, dont deux ont été nommés ehich aux Grammy Awards. Sa vitesse, pg, sentir, et le choix des notes lui ont valu la réputation d'être le guitariste de pays de premier ministre. 'Faits saillants' caractéristiques Albert Lee à son meilleur, jouant des airs préférés de certaines de ses compositions originales et analyse technique historique et déroutant en profondeur. Des exemples pratiques de Uszens, Albert Lee couvre toute la gamme des stylings guitare pays, y compris les intros et des fins, la cueillette de banjo-style, fonctionne à double-stop, et création de longues courses sans soudure basé sur des formes d'accord, y compris une section de mimer une pédale-stuitar. Il existe de nombreux historiques chaude avec des performances de la bande. Particularités: les matériaux de référence imprimable, 'Apprendre à connaître votre amplificateur' interactive, vidéo conseils supplémentaires, fonction Performance seule - segment Tuning - supplémentaires p 'Haighlights' vidéo / Guitare

Bien qu'initialement considéré comme un instrument de rythme, la guitare a développé une voix solo tous ses propres au monde de Bluegrass - une voix qui est révélé par Scott Nygaard dans ce didacticiel de DVD. Tunes et solos traditionnellement exécutées sur le violon ont été adaptés par une génération de guitaristes comme base pour leurs propres solos dans le son de la musique Bluegrass. Le style est un mélange organique des airs de violon, banjo techniques tels que crosspicking et le Blues. Dans ce DVD, célèbre guitariste Scott Nygaard guides vous par le biais du violon Old-Time tune Little Billy Wilson, un arrangement de cueillette à la Croix de Home Sweet Home, un solo mélodique sur la chanson de blues Trouble dans l'esprit et vous montre comment combiner ces influences lors de la création d'un solo sur une musique bluegrass tune comme East Virginia Blues. Techniques Crosspick, violon et blues sont rigoureusement examinées et expliqués, vous donner la meilleure base possible pour développer votre propre Bluegrass solo sonore. / Guitare

Instructional Book with Online Video Lessons from the Classic Hot Licks Video Series. Par ANDERSON SCOTTY. Scotty Anderson is a true master of the Telecaster with an incredible personal style that he demonstrates In this re-transcribed and edited book with online video. Double and triple stops, unique right-hand techniques, wide-split double stops, chicken pickin', open string banjo- and steel-styles, and Travis picking are just some of the wonders he demonstrates and explains during this feast of red hot guitar playing. All the guitar tab from the original booklets is included and using modern-day technology to provide you with the most accurate transcriptions ever created for this series. Plus, we've included tab for examples that were previously not transcribed, providing you with the most comprehensive Hot Licks guitar lessons yet! Each book comes with a unique code used to access the cloud-based video footage from any type of device. / Date parution : 2022-04-26/ Tablatures / Guitare

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles'the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won't kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, 'One man's remorse is another man's reminiscence.' Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bes

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Craig Wagnerâ??s unique approach to fingerstyle guitar includes equal amounts of jazz funk blues rock pop bluegrass and country flavourings. He turns the guitar into a whole musical combo with adventurous techniquesincorporating two-handed tapping polyrhythms walking bass banjo rolls exotic chords and moving inner voices. His forte is composition and arranging. In this video lesson he presents eye-popping reworkings of the jazzstandards Caravan and Cherokee Herbie Hancockâ??s Chameleon and Stevie Wonderâ??s Superstition. This is a very challenging DVD lesson designed for the advanced fingerstyle guitarist. Advanced techniques taughtinclude: 2 Hand Tapping Walking Bass Polyrhythms Latin Rhythms Arpeggios Chord Theory and Banjo Styles