By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-...(+)
By David R. Gillingham.
Percussion Ensemble. For
Marimba (4-mallet)
(marimba (5-octave)).
Medium to difficult.
Duration 20:00. Published
by C. Alan Publications
3-part equal voices, 3-part mixed voices, piano reduction - Early intermediate <...(+)
3-part equal voices,
3-part mixed voices,
piano reduction - Early
intermediate
SKU:
GI.G-9392
Composed by
Daniel C. Meyer. Lent 4
A, Lent 5 A, Easter 4 A,
OT 16 B, OT 28 A, Christ
the King A, Sacred Heart
C. Simple Gifts. Sacred.
8 pages. GIA Publications
#9392. Published by GIA
Publications (GI.G-9392).
UPC: 785147939207.
English. Text Source:
Based on Psalm 23. Text
by John Quincy Adams.
Scripture: Psalm
23.
Although best
known as the sixth
President of the United
States, John Quincy
Adams’ great desire was
to write poetry, upon
hearing his words set to
music by one of his
contemporaries, he
exclaimed his delight
“as the organ pealed
and the choir of voices
sung the praise of
Almighty God from the
soul of David, adapted to
my native tongue by
me.” This setting was
written for SAB choir,
however, it could be sung
by an SSA ensemble as
well. The tune is
original, but Meyer has
written in the style of
the music that Adams
might have heard in his
day.
Composed
by George Sweet. Concert
Band (CPS). Full score.
With Standard notation.
28 pages. Carl Fischer
Music #CPS228F. Published
by Carl Fischer Music
(CF.CPS228F).
ISBN
9781491153222. UPC:
680160910724.
Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was a
large influencing factor
for George Sweet in the
composition of this
piece. Richly scored for
the modern concert
band, Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass. Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was
an influencing factor on
the composition of the
piece. Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass.This begins
with strict motor
accompaniment. Take care
to maintain equal balance
among the different
“moving parts” so
that they blend to create
a solid whole both here
and throughout the piece.
The primary thematic
material is stated by the
trumpets and horns at m.
12. This material is the
basis for much of the
harmonic and thematic
material that follows. A
slightly varied statement
of the main theme is
presented again at m. 26
with a different type of
motor accompaniment. This
leads to a B-section at
m. 44, which is a bold
fanfare-like presentation
of the main material.
Another series of
variations on the main
theme begins at m. 50 and
incorporates many
different textural and
harmonic ideas in the
accompaniment. Once
again, be careful to not
let any one “moving
part” overwhelm another
and keep the texture
evenly balanced. A
second, broader
presentation of the
B-section occurs at m. 90
and leads to a subdued
C-section at m. 100 with
new melodic material
presented in the trumpet.
A whimsical march-like
section pushes to the
return of the
introductory motor
material at m. 131. A
final heroic presentation
of the main thematic
material results in a
somewhat ambiguous coda,
which brings the piece to
a dramatic
conclusion.
SAB vocal soli, SATB choir, children's choir and orchestra - difficulty: moderat...(+)
SAB vocal soli, SATB
choir, children's choir
and orchestra -
difficulty: moderately
advanced
SKU:
LP.765762176522
With Behold This Holy
Night. Composed by
Adolphe C. Adams and John
S. Dwight. Arranged by
David Clydesdale. Anthem.
Christmas, general.
Split-channel, stereo and
demo CD. Published by
Lillenas Publishing
Company
(LP.765762176522).
ISBN 7-65762-17652-2.
UPC:
765762176522.
Take
your Christmas service to
new heights with this
show-stopping anthem for
choir, trio and
children's choir.
Originally written by
John S. Dwight and
Adolphe C. Adams, David
T. Clydesdale has added
his 21st century touch of
genius with new words,
music, arrangement and
orchestration. Starting
with a soft female solo,
this piece swells in
intensity as adult and
children's choirs join
and the orchestra soars.
And just when you think
it's over, the sweet and
soft strains of O Holy
Night remind us of the
simplicity of the birth
of Christ. With
accompanying video, this
is a very special
programmable piece, sure
to be unforgettable.
Composed by
George Sweet. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+1+2+2+
2+2+4+8+2+28+4 pages.
Duration 4 minutes, 35
seconds. Carl Fischer
Music #CPS228. Published
by Carl Fischer Music
(CF.CPS228).
ISBN
9781491152546. UPC:
680160910045.
Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was a
large influencing factor
for George Sweet in the
composition of this
piece. Richly scored for
the modern concert
band, Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass. Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was
an influencing factor on
the composition of the
piece. Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass.This begins
with strict motor
accompaniment. Take care
to maintain equal balance
among the different
“moving parts” so
that they blend to create
a solid whole both here
and throughout the piece.
The primary thematic
material is stated by the
trumpets and horns at m.
12. This material is the
basis for much of the
harmonic and thematic
material that follows. A
slightly varied statement
of the main theme is
presented again at m. 26
with a different type of
motor accompaniment. This
leads to a B-section at
m. 44, which is a bold
fanfare-like presentation
of the main material.
Another series of
variations on the main
theme begins at m. 50 and
incorporates many
different textural and
harmonic ideas in the
accompaniment. Once
again, be careful to not
let any one “moving
part” overwhelm another
and keep the texture
evenly balanced. A
second, broader
presentation of the
B-section occurs at m. 90
and leads to a subdued
C-section at m. 100 with
new melodic material
presented in the trumpet.
A whimsical march-like
section pushes to the
return of the
introductory motor
material at m. 131. A
final heroic presentation
of the main thematic
material results in a
somewhat ambiguous coda,
which brings the piece to
a dramatic
conclusion.
(Over 40 Pop Music Favorites). For Guitar; Keyboard; Piano; Voice. This ed...(+)
(Over 40 Pop Music
Favorites). For Guitar;
Keyboard; Piano; Voice.
This
edition:
Piano/Vocal/Guitar.
Artist/Personality; Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords.
Greatest
Hits. Pop; Pop/Rock;
Rock.
264 pages. Published by
Alfred Music
51 Sentimental Pop Chart Favorites (Piano/Vocal/Guitar). Composed by vari...(+)
51 Sentimental Pop
Chart Favorites
(Piano/Vocal/Guitar).
Composed by various
composers and arrangers.
This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. Best
Songs. Pop. 264 pages.
Published by Alfred Music
(AP.44680).
(Easy organ music for church services and teaching). Edited by Armin Kircher and...(+)
(Easy organ music for
church services and
teaching). Edited by
Armin Kircher and Marius
Schwemmer. For organ
solo. Performance score.
Text language: German. 58
pages. Published by
Baerenreiter Verlag
50 Classics. Composed by various artists and composers. This edition: Eas...(+)
50 Classics.
Composed by various
artists and composers.
This edition: Easy Hits
Piano. Book; P/V/C Mixed
Folio;
Piano/Vocal/Chords.
Alfred's Easy. Love; Pop;
Standard. 168 pages.
Published by Alfred Music
(AP.45244).
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
(The Best of Contemporary Songs). Composed by Thomas Fettke. For high voice solo...(+)
(The Best of Contemporary
Songs). Composed by
Thomas Fettke. For high
voice solo, medium voice
solo and piano (guitar).
Sacred Vocal. Published
by Lillenas Publishing
Company
Composed by Bart Howard,
Charles Strouse, Howard
Greenfield, Jimmy Webb,
L. Duddy, L. Pockriss,
Lee Adams, Neil Sedaka,
R.C. Bennett, and Sid
Tepper. Arranged by
Naohiro Iwai. New Sounds
for Concert Band. Pop &
Rock. Set (Score &
Parts). Composed 2007.
Music Sales #1510-07-010
MS. Published by Music
Sales
(BT.1510-07-010-MS).
9x12 inches.
For
this medley, Naohiro Iwai
has gathered six of the
finest Americanhits from
the 1940's and 1950's,
that despite their age
are still in thehearts
and minds of many people
today - true American
Beauties!
Dit
werk bevat een aantal
Amerikaanse muzikale
juweeltjes in een
vakkundig arrangement
voor harmonieorkest van
de hand van Naohiro Iwai.
Met Johnny Angel, By
the Time I Get to
Phoenix, Oh! Carol, Red
Roses for a Blue Lady,
FlyMe to the Moon
en Bye Bye
Birdie.
In
diesem Medley versammelte
Naohiro Iwai sechs der
schönsten amerikanischen
Hits, die in den
vierziger und fünfziger
Jahren erstmals
veröffentlicht wurden,
aber heute noch in aller
Munde und Herzen sind:
wahre musikalische
American Beauties
eben!
Johnny
Angel • By the Time I
Get to Phoenix • Oh !
Carol • Red Roses for a
Blue Lady • Fly Me to
the Moon • Bye, Bye,
BirdieCe medley
signé Naohiro Iwai
rassemble six des plus
grands standards
américains des années
1940-1950, standards
irrésistibles que nous
fredonnons encore
aujourd’hui. De vraies
beautés musicales
intemporelles !
Composed by Bart Howard,
Charles Strouse, Howard
Greenfield, Jimmy Webb,
L. Duddy, L. Pockriss,
Lee Adams, Neil Sedaka,
R.C. Bennett, and Sid
Tepper. Arranged by
Naohiro Iwai. New Sounds
for Concert Band. Pop &
Rock. Score Only.
Composed 2007. 36 pages.
Music Sales #1510-07-140
MS. Published by Music
Sales
(BT.1510-07-140-MS).
9x12 inches.
Dit
werk bevat een aantal
Amerikaanse muzikale
juweeltjes in een
vakkundig arrangement
voor harmonieorkest van
de hand van Naohiro Iwai.
Met Johnny Angel, By
the Time I Get to
Phoenix, Oh! Carol, Red
Roses for a Blue Lady,
FlyMe to the Moon
en Bye Bye
Birdie.
In
diesem Medley versammelte
Naohiro Iwai sechs der
schönsten amerikanischen
Hits, die in den
vierziger und fünfziger
Jahren erstmals
veröffentlicht wurden,
aber heute noch in aller
Munde und Herzen sind:
wahre musikalische
American Beauties
eben!
Johnny
Angel • By the Time I
Get to Phoenix • Oh !
Carol • Red Roses for a
Blue Lady • Fly Me to
the Moon • Bye, Bye,
BirdieCe medley
signé Naohiro Iwai
rassemble six des plus
grands standards
américains des années
1940-1950, standards
irrésistibles que nous
fredonnons encore
aujourd’hui. De vraies
beautés musicales
intemporelles !
