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| Henri Belolo Jacques
Morali Victor Willis:
Y.M.C.A.: Marching Band:
Score &
Fanfare
Hal Leonard
The Village People helped define an era with this monster hit from 1978. With th...(+)
The Village People helped define an era with this monster hit from 1978. With the instantly recognizable melodies and infectious character this chart insures an instant party wherever you play it. (Series One - Grade 2)
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| Y.M.C.A. (MORALI JACQUES)
Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé
De Haske Publications
Arr. Naoyuki Honzawa. Par MORALI JACQUES. Formé en 1977 par deux auteurs et pro...(+)
Arr. Naoyuki Honzawa. Par MORALI JACQUES. Formé en 1977 par deux auteurs et producteurs français (Jacques Morali et Henri Belolo), le groupe Village People se distingue par l'originalité presque politique de son concept artistique qui se voulait dénonciateur et parodique de la non-reconnaissance des minorités. Avec des chansons comme In the Navy, Macho Man et lincontournable Y. M. C. A. , le groupe connaît un succès mondial et devient emblématique de la musique disco. / Niveau : 4 / Pièce de concert / Date parution : 1905-07-01/ Répertoire / Concert Band ou Harmonie
Délais: Sur commande |
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| William Vean: The Irish
Dancemaster: Fanfare
Band: Score
Fanfare
Gobelin Music Publications
During the eighteenth century a person called 'the Dance Master' made his appear...(+)
During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.
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| William Vean: The Irish
Dancemaster: Fanfare
Band: Score & Parts
Fanfare [Conducteur et Parties séparées]
Gobelin Music Publications
During the eighteenth century a person called 'the Dance Master' made his appear...(+)
During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.
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| Carl Wittrock: The Power
of the Megatsunami:
Fanfare Band: Score
Fanfare
Gobelin Music Publications
The word âtsunamiâ is of Japanese origin. When you look it up in a dic...(+)
The word âtsunamiâ is of Japanese origin. When you look it up in a dictionary you will find that it means âa great sea wave produced by submarine earth movement or volcanic eruptionâ. A megatsunami is the superlative of this awesome expressionof power that nature can create and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami such as the island of La Palma one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of natureâs time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma the tidal wave will move in the direction of South America where it may reach 50km inland destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted broken off suddenly followed by silence suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After natureâs force has spent itself resignation sets in and the composition ends with a majestic ode to nature.
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| Carl Wittrock: The Power
of the Megatsunami:
Fanfare Band: Score &
Parts
Fanfare [Conducteur et Parties séparées]
Gobelin Music Publications
The word âtsunamiâ is of Japanese origin. When you look it up in a dic...(+)
The word âtsunamiâ is of Japanese origin. When you look it up in a dictionary you will find that it means âa great sea wave produced by submarine earth movement or volcanic eruptionâ. A megatsunami is the superlative of this awesome expressionof power that nature can create and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami such as the island of La Palma one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of natureâs time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma the tidal wave will move in the direction of South America where it may reach 50km inland destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted broken off suddenly followed by silence suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After natureâs force has spent itself resignation sets in and the composition ends with a majestic ode to nature.
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