5 Selected Songs. Par MAHLER GUSTAV. The only known chamber music by Gustav Mahler is a movement for piano quartet from his student days at the Conservatorium in Vienna (1875-1878). The present new arrangements by Ronald Kornfeil go some way to addressing this gap while they also enrich the repertoire with pieces that are very interesting and demanding in their own right. The composer's rich song output includes his Wunderhorn songs, the Songs of a Wayfarer, the Rückert songs, the Kindertotenlieder (Songs on the Death of Children) as well as movements from his symphonies and the Song of the Earth. This book includes a selection of pieces that best suit the sound of the flute while providing plenty of variety. The arrangements transform Mahler's songs from their original conception for voice and piano or orchestral accompaniment into a purely instrumental dialogue between two equally important instrumentalists. In most cases the colourful orchestral versions provide the starting point. The omission of the text also demands different compositional techniques to bring out the various effects between indulgent sweetness and grotesque irony. The internationally acclaimed flautist, Emmanuel Pahud presents further publications in this new series bringing together selected pieces from the repertoire of famous flautists./ Répertoire / Flûte Traversière et Piano

Excerpts from Symphony No. 1-A series of famous works abridged and 'unlocked' for easy Piano while retaining the essence of each great work. Usually all movements are represented. This volume contains excerpts from each movement of Mahler's inspirational Symphony No 1.

Arrangement: Scott Daniel. Par SCOTT DANIEL. Faites un voyage dans le temps à Vienne vieille - ville de l'intrigue courtois, assignation secrète, boules masqué au Palais de Schönbrunn, voitures élégants dans le Prater - un monde classique, ordonné évoqués par la musique de Haydn, Mozart, Beethoven et Schubert. Au XVIIIe siècle cède la place à la romantique du XIXe siècle dans les souches lyriques de Brahms et les valses tourbillonnants, abandonnés de Johann Strauss le jeune - une époque quand la ville elle-même a été transformée en une salle de bal sans fin, scintillante. Enfin, explorez le monde de Fin de Siecle introspectif, de Gustav Mahler, dont lyrisme passionné mais angoissé annonçait la chute de la dynastie des Habsbourg et la fin de l'âge d'or de Vienne comme capitale plus opulente de EuAvailablee. 150 ans de musique plus glorieuse du monde, écrit pour l'une des plus belles villes de EuAvailablee, est contenue dans le présent volume. Jouer de la musique et laissez-vous être ramené à Vienne - ville de rêves./ Recueil / Piano

Quatuor avec piano en la mineur Editeur: Christoph Flamm Doigtés: Klaus Schilde Le nom de Mahler est si rattaché au genre de la symphonie et du lied, que l?on ignore souvent qu?il se consacra intensément à la musique de chambre durant ses années d?études. Des nombreuses tentatives dans ce domaine, il ne reste qu?un quatuor à cordes, composé entre 1876 et 1878, et dont seul le premier mouvement, redécouvert dans les années 1960 et publié pour la première fois en 1973, est achevé. Même si l?on reconnaît immédiatement l?ombre de Brahms, ce mouvement de quatuor est suffisamment personnel et original ? à l?instar du traitement quasiment symphonique de piano ? pour qu?il soit intégré à notre série de publications Urtext. À des fins d?étude, nous publions en plus, et en annexe à notre édition, une esquisse sous forme de fragment d?un autre mouvement, un scherzo pour la même formation.

from Symphony No. 5-Zen On Japanese language edition of Gustav Mahler's Adagietto from Symphony No.5 for Piano Solo.

No. 1-4. Par ULLMANN VIKTOR. Ullman‘s seven Piano Sonatas were written between 1936 and 1944. Though rediscovered as recently as 1990, they are now available in a number of recordings. Neo-classical in approach, the piano writing and the use of polytonality places them closer to Skriabin and Prokofiev than to the works of Ullman‘s teachers Arnold Schoenberg and Alois Hába – this applies also to the Piano Concerto, written during the same period. The numerous quotes from Mozart, Wagner, Mahler, and Dukas to folksongs and tunes from operettas are particulary interesting in this context./ Répertoire / Piano

Piano Quartet a minor-Mahler's piano quartet in A minor with pull out violin part. It includes a preface in German English and French.

Skilfully selected encore pieces add a special touch to a concert. No matter whether virtuoso masterpieces or reflective melodies: both can help to achieve perfect harmony in the end of a successful concert. The well-known pianist and educationalist Wilhelm Ohmen has selected encore pieces for every occasion, with works from three centuries by Couperin, J.S. Bach, Mozart or Schubert through to Tchaikovsky, Mahler or Rachmaninoff. A treasure chest for every pianist. / Piano

Instrumentation : High voice - Pf(Ger.) International Gustav Mahler Society Edition Content : Oft denk' ich, sie sind nur ausgegangen;Nun will die Sonn' so hell aufgeh'n!;Wenn die Mütterlein;In diesem Wetter;Nun seh' ich wohl, warum so dunkle Flammen

Instrumentation : Voice - Pf(Ger.) International Gustav Mahler Society Edition Content : Blicke mir nicht in die Lieder;Ich atmet' einen linden Duft;Um Mitternacht;Ich bin der Welt abhanden gekommen;Liebst du um Schönheit

für Violine und Klavier. Par CHOSTAKOVITCH DIMITRI. A collection of 19 Preludes for Violin with Piano accompaniment by Russian-born composer, Dmitri Shostakovich. After an initial period of writing avant-garde works, Shostakovich wrote primarily in the Romantic idiom, drawing on the influence of Mahler, however he still combined atonality and, at times, tone rows. A collection of 19 Preludes for Violin with Piano accompaniment by Russian-born composer, Dmitri Shostakovich. After an initial period of writing avant-garde works, Shostakovich wrote primarily in the Romantic idiom, drawing on the influence of Mahler, however he still combined atonality and, at times, tone rows./ Répertoire / Violon et Piano

The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin Claude Debussy and Gabriel Fauré the works represented heretruly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume arranged for solo Piano for your sheer playing pleasure. Like the Baroque and Classical periods before it Romantic music existed within a broader artistic intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical spiritual legendary andsupernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era including: Albéniz Berlioz Bizet Brahms Chopin Dvorák Debussy Elgar Fauré Grieg Mahler Liszt Mendelssohn Puccini Ravel and so many more. Spanning the 19th century the Romantic movement was a reaction to what had come before. Music proved to be aparticularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created the period proved to be a very broadchurch indeed. This makes The Library Of Romantic Music?particularly exciting because the extraordinarily rich and expressive music is collected here in a single volume that is durable convenient and issure to be a mainstay of your music stand. For a simply stunning compendium of some incredible pieces of music composed by the masters The Library Of Romantic Music?is essential. Thegreatest compositions from such a fantastically rich period have been collected in this single volume perfect for pianists looking for beautiful additions to their repertoire.

One of the least known of the great Russian pianists of the late 19th and early 20th Centuries, Alexander Siloti (1863-1945) was one of the most influential and progressive. As a concert promoter, he introduced the music of dozens of composers to the Russian public in the famous Siloti Concerts of 1903-1917, including Albeniz, Debussy, de Falla, Delius, Elgar, Enesco, Mahler and Schoenberg. A student of Liszt (and one of the teachers of Rachmaninoff), Siloti is a central figure in the development of the great age of the piano virtuoso. As with many of his colleagues, transcribing and arranging existing music for the piano was a major part of Siloti's activity, and since he madeno recordings, his published transcriptions are one of the few existing keys we have to his musical taste and philosophy. In an extended biographical essay, Dr. Charles Barber explores this issue and writes cogently about the style and influence of this remarkable man. The Alexander Siloti Collection is dominated by Siloti's remarkable transcriptions and arrangements of the music of J.S. Bach, notable particularly for their pianistic character and faithfulness to the unique genetic code of Bach's design. Some of the Bach works included are: Prelude in B Minor, BWV855a, Gigue from Suite in Bb Major, Chaconne in D Minor, the Organ Preludes in E Minor and G Minor and the celebrated Toccata and Fugue in D Minor, BWV 565. Music by Gluck, Mozart and Chopin is also contained in this generous compilation of pianistic wizardry. This addition to The Master's Collection is likely to be one of the most talked about piano folios of the year. (288 pages, smythe sewn binding).Prelude in B MinorAdagioAirChaconne in D MinorGigueAndanteFantasia in C MinorOrgan Prelude in E MinorParaphraseOrgan Prelude in G MinorPreludePrelude from Cantata No. 29Prelude from Cantata No. 35SicilianoToccata and Fugue in D MinorMelodyVariationsVariations in F MajorEtude No. 25 in F MinorScherzo in B-flat MinorAu bord d'une sourceAu lac de WallenstadtConsolation No. 3 in D-flat MajorConcert Etude in D-flat MajorSposalizioIl PenserosoSursum CordaLe cygneHumoresqueTheme original et variationsA Song of IndiaFour Russian Folk SongsFour Russian Folk SongsFour Russian Folk SongsTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesNo. 3. On the Beautiful Blue DanubeTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesEtude in C-sharp MinorPoemeRomanzePrelude in G-sharp Minor / Piano / Carl Fischer

Premier Anniversaire Jean Cras Jean Cras (1879-1932) a relativement peu écrit pour le piano, qu'il pratiquait d'ailleurs fort bien, tout comme il jouait couramment du violon, de l'alto et de l'orgue. Son 'uvre maîtresse pour le clavier, les Danze (1917), constitue une sonate à peine déguisée, de grande ampleur, à côté de laquelle les Poèmes intimes (1902-1911) et les Paysages (1917) sont deux recueils de pièces de genre, reflets d'impressions comme surgies d'un journal tenu au gré de ses campagnes par cet officier de marine. Ajoutons les adorables Âmes d'enfants, initialement dédiées aux six mains de ses trois petites filles (plus tard arrangées pour quatre mains et également orchestrées), des piécettes inédites de jeunesse et quelques transcriptions, et nous aurions toute l''uvre pour piano de Cras, s'il ne s'était remis au clavier pour cette ultime page de piano seul. Ce Premier Anniversaire, c'est celui de son fils Jean-Pierre, le petit dernier tant désiré, né le 1er mai 1918 à Rome, huit ans après sa troisième fille. L''uvre est datée de Dieppe, où le capitaine de corvette Cras était en charge de la déréquisition des chalutiers (remise à la vie civile de ces bâtiments qui avaient été armés pour la défense côtière). Il devait, quelques semaines plus tard, entrer à l'état-major de la Marine puis rejoindre le cabinet du ministre de la Marine, étapes parmi tant d'autres d'une fort belle carrière de marin, culminant dans sa promo­tion au grade de contre-amiral au printemps 1931. Major général du port de Brest, c'est là qu'il est emporté par une maladie foudroyante en septembre 1932. Premier Anniversaire a été créé par Alain Jacquon à Paris, au Reid Hall, le 3 décembre 2011, dans le cadre des concerts organisés par la Dive Note. C'est également Alain Jacquon qui en a assuré le premier enre­gistrement, en septembre 2012, pour Timpani. Cette partition a été établie à partir de deux manuscrits autographes, l'un au crayon (collection privée), l'autre, sans doute postérieur, à l'encre (médiathèque musicale Mahler). partition pour piano 6 min ISMN 979-0-2318-0730-1 21 x 29,7 cm (ép. 4 mm) cahier agrafé 11 pages 55 g