A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were printed during his lifetime the rest having been published without the benefit of his supervision. This long-awaited edition of the autograph score offers a rare opportunity to see Mozarts violin concertosaccording to the composers intentions. Thanks to the well-preserved condition of the original manuscripts and Mozarts legible handwriting these reproductions of his scores can be used for study reference and performance. In addition to the fiveworks Concerto No. 1 in B Flat K. 207; Concerto No. 2 in D K. 211; Concerto No. 3 in G K. 216; Concerto No. 4 in D K. 218; and Concerto No. 5 in A K. 219 the volume includes two additional pieces the Adagio in E K. 261 and the Rondo in BFlat K. 261a. The first edition of this volume was published in a limited edition in 1986 and has been virtually unobtainable for many years. Two informative introductory essays by violinist Gabriel Banat who located the manuscripts missing sinceWorld War II supplement the collection: the first one traces Mozarts relationship with the violin and the other examines the history and importance of these manuscripts thought to have been forever lost. This outstanding edition offers teachers violinists conductors musicologists and Mozart enthusiasts an extraordinary chance to possess a score reproduced from the masters own hand.

Maia Bang Violin Method. A student of the world-renowned violinist Leopold Auer, Maia Bang acted as the maestro's teaching assistant and preserved his acclaimed methods of instruction in a series of manuals. The seven-volume collection covers every aspect of teaching and learning the instrument, from the beginning to the highest level. This first volume focuses on elementary aspects: the basics of holding the violin, tuning, reading music, scales, and bowing. Clear and simple in its presentation, the book abounds in Auer's original exercises and suggestions, including helpful notes for fingering, achieving proper intonation, legato playing, and other essentials. Bang's presentation continues Auer's tradition of combining technical exercises with fun-to-play melodies, including duets for teachers and students.

Par PAGANINI NICCOLO. Paganini and Wieniawski were two of the most famous violin virtuosos of the 19th century, and composers of a number of the most treasured masterpieces in the violin repertory. Here, in a comprehensive playing edition, are three of their most celebrated works for solo violin: Paganini's innovative Caprices, Op. 1 and Wieniawski's major collections of studies, l'Ecole Moderne, op. 10 and Etudes-Caprices, op. 18. Paganini's twenty-four Caprices are a virtual textbook of the phenomenal technical breakthroughs that he achieved, showing off his trail-blazing array of fingered octaves, double, triple and quadruple stop chords, and 'ricochet bowings'. Wieniawski's etudes fuse unmistakeableSlavonic colours with his already formidable technique and are, like Paganini's Caprices, among the most demanding works in the solo violin repertory, and essential parts of every professional violinist's training/ Répertoire / Violon

Excellent, éditions autorité de 3 des plus belles oeuvres de musique de chambre du compositeur français: Quatuor avec piano n o 1 en ut mineur, op. 15, le Quatuor avec piano n o 2 en sol mineur, op. 45 et le Quintette avec piano n o 1 en ré mineur, op. 89. Sources en un seul volume pratique pour les étudiants en musique, les amateurs de musique de chambre, les dévots Fauré. / Partition D'Orchestre

Deux des compositions les plus durables de Bruch, révélant le romantisme du compositeur allemand, la notation couramment, orchestrations colorées, et la mélodie exubérante. Le Premier Concerto pour violon en sol mineur se présente comme l'un des concertos les plus jouées et enregistrées dans le répertoire pour violon tandis Fantaisie écossaise reflète son intérêt tout au long de la musique folklorique.Réimpression de concert, op.26, CFW Siegel Musikalienhandlung, Leipzig, sd, et Fantasie, Op.46, N. Simrock, Berlin, 1880. / Violon Et Orchestre

Par MOZART WOLFGANG AMADEUS. All 23 string quartets, plus the alternate slow movement to K. 156. Breitkopf & Hortel ed./ Répertoire / Musique de Chambre

Par DEBUSSY CLAUDE. Debussy's last three chamber works. Written between 1915 and 1917./ Répertoire / Musique de Chambre

Par AUER LEOPOLD. Leopold Auer. A collection of principles and guidelines set down after a lifetime of playing and teaching. / Pédagogie / Livre / Livre Musical

he Quintet in C Major, the 15 Quartets, and Two Trios. Par SCHUBERT FRANZ. This volume is reproduced directly from the famous Breitkopf & Hartel series published at Leipzig under the title Franz Schubert's Werke. Included are The Quintet in C Major (1828), the 15 quartets, and two trios for violin, viola and violincello./ Répertoire / Musique de Chambre

A celebrated instructor explains his philosophy of teaching and practice methods including the appropriate combination of technique and interpretation. Ivan Galamian a longtime Juilliard professor incorporates aspects of both the Russian and French schools in a system both ingenious and logical. His tutelage has produced astonishing results with students many of whom rank among the world's most acclaimed concert artistsand orchestral concertmasters. Suitable for violin teachers and students of all ages and levels this guide presents general principles and offers practical suggestions related to posture holding the instrument and bow vibrato movements intonation tone production bowing patterns double stops trills and many other facets of playing and practice. This edition features a new Introduction by Sally Thomas violin virtuoso and Galamian'sformer student.

Opp. 127 130-133 135-Beethoven's late String Quartets are universally regarded as supreme transcendent works - among the greatest and most intimate music in chamber literature. Composed in the last years of the master's life - between 1823 and 1827 - these quartets contain astonishing experiments in thematic development and musical form that laid the foundation for innovations in 20th Century string quartet writing especially in the important works of Bartok and Shostakovich.This volume reprinted from the definitive Breitkopf and Hartel edition includes:String Quartet No.12 In E Flat Op.127String Quartet No.13 In B Flat Op.130String Quartet No.14 In C Sharp MinorOp.131String Quartet No.15 In A Minor Op.132String Quartet No.16 In F Op.135 and theGrosse Fuge In B Flat Op.133This convenient affordable volume is the ideal edition for study in the classroom at home or in the concert hall.