Par GALLOIS PASCAL. This new Bassoon method by the celebrated Bassoonist, Pascal Gallois, outlines for the first time extended techniques and different ways of creating sound on Bassoon. An indispensable and practical tool for composers, performers and teachers. Topics covered: Traditional Effects and Current Sounds; Spectral Effects; Percussive Effects; Effects Without the Reed; Vibrato; Air Noise / Pédagogie / Répertoire / Basson

Bass Clef-Abracadabra Brass is for beginners on all brass band instruments. Available in treble and bass clef editions it is a versitile book for versitile brass players. Abracadabra Brass contains a wide selection of tuneful music especially selected with children in mind. Traditional melodies folk songs from far afield and classical composers are all included. Much of the music is well-known and will be familiar to children. Exercises reinforce new technical points and there is a selection of scales at the back of the book. The content is carefully graded throughout to guide the beginner from the first lesson to Grade 4.

Londonderry-A super arrangement for 4 bassoons of the Traditional Londonderry Air with recurring references to Elgar's Nimrod and a hidden rendition (in bassoon 4) of Auld Lang Syne.Grade: 4 - 6

Sous-titre : 17 Graded Solos for Bassoon and Piano Arrangeur : Philip Sparke Édition musicale : Anglo Music Press Instrumentation : Basson et Piano Langue : E(UK)DFN Degré de difficulté : Facile-Élémentaire Type de produit : Recueil CD Année d'édition : 2013 Dimension : 9 X 12 INCH Nombre de pages : 32 ISMN : 9790570293629 N° Titre 1 Les Grands Douleurs (Basse Danse No. 6 from Danserye) Compositeur: Susato, Tielman 2 Sonata (from Harlequin Restored, or the Country Revels) Compositeur: Charke, Richard 3 Ah, Leave Me Not to Pine (from The Pirates of Penzance) Compositeur: Sullivan, Sir Arthur Seymour 4 Mr. Scoolding` Minuet (from The Compleat tutor to the Hautboy) Compositeur: Anonymous 5 Aria (from Kleine Kammermusik) Compositeur: Telemann, Georg Philipp 6 O Waly, Waly (The Water is Wide) - Scottish traditional 7 Bourrée (from Water Music) Compositeur: Händel, Georg Friedrich (Handel, George Frideric) 8 Gratitude (from Lyric Pieces Op. 62) Compositeur: Grieg, Edvard 9 Andantino (from Vox Organi) Compositeur: Batchelder, Frederick William 10 When I am Laid in Earth (from Dido and Aeneas) Compositeur: Purcell, Henry 11 Allegro (Sonata I from 12 Sonatas) Compositeur: Babell, William 12 Bist Du Bei Mir (from Diomedes) Compositeur: Stölzel, Gottfried Heinrich 13 Poco Allegretto (from Symphony No. 3) Compositeur: Brahms, Johannes 14 Lord Willobies Welcome Home (from My Ladye Nevells Booke of Virginal Music) Compositeur: Byrd, William 15 Jesu, Joy of Man`s Desiring (from Cantata No. 147) Compositeur: Bach, Johann Sebastian 16 Adagio (KV Anh. 94 (580a) Compositeur: Mozart, Wolfgang Amadeus 17 Allegro (Finale from Flute Sonata in C) Compositeur: Vivaldi, Antonio

French composer and conductor Henri Tomasi (1901-1971) published Concerto for Bassoon in 1957. As with his other wind compositions Concerto for Bassoon was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and went on to become a high profile composerand conductor. Tomasi did not forget his Corsican routes often incorporating into his compositions themes of the songs he had learnt during the summers with his Grandmother. The Concerto for Bassoon is in three movements; 1) Andante and Allegro 2) Serenade Nocturne and 3) Final-Saltarelle. This Tomasi piece is suitable to advanced bassoonists providing an exciting alternative addition to the instrument's repertoire.

When King Wenceslas Saw Three Ships. Imaginative if irreverent mixture of these traditional carols for 4 bassoons.Grade: 6

Timeless Cornish Melodies Cooked Up For Hungry Brass Players-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture - I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Herbert Howells (1892-1983) was an English composer and teacher who is perhaps best known for his choral music in the Anglican tradition most famously his voluminous settings of the evening canticles.Minuet was composed in 1945 for solo Bassoon with Piano accompaniment. It was written for the birthday of Hugh Crosthwaite an English academic and amateur bassoonist who was studying at that time at Cambridge where Howells was working as an acting Organist for the duration of the war. It is subtitled Grace for a Fresh Egg; i.e. a thanksgiving for what was a rarity in wartime Britain.

Internationally acclaimed French composer Henri Dutilleux (1916-2013) followed the music traditions of Maurice Ravel and Claude Debussy yet implemented his own distinctive style. His Sarabande et Cortege for Bassoon and Piano displays influences of Debussy's eschewing of tonality and Ravel's inventive textures. These combined with Dutilleux's unique uses of structure and pedal points create a truly riveting piece for Bassoon and Piano. Sarabande et Cortege comes at the beginning of Dutilleux's career and was composed as part of a set of fourexam pieces for the Paris Conservatoire (1942-1950). Yet the popularity of all four pieces remains and they continue to be performed to this day. Elements like lyrical melodies and furious semiquaver passages make for an exciting piece for bassoonists.

Comme le troisième après la deuxième La Seconde Guerre mondiale chaîne résultante est également Trio Laks 'pour hautbois, clarinette et basson de 1965 à la vie du compositeur, non publié. Le virtuose, pièce ludique est à son tour dans la tradition de néoclassicisme français, avec son accent sur ??la clarté formelle, la transparence de la texture et Melodizität élégante. La précision razor-sharp avec laquelle lakhs dans slugfest motivique et thématique de idiomatique humour instruments guidée générée peut penser de Stravinsky - en plus de Szymanowski et Ravel le plus garant important de, Jeunes Musiciens Polonais ', qui, quelques puissants' de compositeurs polonais, le Paris la vie musicale depuis les années 1920, et a été enrichi pour les protagonistes de Laks 1926e / Hautbois, Clarinette Et Basson / 76 pages / Partition

Méthode de basson en français, anglais et allemand.

Préface
1. Introduction
2. Effets traditionnels et sons actuels
3. Effets spectraux
4. Effets percussifs
5. Effets sans anche
6. Vibrato
7. Bruits d'air

Par SHEEN GRAHAM. Si vous pouvez jouer quelques notes sur le basson, alors vous êtes prêt pour ce livre. Voici 20 pièces peu imaginatifs spécialement composée pour les débutants - airs traditionnels, les classiques et les mélodies spécialement composées, toutes avec des accompagnements piano attrayants. Les pièces sont disposées progressivement, donc vous pouvez entendre l'amélioration étape par étape dans votre jeu ainsi que tout simplement profiter de la musique. / Niveau : Facile / Recueil / Basson et Piano