For Fingerstyle Guitar. Par GROSSMAN STEFAN. Ragtime is in many ways the quintessential American music. It arrived at the turn of the last century with many transitions, notably the discovery of the means to record sound, and the determination of Afro-Americans of genius to be appreciated as artists. The music we call ragtime represents not only a moment of great anticipation (as the advent of jazz was on hand) but also of fulfillment. There are perhaps, 200 classic ragtime pieces that represent a corpus of extraordinary beauty - some of the most straightforward, melodious, and out and out joyful music that there ever was. In the early 1960?s guitar players started to tackle arranging this music. David Laibman and Dave Van Ronk were in the vanguard of this movement. Van Ronk?s arrangement of St. Louis Tickle became a rite of passage for fingerstyle guitarists. Laibman?s arrangements of Scott Joplin?s classic rags amazed and challenged the fingerpickers from coast to coast and across the Atlantic Ocean to Europe. By the 1970s other guitarists tried their skills playing ragtime. In the last fifty years this pursuit has carried on. This collection presents eight outstanding guitarists and their approaches to arranging and playing cake walks and classic rags. Tackling the material in this collection will greatly help your development and mastery of the fretboard and what Rev. Gary Davis called your six-string piano. Both your hands will get a complete aerobic workout! An audio download link is included with performances of each title. / Date parution : 2022-01-14/ Recueil / Guitare

L'étude du violon tunes et chiffons offre le guitariste fingerstyle un éventail de styles et de techniques pour agrémenter et enrichir leur jeu. Les DVD caractéristiques cinq chauds instrus qui combinent alternant des techniques de bass, contrepoint des lignes, seule chaîne s'exécute, doigtés chord complexe et rythmiques licks. Merveilleusement présenté, cette leçon de DVD fantastique est enseignée par le tuteur de la guitare et joueur extraordinaire, Stefan Grossman. Les arrangements multi-sectionné illustrent à quel point américain fiddle tunes et compositions de ragtime peuvent être adaptées, arrangées et transcrites pour guitare fingerstyle. DVD et livret de musique/onglet 32 pages, cette leçon vous aidera à améliorer les compétences générales guitare vous et progrès à travers les avancées techniques fingerpicking. / Guitare

Les grands morceaux de ragtime de début du 20ème siècle ont été écrits pour la plupart pour piano, mais beaucoup de traduire superbement pour la guitare, et David Laibman va vous montrer comment. / Guitare

Dans cette leçon, double DVD de plus de 4 heures d'enseignement, Ernie Hawkins enseigne une dizaine de solos Big Bill de plus grands guitaristes et les arrangements. Chaque morceau est enseigné phrase par phrase, puis utilise l'écran partagé afin que vous puissiez étudier attentivement ce que chaque main est fait.Détaillées onglet / musique livrets sont inclus sous forme de fichiers PDF sur les deux DVD. On y trouve aussi des images rares de Big Bill, ainsi que des titres bonus audio d'enregistrements Big Bill de des airs sur cette leçon.Big Bill Broonzy (26 Juin, 1903 - Août 15, 1958) était un chanteur américain de blues incroyable, compositeur et guitariste. Sa carrière a commencé dans les années 1920 quand il a joué le country blues au public la plupart du temps noirs. A travers les années 1930 et 1940 il a réussi à naviguer d'une transition dans le style d'un son plus urbain de blues populaire auprès du public blanc. Dans les années 1950 un retour à ses traditionnelles folk-blues des racines fait de lui un des figures de proue du renouveau folk américain émergent de la musique et une star internationale. Il était l'un des bluesmen premiers à en tournée en Europe et ses performances et les dossiers ont influencé guitares folk de John Renbourn, Martin Carthy, Stefan Grossman et Davey Graham au rock guitaristes comme Eric Clapton (qui a enregistré plusieurs chansons Big Bill sur son CD Unplugged) à Ron Wood des Rolling Stones qui a dit: '. aléatoire Guitare Big Bill était l'un des premiers morceaux que j'ai appris à jouer, mais même à ce jour je ne peux pas jouer tout à fait raison' / Guitare

Raga Meets The Blues-Harry Manx has been called an 'essential link' between the music of East and West creating musical short stories that wed the tradition of the Blues with the depth of classical Indian ragas. He has created a unique sound that is hard to forget and deliciously addictive to listen to. Harry has performed across Canada into the USA Australia France Singapore and Spain. He has appeared at festivals world-class theatres concert halls and infamous Blues clubs around the globe. Playing the Mohan Veena lap steel and guitar Harry quickly envelops the audience into what has been dubbed 'the Harry Zone' with his warm vocals and the hauntingly beautiful melodies of his originalsongs. Blending Indian folk melodies with blues a sprinkle of gospel and compelling grooves Manx’s 'mysticssippi' flavour is evocative and hard to resist. Titles include: Can't Be Satisfied Sitting On Top of the World Working On The Railroad Goodtime Charlie Baby Please Don't Go Afghani Raga Oh Death Crazy Love Spoonful Tijuana Bring That Thing A Coat of Mail Steal Six Only Then Will Your House Be Blessed and Don't Forget To Miss Me.

DVD Two-Jorma Kaukonen's in-depth breakdown of the fol-blues classic 'I Know You Rider' covers the licks chord shapes bas runs and right hand picking he uses in his powerful arrangement of this song. You'll learn rhythmic figures 'back packing' 'double time patterns' vibrato accompaniment ideas runs up the neck and other invaluable techniques to add to your fingerpicking repertoire.'Water Song' a classic Jorma origianl is an instrumental showpiece in open G that encompasses harmonized scales octave runs string bends right hand rolls and other intriguing guitar moves. Finally Jorma teaches 'San Francisco Bay Blues' a ragtime-style standard that's filled with the guitarlicks and tricks that have made this a perennial favourite of guitar fingerpickers for generations.

Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.Ernie Hawkins has transcribed 13of Rev. Davis' best known blues and ragtime arrangements. Tunes such as Candyman Cocaine Blues Hesitation Blues Baby Let Me Lay It on You Spoonful and Delia are included alongside the ragtimeinstrumental tour de forces of Slow Drag (Cincinnati Flow Rag) and Make Believe Stunt (Maple Leaf Rag).The playing of Rev. Davis has influenced generations of Guitar players from Blind Boy Fullerto Dave Van Ronk Bob Dylan David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan

The Piano rag is musical form unlike any other. Although melodious ragtime's excitement and appeal derives from its syncopated rhythms. Ragtime music achieved notoriety through its greatest composer >ScottJoplin/strong> (1868-1917). At an early age he studied with an old German musician who introduced him to the Piano and music theory. While still in his early teens he earned his way playing Piano in the honky-tonks of villages andtowns in the Mississippi Valley. He was intrigued with the folk music of his people and the jig Piano style of the self-taught pianists with whom he worked.Complete Works Of Scott Joplin For Guitar allowsyou to take a musical journey through Scott Joplin's prolific career and perform these time-honored ragtime Piano pieces as they are transcribed here for solo Guitar. Written in standard notation only withfingerings and historical/ performance notes.

A collection of ten transcriptions for the guitar of classic rags by Scott Joplin, the greatest and most inspired of all ragtime composers. The works selected for this volume are an excellent cross-sampling of Joplin's rags. Titles include: The Entertainer * The Cascades * Maple Leaf Rag.